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PERSEPOLIS

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what is the most important to us and why?

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what is the most important to us and why?

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GETTING LOST

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using ordinary everyday items in one's culture to make something large scale

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halfway underground homes of south korea

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SUPERFLAT

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cerulean genesis

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TAXIDERMY

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THE MYSTERIES OF HARRY BURDNICK BY CHRIS VAN ALLSBURG

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THE MYSTERIES OF HARRY BURDNICK BY CHRIS VAN ALLSBURG

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a series of images, ostensibly created by Harris Burdick, a man who has mysteriously disappeared

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http://www.inenart.eu/?p=25629

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https://www.bjp-online.com/2017/05/everything-you-see-in-these-photographs-is-fake/

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flash fiction

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BOOK WITHOUT THE LETTER E (LIPOGRAM)

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grunewald

Tackle historical and contemporary systemic oppression of characters who have been marginalised and underrepresented

The process of labour invested in the work is a direct homage to the subjects, victims of violent domestic of institutional crimes

Live moments ago

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What happened?
What can i do?
How can i say something new?
How can i make people feel something? 

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sunday's child
a book about a conversation between the past and the present: between a grandfather and granddaughter

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Combines oral history and on-location drawing to look at issues in the news in unexpected ways

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my father's shoes

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nature spotting

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AUGGIE WREN'S CHRISTMAS STORY BY PAUL ASTER

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AUGGIE WREN'S CHRISTMAS STORY BY PAUL ASTER

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- photographing the same street every day to appreciate a new detail

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- Dreher has returned to paint the same glass for over 5,000 renderings since 1974
- Day by Day, Good Day is as much a routine of coping and healing as it is an exploration of artistic conventions

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MAKING MEANING. collecting, ordering, re-presenting to make new meanings

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REPETITION IS A FORM OF CHANGE

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"272 PAGES"
the same set of photos republished with the orders changed around

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What is all the fuss about the famous golden ratio? Why is it that whenever you lookup for Golden Ratio, all you find is an image that looks like one above. Why are structures or patterns in golden ratio perceived to be aesthetically pleasing? Is there something more to golden ratio than we know of? If you also share this intrigue, let us break it down and try to understand what golden ratio is and why should it be of an importance to us as designers?

Mathematicallyspeaking, two quantities are in the Golden Ratio if their ratio is the same as the ratio of their sum to the larger of the two quantities. Referring the image below, a/b is the golden ratio.

That's correct! 1.618, mathematically irrational number is interestingly considered to be the golden ratio, golden mean, divine proportion and many other names that golden ratio is associated with. What is more interesting than the value is the discovery of the value.

Credits : Totem Learning

Centuries back, genius minds started observing patterns in the beautiful nature around themselves; From the leaf arrangement in plants, to the pattern of the florets of a flower, the bracts of a pinecone, or the scales of a pineapple; everything had the same pattern. And the arrangement goes 1, 2, 3, 5, 8,13, 21, 34 and so on. Voila! The Fibonacci. When you start calculating ratio of fibonacci number with its previous fibonacci number, we end up with something like 1.61803... an irrational number rounded up to 3 decimal places 1.618 which is the golden ratio we read about.

What was naturally pleasing to the eyes, this number was then used in creating proportions for architectures, paintings, sculptures, photography, design etc.

Application of Golden Ratio for creating pleasant art

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Golden Ratio : What It Is And Why Should You Use It In Design

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What is all the fuss about the famous golden ratio? Why is it that whenever you lookup for Golden Ratio, all you find is an image that looks like one above. Why are structures or patterns in golden ratio perceived to be aesthetically pleasing? Is there something more to golden ratio than we know of?

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WRITING IS HOW WE EXPLAIN OURSELVES TO OURSELVES

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american stories

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polaroids - instant stories

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for a while ive been wondering if RM’s mono was drawn by him with his non dominant hand and after having experienced it in therapy

it really made sense with what hes going for in the album

journaling with your non dominant hand actually lets you get in touch with your inner child, and its a psychotherapy technique to heal trauma. here is me journaling with my non dominant hand and visualizing myself writing as a child.

it actually gets really hard, for people who overthink its gets hard to write everything you want to write with the limited motor skills of your non dominant hand which reverts your mindset back to when you were a child when you were just learning to write

i keep thinking back at how mono was essentially joons inner child, especially the track moonchild which was him soothing himself.

but if true i find that really soothing to know that he has really gone through steps in healing himself and made this album as a way to not only soothe us but soothe himself, almost all of joon’s words about comfort ties back to psychotherapy

for example his lessen pain from 100, 99, 98 is a technique to reground. when you have alot of emotions and are overwhelmed it helps when you slowly count down from 100 99 98 until you can feel yourself calm down.

when he said if you want to cry just cry, angry be angry thats also a technique instead of holding onto your emotions you have to release it feeling all these emotions are a way to reground yourself and find out why are you sad why are you angry and know yourself better

if you think about it too, mono isnt just by definition black and white mono can be monologue, mono (one) his own feelings and his own thoughts so this album was really just his heart and soul and his own process of healing

bringing back my own inner child journaling exercise i wrote what the child me would want to say, and wrote what me as a wise parent would say- sometimes healing your trauma is finding out your are still your inner child and you can heal yourself by being your own parent

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ZOOM

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dialectogram

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Psychogeography is an exploration of urban environments that emphasizes playfulness and "drifting". It has links to the Letterist and Situationist Internationals, revolutionary groups influenced by Marxist and anarchist theory, as well as by the attitudes and methods of Dadaists and Surrealists.

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undermining the idea of a book as a linear journey

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The Art of Practice with Christoph Niemann

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Abstract: The Art of Design | Christoph Niemann: Illustration | FULL EPISODE | Netflix

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TAKE THE NEGLIGIBLE AND MAKE IT CONSIDERABLE
TAKE THE FAMILIAR AND MAKE IT STRANGE

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THE BASIS FOR ALL THE ARTS IS LEARNING TO SEE

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for a while ive been wondering if RM’s mono was drawn by him with his non dominant hand and after having experienced it in therapy 
it really made sense with what hes going for in the album

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for a while ive been wondering if RM’s mono was drawn by him with his non dominant hand and after having experienced it in therapy 
it really made sense with what hes going for in the album https://t.co/GPZxa9TX4r

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for a while ive been wondering if RM’s mono was drawn by him with his non dominant hand and after having experienced it in therapy
it really made sense with what hes going for in the album pic.twitter.com/GPZxa9TX4r
— k☻ັre 🌱 (@namnamjeans) September 14, 2020

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for a while ive been wondering if RM’s mono was drawn by him with his non dominant hand and after having experienced it in therapy 
it really made sense with what hes going for in the album https://t.co/GPZxa9TX4r

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for a while ive been wondering if RM’s mono was drawn by him with his non dominant hand and after having experienced it in therapy 
it really made sense with what hes going for in the album https://t.co/GPZxa9TX4r

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for a while ive been wondering if RM’s mono was drawn by him with his non dominant hand and after having experienced it in therapy 
it really made sense with what hes going for in the album

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your work should always be a response to something

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changing perspective

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creating new meaning to a pre-existing thing in everyday life

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Mr Bingo likes drawing things and rapping and this is a website of some stuff that he's done.

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Why We Owe A Lot To Animator Norman McLaren

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ink on film

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scratch film

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Scratch (triptyque-3) / Scratch (Triptych-3), Pierre Hébert

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- experimental books
- luring readers/ teasing to turn to the next page

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with regards to interactive possibilities and experiences of the reader

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depicting life in a reframed way using animation

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Original format: 16mm
Year of production: 1983
Duration; 6mins 2secs

Made while studying Film and TV dept at the RCA. Based on sketches made in Liverpool drinking clubs. 
The film observes human behaviour in a social situation, hinting at the loneliness felt by the individual lost in the crowd.

KEY CREDITS:
Director: Jonathan Hodgson
Production Company: Royal College of Art
1983

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Moznosti Dialogu (Dimensions of Dialogue) PART 1-2-3

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Part 1 : İlk çağ insanından modern çağ insanına kadar geçen süreci ve bu süreçte makineler ve onları kullanmamızı sağlayan enerji kaynakları arasında yaşanan savaşı,

Part 2 : Kadın-erkek ilişkilerindeki gerçekliği,

Part 3 : Devletler arasındaki ticari, stratejik vs her türlü ilişkilerin, bir süre sonra bu devletleri nasıl yıprattığını anlatmakta.

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Films : The Phantom Museum - Random Forays into Sir Henry Wellcome's Medical Collection

a film by The Quay Brothers

animate! synopsis

Sir Henry Wellcome (1853-1936) amassed one of the world's largest museum collections, capturing human culture and history through medical eyes. The Phantom Museum uses animation to imaginatively 'document' this extraordinary assemblage and simultaneously reveal an extremely beautiful yet odd inner cosmos of things.

key credits

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Sir Henry Wellcome (1853-1936) amassed one of the world's largest museum collections, capturing human culture and history through medical eyes. The Phantom Museum uses animation to imaginatively 'document' this extraordinary assemblage and simultaneously reveal an extremely beautiful yet odd inner cosmos of things.