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-Aggressive beginning
-fortissimo
-strings
-Begins with development (no exposition)

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-Starts with two trumpets in unison
-Repeated, with the two trumpets an octave apart
-Theme then played by strings, and repeated an octave apart

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-Exuberant, jovial
-Less melodic and lyrical
-Starts with strings
-Woodwinds carry a fourth

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-Contrast with other themes: softer and slower
-Introduced with clarinet, echoed by the timpani and cello
-Flutes join
-First violins join
-Flutes and violins progress into next theme

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-Starts out lyrical
-Adds a few bars of agitated music
-Alternates between the two

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-Light, jovial
-Reminiscent of Bohemian and Czech music

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Back-and-forth:
-All five horns play the first theme with a decrescendo
-Woodwinds return with part of fifth theme
-Horns return, repeat again

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-Reminiscence: uses material from second and third movements
-Woodwinds play English horn solo from second movement (largo)
-Strings compliment with material from third movement (Scherzo Molto vivace)

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-Trumpets and trombones play same English horn theme from second movement- loudly
-Third and fourth horn play first theme
-Horns answered by cellos and basses

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-Introduction of new theme on violin, answered by cellos- "sixth theme"
-Slow, smooth and melodic

-Weaving of different themes throughout development, building up to the climax
-First theme, third theme

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-Starts by repeating opening chords of the second movement
-Timpani, brass, woodwinds create powerful harmonic sequence

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-Unique resolution- more introspective
-Woodwinds and brass play last chord softly
-Ending can be seen as unrewarding due to its mass buildup and quiet finish