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In this piece, there is the first glance of the host body's alters. The background of this piece is one person's eye signifying that there is only one alter living within the host, since she is still a young girl. The fog around her eyes signifies she is still confused and even unaware of the reality she is being faced with when her alters take control.

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This image, being the first image of my concentration, was intended to represent the trauma that triggers Dissociative Identity Disorder. Child abuse in women is the most common trigger, so having my model be a young female was ideal in creating my intended meaning.

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For this Curiosity piece, I wanted to take it back to the beginning of time to Adam and Eve. Who was more curious than them? Literally nothing had been discovered yet, so all they could do was wonder about the possibilities. One of the biggest acts of curiosity was when they picked the fruit from the tree, despite God telling them not. This piece communicates that all of mankind is curious and Adam and Eve aren't the only ones to blame.

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This photo was in the same shoot as my other John's Hopkins, "Transitions" shoot. Here there is the transition between seasons and the moment in between when we're unsure what that upcoming season will hold.

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This is a film piece from Photo 2 when we were experimenting with movement while using the film camera. I like this picture as it clearly depicts motion and the purpose of the assignment in a joyful way. All pictures in this shoot were upbeat, joyful and full of youth.

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2018 Transitions Piece//Film with Digital touch ups

For this Transitions piece, I wanted to communicate not only the change in seasons, but also the relationship between man and earth. Originally, this photo shoot was meant to demonstrate decay, but also body and earth becoming one. However, since the piece seems to emphasize beauty more than death, this piece also elicits the change in seasons and the transition into Spring- a new, fruitful beginning.

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This storyboard was created with the intent of showing the immediate events after a kidnapping. The high contrast of the pictures also emphasize the intensity of the situation, and suggest how a victim would only see life in black and white. As the storyboard progresses, so do the power of the photos as the fear of the situation sets in for the victim.

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In this piece, I wanted to communicate how I was made and how there is no one like me. This silhouette with my fingerprints reveals the foundations of my being and the inability to see my face emphasizes my identity is more than just physical appearance. The uniqueness to this piece is that everyone has different finger prints in the same way that everyone has a different identity.

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In this piece, my intent was to communicate the struggles that come with living up to extreme social norms. On the left, my model is a put together, confident woman. On the right, we see her in a much more chaotic state, something a classy woman would never let the public eye see. The double exposure of the two images supports the fact that these two drastically different personas can actually make up one identity.

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This picture, believe it or not, was influenced by ripped jeans. When researching things that burst at the seems, I became very intrigued by the line work in ripped jeans. I took the influence from that and let it inspire me to face distortion that would indicate not everything is how it seems, and you can't judge without seeing the whole picture.