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The inspiration came from the complex relationship I had with my father, which kept me searching for ways to be with him. My father's behavior sometimes made me hate to the bone, and sometimes full of warmth. This contradictory emotion is like a building, showing the coexistence of toughness and warmth.

Investigate the concepts of supremacist and brutalist architecture, and explore whether emotions are purer and closer to reality than the appearance of the objective world. The hope is to inspire viewers to think about preconceived notions, stereotypes, and stereotypes about masculinity and other things.

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photographer Pawel Jaszczuk's image of men on the street in Japan, who I assume are drunk. This group of photography works makes me intuitively see the fragile side of men, which is to some extent generated by social expectations for men. Stress, confusion, release, frustration. The irony is they're all wearing similar suits.

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I want to go to the street to continue to observe the behavior, movement and state of men. After taking these photos, I find that compared with the behavior of women, men's actions are more aggressive and provocative in public. I think for some men, they enjoy the superiority that social norms give men, even if they don't realize it.

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I tried to do some of the more frequent movements observed in men, and I experienced a feeling of support, whether it was resting my arms on my legs or placing one leg over the other. This feeling of support is the relationship between the form and the muscles, when I am doing a certain movement, some of my muscles are tense and some muscles are completely relaxed.

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In my life, I feel that people, including myself, are forming preconceivedopinions or relying on fixed patterns about certain things and people. I was thinking about the reasons for this phenomenon, so I investigated the proportion of men and women working in the construction industry in the past nine years, and found that the number of men working in the construction industry far exceeds the number of women. "Occupational gendered" is found in professions such as nurses, construction workers, and politicians, where one side far outnumbers the other. It also reflects the phenomenon of social norms that bring people into a single system.

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The Magzine by Zaha Hadid is an architectural designer I admire and like very much, so I will search for her works in every city I go to, and if there are any, I will usually visit and feel its interior space. It is also because of my attention to Zaha's design and concept that I got to know Malevich and supremacism.

Zaha's designs are known for their bold and futuristic designs that push the boundaries of traditional forms. Her work is characterized by dynamic, fluid shapes and innovative structures.

The linearity of the outline of the building designed by zaha makes me feel the sense of power, and gives me an illusion that it is in motion and out of the ground attraction. It inspired me to choose to combine male characteristics with architecture in The view project. I think of muscle fibers.....

Suprematism is an art movement initiated by Russian artist Casimir Malevich in the early 20th century. In his suprematism, Malevich emphasized the importance of pure feeling in creative art. Supremacists believe that the visual phenomena of the objective world are meaningless, and that what matters is the feeling itself.

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Morgane Tschiember's Rolls & Bubbles series builds contrasts between shapes and textures through hard concrete and soft, smooth glass materials. Such works can give us insights into the use of materials and design concepts:

The combination of hard and soft: the visual and tactile contrast between the hardness of concrete and the softness of glass, the possibilities of rigid and flexible materials, such as combining rough textured fabrics and smooth textured fabrics to express the multiplicity of masculinity.

Transparency versus Shelter: The combination of the transparent texture of glass with the sheltering effect of concrete suggests a balance between covering and displaying the garment, an idea of masculinity within and without, which is clearly contrasted through the use of the transparent texture of glass and the sheltering nature of concrete.

Fluidity and staticity of form: The interaction between the fluidity of the glass bubble and the staticity of the concrete block is reflected in the design of the garments, implying a fusion of structured silhouettes and fluid fabrics, demonstrating men's struggles, anger, impulsivity, silence, and serenity within the framework of society.

Weight and Lightness: The weight of concrete and the lightness of glass can be used in the design to create clothes with a sense of weight and lightness through the choice and treatment of materials, reflecting the strength and agility of modern masculinity.

Cultural Context: The artwork challenges the inherent cultural preconceptions usually associated with a certain material or form, which inspired me to think about how clothing can be a medium to challenge and reshape social norms about masculinity.

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Based on my theme, masculinity and architectural fusion. I started adding the paper cut to the concrete for the texture of the fabric, the industrial elements directly embedded in the fabric to capture the toughness and roughness of masculinity, not only with texture to the touch, but also with a visual sense of raw and unpolished beauty. I tried polyester in different fabrics, such as elastic cloth, artificial leather, white leather and polyester, to test their different states.

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Using metallic lines of building materials and bending them together, the purpose is not only to create space but also to create limits in the expression of creating space, which is like the architecture of society. For example, the intersectionality theory proposed by Crenshaw emphasizes how different forms of social inequality, such as stereotypes of masculinity, gender, class, overlap and interact with each other to create multifaceted labels within social groups, minority identities (Crenshaw & Tomlinson et al., 2013).

These abstract geometrics sometimes intersect, which means that someone who is at the intersection of multiple oppressed points at the same time may face more challenges, and people's identities are not one-dimensional.

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Observation drawing and development of silhouette

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Observation drawing and development of silhouette

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I focused on connecting the male muscle fibers with the lines of the building's facade to find the development of the silhouette of the garment.

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I conducted experiments based on the characteristics of muscles, trying to make metal wires with hard qualities appear soft by keeping their shape unchanged, and at the same time hardening soft rubber by squeezing it into styrofoam. Through these experiments, I tried to show the diversity beyond the inherent concepts and creat clothing silhouette.