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roughly 7 feet of marble. contrapposto is heavily seen. General way the way it looks like fabric on the skin

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Melchior Broederlam, In fancy of Christ panels, wings of the altarpiece of the Chartreuse de Champmol. 1394-99

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not so much worried about anatomy. Heavy emphasis and ties to religion.

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The Dijon Altarpiece (1393-1399 - Melchior Broederlam)

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The Virgin of the Rocks by Leonardo Da Vinci <ca. 1489>

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Big religious ties within the painting

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The Burial of the Count Orgaz by El Greco <1586>

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We see the counts dead body and above we see his soul. Heavy religious ties like the others in this era.

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The Decent from the Cross by Rosso Fiorentino <1521>

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It feels very archaic so many emotions and exaggerated human anatomy to create dramatic affect to capture the tragedy it was.

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The Calling of St Matthew by Caravaggio <ca. 1599-1600>

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there is this use of chiaroscuro to emphasis the focal point being Matthew. Again more religious ties as this is Saint Matthew

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again we see the use of chiaroscuro this was used to create the sense of intimacy within her pieces

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no much emphasis on the human anatomy in the sense of adding so much details to the faces. Still we see some contrapposto within the piece

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The Village Bride by Jean-Baptiste Greuze <1761>

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we see the use of contrapposto and chiaroscuro

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Elohim Creating Adam by William Blake <1795>

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The way the bodies are proportioned you can get a sense of who is the higher being

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The Stone Breakers by Gustave Courbet <1849>

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the colors are no longer very vibrant the match more the colors we would see within the world

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Impression, Sunrise by Claude Monet <1872>

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The biggest thing about this pieces is how there is really only the use of two colors yet it still creates this beautiful scene.

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Mont Sainte-Victoire seen from the Bibemus Quarry Paul Cezanne by <1897-1900>

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the shapes are now more organic and abstract the use of color is how we can identify what we are looking at

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mountains at collioure by andre derain <1905>

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no longer care for replicating anything but general shapes. There is intense colors and extreme proportions within the trees.

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Les Demoiselles d'Avignon by Pablo Picasso <1907>

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The proportions are now elongated and thicker more bold.

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Ambiguous Figures (1 copper plate, 1 zinc plate, 1 rubber cloth..) by Max Ernst <1920>

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There is this obvious use of perspective with what seems like a door way and a path but it get over thrown by the proportions of the objects showing distance

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The colors and strokes of the brush give a sense of rage

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Balance is the whole focal point of the piece. the fact that a heavy lead block is being help by just one pole.

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Interior Stairwell at Tassel House by Victoria Horta <1892-93>

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The use of textures and pattern created this flowing moving as you go up or down the stairs

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drowning girl by roy lichtenstein <1963>

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Deep bold colors draw attention