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This week, choose a contemporary artist to share with the class. They should fit the week's theme of Spirituality.

Your post should include an image of an artwork you liked and why. Explain the artwork to us and why you chose it. Make sure to give a few sentences about your artist's style and message (what are they trying to communicate with the viewer). You should find this in their artist's statement.

After posting, please choose a peer's post that jumps out to you. Take time to look at more of their artist's work. Respond to their post by sharing another work you found and give your opinion on this artist and their work. Your initial post should be 150-200 words. Your comment should be thoughtful.

Your grade is based on the following:

1. Your post meets expectations

2. You comment on a peer's post and share another work

3. You respond to whoever comments on your post.

**If no one has commented on your post, please just jump in and join another conversation.

In total you should have 1 original post, 1 comment to a peer, and 1 response to the comment left on your post.

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This week, choose a contemporary artist to share with the class. They should fit the week's theme of Political Leaders.

Your post should include an image of an artwork you liked and why. Explain the artwork to us and why you chose it. Make sure to give a few sentences about your artist's style and message (what are they trying to communicate with the viewer). You should find this in their artist's statement.

After posting, please choose a peer's post that jumps out to you. Take time to look at more of their artist's work. Respond to their post by sharing another work you found and give your opinion on this artist and their work. Your initial post should be 150-200 words. Your comment should be thoughtful.

Your grade is based on the following:

1. Your post meets expectations

2. You comment on a peer's post and share another work

3. You respond to whoever comments on your post.

**If no one has commented on your post, please just jump in and join another conversation.

In total you should have 1 original post, 1 comment to a peer, and 1 response to the comment left on your post.

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This week, choose a contemporary artist to share with the class. They should fit the week's theme of Political and War.

Your post should include an image of an artwork you liked and why. Explain the artwork to us and why you chose it. Make sure to give a few sentences about your artist's style and message (what are they trying to communicate with the viewer). You should find this in their artist's statement.

After posting, please choose a peer's post that jumps out to you. Take time to look at more of their artist's work. Respond to their post by sharing another work you found and give your opinion on this artist and their work. Your initial post should be 150-200 words. Your comment should be thoughtful.

Your grade is based on the following:

1. Your post meets expectations

2. You comment on a peer's post and share another work

3. You respond to whoever comments on your post.

**If no one has commented on your post, please just jump in and join another conversation.

In total you should have 1 original post, 1 comment to a peer, and 1 response to the comment left on your post.

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This week, choose any of the UNESCO World Heritage Sites located in North, Central, or South America to share with the class. Use this website to help you find a site!

Your post should include an image of the site you chose. Your post should explain the function of the site, it's history to us, and why you chose it. Is this site currently at risk? Why? Are actions being taken to protect it?

After posting, please choose a peer's post that jumps out to you. Take time to thoughtfully respond to their site too. Your initial post should be 150-200 words. Your comment should be thoughtful.

Your grade is based on the following:

1. Your post meets expectations

2. You comment on a peer's post and share your thoughts

3. You respond to whoever comments on your post.

**If no one has commented on your post, please just jump in and join another conversation.

In total you should have 1 original post, 1 comment to a peer, and 1 response to the comment left on your post.

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Notes

1. In 1979, the Committee decided to inscribe the Ohrid Lake on the World Heritage List under natural criteria (iii). In 1980, this property was extended to include the cultural and historical area, and cultural criteria (i)(iii)(iv) were added.

2. Extension of the "Australian East Coast Temperate and Subtropical Rainforest Park".

name changed 2007 from 'Central Eastern Rainforest Reserves (Australia)'

3. Renomination of "Uluru-Kata Tjuta National Park" under cultural criteria.

4. The "Belfries of Flanders and Wallonia" which were previously inscribed on the World Heritage List, are part of the transnational property "The Belfries of Belgium and France".

5. Extension of "Jaú National Park".

6. Extension of the "Glacier Bay/Wrangell/St Elias/Kluane" property.

7. The "Burgess Shale" property, which was previously inscribed on the World Heritage List, is part of the "Canadian Rocky Mountain Parks".

8. Extension of "The Potala Palace and the Jokhang Temple Monastery, Lhasa" to include the Norbulingka area.

9. The "Belfries of Flanders and Wallonia" which were previously inscribed on the World Heritage List, are part of the transnational property "The Belfries of Belgium and France".

10. The "Chateau and Estate of Chambord", which was previously inscribed on the World Heritage List, is part of the "Loire Valley between Sully-sur-Loire and Chalonnes".

11. The "Hadrian's Wall" which was previously inscribed on the World Heritage List, is part of the transnational property "Frontiers of the Roman Empire".

12. At the time the property was extended, cultural criterion (iv) was also found applicable.

13. The "Brihadisvara Temple, Tanjavur", which was previously inscribed on the World Heritage List, is part of the "Great Living Chola Temples".

14. At the time the property was extended, cultural criterion (iv) was also found applicable.

15. At the time the property was extended, criteria (iii) and (v) were also found applicable.

16. The Committee decided to extend the existing cultural property, the "Temple of Ggantija", to include the five prehistoric temples situated on the islands of Malta and Gozo and to rename the property as "The Megalithic Temples of Malta".

17. The Westland and Mount Cook National Park and the Fiordland National Park, which were previously inscribed on the World Heritage List, are part of the "Te Wahipounamu - South West New Zealand".

18. In 1979, the Committee decided to inscribe the Ohrid Lake on the World Heritage List under natural criteria (iii). In 1980, this property was extended to include the cultural and historical area, and cultural criteria (i)(iii)(iv) were added.

19. The "Convent Ensemble of San Francisco de Lima", which was previously inscribed on the World Heritage List, is part of the "Historic Centre of Lima".

20. Extension de " Sites d'art rupestre préhistorique de la vallée de Côa ", Portugal

21. Extension of "Biertan and its Fortified Church".

22. At the time the property was extended, natural criterion (iv) was also found applicable.

23. Extension of the "Alhambra and the Generalife, Granada", to include the Albayzin quarter.

24. Extension of the "Mosque of Cordoba".

25. The property "Parque Güell, Palacio Güell and Casa Mila in Barcelona", previously inscribed on the World Heritage List, is part of the "Works of Antoni Gaudí".

26. Extension of the "Churches of the Kingdom of the Asturias", to include monuments in the city of Oviedo.

27. Extension of the "Mudejar Architecture of Teruel".

28. Extension de " Sites d'art rupestre préhistorique de la vallée de Côa ", Portugal

29. Following a survey of ownership carried out in the late 1960s, ownership of the totality of the walls was vested in 1973 in the Spanish State, through the Ministry of Education and Science. It was transferred to the Xunta de Galicia by Royal Decree in 1994.

The Spanish Constitution reserves certain rights in relation to the heritage to the central government. However, these are delegated to the competent agencies in the Autonomous Communities, in this case the Xunta de Galicia. For the Lugo walls the Xunta is in the position of both owner and competent agency. Under the Galician Heritage Law the Xunta is required to cooperate with the municipal authorities in ensuring the protection and conservation of listed monuments, and certain functions are delegated down to them. The Xunta operates through its General Directorate of Cultural Heritage (Dirección General de Patrimonio Cultural), based in Santiago de Compostela.

The Master Plan for the Conservation and Restoration of the Roman Walls of Lugo (1992) covered proposals for actions to be taken in respect of research and techniques of restoration. This was followed in 1997 by the Special Plan for the Protection and Internal Reform of the Fortified Enceinte of the Town of Lugo, which is concerned principally with the urban environment of the historic town. However, it has a direct impact on the protection afforded to the walls, in terms of traffic planning, the creation of open spaces, and regulation of building heights. Another planning instrument which affects the walls is the Special Plan for the Protection of the Miño [river], approved by the municipality at the beginning of 1998.

There is at the present time no management plan sensu stricto for the walls in operation in Lugo: work is continuing on the basis of the 1992 plan. Nor is there a technical unit specifically responsible for the conservation and restoration of the walls. It is against this background that serious consideration is being given to the creation of an independent foundation, under royal patronage and with representatives from government, academic, voluntary, and business institutions, to work with the General Directorate of Cultural Heritage of Galicia. The work plan of this body would include the development and implementation of integrated conservation, restoration, and maintenance programmes.

30. The WH area is managed directly by the Divisional Forest Officer from the Forest Dept. A national steering Committee co-ordinates institutions for Sinharaja as a National Wilderness Area, Biosphere Reserve (1988), and WH site. There are two management plans, prepared in 1985/86 and 1992/94, which emphasise conservation, scientific research, buffer zone management, benefit-sharing, and community participation.

31. The "Hadrian's Wall" which was previously inscribed on the World Heritage List, is part of the transnational property "Frontiers of the Roman Empire".

32. Extension of "Gough Island Wildlife Reserve".

33. (renomination under cultural criteria)

34. Extension of the "Glacier Bay/Wrangell/St Elias/Kluane" property.

*: Transboundary / Transnational

#: As for 19 Natural and Mixed Properties inscribed for geological values before 1994, criteria numbering of this property has changed. See Decision 30.COM 8D.1

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UNESCO World Heritage Centre - World Heritage List

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Hi Everyone! Welcome to Art History! To begin, tell us a little about yourself:

1) What's your name and anticipated major?

2) Why are you taking this class?

3) What are your favorite things to do in your free time?

4) Favorite movies?

5) Do you have any pets? Children? Feel free to share a fun picture of you, or of your pet! Or put your pet in your video!

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Hi everyone!

I'm Dr. Sluis, and I'd love to share a bit about me!

I studied art history at the University of Oklahoma (BOOMER SOONER!), and I did my graduate work in art history at Oklahoma State University. I earned my doctorate degree in Applied Learning Sciences through the University of Miami.

I live in Tomball with my husband, our 3.5 year old daughter, and our two pups. In my free time, I like to spend time outdoors with my family, paint, read, and travel! We also have a toddler running around, so we stay busy these days. I've included a collage of pictures from our trips this year to Italy, the UK, and Seattle. I also through in a couple of our pups :)

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This week, choose a any work of art from Ancient Egypt to share with the class.

Your post should include an image of an artwork you liked and why. Explain the artwork to us and why you chose it. Make sure to give a few sentences about the function of the artwork and where it was found.

After posting, please choose a peer's post that jumps out to you. Take time to look at the artwork of your peer. Respond to their post by sharing your thoughts and takeaways from their post.

Your initial post should be 150-200 words. Your comment should be thoughtful.

Your grade is based on the following:

1. Your post meets expectations

2. You comment on a peer's post.

3. You respond to whoever comments on your post.

**If no one has commented on your post, please just jump in and join another conversation.

In total you should have 1 original post, 1 comment to a peer, and 1 response to the comment left on your post.

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This week, choose a contemporary artist to share with the class. They should fit the week's theme of Science.

Your post should include an image of an artwork you liked and why. Explain the artwork to us and why you chose it. Make sure to give a few sentences about your artist's style and message (what are they trying to communicate with the viewer). You should find this in their artist's statement.

After posting, please choose a peer's post that jumps out to you. Take time to look at more of their artist's work. Respond to their post by sharing another work you found and give your opinion on this artist and their work. Your initial post should be 150-200 words. Your comment should be thoughtful.

Your grade is based on the following:

1. Your post meets expectations

2. You comment on a peer's post and share another work

3. You respond to whoever comments on your post.

**If no one has commented on your post, please just jump in and join another conversation.

In total you should have 1 original post, 1 comment to a peer, and 1 response to the comment left on your post.

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The artwork I chose this week is from the The Book of The Dead: Anubis. It is meant to depict Anubis weighing the heart of a scribe. I chose this artwork because when I initially think of ancient Egyptian artwork I think of the murals they would make depicting their life or gods that they worshipped. And this artwork really fits that because of its depiction of how Egyptians believed the after life worked. As they thought that the way you are judged in the afterlife is by having your heart weighed against a feather. If your heart was lighter you would pass onto a good afterlife if it was not lighter you would be casted into a bad afterlife. It is really interesting and probably my favorite thing I've been learning in the reading for this week. It is really interesting how the bodies of the mortals are also made to look smaller to signify their lesser status compared to the larger Anubis. It is also interesting how much detail is put into this piece specifically. With the inscriptions on the side and other symbols around the people it really is beautiful.

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This week I chose a Statuette of Isis nursing Horus. This statuette is from the Ptolemaic period and while I couldn't find where it was found I did find that this was a symbol of rebirth. I really liked this statuette because of the vibrant light blue stone it was made of. The amount of detail is also something that I really loved because it encompasses the craftsmanship and carefulness it was made with. I also like how happy both Isis and Horus look in those positions as if they find comfort in each other.This statuette is simple from afar but once you take a closer look you can see the careful lines of the hair both for Isis and for Horus whose single hair represents childhood. Perhaps because it is a symbol of rebirth it was placed in tombs to guide the dead into the afterlife where Egyptians believed they would have a new life.

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The artwork I chose for this week is a Portrait of the Boy Eutyches. This artwork shows a portrait of a young teenage boy, supposedly named Eutyches, dressed in a white roman tunic with a narrow purple canvas. I was drawn to this artwork because of how lifelike it looks. Furthermore, the artist used light colors to make it indicate bright shiny spots on his forehead and the strong source of light in the portrait. What’s unique about this artwork is that the artist would use colors from pigments that were mixed with hot or cold beeswax and other ingredients, such as egg, resin, and linseed oil, etc. This painting originated in Classical Greece in the fifth and fourth centuries before the common era, and is different from traditional Egypt when it comes to style. The purpose of this portrait was to identify who was mummified when someone died. When it was their time to go to the afterlife, the portrait panel was placed on top of the mummy with parts of the outermost wrapping holding its place. This also implies Egyptian beliefs about the afterlife.

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I chose this carving because thought it was very cute. It is estimated to be carved sometime between 3100 and 2900 bc. There are a lot of other carvings from this time, so it could have been a personal trinket for protection or something someone put in a pyramid for the afterlife. This picture actually makes it look small (Or at least that's what I thought at first) but it's really 9 inches by 4 inches and probably weighs about 13 pounds.

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Hi Caroline! That's a great choice! It's fascinating to think about the Lion Cub carving from the Early Dynastic Period. The idea that it could have been used for protection or placed in a tomb for the afterlife makes it even more interesting. I didn’t realize it was so big 13 pounds really shows how much detail went into it. It's amazing how something so small can have such a big historical impact.

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This bowl is Predynastic, predicted to be made between 3700–3450 B.C. The reason why it caught my attention is that it is very different from a lot of the other Egyptian art I have come across. It has an element of innocence and creative freedom. I have come to find Egyptian art to be largely iconic, following similar style and figures, deriving from both nature and spiritual deities. This piece doesn't contain either of these. To me, it resembles something we might see in an animated movie. It has a playful feeling to it, almost like it's a living thing. It feels as if it is trying to offer us something. If I would give it a personality I would say it is shy. It is a very intriguing piece of art from that time.

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I chose the Bust of Nefertiti because it is one of Ancient Egypt’s most iconic artworks, renowned for its beauty and exquisite craftsmanship. Carved around 1345 BC, the bust is believed to depict Queen Nefertiti, the wife of Pharaoh Akhenaten, and it captures the elegance and power of the Egyptian royal family during the Amarna Period. The intricate details in the sculpture, from the delicate contours of her face to the detailed headdress, highlight the advanced skills of ancient Egyptian artisans.

This artwork likely served a ceremonial or symbolic function, representing royal authority and possibly even being used in religious contexts to honor the divine nature of the pharaoh’s family. It was originally discovered in Amarna, Egypt, and today it is housed in the Neues Museum in Berlin, although its repatriation remains a topic of debate. I find this piece fascinating because it not only exemplifies the aesthetic ideals of Ancient Egypt but also provides insight into their culture and beliefs about power, beauty, and divinity.

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For this week, I chose the artwork "Weavers" which comes from the Tomb of Khnumhotep. The painting above is an exact replica of the original which was made around 1897-1878 B.C. The work shows a group of weavers plying linen thread and using a ground loom. The artwork was made during the 12th dynasty in the Middle Kingdom of Egypt under the rule of Senwosret II, the fourth Egyptian pharaoh of the dynasty. The tomb is located in Beni Hasan, Middle Egypt. The work is a representation of the craftsmanship and lifestyle of Egyptians at the time and reflects the time period it was made in. In the background, there are various symbols of what appears to be a basket, bird, and other objects. While I’m not completely sure of its meaning, I believe they’re symbolic to the work of the weavers. They’re likely tools and objects associated with the weaving process such as the basket. Overall, the work reflects the Egyptian craftsmanship and offers a detailed look into their work.

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For this week, I want to share about King Tut's golden mask. It's like the artist wanted to emphasize Tutankhamun's significance through his creation despite the fact Tutankhamun passed away during his early years. Solid gold formed the basis of this mask since Ancient Egyptians believed it had extraordinary significance. It was like they were saying, "This is the king, and he's as awesome as the sun!" The Egyptian ancient people thought gold would function as a protective shield for his afterlife journey.

This mask is really famous. The discovery of a golden mask occurred in the hidden tomb of King Tut which contained many extraordinary artifacts. All ancient Egyptian achievements and their beliefs in living after death draw your attention.King Tut memorials along with understanding Ancient Egyptian beliefs function as a fascinating method to remember this pharaoh. History proves that ancient people shared the same wish to preserve their memories through stories which would remain after their passing. The powerful statement shown by King Tut's mask reveals the exceptional status he enjoyed in life. The object encourages people to reflect about the permanent legacy they wish to achieve in life.

I picked King Tut's mask because it's so shiny and impressive. The artifact sparks my interest regarding the lifestyle of Ancient Egyptian people and their thinking about spiritual matters. The artifact serves as a natural chronicle which travelled through ages ago.

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An artwork I would like to share with you guys in this discussion is William the Hippo. The reason I have decided to talk about this sculpture is because this hippo looked very cute and it has been here for 100 years. The designs on him also reminds me of an alebrije. In which they are these colorful creatures in mexico. Though the hippo has been around longer than the sculpture. This hippo figurine has been around since 1961-1967 B.C. The name william was named later on in 1931. The author, Captain H.M. Releigh, mentioned that his family owned a color print and that his family have decided to name him “William.” This artwork of the hippo is a reminder to the Egyptians to have fear of the hippos and to have the power to get control of dangerous animals. This hippo was found in Meir, an ancient egyptian cemetery. But now it is officially located at Metropolitan Museum of Art in New York City.

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An artwork I would like to share with you guys in this discussion is WIlliam the Hippo. The reason I have decided to talk about this sculpture is because this hippo looked very cute and it has been here for 100 years. The designs on him also reminds me of an alebrije. In which they are these colorful creatures in mexico. Though the hippo has been around longer than the sculpture. This hippo figurine has been around since 1961-1967 B.C. The name william was named later on in 1931. The author, Captain H.M. Releigh, mentioned that his family owned a color print and that his family have decided to name him “William.” This artwork of the hippo is a reminder to the Egyptians to have fear of the hippos and to have the power to get control of dangerous animals. This hippo was found in Meir, an ancient egyptian cemetery. But now it is officially located at Metropolitan Museum of Art in New York City. (the anonymynus one is me I just re did again just with my name being non there)

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One fascinating work is the "Book of the Dead," especially the version linked to the ancient Egyptian scribe Ani. This collection contains spells and illustrations that guide the dead through the afterlife, helping them find safe passage and prosperity. The artwork in the "Book of the Dead" is beautiful and filled with meaning. A well-known image shows the Judgment of the Dead, where Ani’s heart is weighed against the feather of Ma’at, which represents truth and justice. This scene has many details, including Anubis, the mummification god, and Osiris, the god of the afterlife. The bright colors and detailed pictures invite viewers into the story of the afterlife. I chose this piece because it acts as a religious guide and reflects ancient Egyptian beliefs about life and death. The artwork was discovered in Ani's tomb in the Valley of the Kings. It was made to ensure that Ani and others would be safe in the afterlife. This highlights how art served as a way to protect spiritual journeys and preserve identities and legacies.

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This week I chose Giant Covid-19 by Luke Jerran. I really liked this artwork because of the way the artists captured the essence of the virus. I also liked the way it captures the DNA inside the virus with vivid detail making it seem like the artwork is actually real with floating DNA. This artwork was created to mark 1 year in the lock down for the UK. Luke Jerran created this glass sculpture as a tribute to the medical and scientific effort to fight the virus as well to create an more or less realistic example of the virus for the public. Another thing he did is that he also created this as a limited edition of 5 in order to raise funds for communities who were impacted by covid-19. For this reason, I also like this artwork, because it was created to help people in their time of need. https://www.lukejerram.com/glass/gallery/giant-covid-19 ( for references )

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This week I found the artist Luke Jerram who mostly does sculptures and installations. This work that I chose is a part of the Glass Microbiology sculpture series Jerram that can be found at the Metropolitan Museum. I chose it because it is such a gorgeous sculpture of bacteria. I never thought I would see artwork on bacteria of all things, so this really stood out to me when I first saw it. The detail in the sculpture as well as the delicate nature of glass makes it very spectacular to me. It is also why I appreciate how much work Jerram puts behind his work as he has many sculptures based on bacteria that he does research on to make as accurate as possible. Even when making his huge installations he works to be as accurate as possible with his artworks. Jerram does so by working with scientific institutions to create his sculptures.

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This week I chose to explore the artist Janet Saad Cook. Her work struck out to me because it combined elements of photography down to a literal science. Utilizing the key "ingredient" in photography, light, and actually bending it to create art was such an obvious yet creative route. The juxtaposition of photographing a piece that changes with every minute that passes and encasing it in a photograph was truly brilliant. Her work allows the viewer to further explore the science and mechanics of photography. Through her use of different elements like metals and crystals she is able to create different light reflections that emphasize how everyday elements in nature can create amazing visuals just by interacting.

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This is an artwork done in 1705 by a woman named Maria Sibylla Merian. She would create this illustration to show pollination, and many of her other works also show this. Her drawings consist of plants and flowers, along with various species of bugs and insects. All species that are aided by pollination. She would criticise merchants and their pursuit of sugar, researching plants and their export

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I chose The Weather Project (2003), an art installation that took place in the Turbine Hall at Tate Modern in London, by Olafur Eliasson. The artwork used lights, projection foil, haze machines, mirror foil, aluminum, and scaffolding to create the illusion of a large, glowing sun. The bright sun filled the space, while mist from the haze machines added to the atmosphere. The floor had mirrors that reflected the entire scene, making visitors feel like they were surrounded by this artificial weather. Eliasson’s piece makes us think about nature, the environment, and how we experience the world around us. His art often mixes science with visual experiences, like in The Weather Project, where he explores light and air, which are scientific ideas. Eliasson’s goal is to make us consider our connection to nature and the effects of climate change. I chose this artwork because it fits the theme of science, showing how art can help us understand and reflect on important scientific issues in a way that feels personal and real.

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The artist that I chose this week is Shahzia Sikander. She is a Pakistani-American artist who blends Islamic miniature painting with spiritual themes in her work. The piece of art that I chose is her work called, "Perilous Order" (1997). This miniature painting expresses the emotion of finding religious and one's personal identity. Sikander states in an interview, "And the title, Perilous Order, is about a variety of structural devices which can lead to order, or a chaos of order." This showcases the complexity in life and spirituality. When looking at this image, you can feel the sense of disorder or mayhem in the emotions that the characters in the image experience as they compare a woman's view of spirituality versus a man's.

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The artwork that I chose for this week is called “Coral” created by undergraduate Natascha Varona. In this artwork, the pale woman stares at you with her hand placed on her cheek. The top of her head shows a community of corals bleeding vibrancy. Clouds of gold and red seep into the water, joining other bits of her eroding body. Furthermore, it shows a fish stripped to its skeletons. This artwork is “permeated by a sense of disintegration and death. But there’s also beauty.”  What drew me to this artwork was how the artist used this pale cold blue to contrast with the rest of the colors. It makes the artwork seem quite ethereal. To create her artworks, Natascha Varona uses a blend of digital, acrylic, watercolor, and sometimes even bacteria in her works! The artist’s message from this artwork is to try to raise awareness on Ocean Health and to combat coral bleaching. Not only is Natascha Varona contributing by raising awareness throught art, she is also helping by finding solutions to the problems as well.

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The piece of art I chose for this week is "Coffin of Khnumnakht". It was found in Middle Kingdom. I chose this work because I like how the exterior of the coffin looks like, especially the eyes drawn on it. I feel like the eyes draw me into it. The purpose of the looking eyes is to have the deceased individual be able to look onto the living. Usually, the person who passed away would have their head be placed right behind the painted eyes. On the end of the coffin, there is an image of a goddess displayed, which wasn't that common of a thing to do at the time. On the left side of the box you can see that there is a small doorway on the coffin. This is known as the Old Kingdom false door. The Old Kingdom false door allowed the spirit of the one who passed away to go back and forth from the land of the living and the land of the dead.

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I chose "Manifest Destiny" (2004) by Alexis Rockman because of the powerful message behind it. The painting shows a future Brooklyn completely submerged in water, with decaying buildings and mutated plants and animals taking over the space where humans once lived. It serves as a warning about the effects of climate change and how our actions today could shape the world for future generations. The mix of realism and surrealism makes the message even stronger because it feels both believable and unsettling. Rockman’s attention to scientific details while adding an imaginative twist makes the painting feel like a prediction of what could happen if we continue to harm the environment. Alexis Rockman’s art combines science and storytelling to explore themes of biodiversity, climate change, and environmental destruction. His artist’s statement highlights his concern for the way humans impact nature. He wants his viewers to think critically about how we are shaping the planet and what the future might look like if we don’t take responsibility. His work makes me reflect on how fragile our world is and how important it is to take care of it before it’s too late.

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The piece of art that I chose for this weeks prompt is Theo Jansen's "Standbeests". Theo Jansen is a Dutch artist who started building these mechanisms in 1990. I chose this art because I thought the piece looked interesting due to the art's structure. This artwork differs from robots because the Standbeest does not use electricity or any programming, it just has mechanical engineering and windpower. He created the sculpture by utilizing PVC pipes, plastic bottles, and zipties to construct the figure. The plastic bottles were used to store and release air to sort of simulate a muscle. Jansen's creations are a perfect blend of science and art, and while they still have scientific principles, they manage to display life. This art showcases kinetic energy throughout its movements. The sculptures appear to walk by utilizing wind energy. His designs are very innovative and are truly a beautiful piece of art.

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Theo Jansen’s Strandbeests are absolutely mind-blowing! The way he’s basically created these wind-powered “living” sculptures that move across beaches like some kind of mechanical creatures is just insane. It’s wild how they’re built out of simple PVC pipes, yet they walk so fluidly, almost like they have their own instincts. And the fact that they don’t need motors or electricity, just the power of the wind, makes them feel almost alive in a way. Jansen even talks about evolving them over time, almost like a new species—it's like science, engineering, and art all wrapped into one.

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This week, I chose Luke Jerram, a contemporary artist who blends science and art. His Glass Microbiology series features incredibly detailed glass sculptures of viruses and bacteria, like HIV and the coronavirus. I picked this artwork because it makes something usually scary, viruses, look beautiful and fascinating. The clear glass makes them feel delicate, just like real microbes under a microscope. Jerram works closely with scientists to make his sculptures accurate. His goal is to make the invisible world of science visible and get people curious about it. In his artist statement, he says his work is about “perception,” meaning he wants people to see things in a new way. His art helps us appreciate the beauty of science in everyday life.

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The Vitruvian Man was created by artist and scientist Leonardo da Vinci dating to c. 1490. This drawing was done with pen, brown ink, and watercolor over metalpoint on paper. The drawing represents Leonardo's conception of body proportions, originally derived from Vitruvius, an Italian architect, but created from Leonardo's measurements. The Vitruvian Man describes a nude man surrounded by a square, while enclosed in a circle. I have always been drawn to this piece because I never thought about the proportions of the human body and spreading out making a circle like this. Also, the different movements make it seem like he is in motion.

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This piece is called “Neuroscience” the artist Laura Jacobsen uses brain scans to influence this particular artwork. She uses ceramic to help create the illusion and replicate the brain scan. I picked this art because when I came across it, it was obvious to me that it was supposed to be a CT scan. I first thought it was a maze painted to resemble one but upon further investigation and a closer look you are able to see the various pieces of ceramic used to create it.

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An artwork I would like to share with you guys in this discussion is The Vaccine for COVID-19. I really enjoyed this artwork from Luke Jarren since it is showing what the COVID vaccination looks like. Especially since the artwork is clear and see-through, it looks really nice. I also like how the DNA or the genetics is inside the vaccination to show that it helps kill off the virus.The fact that this artwork piece is made out of glass material for medical test tubes, I find it really cool that something like that could be made. I also feel like the reason he created this artwork piece is to show the audience that we can fight through this epidemic and to not let it affect us during this time. Which I can see how it would motivate people since Covid-19 was a really dark place for everyone around the globe during 2020.

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Remote Sensing is a series of artworks made by Suzanne Anker, an American visual artist. The Remote Sensing series is a group of 3D printer sculptures in glass petri dishes and meant to showcase "micro-landscapes." The series is based on Anker's other collection called the Vanitas (in a Petri Dish) Series which are photographs of small environments within Petri dishes which come from the Dutch genre, still-life. The Vanitas series takes real life objects from the physical environment such as fish eggs, seashells, butterflies, and more and sets them up to create eye-catching mini environments. Remote Sensing takes from that and makes unique words out of plaster and resin, showcasing life through "displacement mapping." The artwork of both collections showcases the intricacy Anker puts in and the beauty of life that is conveyed. While it is true that Remote Sensing is based on the Vanitas series, Remote Sensing by itself is unique and takes on a new meaning as it displays the mix of technology and science through modern art. It most definitely shows how not only technology is evolving but as well as modern art which is constantly changing with new ways to create art such as Anker’s use of 3D printing.

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"DNA Double Helix" by Chester Fields refers to a contemporary sculpture, often called "Ribbon of Life," which artistically represents the structure of a DNA double helix, capturing its complex yet elegant design as a symbol of life's fundamental building block; it is created by the bronze casting company Chester Fields Bronzes Inc. / I chose this beautiful piece because I feel like it is so elegant and at the same time explains how our DNA is composed of a double helix. Such a wonderful way to capture the small particle in a very impressive and elegant way.

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Alma Thomas- Starry Night and Astronauts

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Alma Thomas- Starry Night and Astronauts

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I chose this piece because I love the abstract nature of this artist's style. It is nostalgic in a way, and very signature to Alma's most popular pieces. In this piece, Thomas uses short and concise brush strokes to create a gradient sky that inevitably lures your eye to the colorful warm adornment of color in the top right on the piece. Although she never flew, Thomas described the perspective of this piece as one would "looking down and out while in the sky". Alma is a great representation of her philosophy in Art "color is life, and light is the mother of color."

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For this week, I want to share about Nathalie Miebach. She's like a detective of nature, but instead of using a magnifying glass, she uses art to uncover the secrets of science! I picked "The Ghostly Crew of the Andrea Gail" because it's about a storm, the "Perfect Storm" of 1991. Through her artwork, she has successfully caught the essence of the storm to create art that illustrates nature's powerful beauty. To obtain her impressive 3D sculptures, she transforms scientific measurements such as temperature readings and wind speeds. Science encompasses more than quantitative information, according to Monica Botero, because it also includes designs, hues, and narratives. Musical notes, together with basket weaving, serve as her creative way to visualize data innovatively. Through her work, she managed to develop a fresh method of converting scientific information into a unique language system. The artistic presentation provides students with fresh perspectives to understand science better. The experience teaches students that scientific exploration extends beyond academic environments because it happens throughout our entire environment. Nature reserves its secrets within the sculptures produced by Nathalie Miebach. These sculptures generate interest in the connections between everything in the world. Through her words, she invites us to experience both the world and new perspectives as she does.

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For this week's Padlet discussion I chose an art piece by Jenn Stark. Their piece Inside Out displays a colorful wormhole. She is known to combine science and nature by gathering inspiration from nature, microscopic patterns, and split anatomy pieces. This contemporary piece captured my interest because of the vibrant colors, lines, and how she plays with perception in her pieces. What Stark tried to communicate with the viewer is to display little details in our day to day that we might not pay attention to if they are not on display right in front of us.

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One artwork that resonates deeply with me is "Mirror Moon" by Luke Jerram. This stunning four-meter-wide sculpture of the moon is crafted from intricate layers of glass and polished metals. Its reflective surface captures the beauty of the moon’s natural appearance while allowing viewers to see themselves within it, creating a unique interaction. The way light dances across its surface casts enchanting reflections, evoking a sense of wonder that encourages contemplation of our relationship with the cosmos. I chose "Mirror Moon" because it beautifully embodies the intersection of art and science while inviting personal reflection. As people gaze into the artwork, they cannot help but consider their dreams, aspirations, and the interconnectedness of humanity under the same sky. It serves as a poignant reminder of the vastness of the universe and our small, yet significant, place within it. Luke Jerram's artistic style blends installation art, sculpture, and scientific exploration. In his artist’s statement, he emphasizes his intent to provoke curiosity and inspire conversations around scientific phenomena. With works like "Mirror Moon," Jerram invites us to appreciate the beauty of our surroundings and engage with deeper existential questions, celebrating our shared experiences as humans.

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The artwork that I chose for this week is called Napoleon I on his throne, created by the artist Jean-Auguste-Dominique Ingres in 1806. The portrait shows Napoleon in his coronation not only as the emperor, but almost implies him as a divine ruler. Napoleon is seen wearing heavy attire, scepters, and sitting on a golden throne. Furthermore, Ingres utilized furniture, attire, and setting to depict him from a mere mortal to a powerful God. Another fact about this portrait was that it was modeled by the figure of God the Father on the Ghent Altarpiece by Jan van Eyck. What drew me to this portrait was because of how Napoleon looked huge (no offense) wearing heavy attire, which was common for political leaders during this time period I believe. The art style that Ingres used was Neo-classicism style. Although he mostly used paint and a sharped graphite pencil to create his portraits, we must realize how extraordinary people thought it was to have these art supplies during this time period. Ingres’ message given in this portrait and how Napoleon is viewed as a divine ruler and omnipotent immortal.

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This week I chose an artwork by Roberto Lugo an artist as well as a political activist. In this artwork there is an image of Martin Luther king Jr. and on the other side is Barack Obama. The tea pot was created in 2017 alongside other tea pots that feature political activists and leaders as well as musicians. Roberto Lugo is known for his work to be thought provoking as well as activism since he features a lot of people of color in his ceramics. Specifically, he specializes in classical styles of pottery and ceramics but mixes it with culture of minorities. As Lugo is Puerto Rican himself and grew up in Kensington, Philadelphia that has a large population of black and Latino people. He tries to speak out about injustices people of color face by putting them front in center of his work. As well Lugo is trying to subvert what pottery and ceramics look like by making minorities the center of attention. His work is really beautiful and full of so much detail. I absolutely love how he mixes styles to create something completely new.

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For this week, I chose a painting of Napoleon Bonaparte, a famous French general and later the Emperor of France. After thinking of possible art relating to political leaders, I thought of this since the topic piqued my interest. The painting is an oil on canvas by the French artist Jacques-Louis David which painted various other paintings of Napoleon as his political views aligned with him. The artwork depicts Napoleon on a horse crossing the Alps which was a real place that he and his army traversed. The background shows the mountainous terrain of the Alps as well as men in Napoleon's army that are making their way up the mountain with artillery. In the foreground, the names "NAPOLEON," "HANNIBAL," and "KAROLVS MAGNVS IMP" are engraved in the rocks. I learned the names are famous victorious generals who had crossed the Alps with their armies. In addition, Napoleon himself is wearing a cloak with a saber and pointing toward the right. The coloring of certain details such as the horse and cloak are different among the five versions of the painting, but the details themselves remain the same. The various works, especially this one made by Jacques-Louis David and his style for Napoleon are something unique and intriguing.

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The artist that I chose for this week's prompt is Nelson Shanks, who is known for his paintings of royalties, celebrities, and political leaders. The piece of art that I chose is his painting of the former president, Bill Clinton. He created this portrait in 2005 for the National Portrait gallery. I specifically chose this piece of art due to the hidden meaning found within it. At first glance, one might think that this is simply just a painting of the prior president, but there is a not-so-obvious reference within it. On the left hand side of the painting we can see that there is a shadow of a female figure. The artist placed this in the picture to showcase the scandalous infidelity that the president had partaken in with Monica Lewinsky, one of his interns at the white house. I really like this painting because of its subtle hinting at the shameful affair. The artist's style of classical realism truly showcases the hidden meaning in the president's official painting.

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This photograph/collage was done by Erwin Blumenfeld in 1933. Blumenfeld was a Jewish artist whose fashion career was interrupted by the Second World War. This portrayal of Hitler was done to show how Blumenfeld viewed him as the embodiment of death. He would escape the war alive and continued to pursue photography and art.

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For this week's Padlet discussion, I chose a painting that depicts the Eye of Horus. I have always been drawn to the Eye of Horus since I was little because of how the eye seems to follow you as you move around it. From what I remember, it was described to be an all-seeing eye, but upon further research, its meaning has changed for me. It is supposed to signify healing, wisdom, and protection, as well as restoration, as depicted in a story involving Toth. This particular piece piqued my interest because of its vibrancy despite being a relatively old artwork. The eye seems to be held by some kind of bird-like animal, which was deemed to be highly spiritual and renowned in ancient Egypt. Overall, I picked this piece not only because of the intrcacies but because of the meaning it has for who I used to be as a little kid.

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I also find that certain Egyptian artwork draws me in because of the eyes depicted. Through your post, I come to find that the eyes in the artworks have a different significance based on the purpose of the object in which they are drawn on to. The false door is a cool touch as Egyptians believed in the afterlife.

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I absolutely love the idea of art being created through technology by showcasing a heartbeat's pulse. This makes the artwork and experiencing the artwork itself a lot more personal as you mentioned. It connects us through the artwork being showcased without having to explain verbally.

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The artwork I chose is the Four Holy Gospels created by Makoto Fujimura. He is a leading contemporary artist who explores and highlights the ideas of healing, hope, and spirituality. Fujimura's artwork receives great recognition for his unique way of connecting art with faith. His art displays the beauty of using traditional Japanese materials and techniques that provoke that sense of spirituality. The artwork I chose to talk about stood out to me is the visual impact created when it meets the eye. Additionally, to have this completed artwork all four pieces must be displayed to express the message. Fujimura's artistic style is inspired by his Christian faith and was inspired to create these pieces to share the transformative power of the Gospel's message. The Four Holy Gospels capture his beliefs and personal expression of his religion. With vibrant colors and intricate textures, he invites the viewer to engage reflectively and it creates space to connect it with their spiritual journey.

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The Narmer Palette was a ceremonial object used to celebrate unification, honor their gods, and donate to a temple as a votive offering. These specific Palettes are only able to offer information about Egypt under the rule of King Narmar; hence the name. Many confuse these palettes with the cosmetic palettes that were used for makeup but the Narmer Palettes were specifically made as an offering to the gods. This Egyptian archeological find contains very unique features that help modern society understand the Egyptian lifestyle. The palette contains the earliest hieroglyphic inscriptions which is significant because they serve as the earliest forms of writing under a king. These inscriptions contain historical events that conveyed the importance of the king in those times. Egyptians created the writing and images by using tools such as chisels and used natural pigments to add color to the engravings. A variety of Narmer Palettes have been found in archaeological sites in Egypt. Through these art pieces, it has given us insight into an ancient civilization.

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Fabian Oefner is a Swiss photographer who creates dynamic, exciting images using scientific properties. His work merges art and science intending to bring attention to the beauty of the natural world. The specific artwork I chose is the Millefiori, which instantly creates a captivating effect on the viewer. Oefner used watercolor with ferrofluid to create hyper-vibrant shapes. Ferrofluid is a unique substance that is attracted to the poles of a magnet and the black fluid allows separation to be visible when color is added. He expressed how he typically gets his inspiration from science magazines and when he finds a piece of technology slightly interesting he will experiment with it. Aside from creating art, he uses photography and science to create alluring pieces of artwork. I like this artwork because it shows how you can use a variety of your interests to produce unique and inspiring work for others.

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Edwin's The Dictator is a striking piece that critiques authoritarian power. Through bold imagery, it highlights themes of control, propaganda, and oppression. The exaggerated portrayal of the leader reflects how dictators manipulate their image to maintain authority. This kind of art sparks important conversations about political power and the impact of dictatorship on society.

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This week I chose to explore Jonathan Yeo's "HM King Charles III." This portrait really stood out to me because its harsh brush strokes and the contrasting details between the face and the rest of the painting, which Yeo intentionally created in order to place focus on the character and essence of the person rather than highlightin the literal physical appearance. The color also creates an eery and ominous feeling. Although at first I believed it to be a criticism of the monarch, the portrait was actually commissioned by the palace and is officially not a critique rather a celebration.

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Art like this is a bold way to challenge power. It highlights issues like censorship and LGBTQ+ rights in Russia, where these topics are often suppressed. Some see it as humor, others as a serious statement—but either way, it sparks conversation about freedom and politics.

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I chose this piece by Vincent Valdez as a part of the collection called "Since 1977". He creates large-scale, representational paintings that draw inspiration from the grand tradition of history painting, mural art, and cinema. By blending these classical influences with modern themes, he captures his observations and experiences of American identity. His work produces striking and thought-provoking portrayals of American identity. I chose this artwork because of the expression shown on President Clintons face. He looks ashamed and frustrated. Some may even say flustered. To me this correlates with the cheating scandal that occurred in 1995.

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For this week, I want to highlight the work of Glenn Ligon, a contemporary American artist known for exploring themes of race, identity, and power. One of his standout pieces, Untitled (I Feel Most Colored When I Am Thrown Against a Sharp White Background), deeply resonates with me. The artwork features bold text that captures the experience of being Black in America, especially the tension between Black identity and the dominant white culture.

Ligon draws inspiration from a James Baldwin quote, using this phrase to emphasize how race is often defined in contrast to whiteness. This makes a powerful statement about marginalization. His artistic style blends text and imagery to spark deep reflection, pushing viewers to rethink their ideas about identity, race, and history.

Ligon’s work invites us to examine the societal structures that shape how we see ourselves and others. By using language as a key element in his art, he opens up important conversations about personal identity and political realities. This particular piece stands out because of its direct engagement with race and power, making a lasting impact.

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I chose "Vladimir Putin" (2008) by Eduardo Relero because it offers a strong critique of how political leaders, especially authoritarian ones like Putin, create powerful public images to maintain control. In this artwork, Relero exaggerates Putin's features, showing him with a muscular physique and dominant presence. This visual exaggeration symbolizes how leaders often try to present themselves as invincible or all-powerful. This piece stood out to me because it reflects how leaders, particularly in autocratic regimes, use their public image to stay in power, even if their true leadership is more complicated. Eduardo Relero is a contemporary artist known for using humor, satire, and caricature to challenge how we see political figures. His style often mixes exaggerated features with serious social and political messages. In this piece, Relero uses these exaggerated features to show how leaders like Putin shape their public image to control how people see them. The artwork points out the gap between the public persona a leader creates and the reality of their leadership. Relero's work asks us to think about how political power is often built through media and image rather than through genuine leadership qualities.

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Ai Weiwei's "Remembering" and Political Accountability

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Ai Weiwei's "Remembering" and Political Accountability

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I chose Ai Weiwei because his art makes powerful political statements about human rights and government oppression. One of his works that really stands out to me is "Remembering" (2009). This piece was created in response to the 2008 Sichuan earthquake, where thousands of children died due to poorly constructed schools. Ai Weiwei used 9,000 colorful backpacks to spell out the sentence “She lived happily for seven years” in Chinese, a quote from a grieving mother. I picked this artwork because it’s both visually striking and emotionally powerful. The bright colors of the backpacks symbolize childhood and innocence, while the massive scale of the installation reflects the huge loss of life. Ai Weiwei’s style is direct and confrontational, he often uses large-scale installations to highlight social and political issues. In his artist statement, he talks about using art to expose injustice and challenge those in power. What I admire most about Ai Weiwei’s work is how he combines simple materials with deep political messages. "Remembering" is a reminder of how art can give a voice to those who are often ignored.

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This street art translates to "Refugees Welcome". This along with with the portrait of the King of Spain, with a big red over drawn smile, like the Joker. The artist is a street artist Emerson Caceres, also known as Cacerolo. He is from Columbia and most of his art works display this joker smile as a symbol of love. Although in art, the message really comes from the viewers a lot of the time. This is a controversial piece because in many countries, the topic of immigration and refugees is a hot one. So for the Spanish King to be allowing refugees into his country and then this street art to go up. One may easily piece together the sense of frustration that some of these citizens are feeling. This art work really stood out to me because it has such a unique aspect to it. The portrait is so detailed of the king and the gold hue feature behind him really pops with the red in that oversized joker smile.

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A contemporary artist known for creating politically charged portraits of world leaders is Shepard Fairey. His most famous work is the "Hope" (2008) poster of Barack Obama.

This iconic artwork became a defining image of Obama’s 2008 presidential campaign. Using a bold red, white, and blue color palette, Fairey portrayed Obama in a stylized stencil-like manner, conveying optimism and change. The word "HOPE" at the bottom emphasized the aspirational tone of his campaign. The piece was so influential that it became a symbol of the era, sparking discussions about the intersection of art and politics.

Fairey’s work frequently critiques power structures, depicting figures like George Orwell, Angela Davis, and Vladimir Putin to explore themes of propaganda, control, and resistance. His blend of street art and political commentary continues to challenge viewers to think critically about leadership and societal issues.

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For this week, I want to share about Elizabeth Peyton. She is an artist who aims to present authentic portraits of prominent figures to society. The artwork titled "Prince Harry" by Elizabeth Peyton demonstrates a personal picture of the notable figure while showing it to public audiences. The artist brought forth little character traits of Prince Harry through her paintings, creating a refined artwork that revealed human elements beneath celebrity status. When creating her artwork, Peyton uses a temporary emotional approach and loose brushstrokes throughout her image-making process. Through her artistic approach, Elizabeth Peyton demonstrates that artwork exceeds formal official presentations in ways that demonstrate her creative style. Obtaining fundamental characteristics of a person makes up the basic method in art portrayal. Her artistic approach enables Peyton to prioritize individuals for painting because she wants to create romantic artwork about them. The method she employed in her artistic creation led to a distinctive way of presenting well-known personalities. Through distinctive visual arrangements intended for public figures, Peyton creates innovative methods that help audiences better understand well-known characters. The portrayal of political figures in art needs more than standard official portraits since it must reveal genuine human characteristics. People become more interested to notice personal character traits in famous subjects through the artwork of this artist. Through his creative approach, Peyton allows us to view famous individuals while feeling more acquainted with them in novel ways.

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This week's artwork I chose is Michelle LaVaughn Robinson Obama, created by the contemporary artist Amy Sherald in 2018. Sherald's style is very distinctive, so I found her work most intriguing. She uses a grayscale technique for skin tones and vibrant backgrounds to create a striking contrast in her portraits. Amy rose to fame when Former First Lady Michelle Obama hand-picked her to paint her official portrait. When creating her Michelle Obama portrait Sherald wanted to convert the First Lady's strength, elegance, and approachability. This specific artwork breaks away from traditional and formal portraits of political figures. This is a way to honor her uniqueness and diverse experiences as an African American. Sherald's overall goal with her artwork is to represent and highlight the beauty and depth of African Americans. Her artwork makes a strong political statement of equality by capturing emotions, history, and culture in her paintings. Today, she is one of the best-known Black American artists.

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For this week’s Padlet post I chose Portrait of Hitler by Erwin Blumenfeld. Erwin Blumenfeld was a famous photographer born in Germany. His works were most notably famous in Vogue and Harper’s Bazaar magazines. Although this political leader was not one to make an homage to, the superimposed skull on Hitler’s face conveys the message that this is not indeed a good person. With this image, Blumenfeld depicts Hitler as a symbol of death in a time where Germany was at war with the world. Blumenfeld’s work peaked my interest as I at some point was fairly invested in the Holocaust for one of my papers. The massacre left a lot of questions to be answered for me and seeing art from that time period gives insight to what people might have felt at the time.

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The contemporary artist I chose for this week is Kehinde Wiley. One of the art pieces I chose is the portrait of Barack Obama. I enjoyed this artwork because of the vibrant green leaves in the background and the picture of President Barack Obama who has played an important role in our country.

This artwork is important to the theme of political leaders because it shows the portrait of the first African American president of the United States. Wiley is someone who wants to show representation within his art. Furthermore, Wiley's message is to show that race has a role in art and society. He wanted to shine light upon African Americans being represented; to have a sense of belonging. Kehinde wants to show that there will be hope and representation in the present and future, he also indicates that there should be a representation of diversity therefore everyone will be included in this society in which they will feel valued and respected. Wiley's style adds a floral background to every portrait and makes his art look realistic such as the use of lighting, for instance, the light hitting Obama's face and hands and the texture of his face and clothing.

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The artist I have decided to do this week is Shepard Fairey. The title of this artwork piece is “We The People Are Greater Than Fear,” where it’s an artwork of a Muslim staring at us wearing the American flag. This artwork is a motivational and inspiring reminder that we can use our rights and speak up for ourselves, especially since this artwork piece was meant to protest against Trump back in 2017. I also liked how the colors and the art style of his artwork are like pop art in a way. Also, the color scheme of his artworks is mainly red, white, and blue. In which it represents the colors of America. And this artwork is meaningful as well because it shows the social justice in this artwork. It shows about women, their color, race, and even diversity. This gives us the courage not to let us be silenced and to stand up for ourselves in society like this with Trump. And the fact that he is reelected as president again for this term, this artwork is still meaningful to the people today.

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The artists I have chosen this week is LMNOPI an American artist that is also a humanitarian worker, community organizer, and civil disobedient activist. She is known for getting involved in communities and organization. An example of this would be her creating of Domes for Hati that was an effort to create temporary dome houses for orphans in Port Au Prince after the 2010 earthquakes in Hati. LMNOPI has also participated in Direct Action Painters which was a group formed by artist to create banners for action. She also protested against fracking in New York by creating memes. In general, LMNOPI actively uses her platform and art to help organizations get their messages across. As well she uses her art and platform to help those in need from natural disasters like I mentioned with Hati. The artwork I chose of her is part of many art works she has made on the people of Palestine. In this one in particular LMNOPI has drawn Bisan, an active reporter of the ongoing genocide in Palestine. The piece is truly simple but elegant and beautiful. The simple pencil drawing of Bisan, a very loud voice in the Palestinian media, appreciates the hard and dangerous work Bisan is doing as a reporter posting about Palestine as a Palestinian. I actually follow Bisan on social media and keep up with her updates so to see her depicted here by an artist I found randomly is really amazing. I encourage anyone who has not seen her posts to seek her out and watch her videos that she posts on Instagram, Twitter, and TikTok. As well as to donate to the organizations she amplifies on her pages that help provide water and food for displaced Palestinians.

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The artist I chose for this week is called Rick Amor. This piece is called "General Cosgrove, Dili, East Timor, 1999" and is a reconstruction from source images from Amor's time as an official war artists. It portrays General Cosgrove as well as his bodyguard Corporal Kirsty Hearn in East Timor. The reason I chose this artwork is because of the way Amor painted this scene. It makes you feel as if the General is walking towards you and that the scene is actually happening right in front of your eyes. Another thing that fascinated me is the fact that you can only really make out the details of General Cosgrove and the Corporal making it stand out who is important in this scene. The artist also included himself in the back in the back of the painting making it so that unless you know he is there, you never actually realize it.

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I really like Rick Amor’s "General Cosgrove" because of its commanding presence and rich depth. The subdued tones and strong composition give it a sense of dignity and weight, perfectly capturing Cosgrove’s leadership. It’s both powerful and introspective—a true tribute to a respected figure.

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I chose Banksy’s artwork “Rage, The Flower Thrower” because it strongly represents the message “make peace, not war.” This piece, originally painted as a mural in Bethlehem, shows a masked protester in a stance that suggests he is about to throw something violent like a Molotov cocktail or a rock. However, instead of a weapon, he is throwing a bouquet of flowers. This contrast between aggression and peace makes the artwork powerful and thought-provoking. I like this piece because it challenges the idea that conflict must always be met with violence. Instead, it suggests that peaceful resistance can be just as strong, if not stronger, than war. The flowers symbolize hope, love, and nonviolence, offering an alternative to destruction. Banksy’s art is known for its political and social commentary, often using satire and irony to criticize war, capitalism, and government control. His stencil style makes his work simple yet impactful, allowing his messages to be easily understood by people around the world. Through “Rage, the Flower Thrower", Banksy encourages viewers to rethink the way they view protest and conflict. This is why I find this artwork so meaningful it reminds us that peace should always be the goal, not war.

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I love how Banksy uses stark contrasts and a stencil style to create immediate impact. The black-and-white figure against the colored flowers makes the message even stronger—turning aggression into beauty. It’s a timeless and bold statement on political conflict and the hope for peaceful solutions.

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I was searching for what I wanted to do for this assignment, and this image made me quite sad. The title is " His Bunkie" and the image shows a soldier standing at the grave of his former bunkmate. The artist is William James Aylward and it was done sometime in 1917. Much of Aylward's art has to do with war, and this drawing is a very sad depiction.

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The artists I have chosen this week is Liu Bolin, a Chinese artist known as the "Invisible Man," creates art by painting himself to blend into the background of his scenes. Liu Bolin's "Liberty Leading the People" (2013) is a modern version of the famous painting by Eugène Delacroix. In this artwork, he paints himself into the scene of Delacroix's painting, where the figure of Liberty leads a group of people in a fight for freedom. By hiding himself within this scene, Liu Bolin makes a powerful statement about people who are often ignored or erased in times of war and political struggles. His use of camouflage in this piece shows how individuals can be made invisible or overlooked by oppressive governments or political systems. I chose this artwork because it helps us reflect on who gets to be seen and heard in the fight for freedom, both in history and today. Liu Bolin’s work reminds us that the struggle for liberty is ongoing, and it challenges us to pay attention to those whose voices might be silenced.

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The artist of this piece titled "We Take Care of Us," Nicolás González-Medina, reveals his history of feelings towards the immigration raids in the United States. Growing up with undocumented status, he knows what it is like to be afraid of what the future holds when his demographic is being targeted. The image shows the strength in community and the powerful message that immigration raids are not a new threat. The chunky linework and style of this artwork is reflective of the carvings in this woodcut print. Nicolás González-Medina was inspired to do this after he saw former Black Panther Party Minister Emory Douglas use this method to create political art. His pieces are very large, as he wants it to be reflective of the message that he puts out defending and empowering his community. I chose this artwork because it communicates a sense of peace to me as the current political climate can be hateful and scary. Even though the issue of this artwork is about the threat of immigration raids, my chosen interpretation extends to cover everybody as a part of society and tells us that together we can get through anything like we have in the past.

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This art piece was created in Holocaust concentration Gurs Camp by two men in collaboration in 1941. Their names were Kurt Conrad Loew and Karl Robert Bodek. Karl was arrested for being Jewish, and ended up drawing stamps while imprisoned that showed the inhumane conditions they were suffering through. He also created this piece during his time there, but was later transfered to another camp. At Camp Les Milles he taught other prisoners how to draw and paint. He also created Murals here, but eventually was transported to another camp where he was murdered.

Kurt was also arrested and imprisoned in Gurs Camp, but he received helped from the International Red Cross in Geneva. They were able to get him transfered to Camp de Rivesaltes, and then he was released in 1942. He later went back home to Vienne and lived life as a artist.

This piece really stood out to me, because immediately you can feel the emotion behind it. You see beautiful sky and this yellow butterfly which has a lightness to it that is contradicted with the gloominess of the bunker houses that these prisoners were in, and the barbwire across the photo. I can't even begin to image what these prisoners lived through, but this photo to me shows a little glimpse of hope with the butterfly. The hope that they can be as free as the butterfly itself during a very dark and traumatic time. It is heavy that in 1942 both met different fates, one freed and one murdered.

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The Artwork that I chose for this week is called Libertat (Liberty in Spanish) that was created by Carles Fontserè for the Spanish Civil War in 1936. The artwork depicts a person with a red neckerchief and his right hand clenched in a fist and holding a sickle. Moreover, the red-black flag that waves behind him states “F.A.I” for the Iberian Anarchist Federation. I was drawn to this artwork because at first glance I thought this was a call to action towards wanting freedom. The colors and drawing makes it stand out among the rest of the artworks I’ve searched. Carles Fontsere’s purpose for creating this artwork was for it to be used as Political Propaganda during Spanish Civil War. This artwork was one of the most influential for their cause and even formed the backbone of Spain’s anarcho-syndicalist movement that stood loyally behind the Republican army during the war.

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This week I chose to explore the art from Otto Dix. This piece stood out to me especially because of how intense the contrast was. Although at a quick glance the overall image just appears to be harsh lines and maybe a landscape of a castle or mountain but upon closer inspection, the gruesome and gory details appear more evident. Otto Dix was a German artist that lived through both world wars, his work was confiscated and more than likely destroyed under Nazi control of Germany, including this painting.

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I chose the South African artist William Kentridge for this week's prompt of "Art and War." Specifically, I chose his art collection, "More Sweetly Play the Dance" (2015). I chose these pieces of art due to the amount of emotion that is displayed through every single image. The art displays the continuous movement of silhouetted figures which move across the screens. It symbolizes the struggle that people endure due to the consequences of war and oppression. The image showcases how war puts society in a cycle of suffering. The figures in the images showcase the different people from different places and different times who had to go through oppression and challenges throughout history. The artwork creates a mournful and resistant mood. The art style that the artist chose to use creates an emotional experience for the viewer due to the fact that it truly displays the persistence of human endurance and suffering.

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Aritst: Aboudia. Title: Daloa 29. Date: 2011.

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I chose this particular piece of artwork because from my point of view it depicts children holding assault riffles and one even holding a RPG. They stand in front of a city that looks torn down. Upon further reading about this artwork it is influenced by the civil wars of the regions within the countries in the African continent. This pieces refers to the figures as "ghoulish" as they resemble skulls alongside the other skulls hidden throughout the image.

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For this week, I want to share about Banksy. He creates thought-provoking work by doing art rather than storytelling activities which makes him a grand mystery figure to the public. The striking image of bombs hitting peaceful areas in "Bomb Middle England" was the main reason I chose it. The artist uses his work to present war's capacity to damage serene locations. The artist applies his wall and building art through stencil-cut images and spray paint. Banksy demonstrates through his work that art belongs in the streets alike museums according to his artistic style. His work illustrates wrongs occurring throughout the present world. Through images with dark humor and imagination, Banksy delivers his meaning to his audience. He has discovered a method to transform any street into an art gallery which sparks questions from viewers. Through his artistic displays, he presents challenging subjects such as war and politics from new angles that enable viewers to understand them better. Every viewer understands that art serves as an effective method to handle significant matters while pushing people to rethink their understanding. The pursuit of awareness is what Banksy's artistic works deliver. Banksy's artwork makes people question both the world and its present conditions. His artistic work leads viewers to see existing concepts as well as reality through fresh perspectives.

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The artwork, The Third of May 1808 in Madrid, also known as, El tres de mayo de 1808 en Madrid, is a painting created in 1814 by Francisco Goya. The work shoes the brutal execution of Spanish civilians by Napoleon's French soldiers in the Peninsular War between France and Spain. The painting condemns the war and actions of the French by appealing to the audience's emotion with the brutal execution of civilians. It shows the helplessness of those people as they're victims of a war they'd been caught in the middle of. The painting was created as part of a series called the "Disasters of War" and this particular one portrays events long after they'd occurred. The work is not only intended to highlight the massacres caused by war but to shed light on anti-war movements and the implications of war.

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Guernica by Pablo Picasso, painted in 1937, is one of the most iconic anti-war artworks in history. Created in response to the bombing of the Basque town of Guernica during the Spanish Civil War, Picasso’s large mural captures the devastation and suffering caused by aerial warfare. The painting features distorted and anguished figures, including a screaming horse, a grieving mother with her dead child, and a warrior. Picasso uses a palette of black, white, and gray to amplify the emotional intensity and sense of hopelessness. The fractured, cubist style reflects the chaos and destruction of war, while the absence of color underscores the grimness of the tragedy. Guernica transcends the specific event it was created for, becoming a universal symbol of the horrors of conflict and the deep human toll of violence. It remains a powerful reminder of the importance of peace and the devastating impact of war.

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This week's contemporary artist that I chose for the theme of art and war is Alfredo Jaar's The Rwanda Project. I enjoy Jaar's work because his presentation is beautifully made but the most critical part is how we are confronted by the pair of eyes which speak thousands of words.

The Rwanda Project is one of the most compelling artworks, it is the representation of the Rwandan Genocide that happened in 1994. Jaar shows the true horrors of this 100-day Rwandan Civil War, how the government failed its people, the United Nations did not intervene, and nothing was done to change this crisis. The only thing that was done was all the bloodshed against the Tutsi. Jaar's message is to use art to shed light upon this genocide, he wants us to feel the suffering that the Tutsis went through, and how inhumane the situation was. The mountain of pictures represents the mountain of bodies/people that were lost. Jaar wants us to realize that this was a true atrocity, therefore we should raise awareness and remember those who have died. Alfredo Jaar's art style is almost as if it were a story that speaks for itself, an artwork that captures our eyes through lighting for instance, the table has the light hitting the pictures meanwhile it sits in a dark silent room.

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A powerful contemporary artist who explores themes of war and politics is Banksy. Banksy is a mysterious street artist known for his provocative and politically charged graffiti. His works often critique war, government surveillance, and social injustices, using dark humor and irony.

One of his most famous war-themed pieces is "Rage, the Flower Thrower," which depicts a masked protester in a throwing stance, but instead of a Molotov cocktail, he hurls a bouquet of flowers. This piece symbolizes the power of peaceful protest over violence.

Since Banksy's identity remains anonymous, his art speaks louder than the artist himself, challenging political systems and authority through simple yet striking imagery.

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"CND soldiers" is a compelling art piece that delves into the themes of peace, conflict, and the implications of nuclear weaponry, drawing from the ethos of the Campaign for Nuclear Disarmament (CND). The artist juxtaposes the imagery of soldiers—symbolizing militarization—with iconic representations of peace, such as doves and olive branches, creating a powerful visual commentary on the stark contrast between war and the aspirations for global harmony.

I chose this piece because it evokes profound reflection on the complexities surrounding military power and disarmament, which remain critically relevant in today’s world. The artist’s style is characterized by bold colors and striking contrasts that capture the viewer's attention, enhancing the emotional resonance of the message. Their artist's statement communicates a strong desire to provoke thought and inspire dialogue about the risks associated with nuclear armament. By portraying the human cost of conflict alongside symbols of hope, the artist challenges viewers to engage with the realities of our geopolitical landscape. Ultimately, their work serves not just as a representation of artists’ views but also as a call to action, urging society to pursue pathways towards peace and understanding in an increasingly fragmented world.

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This week I have chosen an artist named Kristin Moore, who is originally from Houston, Texas. She is known for her paintings that depict different landscapes, restaurants, and stores. Usually, they have to do with a specific state. Here I have chosen to showcase her painting known as "Wildflower Whataburger" created this year. Moore has been known to say that she misses aspect of her home in Texas when away studying in other states or even just in Dallas. In this painting Moore is reminiscing but also highlighting a Whataburger. I know for me when I see a Whataburger sign, I know I am home. Especially since I visit out of the country to Mexico for long periods of time. When we are entering Texas, seeing a Whataburger advertisement shows me we really are home. I really like how even in other artworks from different states you can still get this sense of home when looking at them. Moore does a wonderful job at instilling a feeling of nostalgia in all her works. She also has amazing technique and style in all her artworks that make them all worth looking at.

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Great choice! Judithe Hernández’s work is incredibly powerful and important. I really admire how she uses her art to bring attention to serious issues like femicide and misogyny. Her use of pastel gives the pieces a soft, almost haunting quality that contrasts with the intense themes. It’s inspiring to see an artist use their platform to speak up for women and marginalized communities.

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This week I chose the artist Gabo Martinez and her artwork is "Ojos Gentiles". I chose this piece because of the way it looks with its patterns of flowers eyes that make it look a bit like a cactus. This piece also is called "Ojos Gentiles" which translates to Gentle eyes which can be found at the bottom of the artwork. Martinez is an artist born in Mexico that exhibits her artwork most commonly in Texas. In her artworks she reclaims and honors her heritage by using traditional and contemporary design. I really liked the way she uses her heritage in this craft as well as representing a culture she's part of. I really liked this artwork by her because of the way it uses warm tones to draw your eye in, as well as the abstract art and symbols that represent various things. I also liked the way the background color alternates from a deep rich red to a tan orange.

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This week, choose a contemporary artist to share with the class. They should fit the week's theme of Texas-Based artists. Try using this Texas Art website to help you find an artsit!

Your post should include an image of an artwork you liked and why. Explain the artwork to us and why you chose it. Make sure to give a few sentences about your artist's style and message (what are they trying to communicate with the viewer). You should find this in their artist's statement.

After posting, please choose a peer's post that jumps out to you. Take time to look at more of their artist's work. Respond to their post by sharing another work you found and give your opinion on this artist and their work. Your initial post should be 150-200 words. Your comment should be thoughtful.

Your grade is based on the following:

1. Your post meets expectations

2. You comment on a peer's post and share another work

3. You respond to whoever comments on your post.

**If no one has commented on your post, please just jump in and join another conversation.

In total you should have 1 original post, 1 comment to a peer, and 1 response to the comment left on your post.

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This week, choose a church from the Byzantine Empire or the Middle Ages. No contemporary artists this week! Pick from any country in the world as long as the church is either considered "Byzantine (400-1400 in Western Europe or Turkey) or Medieval (500-1500).

Your post should include an image of the site you chose and why you liked it. Explain the site to us and why you chose it. What is your favorite feature or artwork within the site? Make sure to give a few sentences about your site's history.

After posting, please choose a peer's post that jumps out to you. Take time to look at their site. Respond to their post by sharing another fact or artwork you found that is within the site. Your initial post should be 150-200 words. Your comment should be thoughtful.

Your grade is based on the following:

1. Your post meets expectations

2. You comment on a peer's post and share another work

3. You respond to whoever comments on your post.

**If no one has commented on your post, please just jump in and join another conversation.

In total you should have 1 original post, 1 comment to a peer, and 1 response to the comment left on your post.

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Thank you for sharing that! I love how Gabo Martinez blends traditional Mexican designs with a modern touch—her work feels both nostalgic and fresh. Purple Petaled Vessel sounds like a beautiful piece, and I can totally relate to the connection with family and culture through ceramics. It’s so special when art reminds us of home and loved ones. Seeing our culture represented in such a meaningful way is really powerful.

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For this week, I chose the painting “Bluebonnets at Twilight, near San Antonio” by Robert Julian Onderdonk. Onderdonk, known as the "Father of Texas Painting," was a key figure in capturing the Texas landscape through impressionistic techniques. This painting shows a peaceful view of bluebonnets, the state flower of Texas, at sunset. The colors and soft brushstrokes make it look calm and beautiful. Onderdonk’s style is rooted in Impressionism, using soft brushstrokes and a focus on natural light to capture the ever-changing landscape of Texas. His work often highlights the beauty of the natural world, especially in Texas, with an emphasis on the colors and atmosphere that define the region. Through this painting, Onderdonk invites the viewer to pause and appreciate the simple yet breathtaking moments of nature.

I like this artwork because it reminds me of the beauty in nature, especially in Texas. The vivid blue flowers against the warm glow of the twilight sky create a sense of peace, connection with nature, and make me feel calm. Onderdonk's work shows how important it is to appreciate the small, peaceful moments in nature.

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I chose "Texas Rain" by Hanson because of its vibrant colors and the way it makes an ordinary scene look special. The painting shows a rainy Texas landscape, but instead of looking dull or gray, it is full of rich, glowing colors. The mix of blues, oranges, and purples makes the scene feel warm and alive. The way the light reflects off the rain gives the painting a peaceful yet exciting feeling. Hanson’s style focuses on color, light, and texture to turn everyday landscapes into something amazing. She loves painting during the golden hour, when the sun creates beautiful colors in the sky and on the land. Her goal is to show the beauty of nature in a unique way. I picked this artwork because it makes me see rain differently. Instead of something gloomy, it looks magical and full of life. Hanson’s work reminds us to find beauty in simple moments.

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This art work is 'Rendezvous' by Merritt Mauzey. His work specialized in Lithography. He was born in Clifton, Texas later to move to Dallas, Texas. In Dallas is where he began to create some of his more popular artworks that showed the rural plains and cotton fields of Texas. He was very successful in his artworks and now today some of them can be found in high profile museums, and even the Library of Congress. This art piece stood out to me. As a Texan seeing Armadillos is something that still excites me to this day. This particular piece was donated to Smithsonian American Art Museum, that made me kind of view this art work. I wondered if in this depiction of these Armadillos, that maybe he was portraying that family bond that he felt in his life with his family. The shading in this art work also is very expressive in detail. It like you can almost feel the picture by looking at it. That breezy cool air that rolls in after a hot Texas day, and that rough bark that is on the log. I can see how Merritt was able to leave such a lasting impact through his artwork just by absorbing everything in this piece.

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Great post! The Hagia Sophia is such a fascinating example of how architecture can reflect layers of history and culture. I find it amazing how both Christian and Islamic elements coexist in one space, showing the building’s transformation over time. The massive dome is especially impressive for its time and still inspires architects today. It truly captures the essence of Byzantine art and architecture.

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The Texas Based Artist that I chose for this discussion is artist Jon Flaming. He is enamored with the vastness and different aspects of Texas life. It comes as no surprise as he was raised at his grandfather's farm. This painting in particular, labeled Bronc Rider, 2022, was inspired by the sport of riding a bucking horse and holding on for dear life. What caught my eye about his art is the style that he uses. Jon Flaming uses bold colors, neat lines and geometry to convey a feeling. Even though they are 2d objects, it feels like a living scene that we took a picture of. The way he fills the space in his paintings is very satisfying. Even within the rigid shapes and bold colors, he includes shadows and textures, making it come to life. It feels like it could be in 3D, perhaps a collage made out of construction paper. Something else I'd like to mention, is that the characters reminded me of the style of the cartoonists that made The Powerpuff Girls, which is a cartoon I grew up with.

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This week I chose to explore Eli Ruhala, a Texas base artists' "Significant Otherness" His work stood out to me because at first glance it resembled a traditional chinese ink painting in some areas, but the more I inspected, the more each individual scene began to tell a story. This installation explores human relationships while utilizing dogs to deliver a message that most people could relate to while subtly touching on themes of queer love. I think his effort to connect a wide audience towards one issue was truly touching and the overall exhibition utilizng various mediums to create a more immersive experience was quite impressive. This Exhibit is actually still up in houston at Art League Houston through April 11th.

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I’d like to share the work of Sheri Jones, a contemporary artist based in Texas. Her painting, "Fiery Sun Light", particularly caught my attention. This 11x14 oil on canvas depicts a vibrant sunrise with rich hues of red, orange, and yellow blending seamlessly into the sky, casting a warm glow over the Texas landscape. The dynamic brushstrokes and vivid colors evoke a sense of energy and renewal, capturing the essence of a new day dawning.​ Sheri Jones is known for her impressionistic landscapes that often feature the natural beauty of Texas. Her style is characterized by bold color choices and expressive brushwork, aiming to convey the emotion and atmosphere of the scenes she paints. In her artist statement, Jones mentions that her work is inspired by plein air painting experiences, where she immerses herself in the environment to authentically capture its essence. Through her art, she seeks to share the joy and serenity she finds in nature with her audience. I chose this artwork because it beautifully encapsulates the warmth and vibrancy of a Texas sunrise, reminding viewers of the simple yet profound beauty found in everyday moments.

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For this week's theme of "Texas Based Artists", I chose the artist Cruz Ortiz. The artist was born and raised in Houston, Texas, in 1972. Specifically, I chose his piece "Hecho Farm Print". I really enjoyed this exhibit due to the bright, vivid colours and its interesting imagery. The art style displayed in the image instantly caught my eye when I first glanced at it. The art shows a strong connection between heritage and identity. In his pieces, you can see the use of both Spanish and English words, showcasing his culture and who he is as an individual. I chose this piece due to its life that is radiated towards the viewer and it truly showcases a story about heritage and culture.

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This artwork I've decided to share with this discussion was made by David Lloyd. This artwork here shows how it is still a realistic painting even though the colors aren’t really blended. This artwork fits with the discussion since it has the blue bonnets being shown on the ground. Not only that but it also shows the countryside with the fence and an old house where the area seems to be in a small town. With the hills and the mountains being shown it shows the far side of what Texas is. I also liked how the colors are very vibrant but not overpowering and has amazing detailing figures. This area looks to have a savannah type of land giving that texan effect. The artist's method of painting this is nothing too realistic and serious. Of course, it has some sort of realism, but not compared to other artists but the painting still stands out and its own unique way.