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Quote1:"Old fools are babes again and must be used/ With checks as flatteries" (I,iii，20-21)

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Quote1:"Old fools are babes again and must be used/ With checks as flatteries" (I,iii，20-21)

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King Lear tries to judge his children's loyalty by the love and respect they outwardly show him, guessing how much they love him enough to remain respectful of him after he has surrendered his power. But when love is applied and shown, it becomes terrible. The abdicating king had not anticipated that he would turn his back on his eldest and second daughters after rewarding them with that territory and property, and ruthlessly drive himself out of his own country. Before King Lear abdicated, he could make his daughters forcefully express their love through their own identity, and those who expressed their love the most violently on the surface were in fact the ones who hid it the deepest, and the ones who abandoned King Lear with their own hands.

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Quote2："I will not speak with him. Say I am sick. If you come slack of former services,You shall do well. The fault of it I’ll answer. OSWALD  He’s coming, madam. I hear him. GONERIL Put on what weary negligence you please, You and your fellows. I’d have it come to question. If he distaste it, let him to my sister." (i.iii.13-21)

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Quote2："I will not speak with him. Say I am sick. If you come slack of former services,You shall do well. The fault of it I’ll answer. OSWALD  He’s coming, madam. I hear him. GONERIL Put on what weary negligence you please, You and your fellows. I’d have it come to question. If he distaste it, let him to my sister." (i.iii.13-21)

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Goneril complains to her steward, Oswald, about how badly her father, his Fool, and his knights have been behaving in her house. She instructs Oswald to tell Lear that she is sick and will not see him.It shows a great disrespect and lack of reverence for her father and attempts to flaunt the usual order of authority in a parent-child relationship by using NEW political power.

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Quote3:“（I never got him），Tucket within. Hark, the Duke’s trumpets. I know not ⟨why⟩ he comes. All ports I’ll bar. The villain shall not ’scape. The Duke must grant me that. Besides, his picture I will send far and near, that all the kingdom  May have due note of him. And of my land,  Loyal and natural boy, I’ll work the means To make thee capable."（ii， i，86-91 ）

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Quote3:“（I never got him），Tucket within. Hark, the Duke’s trumpets. I know not ⟨why⟩ he comes. All ports I’ll bar. The villain shall not ’scape. The Duke must grant me that. Besides, his picture I will send far and near, that all the kingdom  May have due note of him. And of my land,  Loyal and natural boy, I’ll work the means To make thee capable."（ii， i，86-91 ）

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All of the encounters Gloucester suffers are purposely arranged by Edmund, who provides Gloucester with an example of manipulating his vision in order to cause blindness. Without even noticing it, Gloss uses his power to overthrow the legal order, showing infinite favour to his illegitimate son, while the real nominal son pays no attention.

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4."GLOUCESTER  Alack, alack, Edmund, I like not this unnatural dealing. When I desired their leave that I might pity him, they took from me the use of mine own house, charged me on pain of perpetual displeasure neither to speak of him, entreat for him, or any way sustain him."（iii. iii. 5-8 )

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4."GLOUCESTER  Alack, alack, Edmund, I like not this unnatural dealing. When I desired their leave that I might pity him, they took from me the use of mine own house, charged me on pain of perpetual displeasure neither to speak of him, entreat for him, or any way sustain him."（iii. iii. 5-8 )

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Gloucester sees the trap that Edmund has set for him but turns a blind eye to it and bets his hopes on the wrong son. Reflecting the very similar situation between Gloucester and King Lear, he surmises that Cordelia, who is the Queen of France, will lead her army, defeat Goneril and Regan, and restore justice and order.

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Quote5:"No more of that. I have noted it well.—Go you and tell my daughter I would speak with her. An Attendant exits.  Go you call hither my Fool.O you, sir, you, come you hither, sir. Who am I, sir? OSWALD  My lady’s father. LEAR  “My lady’s father”? My lord’s knave! You whoreson dog, you slave, you cur! OSWALD  I am none of these, my lord, I beseech your pardon."（ I，iv，80-85 ）

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Quote5:"No more of that. I have noted it well.—Go you and tell my daughter I would speak with her. An Attendant exits.  Go you call hither my Fool.O you, sir, you, come you hither, sir. Who am I, sir? OSWALD  My lady’s father. LEAR  “My lady’s father”? My lord’s knave! You whoreson dog, you slave, you cur! OSWALD  I am none of these, my lord, I beseech your pardon."（ I，iv，80-85 ）

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King Lear orders Oswald to recognise himself as the former king when he really is.Lear's treatment in Goneril's house violates both the private respect she as a child owes her parent as well as the traditional order of hospitality, and it is all does not conform to King Lear's expectations of future events.

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Quote6:“Well, my legitimate, if this letter speed And my invention thrive, Edmund the base Shall top th' legitimate. I grow, I prosper. Now, gods, stand up for bastards!”（I.ii.19-22）

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Quote6:“Well, my legitimate, if this letter speed And my invention thrive, Edmund the base Shall top th' legitimate. I grow, I prosper. Now, gods, stand up for bastards!”（I.ii.19-22）

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Edmund, the illegitimate son of Gloucester, was loved by her father, and his desire for power and position, and jealousy of the true legitimate heir, led him to forge letters against his brother. He used his father's trust in him to try to usurp all power in the family, even to the point of defecting to the enemy and committing treason. When he eventually fails, he constantly repents and tries to ask to be forgiven.

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Shakespeare, William, King Lear. New York, Ny, Simon & Schuster Paperbacks, 2015

https://mob.kekenet.com/lesson/2727/549167

https://www.taoguba.com.cn/topic/transfer?topicID=1376825

https://www.renrenshipu.com/article/read_28171.html