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Danzón No. 2 - Alondra de la Parra dirigiendo la POA, de Arturo Márquez HD (True sync)

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Other condcutors performing Danzon No. 2

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Other condcutors performing Danzon No. 2

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Selfie of me after the amazing performance.

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"The social life around you really influences you, no? So that's what happened in Danzón No. 2," Márquez says. "Yes, there was this background, this knowledge background in 1993, of the salons, the dance saloons. But there was also this — what's happening in Mexico in January and February, and I think this piece, it shows — it has hope. I think it's a piece for hope, para esperanza."
(http://www.npr.org/2015/04/11/398759864/from-ballrooms-to-concert-halls-mexico-kept-this-cuban-style-alive)

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"The danzón is often juxtaposed with the tango as its northern counterpart—both are refined urban dances with sensual rhythms and often melancholy melodies. The danzón had its origins in the Cuban habanera and became a popular part of Mexican city life in early 1900s. Like Copland earlier in the century, who was inspired to write El Salón México after a visit to the region, Márquez felt the irresistible pull of those same dance halls and poured their flavor into his own piece."
(http://www.proarte.org/danzon-no-2/)