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Atelier Deshaus, Pavillon Laoyuting, Chine

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Atelier Deshaus, Pavillon Laoyuting, Chine

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Cette installation permanente (2024) ré-interprète fondamentalement le ting traditionnel chinois.

L'atelier DESHAUS a créé un lieu de rencontre entre nature et infrastructure – en créant une forêt artificielle de fines colonnes d’acier.

93 colonnes d’acier, chacune constituée d’une barre ronde pleine de 40 mm de diamètre, affleurant au sol et soutenant une toiture fragmentée et multicouche.

Au lieu de fondations traditionnelles, une plaque d’acier repose directement sur le sol, chaque colonne étant fixée sur un petit bloc d’acier carré de dix centimètres – une « micro-fondation » – afin de minimiser le contact avec le sol et de préserver la fragilité du terrain.

125 colonnes courtes et fines de 20 mm de diamètre ajoutent des strates de complexité, créant des zones de densité variable et conférant à la toiture une structure à mi-chemin entre rigidité et flexibilité.

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Sou FUJIMOTO a dessiné et fait construire la Wooden house.

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Tham et Videgard Arkitekter ont imaginé Le Mirror Cube Tree Hotel

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Tham et Videgard Arkitekter - Le Mirror Cube Tree Hotel

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Inhabitable Nomadic Structure  est une oeuvre de SOU FUJIMOTO installée au Jardin des Tuileries à Paris en 2014.

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Inhabitable Nomadic Structure - SOU FUJIMOTO - 2014

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Jakob + MacFarlane sont les architectes du cube orange. Il a été construit à Lyon en 2010.

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Akihisa HIRATA signe la Tree ness house à Tokyo.

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The Japanese architect Akihisa Hirata ( previously) has always been interested in the tangled, organic structure of trees. A tree consists of roots, a trunk, branches, leaves and flowers. And it is made unique and beautiful by the moss and fungi that grows on it, and the bugs and birds and squirrels that inhabit it. For Hirata, who worked for the luminary architect Toyo Ito for 8 years before establishing his own office in 2005, his latest work, " Tree-ness House " in Tokyo, may very well be the perfect embodiment - a metamorphosis, if you will - of Hirata's philosophy.

In the same way that it takes years for a tree to grow, the Tree-ness House too spent years in conceptual stages before it came to fruition. Hirata originally met his client Taka Ishii, who owns 3 eponymous art galleries - two in Tokyo and one in New York - in 2009 when Hirata staged an installation called Flame Frame at the gallery offices (we actually covered it back then).

Ishii was sick and tired of the white cube space. His office was a white cube, his gallery was a white cube. All the museums he visited were also white cubes. So he wanted something completely different to come home to. And he thought that Hirata could design something for him.

Hirata did not disappoint. Although the original plan called for an aggressive 8 stories, this was paired down and the final residence, which includes a gallery space on the ground level, is made from an organic layering system that tangles boxed spaces, numerous voids that are cut into the boxes to create ambiguous indoor/outdoor spaces and gardens.It was completed in late 2017.

In the most truest sense, the home is a living, breathing organism. You can see more photos on the photographer's website and read more about it here.

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A Tree Grows in Tokyo | Tree-Ness House by Akihisa Hirata

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The Japanese architect Akihisa Hirata (previously) has always been interested in the tangled, organic structure of trees. A tree consists of roots, a trunk, branches, leaves and flowers.

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CALATRAVA est un architecte espagnol. Il a construit à Tenerif un Auditorium en 2003.

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Le duo d’artistes Alex SCHWEDER et Ward SHELLEY ont créé une étrange habitation totalement fonctionnelle, reposant sur un seul pilier de béton d’environ 4 mètres de hauteur. Baptisé ReActor, ce projet consiste à présenter une habitation en mouvement de 13 mètres sur 3. Celle-ci pivote selon les mouvements de ses habitants et les forces extérieures ; les rafales de vent provoquent par exemple l’inclinaison et la rotation de la structure.

Durant l’été 2016, Schweder et Shelley ont vécu dans cet habitat pendant cinq jours, provoquant ainsi des mouvements constants de leur création. Les activités des artistes étaient visibles par tous les visiteurs, car les parois de la maison ne sont faites que de fenêtres.

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ReActor by Alex Schweder and Ward Shelley (1)

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Le duo d’artistes Alex SCHWEDER et Ward SHELLEY ont créé In Orbit. Ils ont vécu dans cette structure durant 10 jours en 2018. Lorsque l'un d'eux fait un mouvement, l'autre doit également bouger sinon ils ne peuvent tenir sur cette structure.

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Wood, Steel, Furniture, 10 Days, 20'-0" x 8'-0" x 30'-0", 2014.

The third in the tryptich "social relationship architecture" developed with Ward Shelley, one artist lived on top of the wheel while the other lived on the inside continuously for 10 days straight. To change activity they had to coordinate by walking in opposite directions to turn the wheel and thereby pieces of furniture.

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Wood, Steel, Furniture, 10 Days, 20'-0" x 8'-0" x 30'-0", 2014. The third in the tryptich "social relationship architecture" developed with Ward Shelley, one artist lived on top of the wheel while the other lived on the inside continuously for 10 days straight.

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Christophe BENICHOU est l'architecte de Basculement créé en 2016. Ce cube de métal a été installé sur un belvédère du Pic Saint-Loup dans le sud de la France. Il donne l'impression au public de basculer dans le paysage

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christophe BENICHOU, Basculement, 2016, Belvédère, Pic Saint-Loup, 3

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Itsuko HASEGAWA, architecte japonais, construit en 1986, House In Nerima.

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Itsuko Hasegawa 1986, House In Nerima, 1

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Itsuko Hasegawa 1986, House In Nerima, 3

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Itsuko Hasegawa 1986, House In Nerima, 2

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KUROKAWA est l'architecte de la  Nagakin Capsule Tower construite en 1970 à Tokyo.

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KUROKAWA, Nagakin Capsule Tower, 1970, intérieur 2

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Les maisons cube ont été construites dans les années 70 à Rotterdam par l'architecte Piet BLOM.

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christophe BENICHOU, Basculement, 2016, Belvédère, Pic Saint-Loup, 2

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Christophe BENICHOU est l'architecte de Basculement créé en 2016. Ce cube de métal a été installé sur un belvédère du Pic Saint-Loup dans le sud de la France. Il donne l'impression au public de basculer dans le paysage

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christophe BENICHOU, Basculement, 2016, Belvédère, Pic Saint-Loup, 3

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christophe BENICHOU, Basculement, 2016, Belvédère, Pic Saint-Loup, 1

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christophe BENICHOU, Basculement, 2016, Belvédère, Pic Saint-Loup, 4

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Frank O'GEHRY est l'architecte du Musée Guggenheim de Bilbao. Celui-ci a ouvert en 1997. Il est célèbre dans le monde entier pour ses formes, ses matériaux et son lien avec le paysage.

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Frank Lloyd WRIGHT est l'archictecte de la Maison sur la cascade située sur une cascade, construite en 1939 aux États-Unis.

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2 - F.L WRIGHT, Maison sur la cascade, 1939

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2 - F.L WRIGHT, Maison sur la cascade, 1939, intérieur

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La maison sur la cascade : 39m21s

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Frank Lloyd Wright - Le phénix de l'architecture - Regarder le documentaire complet | ARTE

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Entre gloire, scandales et tragédies, un portrait documenté du génie de l'architecture du XXe siècle, Frank Lloyd Wright (1867-1959), dont l'un des chefs-d'oeuvre, le musée Guggenheim, continue de défier le ciel de New York.

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Frank O GEHRY a dessiné La maison dansante qui a été construite à Prague en 1994.

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Vista House a été construite à Tokyo, par Satoshi KUROSAKI et le cabinet APOLLO Architects & Associates en 2011.

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Vista House in Tokyo, Japan by Satoshi Kurosaki/APOLLO Architects & Associates
Article source: Satoshi Kurosaki/APOLLO Architects & Associates
The clients were a husband-and-wife couple. He works as the director of an advertising agency, while she works in the food business. The couple purchased a plot of land that faces the cliff of a plateau and commissioned us to build a wooden three-storey residence for themselves and their child.

Architects: Satoshi Kurosaki/APOLLO Architects & Associates

Project: Vista House

Location: Nishidai Itabashi ward Tokyo, Japan

Photography: Masao Nishikawa

Date of Completion: August 2011

Principal Use: Private Housing

Structure: Timber Structure

Site Area: 54.86m2

Total Floor Area: 111.78m2 (42.02m2/1F, 47.41m2/2F, 22.35m2/3F)

Structure Engineers: Kenta Masaki

Facility Engineers: Zenei Shimada

Construction: Honma Construction

In order to make the most of the magnificent view overlooking the north side of the plot, we decided to activate the latent potential of the location by installing panoramic windows inside the house that would give the residents an unobstructed view of the scenic surroundings. The first floor was compactly outfitted with a small, Japanese style straw-matted bedroom, as well as a bathroom and dressing area with an attached terrace. Each of these spaces commanded a handsome view of the landscape outside.

The second storey was configured as a single, open room with an attached roof balcony. Bookshelves were also installed on the structural walls, while a table at the edge of the dining area provides a comfortable space for reading, creating a library-like atmosphere. In addition, we made an effort to emphasize the impression of diving downwards that results from the height difference between the dining room and the living area. The child's room and a large outdoor living space are located on the third floor, which also offers the residents a full, untrammeled view of the beautiful landscape surrounding the house. Although the scenery visible from the terraces located on each floor is identical, the varied character of each space ensures that a different impression of this single landscape is created each time.

In addition to a car-sized parking space, the entrance to the house also includes a built-in bike garage for the owner's beloved Ducati motorbike that offers ample room for maintenance and cleaning work to be carried out. Standing at the foot of the slope and looking up at this sleek, white mass that seems to float on top of the hill, the viewer is struck by this symbolic, monumental presence - an impression that contrasts sharply with the closed appearance presented by the front entrance. The spatial character of this house, which embodies elements that are both mundane and extraordinary, demonstrates the wealth of possibilities that can be realized in urban residential architecture.

Category: House

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satoshi kurosaki/apollo architects & associates

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Vista House in Tokyo, Japan by Satoshi Kurosaki/APOLLO Architects & Associates - ArchShowcase

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Article source: Satoshi Kurosaki/APOLLO Architects & Associates The clients were a husband-and-wife couple. He works as the director of an advertising agency, while she works in the food business. The couple purchased a plot of land that faces the cliff of a plateau and commissioned us to build a wooden three-storey residence for themselves and their ...