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I’ll be doing a drawing from this lovely landscape image of a local park from where I live

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This is done from John Constable’s painting. I choose this specific part of the artwork because I like to see a full combination of grass, land, and water on a landscape painting.

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How did this research influence and inspire you? What willyou do next?

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Where are your final pieces/piece?

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How is this experiment influencing and inspiring me?

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How is this research influencing and inspiring me?

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This piece of art work was painted by John Constable, using oil paint. What I like about this painting or why I choose this painting is because there’s so much happening in this painting and with that been said I gives off a mood of a nice sunny day, or I can also do its summer related. I also choose this paint because of his outstanding performance as it relates to realism.

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John Constables

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I’ve Made a calendar of when i Did everything on this FMP
Reflection
Under research and experiments enter a box, which says how research is influencing and inspiring me.
Here is this experiment, this is how it's influencing and inspiring me.

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On my project, my first huge inspiration was looking at landscape paintings from John Constable and JMW Turner. The way they paint realistically and how they have applied the paint onto to the surface really interested me. I didn't really had much time to paint a large scale paint on a canvas however, I did experiments using water color paints from the balcony view of Lambeth college, of the park's landscape. My inspirations drove me to try painting from my mind instead of just going out find a better view.
I also took some inspirations from Gerhard Richter and Norman Ackroyd, knowing that they work with different materials, that's what make it even more interesting.

CONTEXT
My overall context is about doing as much experiments I possible can, using different materials and techniques to show an overall improvement. I had a 2D landscaping context, so I was considering about: the amount of time each experiment takes, the theme I was working with, the amount of material I needed, and what audience I was aiming for.

RESEARCH
I was mainly focusing on artists that does landscape paintings and drawing. By looking at paintings, drawings and views in the parks gave me a clearer idea of what I eventually want my work to look like. I took a personal trip to the Tate Modern Museum to have a look at the finest landscape arts there and I also got some research from the library data base.

PROBLEM SOLVING

When I finish planned my final pieces I was thinking of doing a large scale painting, but then as the time goes by, I had to reduce the size because time was catching up on me. I had in mind to complete my FMP from home, but my little brother last all off my paints however the college didn't have the right colors in acrylic so I decided to borrowed some water color paint and work with them instead of acrylic.

PLANNING AND PRODUCTION

As the time goes by, I've realized that I haven't got much left so I've decided to upload onto Padlet all my artworks, research, reflection, etc.  Know that I'm a slow worker I add to make up a plan sheet to organize the times that I had left to hand in FMP carefully.

PRACTICAL SKILLS
I have used and developed many practical skills during this project, such as: mixing colors, being abstract, meeting set short deadlines, detailing, etc. I used a dotted technique throughout my experiments  which brings out the effect of a grassy/leafy look. I also think I’ve mastered the vision of drawing/painting from my head.

EVALUATION & REFLECTION
Throughout this project, I did experiments of both real and unrealistic artwork laying out a quick plan of what I wanted to do next, showing that I had some attempts at a plan. I did not follow through with my plans all the time because of me slowly working or due to time constraints.

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This piece of experiment was painted using watercolour paint with a dotted technique to make the glasses and the trees more natural. I choose watercolour paint because in my opinion it’s the most flexible material that I can use to paint several piece of artwork/experiment in a short space of time. This painting tells the story of loneliness and separation. My reason for saying that is, because of the trees or are separated from each other as it can also be related to reality, whether it is: life, dead, relationship separation, or moving to a different location. Loneliness is obvious in this painting because of the empty bench and the wide open empty field space.

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This experiment was created using acrylic paint and with the same dotted technique from above

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This is a thumbnail painting of the local From my College’s balcony. This is done using water colour paint.

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This painting was created by using watercolour paint, and was captured from my mind. How I came about doing this painting was, one I heard my little niece listened to Old McDonald and that’s how I came up with the plan. What I mainly like about this painting is my choice of colours

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Quick sketch of landscape from my head. This was create by using pencil.

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This is a quick sketch done from my mind using char pastels. The over all mood of this is scary

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My experiment
Water Colour painting of Claude Monet’s  lovely landscape view #

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REFLECTION OF MY RESEARCH:
The reason why i choose this artist because most of his work is black and white, and i enjoy working with black and white. i liked the way he uses  his black and white detail to the art work to make a snowy effect and create an bleary  atmosphere. In my drawing I used lots of aspect, for example i used pencil, and i kept my work black and white also try to create a similar atmosphere in my artwork,

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the reason why I choose Constable as an inspirational artist is because of his talent as it relates to paintings. I find is paintings realistic in a way that I would like to reach on his level of talent one day because realistic art is my preference. I also pay close attention to is details and how he applies the paint on the work surface

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My planning chart

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John constable, Samuel Palmer, JMW Turner