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¡hola! soy Bianca y entré al Lenguas Vivas en 2016.

Me gustan mucho los idiomas, leer y pintar.

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Adhere to the following three tips to ensure that your brushes perform to their highest potential over time.

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If you intend using a lot of water in your water colour painting, then it is important to stretch your paper before starting to avoid cockling - this is where the sheet wrinkles and forms ridges that are almost impossible to remove when substantial amounts of water are used. If you are working on heavyweight paper and do not intend using large washes or you are using gouache or acrylic then you do not have to stretch the paper, however the benefit of stretching your paper is the freedom to use as much water as you want, when you want.

There are two ways to stretch water colour paper:

Stretching on a flat board

Board: This is the most common way of stretching paper and spruce drawing boards (draughtsmen's boards) are the best because they are hard wearing and durable, however, they are not easy to find. MDF board can also be used but it should be sealed beforehand so that water doesn't penetrate. For paper under 24" square a 12mm board thickness is suitable and for larger sheets increase the thickness of the board to prevent warping. A thicker board is best because you can use both sides. Alternatively, you can brace the 12mm board on a frame.

Paper: Acid free paper is the best paper to use for your work to last a long time, this is because acidity embrittles the paper and eventually makes it too weak to handle.

Whatever paper you choose, use the heaviest sheet you can afford, for the simple reason that it will be more robust and less likely to be bent in long term storage. Paper can be stretched up to a size of approximately 1.5m x 2.5m but if you go beyond that, the tension in the paper is too strong.

Procedure: Allow 1" for gummed paper tape all the way round your paper when cutting to size. Fill a large sink or bath with water and submerge the paper, rolling or folding it as necessary, but avoid creasing it. A heavy paper [300lb/640gsm] must soak for 15-20 mins, a lightweight [90lb/190gsm] one needs only 4-5 minutes.

If the paper is too large to submerge it can be soaked on the board but allow up to 25 minutes soaking on each side to ensure expansion of the paper. Then remove the paper and allow the excess water to drip off before laying the paper on the clean board. Using traditional gummed paper strip, tape down the edges and leave the board to dry flat. Both sides of the board can be used, simply stand the board on four ink bottles to let the air circulate.

Stretching on an purpose frame

It is also possible to purchase stretching boards or 'paper stretchers' from your local art store.

What happens if the paper has failed to stretch
If the paper fails it can simply be re-used by cutting it off the board, re-soaking and re-stretching. There are four faults that are the most common reasons for failure when stretching paper:
1. The paper has not soaked long enough. It looks flat when dry but still cockles when painted on. Running paper under the tap will not be sufficient to soak it.
2. As it is sometimes difficult to find, gummed paper tape is replaced with masking tape or brown sticky tape. These don't stick and they don't stretch with the paper.
3. Too wet a sponge is used to moisten the gum strip and the gum is wiped off, preventing it from sticking.
4. Boards or frames are stood upright to dry. The water runs to the bottom and pulls the paper away from the top. This is why paper stretching is difficult on studio walls.

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The importance of stretching Water Colour paper

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If you intend using a lot of water in your water colour painting, then it is important to stretch your paper before starting to avoid cockling - this is where the sheet wrinkles and forms ridges that are almost impossible to remove when substantial amounts of water are used.

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White papers produce the brightest images, whilst coloured papers are used for opaque or juxtaposition techniques. Consider what type of effect you are trying to achieve and how bright you would like your art to appear when choosing the colour of your surface.

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The World's Finest Creative Tool Maker | Winsor & Newton

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Applying our knowledge, expertise and leading science to create a selection of the world's finest creative materials.

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What is Mirror-Touch Synesthesia?

Imagine you're with a friend and she falls and twists her ankle. All of a sudden, you feel the pain in your own ankle. Or, you see someone touching their own face and you feel the sensation on your cheek. These are symptoms of a rare neurological condition known as mirror-touch synesthesia.

The word synesthesia derives from Greek and means 'joined perception.' People with synesthesia often experience perceiving something through more than one sense. For example, people might see a certain color, such as blue, and then smell something distinct, like flowers. Or, let's say you see you always see the color green when you're thinking about the number five. This is the most common type of synesthesia, but it can take many different forms. Let's talk specifically about mirror-touch synesthesia.

Mirror-touch synesthesia is a particular form that involves feeling the sensations other people feel, as if something were happening to you. It's sort of like looking in a mirror! Researchers are not exactly sure what causes mirror-touch synesthesia. But, there are few explanations that we'll discuss in this lesson.

Mirror Neurons

Scientists believe that mirror-touch synesthesia is related to cells located in our brain called neurons. Neurons are cells that transmit electrical signals throughout our body to help our brain and spinal cord communicate with the rest of us.

The neurons we're talking about here are found in an area of the brain called the premotor cortex, which is the part of your brain that is responsible for planning future action. So, if you're about to reach out and grab something, this part of your brain is activated.

While observing the actions of monkeys, scientists discovered something curious: in some monkeys, these cells were activated both when a monkey reached out and grasped something and also when that monkey observed another reaching out to grab something. Because of this mirror-like action, scientists termed these cells 'mirror neurons'.

Mirror-touch Synesthesia and the Brain

Other research has suggested that synesthesia might be the result of 'cross-wires' in our brain. In other words, neural circuits that are meant to be separate might cross over onto one another. So, for example, the bundle of neurons that are meant to be contained within our sight sensory system might end up crossed over into our touch sensory system.

Researchers are not entirely sure what explains this. However, some believe that we are all born with some of our circuits crossed, but for most of us they eventually uncross.

Scientists are not entirely sure which parts of the brain are involved in synesthesia, but some believe that the limbic system plays an important role. The limbic system is responsible for regulating emotions and memory. Scientists believe that one emotion in particular might be involved in mirror-touch synesthesia: empathy. Empathy is the ability to understand what someone else is feeling.

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what is mirror-touch synesthesia? | study.com

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What is Mirror-Touch Synesthesia? | Study.com

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Imagine you're with a friend and she falls and twists her ankle. All of a sudden, you feel the pain in your own ankle. Or, you see someone touching their own face and you feel the sensation on your cheek. These are symptoms of a rare neurological condition known as mirror-touch synesthesia.

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A Comprehensive Hands-on Guide to Transfer Learning with Real-World Applications in Deep Learning

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Deep Learning on Steroids with the Power of Knowledge Transfer! Humans have an inherent ability to transfer knowledge across tasks. What we acquire as knowledge while learning about one task, we utilize in the same way to solve related tasks. The more related the tasks, the easier it is for us to transfer, or cross-utilize our knowledge.

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Cierre - la colocación de un mecanismo de cierre en un dispositivo aislador de energía, conforme con un procedimiento establecido, que asegura que el dispositivo aislador y el equipo bajo control no pueden ser puestos en marcha hasta quitar el mecanismo de cierre. Etiquetado - la colocación de un dispositivo de etiquetado en un aparato aislador de energía, según el procedimiento establecido, para indicar que el dispositivo aislador y el equipo bajo control no pueden ser puestos en marcha hasta quitar el dispositivo de etiquetado. Empleado Autorizado - una persona que cierra o pone etiquetas en máquinas o equipos para dar mantenimiento o servicio a la máquina o equipo.

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Motores y Generadores Presurizados - Motores y generadores para atmósferas explosivas | ABB

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The opportunity of widly common basic motors for Ex nA e and Ex px e allows to extend stocked motors for zone 2 to use in zone 1 in a relatively short time and also to get the certification from the notified body.

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Aplicaciones de finalidad general - Motores síncronos | ABB

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El diseño de motores síncronos de ABB para aplicaciones de finalidad general se ha optimizado para lograr una eficiencia y una fiabilidad altas

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TP 4 Pressurized synchronous motors

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Pasiva perifrástica con ser y pasiva refleja con se

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Pasiva perifrástica con ser y pasiva refleja con se

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Pasiva perifrástica con ser y pasiva refleja con se

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HISPANOTECA - Portal de lengua y cultura hispanas. Lingüística contrastiva español y alemán. Para estudiantes y profesores de lengua y cultura hispanas

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ORACIONES IMPERSONALES, PASIVA REFLEJA Y PASIVA PERIFRÁSTICA

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ORACIONES IMPERSONALES, PASIVA REFLEJA Y PASIVA PERIFRÁSTICA

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Please contact me if you would like a free quote / Comuníquese conmigo para servicios de traducción Contacto

La construcción "pasiva refleja" nos ayuda a evitar el pasivo, que no suena bien en español y que se usa con frecuencia en otros idiomas. Este tema es de especial interés para traductores.

ORACIONES IMPERSONALES

Las oraciones impersonales carecen de sujeto gramatical, y el verbo siempre se conjuga en tercera persona del singular.

Ejemplos: Se come bien en este restaurante

La construcción es "impersonal" cuando el complemento es una persona (o varias personas).

Ejemplos: Se invita a contratistas a presentar su cotización.

Se invita a los colegas a discutir el tema.

A pesar de que colegas está en plural, en este caso el verbo está en singular.

PASIVA REFLEJA

En las oraciones de pasiva refleja, la forma se precede a un verbo en forma activa en tercera persona (singular o plural).

Ejemplos: Se venden aguacates. Se supone que íbamos a hablar al respecto.

Singular: Se compra un carro de marca Peugeot.

Plural: Se arriendan propiedades en un sector céntrico.

Es importante recordar que el verbo estará en plural si el complemento está en plural.

PASIVA PERIFRÁSTICA

Las oraciones de pasiva refleja tienen el mismo sentido que las oraciones de pasiva perifrástica (las construidas con " ser + participio").

PASIVA REFLEJA:
Ejemplo: En la reunión se discutieron todos los temas pendientes
PASIVA PERIFRÁSTICA
En la reunión fueron discutidos todos los temas pendientes.
El complemento agente, en este caso, corresponde al sujeto de las oraciones activas. "Discutidos" es el participio pasado.

Información adicional sobre estos temas:
http://cvc.cervantes.es/lengua/thesaurus/pdf/44/TH_44_002_024_0.pdf

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Oraciones impersonales, pasiva refleja y pasiva perifrástica

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Please contact me if you would like a free quote / Comuníquese conmigo para servicios de traducción Contacto La construcción "pasiva refleja" nos ayuda a evitar el pasivo, que no suena bien en español y que se usa con frecuencia en otros idiomas. Este tema es de especial interés para traductores.

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HISPANOTECA - Portal de lengua y cultura hispanas. Lingüística contrastiva español y alemán. Para estudiantes y profesores de lengua y cultura hispanas

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Aunque no tengas cámara digital seguro que lo utilizas en desde el móvil, photography terms (Vocabulario de fotografía avanzado en inglés).

Esta entrada está publicada en Inglés. Guarde el enlace permanente.

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Photography terms (Vocabulario de fotografía avanzado en inglés)

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Aunque no tengas cámara digital seguro que lo utilizas en desde el móvil, photography terms (Vocabulario de fotografía avanzado en inglés)

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Además de la reproducción de imagen con absoluta precisión y la asistencia óptima en la exploración del paciente, para HEINE la seguridad del paciente tiene una alta prioridad. La luz puede implicar peligros para la retina y para la superficie de la piel en función de la intensidad y de la fuente de luz.