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"There may be trouble ahead”: Re-reading Cavell on the Film-Musical

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Musik als dramaturgisches
/narratives Gestaltungsmittel
affect, emotion, narration

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A Star Reborn: Performance as Diegesis in George Cukor’s A Star is born

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Musik als visuelles Gestaltungsmittel

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Mediating Romance in Cinema’s Musical Moments

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Film’s First Musical Moment: The Dickson Experimental Sound Film, 1895

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The musical moment in three silent films by Jacques Feyder: narrative vector or emotional catalyst?

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Choreographed improvisation? An approach to tap dance improvisation on screen

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Ingmar Bergman’s Musical Moments

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The musical moment as sexual utopia in Duke of Burgundy

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Harem Numbers in Hollywood Musicals

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Concepts of Choreography: Musical Moments in René Clair’s À nous la liberté  (1931)

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Special Issue

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Special Issue
Negotiating the Theatrical, the Cinematic, and a French National Style in the Early Operette Filmée

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Special Issue
Kunstmusik and Its (Dis)Contents in Weimar Sound Film: 19th-Century Quotations in Paul Czinner’s Der Träumende Mund (1932)

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Visual and Dramaturgical Strategies of Embedding Musical Moments in Austrian Silent Cinema

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The Missing Link: Musical Numbers in Austrian Silent Cinema between Operetta and the Film Musical

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Rezeptionsästhetik, fandom, multimedia, mashup culture

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Pleasure and Obscenity in Hairspray (1988; 2007)

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“Embarrassing yet euphoric”: Shame, Performance and the Musical Moment in Toni Erdmann(2016)

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Post-Walkman Cinema: Music as Ontological Interface in Contemporary Cinema

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Pride, Shame and Queer Musical
Performativity in American Horror Story