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staying together from m34-50

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Adding the extra spice to make the Tango EXTRA and staying together from 18 to 33

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m.34-42 work on getting the accidentals in tune.

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Intonation at 53-54

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m.18-33, working on staying together and being the appropriate dynamic

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perfecting the staggered bowing in m18-42. and tuning in m50-59

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measures 31 to 42

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lining up the rhythms in my hands, especially at 34-42

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Centering intonation and making pitch consistent throughout the piece.
Special Attention for m. 34 - 50

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Keeping in tempo between measure 19-42.

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m. 1-16(repeat) more confident

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m.18-31 violin II needs to stay together
m. 26- 34 drags

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Nate
I think we need to add more dynamics, and accents, because we're too soft in some sections.

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Tuning in m50-59

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Libertango - The tuning overall could be better

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Keeping the tempo from 34-42. Watch!!

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measures 26-34, 59 to the end also slows down

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m 18-33 need to stay together
pickups to m 34-42 play louder

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Having less harsh tones in the measure 50 part, specifically going less hard on the spiccato and the last measure getting more bow to lesson scratch.

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Measure 11 in Libertango always sounds weird and not clean enough

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The beginning needs to sound more confident and needs more dynamics.

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Lining up 18 in second violins after we change piz to arco.

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The transition into measure 18 and the intonation throughout 18- 34