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In the late renaissance the paintings were more and more idealistic than realistic. Now you could think, "if its idealistic why does she have forms?", well that is because between the 1400 and the 1700 the perfect woman body had : rounded stomach and full hips, this showed that they were healthy and had food, this also meant for them that they could have babies. I think this is why there is a baby at the bottom of the picture. Another reason why this is a late renaissance painting is that the painters did not put a lot of details in the background because they wanted us to concentrate on this beautiful wealthy woman.

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In here there is all the hints that this is a late renaissance painting, because the body is well formed and naked, the people in the back are turning their back to not put attention on them but to get full attention on the woman. Also this painting is not at all religious, before the paintings were very religious and the main theme was religion and as the years passed the paintings were less and less religious.

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This painting has been painted in the latest time of early renaissance. There is movement going on and perpective is shown throughout the ceiling with all its line. But there are some hints that it is still in the early renaissance. For example there is this scene happening in left of the picture where you can see two people in a frame, one with a halo around its head. You can see the person with a sword, about to kill the angel. I think that this shows the fact that people will paint less and less religious and this is the first step toward that.

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Here it is quite obvious that it is a late renaissance painting because adam is naked. In these time the painter wanted to show that they could paint bodies correctly after all these years of failed bodies that were either way to long or in a very uncomfortable position.

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In the early renaissance they painted a lot with yellow compared to the medieval times where they used a lot of gold that was yellow too. Here a attempt in creating movement is shown, with the person on the left "moving" towards the person on the right. The position of these person still look very uncomfortable but you can see that they are working on it. The building in this picture looks more 3d, and throughout the years the buildings and the paintings will get more and more 3d, as they will understand perspective more and more.

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As in the other picture there is much perpective shown, with the walls and the stairs. Also as we can notice as the paintings are painted later in the renaissance time the paintings look less and less heroic. In the very first picture that i have shown in the early renaissance, you can see a guy , posing like a hero, with his arms around him and it just looks like he has just won a war. Now in this picture of the middle renaissance you can see more of a scene going on.

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In the middle renaissance time you could see that the painters were obsessed with space, perspective and geometry. One way to see that is with the floor and the buildings. They see to have excellent understanding of perspective and they want to show it.

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In this picture you can sense that the painter wanted to emphasis the humans in this picture and not the background. Also the pictures are way less religious, even tho you can still see a child holding a cross in its hand. The woman don't have a (auras?) around there head and religion isn't the main idea in this picture.

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In the early renaissance the pictures and the posture of the people where more realistic. The start of perspective is shown in this picture, but the people where still shown enclosed in something (e.g. a door, a frame...)

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In the renaissance time perspective was very important. Perspective is basically 3D in a painting. Where the lines all meet is called the vanishing point. This technique was used to make the paintings have perspective. The point where all the lines connect is called the vanishing point and this is very important in doing a perspective painting.