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-	What were the demographics of these artists, gender, ethnic background. What would the NY scene look like if there was no immigration during and after the war?

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-	What were the demographics of these artists, gender, ethnic background. What would the NY scene look like if there was no immigration during and after the war?

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Was the propaganda of freedom of expressionism and 'americanism' any more ethical than communist propaganda?

Did consumerism and industrialisation affect art sales? Did it effect the equality of the art market where middle class could buy art too or did the rich just get richer and buy art?

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Why don't we see any mainstream art at this time that has direct imagery of the cold war and the tension? With the McCarthyism in Hollywood were artists scared of creating work that could be deemed as communist?

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I am interested in knowing why NY became a new hub for the art market; Why many dealers moved to NY; what was attractive in NY in those days?

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what were the criteria for classifying objects as objects of art and how open was the art market towards welcoming and understanding new means of art expression?

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What was happening in the economy in the decade following the end of WW2?

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What was happening in the economy in the decade following the end of WW2?

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There was a lot of inflation at that time. Why? Did art as an asset class perform better than real estate, equities or bonds during the period? Why did some galleries go bust (Sam Kootz) and others thrive (Betty Parsons)?

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Jackson Pollock overshadowing Lee Krasner

https://www.theartnewspaper.com/feature/how-lee-krasner-was-shut-out-of-art-history.

'One of the best painting exhibitions of the year was Lee Krasner: Living Colour at the Barbican Art Gallery in London, the artist’s first major exhibition in Europe since 1965, which would have surely left many visitors wondering why there had not been one sooner. Krasner is nowhere near as well-known as her husband, Jackson Pollock, the poster child of Abstract Expressionism, and although her show garnered near universal five-star reviews, most critics could not help but pepper their copy with “Pollocks”. Krasner was once told her work was “so good you would not know it was painted by a woman”. Hopefully this travelling exhibition—now at the Schirn Kunsthalle Frankfurt (until 12 January 2020) and then the Zentrum Paul Klee Bern followed by the Guggenheim Bilbao—will lead to people thinking her work is so good you would never have known she was married'

https://www.theartnewspaper.com/analysis/female-artists-step-out-of-their-partner-s-shadows

Elsa von Freytag-Loringhoven, the inventor of readymade

'A woman in the men's room: when will the art world recognise the real artist behind Duchamp's Fountain?

Evidence suggests the famous urinal Fountain, attributed to Marcel Duchamp, was actually created by Baroness Elsa von Freytag-Loringhoven.'

https://www.theguardian.com/books/2019/mar/29/marcel-duchamp-fountain-women-art-history

https://www.artsy.net/article/artsy-editorial-elsa-von-freytag-loringhoven-dada-baroness-invented-readymade