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How To Create a Storyboard (ft. Mary Doodles & Whitney Lee Milam)

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Assignment: Draw the storyboard to The Matrix movie of Neo dodging the bullets. I matched my drawings with the clip as they played simultaneously. This was my favorite assignment.

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Tarzan Opening Sequence Storyreel vs. Final

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This section of our group padlet page will focus on building a story , in order to help you plan your individual film projects

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https://padlet.com/Peachy_Invasion/n4vbsktc9tbs#

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The single camera production that i have chosen is an episode of the Arrow telvision series called Invasion! (3). This was a the third part of the invasion episodes in the Arrowverse, the first episode was on The CW's Supergirl then moved on to THe CW's flash then Arrow and The final one was on The CW's Legends of Tomorrow. This episode included an alien invasion and four characters getting kidnapped by them and being put into a coma and living in an alternative world. The characters where Ray Palmer (The A.T.O.M), Sara Lance (The White Canary), Thea Queen (The Red Arrow/Arsenal), Jon Diggle (Spartan) and Oliver Queen (The Green Arrow). This episode was a special episode in the terms of The Arrow as it was its 100th episode.

The episode was set in an alternate world in which Oliver and Thea's parents where alive and they were celebrating the marrige of Oliver and his ex-girlfriend, Laurel Lance aka The Black Canary (Deaceased). They must also face they're previous enemies such as Raj al Ghul and Deathstroke.

The Narrative structure for this episode was

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Mr. Robot- 10. eps1.9_zer0-day.avi (IZAK)

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Mr. Robot- 10. eps1.9_zer0-day.avi (IZAK)

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Format- Mr. Robot's format is a drama serial, as it has a recurring/continual storyline which could result in multiple seasons (rather than consist of one mini series). The story arc is a complex one, with some themes and concepts being cocluded in this season finale, whilst others are created.

Narrative- Mr. Robot's narrative style is multi strand. In this episode, we see many different perspectives. The first being a conusellor named Gloria confronting her boyfriend, who is cheating on her. he reveals that Elliot hacked him and stole his dog. He then goes home to watch a movie and reflect on what has happened. There is then a montage of the moive, showing a nuke blowing up and then the main title. We are then shown the second perspective: Elliot's. He wakes up in Tyrrell's car (his partner/sidekick) after supposedly sleeping for three days straight. We see that the city has gone into complete anarchy, with pedestrians enlisting to fsociety (Elliot's hacker group) and causing havoc. Elliot ditches the car and goes to Tyrrell's wife, asking where he is. She refuses to answer and then the perspective switches to Angela's. She works for the corporation Elliot has hacked, called E-Corp, and she prepares the spokesman for his interview (he is clearly hesitant as the world has gone in complete decline because of the hack. The spokesman is then bombarded with questions, and he commits suicide on screen. We then see members of fsociety partying, whilst Elliot is missing. The final perspective we see is from Elliot's mind. He stands in a busy Times Square, everyone wearing an fsociety mask, and they all completely vanish. He starts to hallucinate, seeing his family on screens talking to him and telling him to accept what's happened. He walks home crying, to Sound & Color by Alabama Shakes (a fitting song; explained later), and he gets to his apartment watching the news. The final scene is of knocking on the door and then there is a cut to black. Therefore the narrative is multi-strand, it's purpose being to show the consequences of Elliot and society's action on certain individuals and groups.

Narrative Devices:
Many narrative devices are used to create tension:
- Dramatic Irony is used as we know the hack has taken place, whereas Elliot is unaware until seeing a crowd of fanatics. We also know (to some extent) what happened during the three days; Elliot's split persona, Mr. Robot took over and performed the ahck with Tyrrell.
- Open Ending/Cliffhanger: The finale ends on a cliffhanger with the sound of knocking on the door leaving it open to interpretation to who is after Elliot. The cut to black also adds to the dramatic effect of the cliffhanger as we don't get to see who enters, showing that the story will continue. We find out that the FBI knocked on his door as he is in prison in Season 2, because of Gloria's boyfriend snitching on him (although this prison is disguised as an isolated neighbourhood; a plot twist in season 2 reveals everything).

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Please write your preference here:

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In 2166, an immortal tyrant named Vandal Savage conquered the world, and murdered my wife and child. I have assembled an elite team to hunt him throughout time and stop his rise to power. Unfortunately, my plan is opposed by the body I'd sworn my allegiance to: the Time Masters. In the future, my friends may not be heroes. But if we succeed, they will be remembered as legends.

The Time Masters were an organization charged with protecting history from rogue time travelers, but they were destroyed. Under the leadership of Rip Hunter we have taken up their mantle. Sara Lance, former member of the League of Assassins, Dr. Raymond Palmer...The Atom, The Arsonist... Mick Rory, and Firestorm... The merged super form of Jefferson Jackson and myself, Martin Stein. We are the only ones left to protect history. We are The Legends of Tomorrow.

My name is Sara Lance. Last year, a former Time Master named Rip Hunter recruited a team of heroes and villains to save the world, and we did, but in the process we destroyed the Time Masters. Now we've taken up their mantle of protecting the timeline from time criminals. We are no longer saving the world. We are saving history. But don't call us heroes. We are legends.

Time travel is real. And all of history is vulnerable to the attack of rogue time travelers. But one group travels throughout time to stop the spread of these so-called Time Aberrations and erase their damage to history. A group of outcasts and misfits. These individuals aren't heroes, they're something else. They're legends.

Time travel is real, and all of history is vulnerable to attack, which is why we must travel through time to stop the spread of these so-called Time Aberrations and to erase their damage to history. We are a team of outcasts and misfits. So please don't call us heroes, we're legends.

Time travel is real, and all of history is vulnerable to attack which is why we must travel through time to stop this spread of these so-called Time Aberrations and to erase their damage to history. We are a team of outcasts and mistfits. So please don't call us heroes, we're something else. We're legends.

My name is Damien Darhk. In 2016, I was murdered by the Green Arrow. But I was removed from the timeline 31 years before my death by a speedster from the future named Eobard Thawne. Together with Malcolm Merlyn, a former head of the League of Assassins, the three of us are going to locate the Spear of Destiny. A mystical object which can rewrite reality itself. With the Spear in our possession, we will change our past and our future and the world as you know it.

Seriously, you idiots haven't figured this out by now? It all started when we blew up the time pigs, the Time Masters. Now history's all screwed up, but it's up to us to un-screw it up. But half the time we screw things up even worse. So don't call us heroes, we're something else. We're legends. Who writes this crap anyway?

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Movie: Sweeney Todd
Props: The props that are in this scene are the shaver and a shave gel on a brush there also was a chair that Judge Turpin (Alan Rickman) who sits on the seat becasue he is having a shaveby Sweeney Todd (Johnny Depp).

Costume: The costumes that they are wearing are Victorian times also the hair

Lighting: The lighting in this scene is low light the reason why the lighting is like that is the place is supposted to be dark and light is that

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Rest in Peace, Alan Rickman. Scene taken from the movie "Sweeney Todd". I don't own any of this content.

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Saving Private Ryan: Omaha Beach

The scene begins with the hero landing on Omaha Beach in Normandy on D-Day. One of the most famous battles that occurred during WW2.

Props: In order to make the scene seem realistic the film producers needed to use props to recreate the real life scenario. These props are items that the soldiers carried with them into battle. On the boat, approaching the beach, the hero takes a swig from a canteen. This canteen was a standard piece of infantry equipment, and this action of taking a drink could suggest that the hero was nervous or scared, and he needed a drink to calm himself. Another prop that everyone on the scene carries is a rifle. These weapons aren’t real guns, or if they are they’re not loaded (They might use real guns to ensure the authenticity of the scene). Most of the infantrymen use a standard rifle, which was given to all the lower ranking soldiers. However, the hero uses a machine gun because he is the captain. This tells us that he is in charge of the troops around him. They’re his men that are being slaughtered around him, and he could do nothing but watch. (This helps create sympathy in this tragic historical moment). One soldier is carrying a typewriter. And he tries to write something. Presumably, he is writing a letter to request reinforcements. This helps create a sense of urgency they are in desperate need of help.

Costume: The people in the scene are wearing WW2 US Army Uniform. This helps us identify the time period and which army it is. The costumes are accurate of the time period and this helps solidify the idea of realism.

Lighting: When the soldiers get off the boat, they land in the sea and go underwater. We can just barely make out the people as they are being killed. There is barely any light here and this represents what the soldiers are experiencing. They cannot see those who are firing at them, and neither can we. They’re in the dark. They have no idea where they are and this emphasises their fear. However, on the beach it’s quite the opposite. It’s a nice, sunny day in Northern France. This is contrasting with the conflict on the beach as t was one of the most violent and deadly events in recent history. It almost creates a sense of sadness as it would have been a lovely peaceful day, were it not interrupted by violence.

Actors: This scene stars Tom Hanks, a very successful and well known actor. Tom Hanks has been in may other successful films and viewers familiar with the actor trust that this film will be successful too. The scene also featured smaller actors like: Vin Diesel, Edward Burns and Tom Sizemore

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Summary of the scene: In this scene the film Drive, the characters of Ryan Gosling (The Driver and Carrey Mulligan (Irene) go into an elevator, where a supicious man stands. The Driver kisses Irene, to a peaceful song, before lookiong at the man where the song cuts out and the Driver kicks his head in (a very violent sequence). The elevator stops and Irene backs out of it, and they both stare at each other before the elevator closes, and there is a close up of The Drivers scorpion jacket.

https://www.youtube.com/watch?v=i5ufgkJ-uVE

Lighting:
In the elevator, it is low lit with the light coming from the lamp in the lift. however, there might have been some low key lighting as well as the light in the lift itself wouldn't have been powerful enough. The lighting in the scene helps add to the emotion, especially as The Driver and Irene kiss as their is a subtle raise in the brightness, emphasising the height of their love and affection for each other. This brightness then lowers as the Driver breaks away and kills the man, showing his descent back into violence and evil (is once again the Anti-Hero we know him as). When the scene ends, there are two shots which shows two different lightings: one dark (where Irene stands, the car park -- natural lighting) and one light (where the Driver stands). This shows the seperation between the two, and how they are distanced from each other, although there stood right inf ront of each other. This distance is suggested first by the complete contrast in lighting then the closing of the elevator doors. Also, if we look deeper there is irony as the Driver stands in the light and she stands in the darkness, although The Driver has just committed an evil and dark act (killing). He may be standing in the light to show Irene's idolisation and admiration of him, as he has saved Irene's life, however this is debateable. This low key lighting also contributes to the noir theme of the film.

Costume:
The Driver wears a silver satin jacket with a giant golden scorpion on the abck. This jacket is very reminiscent of the 1980s, and contributes to the 80s and retro theme of the film. It also makes The Driver stand out and breaks away from traditional outfits of the anti heroes (suits e.g. John Wick). There is a close up of The Driver's jacket at the end, of the scorpion. This refers to the tale of the scorpion and the frog, an old story about a scorpion being stuck on the side of a river. his only way of passage is on the back of a frog. He promises the frog not to sting him and they go across the river. However, as they're crossing, the scorpion stings the frog because of instinct and not delibrately; they both drown. The tale can be a metaphor for the scene as The Driver promises to be good (the kiss), but then stings Irene because it is in his nature to kill.

Actors:
The main actors in the scene, Ryan Gosling and Carrey Mulligan, are both well known actors, with Ryan Gosling being made an A List after this film was released and Carrey made a B List. These actors are recognisable, but are not known for specific roles until this (different to someone like Daniel Radcliffe, known and branded as Harry Potter). This didn't spoil his brand therfore, although he was well known for The Notebook and his romantic style. This introduced Ryan Gosling's range in acting skills, giving him a darker role.

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Ahah

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Jordan Sweeto - Evil Little Genius (OFFICIAL MUSIC VIDEO)

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A sequence of brief seemingly unrelated and often ambiguous shots. The lyrics of the song will often tend to link these otherwise unrelated shots. In many ways they can be similar or can overlap with surrealist videos in terms of content. The content  relates to the song but doesn’t necessarily mirror exactly the meaning of the lyrics.

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Something that is so strange you cant believe its real. most animated videos come under surreal. As if from a dream.

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features an in-concert performance, is common in rock music and also electronic dance music videos.

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Foo Fighters - All My Life (Official HD Video)

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Respectful mimicry of a particular artist, style, director. It will aim to pay homage to the style, director, artist. Something that copies without being designed to mock.

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Blur - The Universal (Official Music Video)

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This is a spoof or imitative work created to mock.

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blink-182 - All The Small Things (Official Music Video)

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Something that looks like something else, but has a different meaning. They normally want the audience to make their own interpretation

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Narrative:
A narrative music video tells a story throughout and describes a sequence of non-fictional or fictional events. Can often relate to audiences experiences.

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Bon Jovi - Always (Official Music Video)

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How Stan Music Video was made Directed by Phil Atwell and Dr Dre All right reserved to ©Aftermath Ent/ Interscope Records 2000

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This music video for this song is good as it is mainly POV. This video has ether been filmed with a Go-Pro or handheld due to the amount of tracking shots that take place throughout. This is different other music videos as this one has use of violence and crime such as cop shootouts and robbery. I like this music video as it well made and the song is quite catchy. I am also a fan of The Weeknd's songs and music videos!

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https://www.youtube.com/watch?v=bFDzhKdrN9M
I like this song because its a song that everyone can relate to and it's a funky song. The song is about one of the member from the band singing about her previous relationship by a boy and how it's affected her as a person( mental, physical and emsional ). How a waste of her 4 years relationship  with that boy has been  waste and could spend that  4 years with someone else that will treat her with respect that she need from the person she loves with all  of her heart. As well it's clear to see that she was involved ore in the relationship rather than the boy was. But as well you have friends and family to get you through this tuff time in your life and it will affect them the same way.

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This music video tends to make that audience think that it’s happenings was all in the lead singers (Axel Rose) head. Its starts off with the lead singer taking pills, which are to be presumed prescribed, and then going to bed, it then cuts to a gig of theirs that had an orchestra in the background for the song November Rain. It then switches in-between the gig and Axel Rose getting married to a pretty woman. This all goes on in his head whilst he is asleep, I believe. Then shots of the main guitarist (Slash) are being taken outside of the church doing a solo. The video ends with a death at a funeral, which turns out to be wife. And because of the horror of the nightmare Axel Rose wakes up from his sleep alone in the dark covered in sweat. This video was budgeted at around $700,000, the reason it was budgeted at so much is because of it helicopter shots and the amount of extras/actors that they had to have in the church when Axel Rose got married.  Back in this time, they did not have YouTube so it was very hard to make money on a video with such a high production value, the video made its money back by selling the video on a DVD. Now’ a days the video will make its money from being bought on ITunes.

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Michael Jackson - Thriller

www.youtube.com/watch?v=snqjkJTMaA

Michael Jackson’s Thriller was released in 1982 in the album of the same name. The music video begins with a quote from Michael Jackson. “Due to my strong personal convictions, I wish to stress that this film in no way endorses a belief in the occult.” This is particularly interesting because In Thriller, Michael Jackson is seen to transforming into a werewolf and also a zombie. He did not want viewers to think he believed in these things as apparently, Jehovah Witness believers were both by this video because they thought Michael Jackson was promoting the belief of undead spirits monsters.  Michael Jackson’s Thriller begins with a car stopping in the middle of a dirt road. The sounds coming from the car suggest that the car has run out of fuel. The driver turns out to be Michael Jackson, and the passenger is a young woman, presumably his girlfriend. He asks her if he can tell her a secret. He then begins to transform into a werewolf, causing her to scream in terror.  As she runs away, the werewolf chases her. Just as the werewolf catches her, it’s revealed that it was actually a film that Michael Jackson is watching with the same woman in a cinema.  The woman, afraid, leaves the cinema and Michael Jackson follows her. We then see a shot of the cinema’s exterior, where it’s revealed that the name of the film was “Thriller” by a man named Vincent Price. The classic Michael Jackson song now begins to play. Michael Jackson sings his girlfriend, and the lyrics suggest he’s mocking her because she was afraid. As they walk past the cemetery, we hear the howling of a wolf.  Zombies rise from the graves in the cemetery and by the end; they circle Michael Jackson and his girlfriend. We then find that Michael Jackson has transformed into a zombie.  When his girlfriend sees Michael Jackson as a zombie, we see the vertigo effect, which is a very strong and effective method to emphasise someone’s fear. Michael Jackson then begins the famous dancing with the zombies. The zombies chase the woman to an abandoned house and Michael Jackson approached her as a zombie. However, when he touched her, everything returned to normal, Michael Jackson was human, all the zombies were gone and the house in good condition. But as they leave, Michael Jackson looks towards the camera and his eyes turn into werewolf eyes. We then hear the iconic laugh from Vincent Price. One could argue that this video belongs in the horror genre due to Jackson’s use of death, zombies and werewolves, however Jackson did not intend to scare his audience so there aren’t any jump scares or anything like you’d find in a typical film.  This music video is very famous due to the fact that it was unique for its time. The visuals seen in the film were impressive for 1982 which helped inspired future artists to break new ground, just Jackson did with Thriller. The visual image is very dark and mysterious which ties into the narrative. This makes viewers alert and they have a sense of where Jackson was going with the narrative. At the time, Thriller was one of the first music videos to have a narrative, and video had scenes before, during, and after the song, where the actors would play the narrative. With the cinema at the start, Jackson’s transition into a zombie, and the end where he takes her home and tells her it was all a dream. This adds purpose to both the music video and the song and makes viewers believe that the song is telling a story about the “Thriller. “The iconic dance moves, choreography, scenes, and unique narrative make this an unforgettable music video that revolutionised the industry and many artists consider it to be the best music video of all time. There are also public polls for example, Much's “100 Greatest Videos Ever” places Thriller as number 1. Michael Jackson's Thriller had a budget of $500,000 which was an extremely large amount for a music video at its time and at the time of its release; it won the world record for the most expensive music video. By using a “historical inflation calculator” this budget would be around $1,594,467 or £1,299,595 in today’s money. If the video was unsuccessful, the production company would have not made enough money to make up for the $500,000 budget. However, prior to Thriller, Jackson had huge success with the hit album “Off The Wall” so this justified the extremely large budget as the producers of Thriller knew that this video would pay off.   As expected, the video was a huge success reaching 9 million sales in the box office.

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Tell Your Friends- The Weeknd: https://www.youtube.com/watch?v=j1ngEIxopUU

This music video follows the same surreal style of The Weeknd's other music videos. It shows The Weeknd in a dusty, barren wasteland burying a body in a bag, which is revealed to be himself. Clearly, this is a metaphor for how he is now trying to escape his possession from the devil ( a narrative set up in earlier music videos) and is a new man, attempting to repent for his sins. His new self is laid back and less serious than his past self, who is seemingly constantly emotionless. He completes his transition into normalcy by shooting the devil, which cuts out the audio and shows the Devil falling to his death. An interesting aspect is that the song changes from “Tell Your Friends” to “Real Life” as he drives away in darkness (matching/alluding to the shot of one of his earlier music videos: The Zone). This transition to "Real Life" may also be a refernece to how The Weeknd now realises the reality situation.Antoher aspect of the music video which is intriguing is the use of religious imagery, as the music video opens with a burning bush. In the bible, it's symbollic of Moses' transition into a demi-god, and this can be reflected upon The Weeknd's transition. there is also imagery of resurrection, where The Weeknd buries himself and the death of the devil.

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Below, upload your favourite music video and an explanation of what you like about it. Look out for particular editing techniques, aesthetics and representation.

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Hi. I have an epic Marvel Fanpage. If you love Star Wars and want to get all the latest news on Game of Thrones, Check out my RAD fanpage1!!

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Hi. I have an epic Marvel Fanpage. If you love Star Wars and want to get all the latest news on Game of Thrones, Check out my RAD fanpage1!!

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10 christmas dessert recipes

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Some Great YouTubers!!