# data[].attributes.attachment_caption
Pietro Perugino, Christ Delivering the Keys to St. Peter, 1482

# data[].attributes.body
Use of linear perspective

# data[].attributes.attachment_caption
Jan van Eyck, Giovanni Arnolfini and His Wife, Giovanna Cenami, 1434

# data[].attributes.body
Recognizable figures rather than idealized figures

# data[].attributes.attachment_caption
Michelangelo, Sistine Chapel Ceiling, 1508-1512

# data[].attributes.body
Complex poses

# data[].attributes.body
Non-narrative

# data[].attributes.attachment_caption
Quentin Massys, Money Changer and His Wife, 1514

# data[].attributes.body
Disguised symbolism

# data[].attributes.attachment_caption
Parmigianino, Madonna with the Long Neck, c. 1535

# data[].attributes.body
Exaggerated and elongated proportions

# data[].attributes.attachment_caption
Gianlorenzo Bernini, Coronaro Chapel (Ecstasy of St. Teresa), 1645-52

# data[].attributes.body
Incorporation of light

# data[].attributes.attachment_caption
Francisco de Zubaràn , Saint Serapion, 1628

# data[].attributes.body
Non-idealized

# data[].attributes.attachment_caption
Peter Paul Rubens, Elevation of the Cross, 1610

# data[].attributes.body
Diagonal/dynamic composition

# data[].attributes.attachment_caption
Gerrit van Honthorst, The Supper Party, 1620

# data[].attributes.body
Tenebrism

# data[].attributes.attachment_caption
Georges de la Tour, Adoration of the Shepherds, 1645-50

# data[].attributes.body
Diagonal lines

# data[].attributes.attachment_caption
Jean Honore Fragonard, from The Progress of Love (1771-73) series: The Swing

# data[].attributes.body
Diffused lighting

# data[].attributes.attachment_caption
Thomas Gainsborough, Mrs. Richard Brinsley Sheridan, 1787

# data[].attributes.body
Feathery background

# data[].attributes.attachment_caption
Balthasar Neumann, Church of Vierzehnheiligen, near Staffelstein, 1743-72

# data[].attributes.body
Pastel colors

# data[].attributes.attachment_caption
Jacques-Louis David, Death of Marat, 1793

# data[].attributes.body
Linear brushstroke

# data[].attributes.attachment_caption
Henri Matisse, Harmony in Red (Red Room), 1908-09

# data[].attributes.body
Arbitrary color

# data[].attributes.body
Abstracted geometric forms

# data[].attributes.attachment_caption
Umberto Boccioni, Unique Forms of Continuity in Space, 1913

# data[].attributes.body
Abstracted shapes on shifting planes

# data[].attributes.attachment_caption
Vladimir Tatlin, Project for Monument to the Third International, 1919-20

# data[].attributes.body
Asymmetry and balance

# data[].attributes.attachment_caption
Kasimir Malevich, Suprematist Composition: Airplane Flying, 1915

# data[].attributes.body
Limited color palette

# data[].attributes.attachment_caption
 Jean Arp, Collage Arranged According to the Laws of Chance, 1916-17

# data[].attributes.body
Nonsensical composition

# data[].attributes.attachment_caption
Max Ernst, Two Children are Threatened by a Nightingale, 1924

# data[].attributes.body
Distorted perspective

# data[].attributes.attachment_caption
Piet Mondrian, Composition in Red, Blue, and Yellow, 1930

# data[].attributes.body
Geometric abstraction

# data[].attributes.body
Color and flatness

# data[].attributes.body
3-Dimensional forms, not flat

# data[].attributes.attachment_caption
Henry Hobson Richardson, Marshall Field Store, Chicago, Illinois, 1885-87

# data[].attributes.body
Vertical construction

# data[].attributes.attachment_caption
Joseph Kosuth, One and Three Chairs, 1965

# data[].attributes.body
Dematerialization and conceptualization

# data[].attributes.body
Bright colors

# data[].attributes.body
Appropriation of images

# data[].attributes.body
Use of natural materials

# data[].attributes.attachment_caption
Frank Gehry, Guggenheim, Bilbao, Spain, 1997

# data[].attributes.body
Non-traditional shape and materials

# data[].attributes.attachment_caption
Nampeyo (Hopi-Tewa), polychrome jar, c. 1930s 

# data[].attributes.body
Migration pattern

# data[].attributes.attachment_caption
Suzuki Harunobu, Evening Bell at the Clock, ca. 1766

# data[].attributes.body
Isometric perspective