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Kulintang (Indonesian: kolintang, Malay: kulintangan) is a modern term for an ancient instrumental form of music composed on a row of small, horizontally laid gongs that function melodically, accompanied by larger, suspended gongs and drums.

Kulintang is a modern term for an ancient instrumental form of music composed on a row of small, horizontally laid gongs that function melodically, accompanied by larger, suspended gongs and drums.

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The Spoliarium (often misspelled Spolarium) is a painting by Filipino painter Juan Luna. Luna, working on canvas, spent eight months completing the painting which depicts dying gladiators. The painting was submitted by Luna to the Exposición Nacional de Bellas Artes in 1884 in Madrid, where it garnered the first gold medal (out of three). The picture recreates a despoiling scene in a Roman circus where dead gladiators are stripped of weapons and garments. Together with other works of the Spanish Academy, the Spoliarium was on exhibit in Rome in April 1884.

In 1886, the painting was sold to the provincial government of Barcelona for 20,000 pesetas. It currently hangs in the main gallery at the first floor of the National Museum of Fine Arts in Manila, and is the first work of art that greets visitors upon entry into the museum. The National Museum considers it the largest painting in the Philippines with dimensions of 4.22 meters x 7.675 meters.

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The Oblation (Filipino: Pahinungod, Oblasyon) is a concrete statue by Philippine National Artist artist Guillermo Tolentino which serves as the iconic symbol of the University of the Philippines. It depicts a man facing upward with arms outstretched, symbolizing selfless offering of oneself to his union.

The idea for the Oblation was first conceived during the presidency of Rafael Palma, who was the one to commission Tolentino to make the sculpture. Palma requested that the statue would be based on the second verse of Rizal's Mi Ultimo Adios

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Defend Thy Honour (1945) depicts an interior with a Filipino holding a bolo and shielding a Filipina in torn clothes from an unseen Japanese soldier.

Amorsolo painted the destruction of Manila and the rape of the Philippines in his studio. Defend Thy Honour (1945) Addressing both horror and honour, Amorsolo documented the occupation as a historical and personal trauma, embodying and gendering the Philippines as a victim of rape.

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Hangarin, could be translated as “aspiration” or “goal”

But, as Garibay explains, basketball is one of the imported expressions of North American culture that now obsesses the popular imagination.

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As the time goes by, we can see what inspirations they draw from the artwork; it was usually a summary of what was going on at the time, and it may have been influenced by what they believed in, what the country been experiencing at that period, and more.