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Wilhelm Lehmbruck 1916-1917 Made of plaster.

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See no evil, Hear no evil, Speak no evil Mask Sculpture

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I love the symbolic meaning behind the phenox. Ive heard many but what resonates with me is that although this bird turns to ashes it will rise above. 

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This poem has a silver print design of pine branches, birds and other plants. Collection of thirty six ancient to Heian times.

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This is a Ear Ornament with Granulate Design.

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This piece is from the Arms and Armor, It is a Design for a sheild. I love the detail and the swirls as well.

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I really like this very famous one is because it brings liberty. to the united sates . And it brings freedom to me as well!

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This one is manful for me because I like on the title it says "smiley" as if the figure is smiling but it turns out its not smiling instead its a serous face. Its kinda like a metaphor .

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I really like this one from (Reduction-Wave ARTIST Kondo Takahiro). Why I like it is because it comes to me in a very calmly manner. And I think it trying to make you calm and satified. :)

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I really like this one because I think its trying to become a zombie or some creature without human.And I think its trying to say something. I couldn't find any more back ground.

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I could not find any information more. But I really like this one because it means to me like the person is dancing without any clothes on and being more freely and doesn't care what other people think. And its being positive about him.her, self. So I really admire that power.

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Bird in Space - Constantin Brancusi - 1923

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Bird in Space - Constantin Brancusi - 1923

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The sculpture caught my eye while browsing The Met online gallery because of how slick it looks and how good I feel looking at it. It is especially impressive how smooth he was able to make the surface of the marble. I would never have been able to guess that Brancusi intended the figure to be a bird without reading the description because of his extensive reduction of physical bird attributes. I always appreciate artists' ability to create abstract representation of forms.

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Bird in Space - Constantin Brancusi - 1923 crop

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A beautiful wooden statue that is a symbol of freedom and Americana

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I enjoy this piece because I imagine it is really hard to get clay to appear so smooth. I also love the specs of color and how they all blend together when viewed from a distance.

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This monument of Abraham Lincoln reminds us of not only his role to end slavery but to save the union

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This marble bust shows the serious, dry, stiff, and trust personality of the 30th president of the US, Calvin Coolidge.

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World War 2 Polish cementary in Monte Cassino, Italy

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World War 2 Polish cementary in Monte Cassino, Italy

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This war commentary that also has a monument is significant because it not only reminds us of Polish soldiers who escaped the German and Soviet invasions of their home country at the start of World War 2 but it is also a reminder that while freedom isn't free, these Polish soldiers would not return to the home country that they fought for as the Soviets would set up a Communist state until 1989. Freedom isn't free but not everyone will appreciate your work.

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I love this statue because it honors the American soldier in World War 1. It also features the image of a soldier which also translates into the ideal American man

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Johann Georg Leinberger, death blowing bubbles ,1729-1731

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Johann Georg Leinberger, death blowing bubbles ,1729-1731

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Latiff Mohidin, "Langkawi" the within and beyond, 1976-1980

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Latiff Mohidin, "Langkawi" the within and beyond, 1976-1980

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Artists(Athanadoros, Polydoros, Polydorus of Rhodes, Athenodoros of Rhodes, Agesander of Rhodes),Laocoön and His Sons, 200BCE

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Artists(Athanadoros, Polydoros, Polydorus of Rhodes, Athenodoros of Rhodes, Agesander of Rhodes),Laocoön and His Sons, 200BCE

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This is called Head of a Buddha. It is from China from approximately 650. It is made from limestone. It is from the Tang dynasty. I like the shape of his hair/head. It looks as if there are lots of flowers. I also like the long lobe of his ear. It means long life in Asian culture.

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This piece is called standing solo Buddha in prayer pose. It is from China around 550. It is made from limestone. I like the pose of this Buddha. The praying pose is very famous in the Asian culture. I like the line carvings on the Buddha's clothes

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This piece is called Head of a Buddha. It is from Thailand from 1200. It is made from sandstone. I like the subtle smile that the Buddha has on his face. He looks very happy. His closed eyes makes him look peaceful.

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This is called Rustic Wave. The artist is Kondo Takahiro from Japan. It is from 2017 and displayed at the Asian Art Museum. I like the pattern on the bottom. The flow of the lines and circular shapes make this sculpture look very unique. It also has a calming pattern and color to it.

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This is called Torso of a god. I saw this at the Legion of Honor. It is egyptian, new kingdom dynasty, 1359 BC. I really like the shape of this sculpture. It has a very rustic appearance to it.

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 PLACE OF ORIGIN China; Dolonnor, Mongolia DYNASTY Qing dynasty (1644-1911) MEDIUM Bronze, partially gilded, 

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I love this piece because while it is a familiar concept I've never seen buddah in this unique style. simplistic yet adorned with beautiful details at its base, I find a great deal of inspiration from religious figures in sculptures especially from Hinduism and Buddhism as well as Greek, Eoman and Irish deities

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I am in London right now. I will be back next class time on Saturday.
I spent almost 7 hour at the British museum earlier this week and that was an amazing experience.
The amount of sculptures and ceramics there is mind blowing.
I saw the Rosetta Stone and I was really floored by the complexity with such it was  used to decipher the Egyptian hyragraphics.
I do not have a major
I am taking this class to really see what I can do in creating something different than just pottery.

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'Fragment', Vija Celmins, from the portfolio 'The Met 1502021'

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'Fragment', Vija Celmins, from the portfolio 'The Met 1502021'

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This piece is a wood engraving on handmade Gampi on paper. I appreciate the raw emotion, giving an in depth peek into the artists world and leaves you with a shattered, splintered off feeling but with hope that retrieval and restoration is possible. Fragment is a perfect name

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Vija Celmins. Fragment from the portfolio The Met 150. 2021 | MoMA

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Vija Celmins. Fragment from the portfolio The Met 150. 2021. Wood engraving on handmade Gampi on paper. composition: 5 7/8 × 7 13/16" (15 × 19.9 cm); sheet: 14 7/8 × 14 15/16" (37.8 × 37.9 cm). The Metropolitan Museum of Art, Sharon Coplan Hurowitz. The Grenfell Press, New York, Leslie Miller.

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Luo Li Rong, a Chinese Sculptor bronze sculpture

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This piece is called Transcendence (1998) by Keith Jellum. It is located in Oregon. I like the creativeness of the sculpture where the fish is going through the building. The details in the fish including the scales is impressive.

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I like the practical pieces of ceramic and I would love to be able to make pieces form the pictures. I love the incorporation of nature in the pieces.

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This piece is called expansion by Paige Bradley, from 2004. I like her meditative pose but specifically the light emanating from within her body.

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This is verity a sculpture by Damien Hirst in Devon UK around 2012. It is a pregnancy women holding a sword. I like how the body is pealed away revealing the anatomy beneath. It is very creative.

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This is the balloon dog by artist Jeff Koons from 1994. I like the playfulness of the piece and how relatable it can be, especially to people's childhood memories.

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This is the Cloud Gate, aka The Bean from 2006. It is a sculpture by Anish Kapoor, located in Chicago’s Millennium Park. I like how the sculpture’s highly reflective, mirror-like surface creates a sense of transparency, reflecting the surrounding skyline.

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I also enjoy this piece because it works with a lot of color. I like how it resembles a forest or a waterfall without having the obvious features of one.

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I also enjoy abstract pieces. I think that it leaves imagination to the viewer.

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Teapot, Manufactured by Chelsea Keramic Art Works (1872-1889) or 1879-83 from America. Made in Chelsea, Massachusetts, United States.

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Chocolate Pot, Attributed to Ceramic Art Company, Trenton, New Jersey, 1890-96. Porcelain.

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Lantern for a Lamp, 9th-10th century; Excavated in Iran, Nishapur. Earthenware; carved decoration, unglazed.

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Ewer in the Form of a Phoenix, 15th-16th century; Vietnam. Stoneware with underglaze cobalt blue decoration.

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Flower vase, Period of Adrianus Kocx, 1695-1705 from Dutch, Delft. Delftware (tin-glazed earthenware).

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Marc Perez is a contemporary sculptor living in Paris, France. This image is more abstract. I like the absence of arms and long, thin legs. I think the ball on the person's head represents the burden of thoughts, worries, stories that we tell ourselves about the world, etc.

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Emotional Detox IV by Marc Quinn, 1995, Cast Lead and Wax

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Emotional Detox IV by Marc Quinn, 1995, Cast Lead and Wax

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The title speaks for itself. This looks like a person who is exhausted by his emotions, he is pushing his hands into his head trying to stop racing thoughts.

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Unfortunately, I couldn't find any information about the author of this piece, but its beauty and vulnerability definitely speaks to me. Animal sculpture in general is something I'm very interested in.

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I wasn't able to find much information about this artwork besides that it's by Pablo Hueso, a contemporary Spanish sculptor working in Madrid. This raw and expressive figure really speaks to me. It is on the abstract continuum - not overly realistic, yet not too abstract - like pure emotion.

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Why Born Enslaved! - Jean-Baptiste Carpeaux - modeled 1868, carved 1873

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Why Born Enslaved! - Jean-Baptiste Carpeaux - modeled 1868, carved 1873

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This marble bust provoked a lot of intense emotions in me as I glanced upon it. Without a doubt, it is a commentary on slavery, with the figure's arms bound in rope and her face exhibiting a defiant expression. Very realistic human figures carved out of marble will always impress me because of how difficult of a medium marble is to work with. Carpeaux brilliantly created so many different textures (hair, skin, rope, and cloth) working with a hard stone, a task that most definitely took a lot of time and attention to detail.

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Why Born Enslaved! - Jean-Baptiste Carpeaux - modeled 1868, carved 1873 crop

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When I saw this piece in the de Young Museum, I couldn’t stop looking at it. And I’m not sure I could explain why. I know that certain types of curves are very evocative for me, but beyond that, I can’t explain why I was captivated. I am interested in learning how to make work that seems incredibly simple but is endlessly fascinating.

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I really enjoy ceramics of plants and I especially love this one because of how realistic it looks.

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Charles Umlauf, Muse III (top) and Prometheus (bottom)

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I saw these two pieces in the sculpture garden in Austin, Texas. I’m interested in learning from more traditional figurative sculptures like these how to create a sense of balance and gesture in a piece that seems to be defying gravity. I’m also fascinated by the idea of what’s left out of a sculpture but implied by it - like the implied fainting couch in Muse III.

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Medardo Rosso, Aetas Aurea, 1886, relief in bronze

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Powerful semi-abstract evocation of emotion

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Powerful semi-abstract evocation of emotion

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This piece absolutely ripped my heart out. I love that making most of the piece abstract but making the child’s face (and a small part of the mother’s face) almost realistic highlights the emotion in a way that would be lost or tamed if the whole piece was realistic.

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Judith Scott, Untitled, 2004, fiber and found objects

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Physical manifestation of an emotional state (abstract)

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Physical manifestation of an emotional state (abstract)

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When I first saw this piece by Judith Scott, I had to look away. And I can only look at it for a short period of time. To me, this piece looks like the way my body feels when I’m overtaken by anxiety, guilt, and grief. Like a body torn open and cut through by sharp emotion. I would love to create works that feel like the physical manifestation of my emotions - not just the grief and guilt, but also joy, love, connection… the whole range of emotions.

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Top: El Anatsui, aluminum and copper wire. Left: Claire Lindner, ceramic. Right: Noriko Kuresumi, porcelain. 

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Works that defy the expectations of the materials

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Works that defy the expectations of the materials

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El Anatsui takes metal bottle caps and wire and creates works that look like fabric. Lindner’s ceramic piece seems alive, soft, and vegetal. Kuresumi’s porcelain appears to be delicate cloth or tissue. I am fascinated by artists who can create the illusion of a texture and movement that is so different from the natural state of their material. I’d love to create a ceramic sculpture that appears to flow like fabric.

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Mosaic of a double-headed serpent Aztec & Mixtec culture 1400- 1521. Medium: turquoise, cedrela wood, oyster shell conch shell, pine resin, copal, beeswax, and hematite

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Mosaic of a double-headed serpent Aztec & Mixtec culture 1400- 1521. Medium: turquoise, cedrela wood, oyster shell conch shell, pine resin, copal, beeswax, and hematite

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This piece I can describe as two way or two option people can have. Also, has having two powers that can guide you in a two different directions.

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Mosaic of a double-headed serpent, Mexico, British Museum

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Valkyrie

H.W. Bissen

1834-35

One of my favorite opera’s is Richard Wagner’s Ring of the Nibelung/Nibelunglied , specifically Sigurd the Volsung. One of my favorite scenes is the gifts given to Sigurd by the warrior woman, a Valkyrie, to Sigurd. Although the tale of Sigurd the Volsung focuses on Sigurdand his eventual fall from naive choices, Brunhilde, the Valkyrie is also given some agency and detail.  In some retellings, they are elevated to have their own abilities, such as popular media (Disney’s Marvel, Square Enix video games, Numerous Nordic and Non European small features). I enjoy the pieces call back to some of the ancient telling's of the Valkyries from the Nordic tales about the adventures and abilities.

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The Bird Girl

Silvia Shaw Judson

1936

My first exposure to this piece was the film and novel Midnight in the Garden of Good and Evil.

I really love how the posing of the piece conveys both peace and contemplation with a twinge of guilt. I was fortunate enough to have a family member that lives in the state near the city of Savanna and was able to visit the statue in person. It felt very wrong somehow, like it was here in the world to deliver a message, then eventually disappear.

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The Shelly Memorial

Nicholas Halmi

1891

My exposure to this piece was first the film The Saint  with Val Kilmer and Elizabeth Shue. I feel that the marble gives a layer of otherworldly rejection to the piece. I felt that this poignant as the character of The Saint, a criminal, was rejected from his world, just as Shelly that inspired the piece. I was more enamored with the piece than the film and remembered it after all these years.

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David

Michelangelo

1501

I was exposed to this piece from several religious writings when I was younger. One of the social science teachers in middle school had a partial recreation of the piece. I enjoy the fact though the statue is to be of a pious individual, it’s depiction always appeared to have a wrathful countenance. Although the inspiration was to be a religious icon, portrayed as under prepared, the facial expression and depth of lines in the marble instead communicate unwavering strength.

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Gates of Hell

Auguste Rodin

1926-28

There are several films and novels that exposed me to this piece. I was even able to see a replica of the piece. One of my first college class field trips had a recreation at a museum. I enjoy the angles and medium that was used. I feel that the brass used to create the piece gives it a visual weight to the figures depicted in the piece. I would own a small recreation as it really stuck with me.

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This sculpture is both bizarre and threatening-looking. I was intrigued by it while browsing The Met online gallery because I could not tell what exactly it was made out of nor what it was supposed to represent so I simply had to click on its picture to find out more about it. It kind of reminds me of the Iron Throne in Game of Thrones but also of an evil feather boa. I can't say that I understand the meaning behind this piece, but I guess that's just how art is sometimes.

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Raw Attraction - Chakaia Booker - 2001 crop

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Censer, Seated King Maya 4th century (ca, A.D 250-550) 

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Censer, Seated King Maya 4th century (ca, A.D 250-550) 

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This piece shows power and tranquility at the same time. His strong pose shows power and the way his hand are shows the peace it has.

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Bearded warrior holding a spear. Assyrian ca. 9th-8th century BCE medium: baked clay

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Bearded warrior holding a spear. Assyrian ca. 9th-8th century BCE medium: baked clay

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This piece shows a warrior, but at the same time has the figure of a woman. It has its feminine touch, which I can perceive that woman were a important part during the war.

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Bearded warrior holding a spear ( Assyrian ca.9th-8th century BCE)

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The Hindu deity Shiva in the fierce form of Bhairava. 1300-1500 Medium: stone ( clorite schist) This piece is Asian Art Museum

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The Hindu deity Shiva in the fierce form of Bhairava. 1300-1500 Medium: stone ( clorite schist) This piece is Asian Art Museum

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In this piece I can see that Shiva has in his left hand a head of someone, in his right hand he has a piece of stick or something like that. I can see the power he has and the fear of his opponents. The dog that shows his obedience to him.

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The Hindu deity Shiva in the fierce from of Bhairava ( 1300-1500)

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Praying Girl by Wilhelm Lehmbruck 1918. Medium: Stine plaster, gray toned, with leavings of terracotta. 

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Praying Girl by Wilhelm Lehmbruck 1918. Medium: Stine plaster, gray toned, with leavings of terracotta. 

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When I looked at this piece I can feel how much passion this girl has to pray because her hand are very attached there is not space between them. Her body size is very uniform. Her arms are long, shoulder are very wide, and hair looks like is pulling her head down.

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What I like about this design is the person attached to the vase. I am curious about who this or if there is any significance about this person. This sculpted piece is also from the Museo Nacional de Anthropologia. It is from the same collection of Oaxacan artifacts. I chose this collection because most of family is from Oaxaca. I thought this would be a perfect time to discover what from Mexico looked like.

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I did struggle bit with looking for a sculpture that captures my eye. The Museo Nacional de Anthropologia has vast number of interesting collections. A specific collections I was fascinated by the Oaxaca Collection. Not only do I find this adorable, I find the design was interesting.

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 It looks to me, the marbleized look of the sculpture is the reduced "wave", the stress of the meditator. 

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Reduction-Wave ARTIST Kondo Takahiro (Japanese, b. 1958)PLACE OF ORIGINJapan

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Reduction-Wave ARTIST Kondo Takahiro (Japanese, b. 1958)PLACE OF ORIGINJapan

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Reduction Wave ARTIST Kondo Takahiro (Japanese, b. 1958) PLACE OF ORIGINJapan.HEIC

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The Model for the so- called"Female Saint of Starburg" - Ignaz Gunther 1755

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The Model for the so- called"Female Saint of Starburg" - Ignaz Gunther 1755

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The Metropolitan Museum has a beautiful collection of art. My favorite Sculpture so far this beautiful piece. There is excellent detail made by the pencil that makes the wood stand out.

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Bird in Space - Constantin Brancusi - 1923

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Bird in Space - Constantin Brancusi - 1923

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The sculpture caught my eye while browsing The Met online gallery because of how slick it looks and how good I feel looking at it. It is especially impressive how smooth the artist was able to make the surface of the marble. I would never have been able to guess that Brancusi intended the figure to be a bird without reading the description because of his extensive reduction of physical bird attributes. I always appreciate artists' ability to create abstract representation of forms.

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Bird in Space - Constantin Brancusi - 1923 crop

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I ❤️ seashells & pumpkins, I can’t never have enough! These pumpkins are made from white volcanic ashes

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One of the many beautiful bronze sculptures on Alexander III Bridge.
I truly ❤️ the golden wreath against the brown color of his back and his gentle facial expression keeping watch over the famous La Seine, Paris

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While searching through the Musee d'Orsay, I stumbled upon Escoula's La Douleur. What I like most about this sculpture is the detail of his facial expression. You can see the Sculptor has done well in capturing the sorrow in his eyes.

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Alberto Giacometti- The Standing Women 1948

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Alberto Giacometti- The Standing Women 1948

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I am familiar with Giacometti from previous art classes. So I thought, why not Giacometti? What caught my attention is proportions of the statue. I think utilizing bronze as sculpting material is interesting.

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Ornament in the form of a mountain with figures, Qing dynasty (1644–1911), Soapstone; The Met

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I like the intricate carvings in stone. I know soapstone is soft, but it's still very impressive to me. I especially like how the sculptor skillfully used the color differences in the stone to highlight parts of the carved scene.

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Netsuke of Crab on a Shell, 19th century Japan, Wood; The Met

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I'm amazed at these miniature Japanese sculptures, or 'netsuke'. A lot of times, the small animals/figures carved on ivory, bone, or wood are grotesque looking, in my opinion. But this little crab is just so precious! The eyes and mouth are so expressive to me. The way the claws are laid out, the crab seems hungry.

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The Winged Victory of Samothrace, 190 BC, Parian marble; The Louvre

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Greek marble sculptures are always so realistic. I especially like the Winged Victory, depicting Nike, the Goddess of Victory. The way the wings are outstretched, the way the figure is leaning forward, and how the clothing is swept depicts movement, which is so great in that it's a marble sculpture! I also personally like that there's no head. I am not a fan of realistic marble faces.

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Group of Bears, Paul Manship 1932; cast 1963, bronze; The Met

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I like the simple, round nature of these bears. With so few lines and details, it's still very clear what the figures are -- and the bears are still so expressive, too. I enjoy this minimalist but still very representative sculpting style.

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So happy and carefree! Ignoring many travelers from around the word taking pictures of them or enjoying lunch right at their feet.  A beautiful sculpture outside of Palais Garnier - Paris
La Danse [Dance], by Jean-Baptiste Carpeaux 1865-1869

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The elements of this scuplture is well organize, it's look simple but comprehensive and beautiful. The way the boy look at the bird make the scuplture look like it's mooving.

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Large Wire Sculpture by Simone Wojciechowski
Made in 2020
I think this is amazing to be done in wire. The amount of patience needed for this and effort. It looks cool too

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Glass Sculpture by Yoko Togashi
Made in 2021
I like how flowy and relaxing this sculpture looks, the elegance and simplicity of the colour.
It is also easy on the eyes.

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Glass sculpture by Niyoko Ikuta
Made in 2020
Glass Sculptures are interesting and beautiful.
And if light gets shined through glass sculptures, the shadow it makes would be beautiful and the sculpture itself looks beautiful with light shining on it.

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Glass Sculpture by K. William LeQuier
I could't find a date when this sculpture was made.
I like how relaxing this sculpture looks, how smooth it looks and the uniqueness of this sculpture

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i like this cuplture because it's cute and i like the stories of angle riding a chubby hourse

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Most Buddhist sculpture/statues have a serene expression, but this Japanese statue of Buddha is fierce, like a warrior/punisher. The flames draws you in. 

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Japanese Buddhist and Shinto Art (Gallery 26)

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Japanese Buddhist and Shinto Art (Gallery 26)

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Japanese Buddhist and Shinto Art (Gallery 26).HEIC

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The Thinker (Le Penseur)Auguste Rodinmodel 1880, cast 1901

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The Thinker (Le Penseur)Auguste Rodinmodel 1880, cast 1901

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Artist: August Rodin
This sculpture in bronze makes a quiet statement about the piece itself (a man, deep in his thoughts, but also of the artist/Rodin). I think people create art that they want to explore, learn from, experienced or are experiencing.

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Corpus from a CrucifixManufactory Nymphenburg Porcelain Manufactory GermanModeler Franz Anton Bustelli Swissca. 1755

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Corpus from a CrucifixManufactory Nymphenburg Porcelain Manufactory GermanModeler Franz Anton Bustelli Swissca. 1755

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The details! The facial expression of Jesus in pain & dying. The crease in his loin cloth is amazing.

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Corpus from a Crucifix Manufactory Nymphenburg Porcelain Manufactory German Modeler Franz Anton Bustelli Swiss ca. 1755.HEIC

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Michelangelo's sketches shows elongation/foreshortening. Great example of sketching ideas for sculpture.

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Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)Michelangelo

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Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)Michelangelo

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Studies for the Libyan Sibyl (recto); Studies for the Libyan ... - The Metropolitan Museum of Art

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I took this picture at the Musée d’Orsay in May 2018.  My guess was that it’s Emperor Napoleon during his reign, at ease, satisfied and felling on top of the word.  I love the delicacy of his crown and the soft flow of his robe, although the “turkey”
below him may not enjoy any of this.

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Things i like about this scuplture : Her glowy hair, her posture, the color, her facial express make me feel peace

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this scuplture is decorative, i like the combination of colors and details.

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One of Windsor Castle’s many tiny medieval doors & the simple, not so ornate stone door frames that I adore.  I’m feeling many happy occasions alongside quiet moments enclosed inside.

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I discovered Kiki Smith just recently. Her art resonates with me somehow. I noticed that she often uses human and animal images together, as in a fairy tale. I like it that her sculptures are not just classical and straightforward and that there is some hidden meaning that I can't help but look for.

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Right hand of Buddha, Northern Qi dynasty (550–577), Limestone with pigment and gilding; The Met

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OK, I just had to include this! This sculpture brought me back to class and my attempts at sculpting my left hand (not great, will work on it some more in class). This hand sculpture is carved out of limestone (much harder than clay!) and looks so realistic & expressive. Now that I've had a hand (pun intended!) at attempting a sculpture of my own hand, I know how hard it is, and can appreciate the artistic skill more.

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I really like flower sculptures, they are beautiful and unique, There is not one flower that looks like another so each sculpture is unique.

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this Asia style scuplture look funny and beautiful

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Medium: Bamboo (madake variety) and rattan; parallel construction

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I like this sculpture because of how soothing and peaceful it made me feel. I enjoy the curvatures of the bamboo and rattan pieces and how its tangled up within itself. The circular nature of the work almost makes it seem as if the sculpture is in motion. I am reminded of drinking hot tea under the gazebo in my grandpa's backyard when I look at this work.

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Wave Crest (Hato) - Yako Hodo - 1998 crop