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Course Handbook

Included in this handbook is a breakdown of your course, equipment list and expectations

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Scheme of Work

Use this as a rough guide to the year

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Homework guidelines

Use these homework tasks to further your project and improve your grade

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Marking Grid

This is the marking criteria which staff will use to mark your work

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Essay Guidance

Use this as a guide to structure your essay

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Use this guide and the sentence starters to structure your annotations

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Guidance for Art History pages

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Exemplar General Artist pages

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Use these images for ideas around how to present your work

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Use this to identify roughly where you are and how to get to the next grade

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Written Mind Map about Structure

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Visual Mind Map about Structure

Your visual mind map should include a range of words and images.

All images should be high quality and relevant to the theme

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Your 'exploring structure' page should showcase the work you completed in the first week

This should include a stick and ink drawing, a loose collage, a negative space, a line experiment page and a continuous line drawing.

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A double page spread which explores tone

tonal bar chart

tonal sphere

short analysis on how tone affects emotional impact in the drawing

and an A4 drawing from a photograph of your choice which showcases your skill with tone (use a full range of tone within this drawing)

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A double page spread which explores colour theory

Write about colour theory - include basic and advanced terms

Short analysis of 3 paintings/artworks - looking in detail at the colours used

4 colour scheme experiments - use 4 different colour schemes to paint your abstract structures

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- Present your drawings with tape and annotate to explain what you did and the materials you used

- Present facts about Ernst Haeckel with a 3 part composition of his work using pen (biro or fineliner)

-present images of Ernst Haeckel's work

only include basic information about the artist - these can be bullet points

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Dry Point Etching Research and your most successful print

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Present a full A3 page of research about dry point etching and the artist Rembrandt.

Present your best print on the right-hand side

Annotate your print to explain why this was your most successful one

(if you have extra prints that you really like, or you have worked in to photocopies, you can present these on the following double page)

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page 14 & 15 (scroll through for more photos)

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page 14 & 15 (scroll through for more photos)

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1 x A3 page of analysis of Van Gogh's artwork

4 x A5 (ish) media experiments - try out Van Gogh's style by using 4 different materials and copying 4 small sections of 4 different Van Gogh paintings

Contact sheet of 30 photographs (small images just to show what you have done)

Present your best image A4

A4 (or A3) response using an appropriate material (it can be a drawing or painting)

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- Visual mind map/moodboard of portrait images

Gather 6 images of portraits and annotate them - what do you like? what do you notice? what materials have been used? how would you describe the colours that have been used? what effect is created? what mood is created?

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Proportions of the face - this page shows your knowledge of the proportions of the face and the guidelines that artists use - show off your knowledge and understanding

Own portrait photography - show your 30 portrait photographs and best photo. Explain what you did during your photoshoot and explain why this is your best photograph.

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Present your tonal pencil portrait drawing

create a page of research about Charles Bargue Plates - what are they? who used them? why are they useful? what do artists learn from them? include a minimum of 6 images

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Present your tonal Bargue Plate drawing

Present your colour Bargue Plate drawing