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My current work is reflective of social dynamics of the here and now and is politically atheistic. My practice tends to focus on the exploration of world finance, societal control and wider global social dynamics. The intention of my work is to explore potential truths and to be transformative while also being a form of entertainment.

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The potential creation of Central Bank Digital Currencies — the beginning of a new global economic system?

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This piece was made in an improvised manner and focuses on the potential shifting of the world financial system — the potential digitisation of fiat currency through the use of recent technological advancements such as blockchain. Last month, the IMF announced a “Bretton Woods Moment” and spoke about the potential of moving towards a digitised financial system. The original Bretton Woods Agreement took place in 1944 and resulted in the US Dollar being put onto the gold standard until 1971.

The piece also focuses on the current chaos and the potentiality of further chaos as a result of the Covid pandemic and the resultant financial crisis. Around 20% of US dollars (world reserve currency) in circulation today were printed in the last year — what will this lead to? Inflation? Deflation? Hyperinflation?

The chinchilla monster on the top left corner of the painting is inspired by modern day philosopher, Johnny Goulding’s, work of “The 9th Ninth Technology of Otherness: A Certain Kind of Debt” — her ideas of “uni-ego” vs “multi-ego” — put simply, in-group-isolation vs untethered empathy and compassion. Both standpoints have their own justifiable internal logic and cohesion with it all being just a question of polarisation.

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This is a work-in-progress that I made with a fellow artist who studies at Camberwell. We tried to make this piece in correlation with both of our individual concepts. My friend’s concept was to make a piece while gaining inspiration from different types of music, while my concept was to focus on destruction, chaos and violence. We decided to listen to the same playlists while painting.

Currently, the work is not even half-way complete, but the imagery depicts a city metropolis.

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I see fashion as just another form of art (an envelope for a narrative) — not too different to canvas, music or poetry. This piece is mainly a form of visual experimentation and reflects my passion for the making of clothes.

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I made this work after reading about Bourdieu’s ideas on how cultural capital plays a key role in the upholding of societal control. It is quite an abstract piece and thus leaves a lot up for interpretation.

The painting is made up of various characters: a dragon, a fish and humans.

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With this piece, I have explored a medium that I do not have much experience with: performative installation. It explores the effects of isolation due to Covid, while aiming to create an emotive dialogue with the viewer about mental health, feelings of lack of control and emptiness.

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This piece focuses on the current Covid disaster and its economic consequences as well as the current homelessness crisis. It engages with the ideas of memories of love and family and the beauty and purity of childhood. I have placed the breaking-down-home in contrast against the beautiful field of flowers to show diametrically opposing emotional states to show two different potentialities had Covid not struck.