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Genre shapes the style of the photo and it's expectation.

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A film gauge that is used in film making.

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In the twin lens camera, the extra lens reflects the image from the other reducing things like blur.

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A camera obscura is a darkened room with a small hole or lens at one side through which an image is projected onto a wall or table opposite the hole

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most commonly used chemical process in black-and-white photography, and is the fundamental chemical process for modern analog color photography.

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a keeper or custodian of a museum or other collection.

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a public display of works of art

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A display for the sale of art.

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A showcase of Art not to be sold.

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a studio where you can take pictures in good lighting.

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lines in a picture are what draw you in. Lines are two points that are connected and can be straight or curved.

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Shape refers to area defined by edges – lines, which is two dimensional.

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describes emotions best, while styles such as Impressionism are based almost solely on color.

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Texture describes the tactile quality of the painted area, or the illusion of that quality. Mulating what a real texture of a fabric, stone, wood, skin may look like.

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It refers to the lightness and darkness of a piece, regardless of its hue.

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It is defined by illusion of volume achieved by the use of shadows and perspective.

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Space is the area surrounding or filling the artwork and the painted subject.

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Balance is the distribution of the visual weight of objects, colors, texture, and space

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Variety is the use of several elements of design to hold the viewer’s attention and
to guide the viewer’s eye through and around the work of art.

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Rhythm is created when one or more elements of design are used repeatedly to create a feeling of organized movement. Rhythm creates a mood like music or
dancing

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Proportion is the feeling of unity created when all parts (sizes, amounts, or number) relate well with each other

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Movement is the path the viewer’s eye takes through the work of art, often to focal areas. Such movement can be directed along lines, edges, shape, and color within the
work of art.

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Unity is the feeling of harmony between all parts of the work of art, which creates
a sense of completeness.

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Emphasis is the part of the design that catches the viewer’s attention. Usually the
artist will make one area stand out by contrasting it with other areas.

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the condition of having similar parts regularly arranged around a central axis

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balanced proportions, the property of being symmetrical.

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lack or absence of symmetry

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the act or an instance of placing two or more things side by side often to compare or contrast or to create an interesting effect

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abstract quality or character

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a part sloping upward or downward

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cool color is used to describe any color that is calm or soothing in nature. Cool colors are not overpowering and tend to recede in space. For this reason, cool colors typically make a space seem larger

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any color that is vivid or bold in nature. Warm colors are those that tend to advance in space and can be overwhelming. Examples of warm colors include red, yellow and orange

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they should have very little saturation), allowing them to serve as the relaxing background to a space. Your eye will flow from one point to the next in a neutral-flavored space without the distraction of a singular color.

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a color that combined with a given color makes white or black.

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containing or using only one color

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feedback that provides specific, actionable suggestions. Rather than providing general advice, constructive criticism gives specific recommendations on how to make positive improvements.

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taking someone else's work or ideas and passing them off as one's own

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pertaining to or dealing with morals or the principles of morality; pertaining to right and wrong in conduct.

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Subjective is an adjective, meaning based on or influenced by personal feelings or emotions. Objective is an adjective, meaning not based on or influenced personal feelings or emotions, but hard, factual evidence.

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copyright is mainly used for creative works, whereas trademarks are generally used for logos, symbols or slogans. However, some elaborate logos, symbols or slogans may be applicable for both a copyright and a trademark.

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A normative rule that an image should be mentally or representationally divided in three horizontally and diagonally, and that the focus of the image should not be in the center of the resulting shape.

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Leading lines create a path to show a way for the eyes to explore the essential elements of your image.

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It creates balanced, harmonious compositions

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Negative space, in art, is the space around and between the subject(s) of an image.

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positive space is the main focus area whilst negative space is the background.

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Lighting from behind a subject.

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Diffusing light means to soften it by reducing glare and harsh shadows.

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Ambient light is light that is diffused equally throughout an environment. It is created by rays of light that are traveling in random directions as opposed to in a similar directions.

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the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition

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the dark shape and outline of someone or something visible against a lighter background.

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As an art term a diptych is an artwork consisting of two pieces or panels, that together create a singular art piece these can be attached together or presented adjoining each other.

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is a work of art (usually a panel painting) that is divided into three sections, or three carved panels that are hinged together and can be folded shut or displayed open.

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Orthographic views are two-dimensional depictions used to describe three-dimensional objects.

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With this distortion, straight lines will remain straight towards the center but curve out at the edges of the image. This gives lines a circular, barrel-like shape.

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Pincushion distortion is the exact opposite of barrel distortion – straight lines are curved outwards from the center. This type of distortion is commonly seen on telephoto lenses, and it occurs due to image magnification increasing towards the edges of the frame from the optical axis.

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As you increase your ISO number, your photos will grow progressively brighter. For that reason, ISO can help you capture images in darker environments, or be more flexible about your aperture and shutter speed settings.

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In photography, ASA and ISO are both measurements of film speed, or sensitivity to light. ASA is a scale created by the American Standards Association , but it is no longer widely used

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a sensor that detects and conveys information used to make an image.

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Grain comes from a higher ISO to make your image brighter also.

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Just like with sound, where noise refers to auditory disruptions, in photography, the term digital noise refers to visual distortion. Noise looks like tiny colored pixels or specks in your photograph, and sometimes resembles the grain that you may see in film photography.

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a wide aperture (remember that's a low f-number) will brighten up a photo. If an image looks too dark, widening the aperture will help correct that.

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If someone tells you to use a large aperture, they’re recommending an f-stop like f/1.4, f/2, or f/2.8. If someone tells you to use a small aperture, they’re recommending an f-stop like f/8, f/11, or f/16.

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normal or standard, wide angle, and telephoto. The focal length of a normal lens for a 35 mm SLR camera is approximately 50 mm.

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the distance between the nearest and the farthest objects that are in acceptably sharp focus in an image. The depth of field can be calculated based on focal length, distance to subject, the acceptable circle of confusion size, and aperture.

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When it comes to achieving bokeh, the wider the aperture, the better it is – so anything lower than f/2 is ideal. You can achieve bokeh with slower apertures, but it depends on the build and quality of the lens.

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The Camera sets all the different settings for you.

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You Chose every setting on the camera.

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allows the user to set a specific aperture value (f-number) while the camera selects a shutter speed to match it that will result in proper exposure based on the lighting conditions as measured by the camera's light meter.

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you set the shutter speed of your camera. Your camera then sets the aperture that complements your shutter speed to make sure the image is well-exposed.

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your camera sets the aperture and shutter speed in order to get a proper exposure.

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the length of time that the film or digital sensor inside the camera is exposed to light

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a shutter speed option that you can select in Manual mode on your camera. It allows your shutter speed to be any length you choose: one second, one minute, 17 minutes, or anything else.

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the apparent streaking of moving objects in a photograph or a sequence of frames, such as a film or animation. It results when the image being recorded changes during the recording of a single exposure, due to rapid movement or long exposure .

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Holds the Camera to keep it still.

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When you shake your camera it creates the image to have more blur.

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using a long-duration shutter speed to sharply capture the stationary elements of images while blurring, smearing, or obscuring the moving elements

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Frame rate is the number of images, or frames, that appear in a second of video. In most videos, the frame rate and playback speed are the same.

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Light painting, painting with light, light drawing, or light art performance photography are terms that describe photographic techniques of moving a light source while taking a long exposure photograph

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swivelling a still or video camera horizontally from a fixed position. This motion is similar to the motion of a person when they turn their head on their neck from left to right.

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Burst mode is a generic electronics term referring to any situation in which a device is transmitting data repeatedly without going through all the steps required to transmit each piece of data in a separate transaction

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The Color your camera focuses on

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Spot metering covers the smallest area of all the metering modes as you measure just 2 – 4% of the frame. Because the other metering modes measure much wider areas, they aren’t as targeted as spot metering

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A wider metering area

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the most important part of the image is probably in the center. It measures the whole scene but places extra emphasis on the light values in the middle.

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Camera system for determining exposure settings for a given scene by analysing the scene into a number of sectors for their luminance, then looking up previously collated data to determine the best match between the scene and camera setting.

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to describe the darkest parts of an image. Shadow is often rendered in black tonal values but when exposed correctly is still able to contain large amounts of detail

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A tone that appears between a scene's highlight and shadow areas.

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A highlight is a bright spot in a photograph.

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A vignette is on a photograph when it has darkened edges. A vignette can make your photographs stand out and draw your audience’s eyes towards the center of the photograph.

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Sepia toning is a chemical process used in photography which changes the appearance of black-and-white prints to brown. The color is now often associated with antique photographs.

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what's used to determine the location of focus in an image.

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bracketing is the general technique of taking several shots of the same subject using different camera settings.

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The Exposure Indicator shows if your over or under exposed.

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adjusting the exposure indicated by a photographic exposure meter

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A white balance card is 18% gray used for the center of exposure.

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A workspace is a specific layout of the panels within Dreamweaver; There are pre-built panel layouts you access using the workspace switcher

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a strip of icons used to perform certain functions.

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a thin board or slab on which an artist lays and mixes colors.

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a horizontal bar, typically located at the top of the screen below the title bar, containing drop-down menus.

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used to choose settings for each tool (e.g., opacity, fade distance, blending mode)