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Last week, Megan Fox shared four Polaroids of her family in an Instagram post. She and husband Brian Austin Green are famously private when it comes to their three sons, Noah, Bodhi, and Journey, and many of her followers were delighted with the update. Naturally, most commenters gushed about how cute the boys are. But of course, the trolls also came out in full force. Why? Because 4-year-old Noah is wearing a Frozen dress in the snap.

Some people left nasty comments criticizing Fox's parenting and telling her it was "wrong" for her son to be wearing a dress. Some said she should "let boys be boys," others added that "this is highly confusing for the kid" and "society is lost." But many others came to Fox's defense, stressing that her photo simply shows a child wearing a costume (and looking adorable in it). "She's being a mom, she's supporting and loving her kids," one commenter said. "If he wants to wear a dress, it's his decision."

Paparazzi photos of Fox and her family have captured Noah and Bodhi wearing dresses a few times before. In a 2016 appearance on Jimmy Kimmel Live!, Fox explained that she was raised in a strict Pentecostal household where her church dictated what men and women were permitted to wear. She said that she's eschewed any kind of similar rules when it comes to her own family.

"The boys can wear dresses," she told Kimmel. "There are no rules-you can be whatever you want to be in my house!"

Fox isn't the only celeb who lets her kids wear what they want regardless of gender; Liev Schreiber's son dressed as Harley Quinn for Comic-Con last month and looked amazing.

Unfortunately, parents like Fox and Schreiber are often criticized for their kids' choices, or accused of making their children dress a certain way to further some ~unknown agenda~. In a popular 2014 blog post about his son's love for dresses, writer and actor Seth Menachem explained: "It used to embarrass me slightly when [my son] wore a dress in public. And it wasn't because I cared about people who thought it was weird that my son was wearing a dress. It was because I cared that they thought I had chosen to put him in a dress. As if there was an agenda on my part to use my son as a way to break societal norms." Menachem eventually realized that steering his son towards more "masculine" clothing choices was only harming their relationship, and one night he even put on a dress, too.

Just a quick reminder: The clothing a child chooses to wear doesn't inherently say something about their gender identity, sexuality, or anything else. And even if a kid is dressing in a certain way to experiment with their gender presentation, that's obviously fine and not something deserving of criticism. Claiming that certain clothes are strictly for boys or girls can be really confusing for children, who should be allowed to experiment with what they like even if it falls outside of certain "norms."

Also, gendered fashion rules are pretty arbitrary anyway. For instance, there's a long history of people seeing blue as a "much more delicate and dainty tone," therefore befitting girls, Michelle Finamore, a curator at Boston's Museum of Fine Arts, told . Pink was viewed as "a stronger and more passionate color" that was a perfect match for boys. This didn't change until after World War II, Finamore explained.

And remember how for much of history, it was pretty unconventional for women to wear pants? In fact, women weren't officially allowed to wear pants on the U.S. Senate floor until 1993. Hopefully, criticizing boys-or their parents-about wearing dresses will one day seem just as absurd as questioning women for wearing pants.

There are many reasonable things to be outraged about in this world. A child's favorite costume is not one of them.
Related: You may also like: This Fit Mom Works Out With Her Toddler Daughter to Stay in Shape

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Megan Fox Lets Her Sons Wear Dresses, and There's Nothing Wrong With That

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Last week, Megan Fox shared four Polaroids of her family in an Instagram post. She and husband Brian Austin Green are famously private when it comes to their three sons, Noah, Bodhi, and Journey, and many of her followers were delighted with the update. Naturally, most commenters gushed about how cute the boys are.

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Elizabeth Cady Stanton and Lucretia Mott, the leaders of the Seneca Falls Convention. This was one of the first women right's conventions, and the start of the women's rights movement.

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Boys - interactive, building, requires thought and fine motor skills e.g lego, trucks,trains, puzzles, science kits Girls -pretty to look at, requires imagination, many toys imitate real life and prepares the girl for a motherly role, more fragile e.g toy kitchens, baby alive

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"'Boys don't cook.' I giggled at the idea of Jem wearing an apron." (109)

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"'Boys don't cook.' I giggled at the idea of Jem wearing an apron." (109)

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"It was customary for the men in the family to stay on Simon's homestead,Finch's Landing and make their living out of cotton"(pg 4). 

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"It was customary for the men in the family to stay on Simon's homestead,Finch's Landing and make their living out of cotton"(pg 4). 

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"...so the boys came before the probate judge on charges of disorderly conduct, disturbing the peace, assault in battery, and using abusive and profane language in the presence and hearing of a female"(page 12).

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It is not just women who are standing up for equality even for today. There are numerous men who have talked about women's rights. Take a look at how famous actor and former football player speaks truths about how men sometimes look at women and toxic masculinity still in present day.

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During a panel at last week's Women in the World Summit, actor and #MeToo activist Terry Crews talked about the "cult" of toxic masculinity, and how men often fail to perceive women as "all the way human."

"Masculinity can be a cult," Crews explained. "And when I say 'cult,' it's no different than David Koresh. It's no different than Jim Jones." He went on:

This is what happens with men and women. [...] As a woman, they talk, but a guy is not looking at you as even all the way human. This is what you have to understand - there is a humanity issue here," he continued. "[Women are] like, 'Why don't you hear me? Why don't you see my feelings?' And [men are] like, 'But you're not all the way human. You're here for me, you're here for my deal.' It's real.

Crews also admitted his own complicity in this system.

"I am guilty," he said. "I believed, simply because I was a man, that I was more valuable than my wife and the other women in my life."

To illustrate his point, he talked about going to strip clubs with his teammates when he was playing football:

You go to the strip club, and here's the woman, and the whole thing. And once she starts talking about that she has kids or she starts talking about anything in her life, it's like, 'Stop, stop, stop.' Because [she's] becoming a human before my eyes. I don't want you to be a human. I want you to be an object. I want you to be something pretty to look at. But as you talk, you're making things too real for me.

The clip of Crews's statement has been recirculating this week, and as upsetting as his words are, there's something refreshing about them, about their honesty. That many men see women as subhuman probably won't come as a surprise to most women (or most men), but it's a truth that is rarely stated so plainly. And, as Crews and so many of the #MeToo activists know, it's only by confronting these ugly truths head-on that we can begin to move forward.

Watch the full clip of Crews's statement below.

The Hollywood PR Machine Has Finally Caught Up to #MeToo

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Terry Crews: Men Don't See Women As 'All the Way Human'

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During a panel at last week's Women in the World Summit, actor and #MeToo activist Terry Crews talked about the "cult" of toxic masculinity, and how men often fail to perceive women as "all the way human." "Masculinity can be a cult," Crews explained. "And when I say 'cult,' it's no different than David Koresh.

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“Aunt Alexandra was fanatical on the subject of my attire. I could not possibly hope to be a lady if I wore breeches; when I said I could do nothing in a dress, she said I wasn't supposed to be doing things that required pants.”(109) 

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“Aunt Alexandra was fanatical on the subject of my attire. I could not possibly hope to be a lady if I wore breeches; when I said I could do nothing in a dress, she said I wasn't supposed to be doing things that required pants.”(109) 

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From racism to gender roles, To Kill a Mockingbird by Harper Lee comments on the prejudices intertwined in the fabric of Southern society in the USA during the 1930s, in the aftermath of the Great Depression. This iconic novel is celebrated even today as an example of great American literature. Lee creates characters brimming with complexity, personality and most importantly, human flaws and struggles.

The main character around which the novel revolves is a six-year-old girl: Jean Louise Finch, mostly known as Scout. Scout grows up in the small town of Maycomb, a fishbowl where everyone knows everyone and privacy and secrets are unheard of. She is a 'tomboy', always in overalls and muddy shoes, spending the majority of her time playing with her older brother, Jem, and friend, Dill.

She is fierce and tough, and sees the world in black and white. Jem, four years her senior, is more adept at spotting the grey areas. Both children have been raised by their father, Atticus, a forthcoming lawyer with a strong sense of morals and great respect for his two children.

When I read the novel for the first time, I was immediately intrigued by Lee's depiction of gender roles and gender prejudice within Maycomb's society. The story is narrated by both young Scout and an older, more mature Scout reflecting on her childhood. It covers a span of three years and follows the children through turbulent and confusing times in their lives.

Accustomed to a quiet and relatively monotonous routine, Scout finds adjusting to the changes in the world around her based on new events in Maycomb difficult. This bildungsroman, a coming of age novel, makes interesting observations about many aspects of Scout's life and surroundings, but perhaps the most astute are about her existence as a young girl expected to conform to societal standards for women. These standards are best illustrated by the personalities and behaviours of the women in the novel.

Scout is used by Lee to demonstrate how societal expectations of feminine behavior are pushed upon girls right from a young age. She is described as a tomboy, and does not fit the stereotype for young, gentle and petite girls. She is tough and playful and spends her time outdoors instead of behaving in the expected 'ladylike manner'.

She initiates brawls, curses with excitement and makes curt and sarcastic comments about adults. All in all, she comes across as a likeable and high-spirited character, who readers can easily empathize with.

Scout is used by Lee to demonstrate how societal expectations of feminine behavior are pushed upon girls right from a young age.

Scout doesn't conform to gender roles, and is upset when she is made to. As she grows up, she has to begin attending the local school. On her first day of school she is forced to wear a dress, much to her displeasure. She feels uncomfortable in it, and unlike herself. However, she has no choice as it was deemed the appropriate clothing for girls.

This ensures that she is silent and doesn't voice any more concerns lest she is forbidden from joining their adventures in the future. Over time, she is distanced from the two boys, who begin to exclude her from their games and spend their time together. This brings her into closer contact with the other strong female character of the book, Miss Maudie Atkinson.

Also Read: A Feminist Reading of Virginia Woolf's Orlando: A Biography

Lee does not give her a husband and children, which adds to her independence and confidence as an individual, instead of as a character in a familial setting. Throughout the novel, she helps Scout understand their world better, and does not treat her as a naïve child. When discussing religion and Christianity with Scout, she tells her, "Sometimes the Bible in the hand of one man is worse than a whiskey bottle in the hand of - oh, of your father".

Scout confides in her and values her opinions, and Miss Maudie is almost a mother figure in Scout's life. Scout reflects upon her relationship with Miss Maudie, saying, "She had an acid tongue in her head" but "Jem and I had considerable faith in Miss Maudie" as "she was our friend".

While being optimistic and kind, Miss Maudie is not afraid to voice her beliefs or move against the tide of popular opinion. At a ladies' tea, she is upset by the women being intolerant and racist towards their black help, and snaps at one of the women complaining about her cook.

In contrast to Miss Maudie, Scout's Aunt Alexandra represents the ideal Southern family-oriented woman. She is at the other end of the spectrum, with her conventional beliefs and constant disapproval of Scout's tomboyish behavior. She complains about Scout wearing overalls to Atticus who is frustrated by her frequent criticism, and Scout describes the exchange as "The only time I ever heard Atticus speak sharply to anyone".

Aunt Alexandra repeatedly tells her that she cannot be a lady if she does not dress like one.

She enforces this and tries to get Scout to conform to gender roles despite seeing how resistant she is to them. She takes part in all the 'right activities', such as hosting missionary circles, joining clubs and gossiping with a passion. She is portrayed as judgmental and is quick to create prejudices in her mind about others.

While Scout tries to remain indifferent towards her Aunt and her efforts, at a point in the novel, she begins to respect her. When dealing with a crisis during her ladies' tea, Aunt Alexandra regains her composure and handles it gracefully, resulting in Scout remarking, "If Aunty could be a lady at a time like this, so could I".

However, it is regarded as timeless for a reason- Lee's skilful character development and narration creates a powerful and relatable story, one that is both informative and thought provoking. As a feminist, seeing its depiction of sexism and gender stereotypes was interesting as it helped me gain a better understanding of the manifestations of conventional ideals in a young girl's life.

Also Read: Book Review: The Handmaid's Tale by Margaret Atwood, A Visceral Experience
A 17 year old feminist, Tara loves poetry, discussing opinions and napping. She is happiest when she has a warm cup of chai in one hand and a book in the other. Featured Image Credit: Adarsh Badri

Tara loves poetry, discussing opinions and napping. She is happiest when she has a warm cup of chai in one hand and a book in the other.

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Gender Roles And Stereotyping In To Kill A Mockingbird

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From racism to gender roles, To Kill a Mockingbird by Harper Lee comments on the prejudices intertwined in the fabric of Southern society in the USA during the 1930s, in the aftermath of the Great Depression . This iconic novel is celebrated even today as an example of great American literature.

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Today, we are lucky to have ladies such as Jameela Jamil who stand up for women's rights and create campaigns to band us together.

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The British actor Jameela Jamil came to fame on the comedy The Good Place playing Tahani Al-Jamil, a vain but lovable heiress with a penchant for name-dropping celebs and performative shows of do-goodery-hosting splashy charity balls, or going on humanitarian missions with a documentary crew in tow.

And some saw a little Tahani in the real-life Jamil this week, when she announced plans to develop her popular Instagram account, @i_weigh, into a company dedicated to fighting fat-phobia. The 32-year-old described the pivot in a Twitter response to a fan who tagged her in a tweet lamenting body-shaming tabloids:

Though she herself is slender and conventionally beautiful, Jamil has been a longtime advocate for body positivity -an evolving social movement that opposes narrowly defined beauty standards. Since its launch last March, "I Weigh," which Jamil describes as a "movement for us to feel valuable and see how amazing we are beyond the flesh on our bones," has garnered nearly 270k followers.

The account shares selfies submitted by followers, labeled with the non-aesthetic qualities that make them feel beautiful:

The actor also recently expanded her campaign against body-shaming to include a stance against the doctoring of magazine photos. In an op-ed for the BBC, she argued that by suggesting some flawless ideal is attainable, airbrushing has been "weaponised" against women and should be banned. In the piece, Jamil cites statistics on eating disorder hospitalizations, explains how photoshopped images contribute to a toxic environment for women, and describes her own struggles earlier in her life with disordered eating and body shaming.

The societal ills Jamil is attacking-unrealistic beauty standards and Photoshop, body shaming and fat-phobia, diet pills and laxatives-are real. Most would agree that they're problems that should be addressed, and Jamil appears to be genuinely invested in speaking on them. She has been applauded for her fuck-you-attitude and firebrand takedowns, and when more powerful celebrities fail to speak up, it's impressive to see someone with a platform like Jamil's use it for good.

But it's also worth noting that Jamil has herself benefited enormously from the system she rails against. Following the Photoshop op-ed, Jamil shared a presumably undoctored, but nevertheless very traditionally beautiful, photo herself on Instagram with the following caption:

"Say no to airbrushing. Pores and lines and spots and dry lips are something kids need to see so they don't grow up thinking there is something fucking wrong with them. I want to look like a person, not an emoji. Thanks for never retouching me @selashiloniphoto ps. I'm aware I still have fairly clear skin these days. But it's sad to know a magazine would 100 percent blur all of my little lines and "imperfections" because they would see this as "offputting" because they don't like human beings."

Photoshopped or not, Jamil moves through the world as a woman widely seen as attractive, one who has the substantial privileges society grants those who comfortably meet beauty standards. As Hannah Giorgis pointed out in the Atlantic last month, "an unblurred stretch mark might ruffle a magazine editor's feathers, but it's not going to keep Jamil from accessing the many benefits that beautiful women enjoy."

And it's striking that Jamil's fearless public dragging of celebrities has mostly targeted other women-in particular, Cardi B and the Kardashian family, for their promotion of things like detox teas and appetite suppressants on social media. Her missives range from righteous outrage (the Kardashians are "double agents for the patriarchy") to outright mockery ("I hope all these celebrities all shit their pants in public, the way the poor women who buy this nonsense upon their recommendation do"). Underlying it all is her inability to recognize (or willingness to ignore) the harsh rules of success in the universe that women-including herself-must navigate.

Comparing actors to their on-screen counterparts is generally of limited use, but in this case looking to Jamil's Good Place character can offer some insight. Tahani is far from a villain, and she does want to do real good in the world, but she is also often unable to see the big picture, or her own personal flaws. Jamil's campaigns similarly seem to miss some of the underlying currents, as Giorgis points out: "Even if airbrushing were the primary factor contributing to women's oppression-as opposed to, say, voter suppression, reproductive injustice, or economic discrimination-it would still be dismaying to watch the actor continue to paint complex topics with so broad a brush," she writes.

Giorgis goes on to explain how the real-life Jamil's particular brand of activism relies on the harsh judgment of her female peers, but always "according to a rubric she herself is not evaluated by": "Jamil's history of criticizing other celebrity women-among them, Beyoncé, Kim Kardashian, and Cardi B-echoes her Good Place character's own blind spots."

Case in point is a rather accusatory line from Jamil's BBC op-ed, suggesting anyone who uses a filter on a selfie is complicit in the patriarchy: "When you filter a woman's photo you are legitimising the patriarchy's absurd aesthetic standards, that women should be attractive to the straight, male gaze at all costs," she writes, telling the reader, "when you filter your selfies, you are doing the same thing."

There's little doubt that Jamil's activism comes from a good place, but it's one layer less complex than it needs to be. Her targets are big celebs who can probably weather them just fine, but she repeatedly fails to challenge the oppressive socio-political dynamics, corporations, and structural systems that the women she's criticizing must operate in-just as she does herself.

So far, she has failed to take an earnest look at these constraints. But like her character on The Good Place, she may still see the light-perhaps by looking inward.

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Jameela Jamil's body positivity campaign is very Tahani

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The British actor Jameela Jamil came to fame on the comedy The Good Place playing Tahani Al-Jamil, a vain but lovable heiress with a penchant for name-dropping celebs and performative shows of do-goodery-hosting splashy charity balls, or going on humanitarian missions with a documentary crew in tow.

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The diamond-shaped signs are even opening the eyes of women.

Texas native Leslie Arellano, 23, a graphic designer from Brooklyn, first got the message while walking to work last month on Murray Street.

“I applaud whoever designed them,” she said. “I didn’t realize there are women interested in doing that sort of work.”-New York Post on gender inclusive construction signs in 2018.

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It's a sign of the times.

A Manhattan construction company has rolled out gender-neutral "Men and Women at Work" signs - believed to be the first of their kind in the city.

Plaza Construction began replacing archaic "Men at Work" signs at the entrances to their job sites Sept. 4 as part of a "female-friendly initiative" that "encourages women to enter the industry by creating a gender-neutral workplace environment," CEO Richard Wood told The Post.

Hardhat Ayesha Butt, 22, an apprentice electrician at 100 Varick St., where a 25-story condo is being built, said the new slogan helps combat the "stigma" faced by female construction workers.

"It makes people know there are females doing the job and getting into the field," she said.

Still, her own family can't understand her career choice.

"My parents don't like this. They want me to do something 'normal,' like be a doctor," Butt told The Post. "They tell me, 'We will pay you to stay home.'"

Her male co-workers, however, have accepted her as one of their own.

"We bust her balls as much as anybody," a fellow electrician said. "She gives as much as she gets."

When she first started, Butt recalled, "They'd say, 'Make sure to use gloves. Your hands will get messed up. Your boyfriend won't like it!'"

The diamond-shaped signs are even opening the eyes of women.

Texas native Leslie Arellano, 23, a graphic designer from Brooklyn, first got the message while walking to work last month on Murray Street.

"I applaud whoever designed them," she said. "I didn't realize there are women interested in doing that sort of work."

Besides Murray and Varick, the signs are posted on Greenwich Street in FiDi and Charlton Street in SoHo, along with 30 other Plaza job sites in Brooklyn, the Bronx, Resorts World Casino NY in Queens, New Jersey, Washington DC, Miami and Tampa, Wood said.

When it comes to equal pay, the construction industry is actually more progressive than most, according to the Bureau of Labor Statistics. While women nationally make only 80 percent of what men earn, in construction, they earn 91.3 percent of their male counterparts.

Women accounted for 9 percent of the construction workforce nationally, and 7 percent in NYC, in 2017.

Plaza said women comprise 25 percent of their workforce.

Neither the Building and Construction Trades Council of Greater New York nor the Professional Women in Construction were aware of any other gender-neutral signs in the city.

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Construction company rolls out first inclusive 'at work' signs

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It's a sign of the times. A Manhattan construction company has rolled out gender-neutral "Men and Women at Work" signs - believed to be the first of their kind in the city. Plaza Construction began replacing archaic "Men at Work" signs at the entrances to their job sites Sept.

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A Long Islander claims she was fired for dressing too much like a man.

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A Long Islander claims she was fired for dressing too much like a man.

Chakia Harvell says a manager who interviewed her for a gig selling timeshares for Wyndham Vacation Ownership gave her a green light to wear her tie, blazer and trousers at the office.

But once she got the job, Harvell, 32, says she was pulled aside by a human resources staffer who didn't skirt the issue of her "unfeminine" clothing, according to a discrimination lawsuit Harvell filed against the timeshare company in Manhattan Federal Court.

"She would just mention, 'Did you go back to the guidelines as far as the dress code?' and the next day, she'd say, 'I sent the email again, did you get to the dress code part?'"

The HR rep complained Harvell's suit wasn't professional, and told Harvell to "observe the ladies" in the company's sales department.

The women "uniformly wore dresses or skirts with high heels," Harvell, who said she is a lesbian, claims in court papers.

"It made me feel bad, to the point where I thought I can't afford to change myself into something I'm not," she said. "People should understand everyone's different. Don't look at how I dress, because it's a little different than you, and judge me and think I can't
perform."

Harvell, hired in 2017, said she worked twice as hard as others to show she could do the job, but was fired a few months later for allegedly being late to work, even though managers knew technical difficulties had kept her from clocking in on a company iPad.

Harvell is seeking $1.5 million in damages.

Wyndham did not return a message.

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Woman claims she was fired for not wearing skirt to work

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A Long Islander claims she was fired for dressing too much like a man. Chakia Harvell says a manager who interviewed her for a gig selling timeshares for Wyndham Vacation Ownership gave her a green light to wear her tie, blazer and trousers at the office.

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““And you--” she pointed an arthritic finger at me--”what are you doing in those overalls? You should be in a dress and camisole, young lady! You’ll grow up waiting on tables if somebody doesn’t change your ways--a Finch waiting on tables at the O.K. Cafe--hah!””(135)

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““And you--” she pointed an arthritic finger at me--”what are you doing in those overalls? You should be in a dress and camisole, young lady! You’ll grow up waiting on tables if somebody doesn’t change your ways--a Finch waiting on tables at the O.K. Cafe--hah!””(135)

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“”Well I don’t” said Uncle Jack, “not unless there’s extreme provocation connected with ‘em. I’ll be here a week, and I don’t want to hear any words like that while I’m here. Scout, you’ll get in trouble if you go around saying things like that. You want to grow up a lady, don’t you?””(105)

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“”Well I don’t” said Uncle Jack, “not unless there’s extreme provocation connected with ‘em. I’ll be here a week, and I don’t want to hear any words like that while I’m here. Scout, you’ll get in trouble if you go around saying things like that. You want to grow up a lady, don’t you?””(105)

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"Honestly, I feel like we are a walking protest. The fact that we're women professional athletes says that in and of itself. We've been feeling the inequality; we've been struggling with pay equality or whatever it is, or sexism in sports." -Megan Rapino, professional soccer player

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"Honestly, I feel like we are a walking protest. The fact that we're women professional athletes says that in and of itself. We've been feeling the inequality; we've been struggling with pay equality or whatever it is, or sexism in sports." -Megan Rapino, professional soccer player

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He-Men and Homemakers: Gender in Mid-20th Century Advertising

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The ad gallery in the online resource American Consumer Culture, is full of examples like this, where women are sold soap to prevent man-repelling B.O. and canned soup as quick nourishment for husbands returning home from work. Taglines such as 'ALONE...because she doesn't know.

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"I can easily come up with ten really iconic stories/trade paperbacks for Superman, Batman, others... name me ten equally big, iconic Wonder Woman stories. Much harder. That ain't the character's fault, that isn't sexism, that's just not servicing the character."-J. Michael straczynski, American screenwriter

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"I can easily come up with ten really iconic stories/trade paperbacks for Superman, Batman, others... name me ten equally big, iconic Wonder Woman stories. Much harder. That ain't the character's fault, that isn't sexism, that's just not servicing the character."-J. Michael straczynski, American screenwriter

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“Scout, I’m tellin’ you for the last time, shut your trap or go home -- I declare to the Lord you’re gettin’ more like a girl every day!” (69)