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What do you think?

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Astroworld

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Blueface Goes Sneaker Shopping With Complex

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accessorize you life with stickers

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come thrifting with me! + mini try on haul

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me stylish

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use something beautiful for your hair!!

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beautiful swimsuit

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how to clean any type of sneaker

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HOW TO CLEAN EVERY TYPE OF SNEAKER | My Process

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1. If you don't have something that's it nice to say, don't say it

2. Every opinion must be respected

3. No swear words are allowed in the padlet

4. Any type of offensive comments will be taken down immediately

5. Radiate positivity with your contribution to this padlet

6. Enjoy!!!

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LGTBQ+ Fashion

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Use fashion to feel empowered and happy. It is ok to be unique and if people don't understand it, it is ok as well.

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In this padlet, everyone can collaborate to create a community with a passion in common. Fashion was made to bring everyone together, no matter what your beliefs, religion, nationality, sexual orientation or style is. Fashion is for everyone to express themselves in a very unique way.

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He's not scared to show his own style

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This necklace is the same as audrey hepburn's in the "breakfast at tiffany's" premier which makes it purely iconic as she brought her iconic style with somebody else style as well

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Dresses

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Accessories for men

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Fashion

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Be unique

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Women fashion

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Men style

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Don't be afraid to show your own style

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Be unique

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James Charles is back with another incredible lewk on the 2019 Met Gala red carpet, less than a week after serving us with a super-sleek outfit at the BBMAs.

The beauty vlogger strutted the carpet in a nipple-baring outfit, and a flawless smokey eye, of course. He fully repped the "Camp: Notes on Fashion" theme, wearing a see-through poncho made out of... safety pins? The YouTuber completed the Alexander Wang look with black satin pants and silver detailing.

Perhaps Sister James took some cues from one of this year's Met Gala hosts, Harry Styles, who proudly freed the nipple as well, in a sheer ruffled number.

While Sister James pretty much spent all of Coachella showing off his butt (which, like, we would too), he highlighted a different asset this time. And honestly, we're living for it!

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James Charles Pulls a Harry Styles and Flaunts His Nipples on the 2019 Met Gala Red Carpet

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James Charles is back with another incredible lewk on the 2019 Met Gala red carpet, less than a week after serving us with a super-sleek outfit at the BBMAs. The beauty vlogger strutted the carpet in a nipple-baring outfit, and a flawless smokey eye, of course.

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Dont be ashamed of your colored hair

This girl was bullied at school for wanting his hair in a different color, today he wears blue hair and people tell her she looks like Billie eilish.

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In the decades that I have been writing about the world of fashion, there is always one question I seem to hear over and over. Why? Why does fashion matter? And since the simplest of answers - we all have to wear clothes - doesn't quite suffice, it does seem that many of us are interested in looking good and, hey, that usually makes us feel better about ourselves and the world around us. As one designer, Tadashi Shoji, put it: "Fashion inspires and brings cultures together. Plus, you can't walk around naked!"

A dear aunt who recently died was always the epitome of style and she always said when she didn't care about how she looked, that's when it was time to go. She lived to be 90 and had a Hermes scarf tied around her neck when she died.

Pantone, the global color authority - you know the one that tells us "Emerald Green" is the color of the year - reached out to its Facebook fans to pose a question to fashion designers: "Why does fashion matter ... and how does it help the world?" There were some interesting answers that I thought I'd share. Here are a few of the designers who responded and their responses:

Tommy Hilfiger - "Fashion helps shape individuality. I have always loved the way styles and trends are interpreted differently all over the world."

Barbara Tfank - "I think of fashion as a sort of gift to the world - people adorning themselves to express their feelings and celebrate occasions; it creates memories and marks time in one's life."

BCBG by Max and Luvov Azria - "Fashion is important because it comes from within. Fashion is all about juxtaposition and coming out of your comfort zone."

Bibhu Mohapatra -"Fashion matters because it is a language and a tool used to express oneself. Self-expression is extremely important, and fashion allows you to do that. Yes, it does help the world in a range of ways - from establishing individual identities to creating jobs!"

Carmen Marc Valvo - "Fashion is part of our everyday lives and it helps people with their personal sense of self and how they project that into the world."

Charlotte Ronson - "Fashion matters. It is about individuality, personal expression and choice. It helps the world by helping each individual person. Once in a while we all have a bad day, and sometimes simply putting on your favorite dress, shoe or even makeup will make you feel happy."

Elie Tahari - "Fashion has the ability to bring people from all diverse walks of life together; it is a tool that allows individuals to be expressive."

NAHM by Alexandria Hilfiger and Nary Mnivong - "Fashion is an outward reflection of yourself to the world - it empowers you."

Nicole Miller - "Because fashion is psychologically uplifting! It creates positive energy!"

Peter Som - "Fashion matters because it's a form of self-expression that provides a moment in the day for one to dream. A little time to dream is OK - the world has enough challenges to keep us busy."

Saunder by Emily Saunder - "Let's be real, fashion will never smooth out the rift between warring factions or find a cure for cancer, but it is still a powerful force in many people's lives. It allows men and women a means to express themselves on a daily basis and is an amazing and accessible creative outlet. Also more and more companies are pushing the boundaries of the kind of impact fashion can have by collaborating with artisans, promoting fair trade and eco-friendly practices and giving more thought to how their garments are made."

Tracy Reese - "Fashion is a reflection of one's self. When you are wearing something that makes you feel comfortable and confident, you can take on the world!"

(SET CAPTION) Designer Nicole Miller creates "positive energy" this spring with her Nicole by Nicole Miller collection at JCP featuring colorful florals in mix and match separates. (www.jcp.com) (END CAPTION)

Sharon Mosley is a former fashion editor of the Arkansas Gazette in Little Rock and executive director of the Fashion Editors and Reporters Association. To find out more about Sharon Mosley and read features by other Creators Syndicate writers and cartoonists, visit the Creators Syndicate website at www.creators.com.

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Why Does Fashion Matter?, by Sharon Mosley

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In the decades that I have been writing about the world of fashion, there is always one question I seem to hear over and over. Why? Why does fashion matter?

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Everyone can be fashion

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Men can also do fashion

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The official online store for all things Jeffree Star Cosmetics, Inc.

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THRIFT FLIP // transforming old jeans, dresses + tshirts

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LGBTQ fashion

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Gay Fashion - trending stories on LGBT clothes & fashion

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Let's face it. No one does fashion better than the LGBT community. Pride is your best source for all things fierce, fun, and chic in the fashion industry!

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For some people, 'popping tags' might be nothing more than a lyric in the popular Macklemore song Thrift Shop. For some college students, however, such secondhand shopping is something of a way of life.

One obvious reason so many students choose to thrift is because the low prices of hand-me-down clothes make it easier for them to shop on a college budget.

"I think college kids like to thrift because the clothes are unique and cheap," said Alicia McElhaney, a rising sophomore at the University of Maryland. "If you want to wear something absolutely ridiculous, but have no money, it's easier to get it at a thrift shop."

And ridiculous clothes at low prices are something that college students need more frequently than one might think. Northwestern University freshman Alana Basil said she thrift shopped for costumes for Dance Marathon, a school-sponsored, themed charity event.

Many, though, find thrift shopping not only a bargain, but also a great source for fashion finds.

"I feel like thrifted pieces often fit my style better than new clothing, because I'm really into vintage styles. I think that high-waisted skirts and little blouses fit women so much better than some of the newer, tighter styles," said McElhaney, who often shops in thrift stores in search of such vintage pieces.

For Basil, thrift store shopping allows her to find clothes that are more personal and unique than those found at department stores.

"It's easy to go to the mall and buy something everyone else has, but it's a lot harder to go through a thrift shop and make outfits that are all your own, and I think that makes it way more rewarding," she said.

The act of thrift store shopping itself can also often be a joy to some shoppers.

"I thrift shop because it's fun to rework old clothes and make them new," said University of Maryland rising sophomore Melissa Seitz.

"Thrifting is cheap, but it takes a surprising amount of skill. I find it a challenge to look at a piece of clothing and see its potential," said Basil. "There is such an art to assembling other people's clothes, in a way, a piece of them lives on, like weird fleeting human contact," she added.

And thrift store shopping not only yields amazing deals and experiences, but also amazing finds.

"It was actually my first ever thrift," Basil said of her best thrift store find: a Threadless brand tee shirt she found for $1 in the children's section of a Goodwill store.

"I bought a pair of Keds from 1992 that I love from Dr. K's vintage in D.C.," said McElhaney, who says she wears the vintage shoes just about every day.

"Also, a couple of years ago I got a Christian Louboutin high-waisted skirt at this thrift store called Avalon Exchange in Pittsburgh," she said.

Brand names at discounted prices aren't so uncommon at many thrift stores: Seitz said she found a pair of Lucky Brand jeans for a mere $7 on one thrift store outing.

Popular stores like Urban Outfitters might try and sell the 'boho chic' look, but no doubt at your wallet's expense. If, like Macklemore, you only have '$20 in your pocket,' stay in style without sacrificing your bank account by checking out your local thrift store instead.

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Thrifting: College Students Shop for Trends & Deals

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For some people, 'popping tags' might be nothing more than a lyric in the popular Macklemore song Thrift Shop. For some college students, however, such secondhand shopping is something of a way of life. One obvious reason so many students choose to thrift is because the low prices of hand-me-down clothes make it easier for them to shop on a college budget.

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At Balmain's most recent Paris Fashion Week show, Creative Director Olivier Rousteing was hammering home that you can't expect to build a global fashion brand without embracing global casting. His models, all different in heritage and ethnicity, came from all over the world: Britain (Jourdan Dunn and Lily Donaldson);Tanzania (Herieth Paul); Dominican Republic (Lineisy Montero, Genesis Vallejo and one of August ELLE's cover girls, Ysaunny Brito); Jamaica (Tami Williams); the Netherlands (Maartje Verhoef); India (fellow August ELLE cover girl, Bhumika Arora); Angola (Maria Borges); Brazil (Alessandra Ambrosio) and China (Cong He and Ming Xi), to name just a few of the destinations that were championed. Kendall Jenner and Gigi Hadid, who opened the show and swapped hair colours just for the event, may have grabbed the headlines but the real story was diversity - a topic that's forcing its way to the forefront of fashion today.

Models remain a point of controversy and fascination both within the fashion arena and beyond. Trends may come and go, but the debates and discussions rage on, understandably since the fashion industry has historically had a poor record when it comes to booking models that don't meet a type. Just last season for AW16, critics dubbed emerging Paris-based brand Vêtements' show revolutionary, despite the fact that the cast of models contained only white people.

Demna Gvasalia, founder of Vêtements (and Artistic Director of Balenciaga), seems to be following a well-trodden path. Prada's advertising campaigns didn't feature a black model for 19 years until Malaika Firth was cast in 2013. Before that, the last model to be featured was Naomi Campbell in 1994, the year Firth was born. After taking over in 2009, Céline's Creative Director Phoebe Philo didn't use any black models in her runway shows until SS14. While on the menswear runways it's become normal, fashionable even, to show older models, you'd be hard pushed to find a catwalk where the average age of the women walking isn't below 22, despite the fact the average age of the woman who can afford luxury fashion is well over 35.

And yet we're in a moment where fashion is celebrating individuality and having open conversations about racial diversity and gender fluidity. Those discussions are reflected in the casting. Trans model Hari Nef walked the Gucci runway in a show-stopping all red look. Creative Director Alessandro Michele also handed the reigns of the brand's Snapchat to her so she could record her fashion week adventures.

Model-of-the-moment Ruth Bell's career took off when she bucked trends and shaved her long blonde locks into a skinhead, making her stand out rather than fit in on the runways; McQueen and Saint Laurent have both since booked her to front their campaigns. Another model who's doing her own thing and still winning big jobs is face of Chanel's SS16, Mica Arganaraz. The Argentinian model cropped her long locks into a messy shoulder-length style that covers her face in curls.

Most hairstylists don't bother to mess with it, leaving her to walk the runway with her own look even if the majority of other girls have been groomed into a matching style. Models like these don't fit into trends; some are androgynous, others proudly gamine and girly. Bombshells and all-American sweethearts are having just as much of a moment as tomboys and rebels.

So are times changing? Slowly. An AW16 diversity report from theukfashionspot.co.uk notes that less than a quarter of all the models who walked this season were people of colour. That means that in all four cities combined, 75.25% of the models cast were white - unsurprisingly, as were eight of the 10 of the most-booked models of the season. All of this is a minor improvement from SS16, which was 77.6% white and AW15, which was 80% white.

Casting Director James Scully, who has worked with major labels such as Stella McCartney and Tom Ford, says, 'The overriding look of the moment is still scrawny white girls.' But he admits there has been development. Though the change doesn't come from the designers, the stylists, the brand CEOs or other 'power players' within the industry - the change comes from you.

Thanks to social media, audience responses and reactions are much easier to measure. Twitter and Instagram users were quick to react to the all-white casting at Vêtements, shaming the fashion press for praising the show. It's no longer possible for the industry to turn a blind eye.

The opinion of Sarah Doukas, the founder and Managing Director of Storm Management and the woman who famously discovered Kate Moss in an airport, is that this dialogue is giving power back to the models. 'The landscape is now defined as much by the individuals, their personalities and their relationships with their audiences as it is by the communication strategies of the brands. The medium has become as important as the message.' France Chiacchio, Director of Elite Model Management London wants his clients to feel free to stand out. 'We push our models a lot to voice their opinion and show their colours and views.'

Scully has noticed the shift. 'Social media was a way for models to break the past mould of what was just faceless, bodiless and personality-less, and save careers that were stalling because they were not the flavour of the month. The rise of social media has made people realise they were missing the bigger picture,' he explains.

'The stylist of the moment may want the zombie girl off the Yves Saint Laurent runway but a magazine reader does not and can't relate. Kate Upton created herself on social media, Kendall Jenner and Gigi Hadid would not exist without it. Karlie Kloss and Joan Smalls extended their careers with it. Social media gave the model the control of her career back that she lost to stylists and celebrities.'

That's given way to its own pressures. Long gone are the 'supermodel' days where Linda Evangelista wouldn't get out of bed for less than £10,000, as she famously quipped at the height of her fame. Today most brands won't sign a contact unless a girl has more than 10,000, or even 100,000 followers on their Instagram.

Still, the power balance is more complex than before. Look back to the Noughties, pre-social media and comment culture: the look of models was overwhelmingly homogeneous. Doukas explains, 'The early Noughties was the high-water mark of print advertising and the highly photogenic Slavic look predominated. But today, thanks to the element of personality which social media has brought, there is a much greater diversity of looks.

Models now have a real opportunity to be heard, so the road to success has become much broader.' Chiacchio sees that in the models featured on the cover of August ELLE: 'Each and every girl has such a different personality from each other and the most opposed life stories and paths, yet somehow they are all united by one passion. You can feel in the energy they give out in the shoot; it's about more than looks. It's about being a strong individual with charisma and ton of interests. Humour and is what makes the difference.'

Activist Bethann Hardison, a model in the Seventies and later a model agent, was rewarded for her work in championing diversity by the prestigious Council of Fashion Designers of America (CFDA). Her mantra is simple: 'Let the model model,' she says. 'At the end of the day, that's what we're here for. When we get on the runway we want to show who we are, show you what we've got and show how we can best express the clothes.'

She remembers the rise of the 'Slavic' look Doukas mentions and blames it on two factors: the rise of casting directors who were looking for a 'blank slate' kind of beauty, as well as the increasing regularity of the runway format. 'The power was no longer with the designers or even the model agencies, but with the stylists and the casting directors. Around the late-Nineties, eastern Europe opened up so broadly and the fashion model became this particular image. No one was interested in developing a girl. The casting director's job became just about finding new girls and new faces for the stylists. Eastern Europe offered a constant source,' she explains.

'It started in the mid-Nineties and at the beginning of 2000. It was people like Miuccia Prada - she wanted the girls to all look the same. She didn't want the girls to look glamorous, she just wanted the focus to be completely on the clothes and the collection. It was around the time she stopped using Naomi Campbell [in 1993]. And then that became the thing - everyone wanted to do it like that. To me, that's a presentation; a fashion show is entertainment.'

For Scully, it's women like Hardison who speak out who have helped spark the change and encourage others - including industry figures, fashion fans and consumers - to be more conscious about what they're consuming or promoting. 'Nothing would have moved forward if many of those designers in the early Noughties were not called out publicly for their lack of diversity by people like Bethann Hardison and Naomi Campbell. The people who began to break that mould and change the landscape with a point of view and pave the way for where we are today were Riccardo Tisci at Givenchy and most recently Olivier Rousteing at Balmain,' he adds.

Hardison remembers the glory days when designers and models had lasting friendships. 'Designers never had casting directors or stylists before - they'd cast their own shows with their assistants. So they had muses and close relationships with the girls. They liked girls who could walk and perform. That's why I was a success. Same with Pat Cleveland or Tyra Banks. They wanted you to "do you" - that's why they hired you,' she explains. The concept of 'doing you' is coming back. Today, Anna Cleveland, daughter of Pat, refuses to just walk on the runway - she's danced and posed her way around the catwalk for Giles. Attendees joked that it took her about 40 minutes to make her way round.

Jess Hallett, a casting director who's worked with Olivier Rousteing on Balmain's shows and campaigns and puts together the model line-ups at Alexander McQueen, suggests the focus is increasingly on what girls have to say or offer rather than their ability to fit into a cookie-cutter mould of beauty. To her, this isn't particularly new - the personalities of the girls were just forgotten for a while.

'Even back in the Sixties models sent out their résumé, which said whether they could ride a horse or do ballet or play the guitar or whatever. Those things have always been important,' she explains. 'I think the models with the biggest or best personalities have always been "super". This is what separates them from the rest who almost always have equal beauty and body shapes, but weren't so exciting. Beauty isn't just skin deep; when the two combine, it can be explosive.'

It's the celebration of the combination that is changing the landscape of modelling right now. The women involved don't want to be seen as 'just' a beauty. Karlie Kloss is channelling her energies into encouraging women to code, all while running a thriving cookie business, Karlie's Kookies. Cambridge graduate Lily Cole turned her attentions to technology innovation and founded impossible.com, a social network that encourages people to give their services and skills away to help others.

We expect more of our models today. Would Julia Nobis have stayed so achingly cool if she hadn't maintained an air of mystery by opting out of Instagram in favour of concentrating on her medical degree? Would Jourdan Dunn be so adored if she didn't speak out about issues relating to racism within the industry, and the pressures of life as a working mother?

Sure, some girls may make it because of their famous parents or get a leg-up because of their social media clout but at the same time, slowly but surely, others become adored for their complexities, their differences and their relatability. As women. Sisters. Mothers. Activists. Comedians. Students. Scholars. Feminists. Academics. And so many other things. The talking point isn't that these women are suddenly 'more than just a model', because that's what they've always been. Right now, it's just so refreshing the world is seeing them as such.

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At Balmain's most recent Paris Fashion Week show, Creative Director Olivier Rousteing was hammering home that you can't expect to build a global fashion brand without embracing global casting.

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2018 was filled with a plethora of retros, new silhouettes, collaborations and many releases-turned DIY projects in the footwear industry - Virgil Abloh continued his collaborative dominance with Nike; adidas breathed new life into its nostalgic catalogue and kept Kanye West's "everyone will get YEEZYs" promise alive; we also saw PUMA re-enter the basketball market and snag DeMarcus Cousins from the Swoosh. Even luxury fashion houses sprinkled some streetwear into their own offerings - seemingly obsessed with the bulky sneaker craze - as Balenciaga, Gucci, Louis Vuitton, Versace and others have contributed their own footwear offerings. In addition, hiking footwear saw a purpose outside of adventurous trails and made their way onto runways.

As we continue to ease into a new year, brands and designers begin with a clean slate. Here's what we can expect in 2019 in terms of footwear trends and predictions.

Out with the Old, in with the New

2018 saw a growing selection of brand new silhouettes and we're hoping that continues in the new year. Though it's always exciting to cop your grail or relive childhood memories through retros, new innovations will always keep the industry alive and thriving. Last year we were introduced to models such as the YEEZY 500, Nike Air Fear of God 1, PUMA Clyde Court and the Nike React Element 87 - just to name a few.

Moving forward, 2019 looks to bridge the gap between casual and performance models - clear examples are Russell Westbrook's new Why Not Zer0.2, Nike's Adapt BB and the trail/runway-ready Balenciaga Track Trainer, adidas' Nite Jogger and the Swoosh's new Air Max 720.

Bridging the Gap Between Fashion and Basketball

Arguably his best model of the past few years, LeBron James' 15th signature sneaker commanded the attention of footwear enthusiasts when KITH linked up with King James. This two-part batch of royalty-inspired releases would have all eyes glued to LeBron's feet during 2018's NBA All-Star weekend - a similar feeling shared back in 2012 when Nike launched its galaxy-influenced models. This same emotion was one that Jerry Lorenzo thought the industry was lacking while developing the Nike Air Fear of God 1, a sense of validation Michael Jordan fans longed for prior to unboxing their first pair of Jordans.

Aside from the Nike Air Fear of God 1, 2018 saw basketball-ready models receive a significant amount of fashion forward co-signs and makeovers. Damian Lillard's fourth signature sneaker with adidas donned BAPE's signature camo pattern while Y-3 ushered in a James Harden-inspired BYW BBALL sneaker. Virgil Abloh applied the signature Off-White™ zip-tie and industrial stamp to the Nike Hyperdunk as well as UNDEFEATED applying its own camo pattern to the Nike Kobe 1 Protro. With the Fear of God x Nike mashup being the most recent of the bunch, Russell Westbrook's new Why Not Zer0.2 sneaker and forthcoming Nike Adapt BB look to revisit past days of basketball models being at the forefront of fashion releases.

A Shift from "Dad" to Hiking Sneakers

One of the strongest trends recently, the "dad" shoe has dominated the majority of 2018 and looks to continue in the new year. Though a few lines capitalized off the movement with out-of-this-world designs - such as Versace's Chain Reaction - and (some) affordable price points, hiking-inspired silhouettes may be taking the place of the aforementioned craze. Appropriately, Balenciaga's Triple S sneaker has been matched by its own multi-layered Track Trainer along with 1017 ALYX 9SM already having a selection of hiking-influenced models in its catalogue. Though it isn't expected for this fad to see an overnight shift, ugly-yet-attractive sneakers are seemingly expanding its options under the hiking category.

More Women, More Sneakers

2018 was surely a strong year in women's footwear. Voices were shouted and brands finally listened to their calls over the years with demands such as smaller sizing for the most anticipated releases, exclusive collaborations and higher representation in the industry. We also found some of the designers and influencers behind this women's movement voicing their thoughts on sneaker panels throughout the year.

From Nike's M2K Tekno to the Kylie Jenner-endorsed adidas Falcon, women such as Aleali May, Stella McCartney, Rox Brown, Serena Williams and more are only a few that have made major impacts in footwear with 2018 seemingly being just the tip of the iceberg.

Share some of your favorite sneaker moments of 2018 and let us know what you hope to see in 2019 along with what you'd hope to stay in 2018. In related footwear news, you can browse through few releases slated for this year's All-Star weekend.

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This Is What to Expect from Sneakers in 2019

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2018 was filled with a plethora of retros, new silhouettes, collaborations and many releases-turned DIY projects in the footwear industry - Virgil Abloh continued his collaborative dominance with Nike; adidas breathed new life into its nostalgic catalogue and kept Kanye West's "everyone will get YEEZYs" promise alive; we also saw PUMA re-enter the basketball market and snag DeMarcus Cousins from the Swoosh.

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11 Trends That Will Get You Shopping for Spring 2019

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From feathers to polka dots, biker shorts, and every utility jumpsuit in between...here are the top trends from the runways of New York, London, Milan and Paris from the Spring 2019 collections.

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Girls Swimwear

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Eyeshadow palette LGTBQ+ Friendly

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Zorrata

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Accessories for Men

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Fila

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Jordans

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Champions

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Supreme

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Off White Hoodie