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Whaam! depicts a fighter aircraft in the left panel firing a rocket into an enemy plane in the right panel, which disintegrates in a vivid red-and-yellow explosion.

Pilar and Lourdes

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The "Marilyn Diptych" is a famous 1962 artwork by Andy Warhol, featuring 50 silk-screened images of Marilyn Monroe, arraged in two panels. The left panel has 25 colorful images, while the right panel has 25 black and white images, all taken from a publicity photo for her film "Niagara". It's a significant piece of Pop Art, known for its use of repetition, its commentary on celebrity culture, and its exploration of themes like fame, mortality, and the commodification of images.

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Yayoi Kusama's "5 Pumpkins" is a series of sculptures and paintings featuring her signature pumpkin motif, often with bold, contrasting colors and repeating patterns. These works are known for their playful and whimsical nature, while also exploring themes of nature, repetition, and the artist's personal experiences with mental health.

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This mural was painted in Boston’s Chinatown, in a low-income area. That location matters a lot. Many people who live there face obstacles like poverty, unemployment, and social inequality — things that can make dreams hard or even impossible to achieve. Banksy is criticizing the myth of the American Dream — the idea that anyone can succeed if they try hard enough. But in reality, many people, especially from poor communities, can’t “follow their dreams” because of things like illness, money, or where they were born.

By: Josefina And Luisa

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It is an iconic painting by David Hockney. It shows a scene of a swimming pool in Los Angeles, capturing the exact moment when someone jumps into the water, creating a large splash.

Francisca and Maela

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Peter Blake

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Richard Hamilton art, Self-Portrait (1967) is a Pop Art work that looks like a Time magazine cover. Using bright, unnatural colors and a casual cigarette, Hamilton mixes irony and media imagery to question fame, identity, and how people are turned into products by the media. The piece suggests that identity is not entirely real or natural but shaped by images, power, and recognition. In the end, it’s not only about Hamilton but about all of us , how we present ourselves and how society sees us.

Chloe and Sol

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Podcast