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Good morning, america It is 451 degrees And the date is 1984, 2025. Everyone is broke and angry Or rich and angry (in an incel kind of way) The world is of war. Our bodies are snatched And invaded Our diet is soylent green. We’ve got drinking water to waste To mow our lawns And waste water for the creeks. The day after tomorrow And tomorrow and tomorrow Creeps in this me-the-fuck-out pace Jesus What would you do? Probably not genocide Gaza to build a resort Or deport brown people to prisons for pointing out how that’s a bad idea. But coffee and rights are for closers Capital, isn’t it, Sam? So, everyone, you’re either fucked Or you can go fuck yourself. I can’t think of any more cliches.

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This piece is titled “The Softest Parts of Me” and features two 3D soft sculptures. They were hand patterned, hand dyed, screen-printed, machine and hand sewn with secondhand cotton fabric.

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Two soft sculpture forms sit on a window sill with the cityscape blurred in the back drop. In front is the phallus with black screen-printed images of intersex genitalia on the ballon print testes. The shaft is a orangey red with tie die splashes of a more violet red. The tip has the same screen printed balloon fabric. Behind the penis is the vagina. This form uses the same red tie dye fabric for the largest folds of the anatomy and the screen print balloon fabric for the smaller stimulating bits of the clitoris, labia majora, and the booty hole. 

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"Electrician" from my collection 'Little Black Book'. Digitally created using Procreate

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The central focus is a light pinkish-nude colored penis. It's depicted realistically but with a painterly, somewhat stylized touch, using various shades of brown, beige, and light pink. A layer of off-white liquid or substance appears on the surface of the surrounding area, and parts of the penis.

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"Ditzy Pricks" from my collection Little Black Book. Digitally created using Procreate and Adobe.

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A repeating pattern of stylized pen-and-ink drawings of male genitalia. The drawings are outlined in black ink and appear to be stylized representations of penises, with varying degrees of detail and shading suggesting hair or texture. 

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"Someone" from my collection 'Little Black Book'. Digitally created using Procreate.

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The image is a monochromatic, abstract drawing primarily composed of densely packed, intertwined black lines on a white background. The style is highly expressive and lacks realistic detail. It resembles a scribble or tangle of lines with varying thicknesses and curvatures.

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"Covered" from my collection 'Little Black Book'. Digitally created using Procreate and Adobe.

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A stylized, graphic artwork depicts numerous penises rendered in black line art against a vibrant rainbow-hued backdrop, creating a bold and provocative visual.

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"Smothered" from my collection Little Black Book. Digitally created using Procreate and Adobe.

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The image is an abstract, vibrant artwork depicting a multitude of intertwined penises rendered in bold black outlines against a backdrop of multicolored watercolor washes.

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I offer these digital coloring pages and sexy art gifs as page downloads from a virtual book

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Photo of 4 x 4 mixed media painting. A tree that looks like a person. Its Park is brown and gold with a sparse spattering of green painted leaves. It is covered in brightly colored flowers

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Skull Guard and Eyes, 2021 Saira Barbaric

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Skull Guard and Eyes, 2021 Saira Barbaric

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Skull Guard and eyes, 2021 - 12" diameter canvas and 4x13" curve. materials: acrylic, watercolor, paper, canvas board, foil, pen

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Deer Clown Scroll, 2021. A central painting detail from a 50x12" collage. materials: paper, acrylic, pen

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Bodybuild Scroll, 2021. A central painting detail from a 43x12" collage. materials: paper, acrylic, pen

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Growing Green Man Installation- Saira Barbaric

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Growing Green Man Installation- Saira Barbaric

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detail of Growing Green Man Installation. materials: fabric, plaster cast, wire, dried moss, dried wood, acrylic, yarn

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Saira Barbaric - Self-portrait and Forbearers

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Saira Barbaric - Self-portrait and Forbearers

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Three collages in gallery at King Street Station. Two circular canvas boards, 12" in diameter hang to either side of a 48x60" collage portrait. A pile of rose petals gathers below the large scale collage.

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This piece was originally created (without the text) as a Father's Day card for one of my incredible Dad's. He absolutely loved it! The more I looked at it and shared it with some friends, I realized this piece has so much meaning to many of us for lots of reasons. So I added in the text for further acknowledgement of those who identify and/or vibe with gender fuckery. This version of this piece was named by a wonderful friend!

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Digital hand drawn while deer skull with antlers. There is a mountain range with 4 peaks, going from the tip of one antler to the tip of the other. There is a medium and light brown snail with green moss on their shell attached under the antler on the left. There is a black deer silhouette standing on the skull in between the bases of the antlers. Between the first and second point on each antler, there is a black evergreen. Centered inside the space created by the mountains and antlers, there is text that reads “Let’s go on a gender bender!”. The background is a speckled mix of light to medium pinks. 

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This piece is an exploration of my transness as a AFAB trans individual. Jellyfish have been used in symbolism to represent the ability to go with the flow of life. Jellyfish are also very resilient in their natural habitat.

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Digital hand drawn image of a Sea Nettle Jellyfish colored with the trans flag. From left to right the colors are sky blue, light pink, and white. The colors are lightly blended together. Throughout the tentacles, there’s some slight illusions similar to AFAB genitalia. This was done purposefully to represent myself and my gender identity within this piece, in an attempt to feel more comfortable in my own body. In the negative space between tentacles, there are some silhouettes of human bodies. There is a dark slate blue-gray background with slightly visible horizontal streaks. 