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(Cinderella)
The Battle Between Good and Evil is an archetype that can be easily identified within the fairy tale. Readers can observe that Cinderella is a kind, beautiful, and good person. For instance, despite all the mistreatment she went through, Cinderella forgives her step sisters, and continuous to treat them as family. On the other hand, there is Cinderella's step mother who aims towards bringing her down. Due to the step mother's jealousy, Cinderella is forced to work hard and do dirty jobs. This is a great example of the battle between good and evil, as readers can observe the antagonists attempt to bring down hero. However, despite the attempts of the evil step-mother, good prevails over evil and Cinderella lives happily ever after.

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Hercules (Disney Version)
Hercules was taken by the two evil characters  ("pain and panic") working for Hades. These two characters are Loyal Retainers of the Evil figure Hades.
The Fall was when they turned Hercules human with a potion and they took him out of Olympus to live as a human.  Baby Hercules did not drink the last drop of the potion which gave him some power.
Hades was the evil figure that tried to defeat Hercules the entire movie.
Hercules went on a journey to reunite with his father after a statue of his father speaks to him. Hercules has phill train him to become a hero. Phill is the mentor for Hercules. The friendly beast, is the gift from Hercules' father which was a pegasus who was always by his side.
Hercules saves Meg, the damsel in distress who was originally working for Hades. Meg is not a classic Damsel in distress and can also be classified as a Temptress who was hired by Hades to find out the weaknesses of Hercules.
Meg and Hercules fall in love on their adventure. The battle between good and evil is between the Gods in Olympus, (Good) and the Titans and Hades (evil) which are in the underworld. Olympus is like heaven and the underworld is like hell in this heaven vs hell story.
The task was to become a hero by saving citizens from an evil Monster, in order to reunite with his family in Olympus.

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There is a battle between good and evil as the third pig try’s to protect himself and the other two pigs from the evil of the Wolf.
The shadow is representative of the Wolf who huffs and puffs and the hero represents the third pig who saves the three little piglets from death  The number 3 represents light, spiritual awareness unity(holy trinity), male principle

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Little Red Riding Hood embodies the archetype of a innocent hero. At the beginning of the story, Little Red Riding Hood is given a quest to help her grandmother, initiating her role as a hero. Through the author's description , readers see that Little Red Riding Hood has a pure heart and is full with warm intentions.
Symbolic Archetype: Colours
Despite the innocence of Little Red Riding Hood herself, the colour of her hood represents something much more malicious and gruesome. At least in the common literature, the colour red represents blood and sacrifice. The plot develops this archetype through the deaths of Little Red Riding Hood and her grandmother. After deceiving both of the women, the wolf sacrifices their lives so that he can have a meal, and although not directly mentioned, blood is involved in their deaths.

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Like several types of female protagonists, both Cinderella and Snow White are proven to be "good and fair people" by a mix of Friendly Beast and Loyal Retainer characters in the way of literal forest creatures, and the seven dwarves.
This is to prove to the reader that because these protagonists are surrounded by said helper characters, that they are on the side of right and deserve to succeed.

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Anastasia and Drizella play the Villain/Trickster role.
They mistreat Cinderella by constantly giving her more work. They take advantage of her instead of treating her like family (they are step-sisters). They intentionally ruined Cinderella's dress the night of the ball in order to sabotage a chance for her to meet the prince. They are tricksters because they attempt to trick the prince into marrying them by cramming their feet in the lost slipper (to make it look like it fits). In the end they fail, as their feet are too big.

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The beast is an example of the evil figure with the ultimately good heart. In the beginning of the fairytale the beast is made out to be the bad guy as he takes Belle's dad captive. But when Belle trades places with her father and spends more time with the beast we begin to see that the beast ultimately has a good heart and was only mean because he was cursed along with everything in his castle. He wanted to find love and as he falls in love with Belle throughout the story we start to see how the beast is truly a good guy and not evil.

https://landsquidattack.wordpress.com/2015/05/28/character-archetypes-evil-with-a-heart-of-gold/

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In Sleeping Beauty Aurora is the Damsel in Distress. When Malificent makes her put her finger on the spindle of a spinning wheel, she falls into an eternal sleep and can only be woken by true loves kiss. This leaves it up to Prince Philip to save her by kissing her, as he was believed to be her true love.

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Cinderella depicts the archetype of the unbalanced hero. Cinderella thinks she is lesser than her step mother and sisters. The step mother also represents the devil figure archetype as she punishes and abuses cinderella psychologically. The search for

the search for love-
friendly beast- cinderella is friends with the mice
supernatural intervention - the fairy godmother

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The archetypal journey displayed in this fairytale is the quest for identity. The protagonist, Ariel, is a mermaid who claims that she belongs in the human world on land. She also meets the following characteristics of an archetypal hero's journey:

The hero is naïve and inexperienced (inexperienced in the human world)

The hero meets monsters or monstrous men (Ursula the sea witch)

etc.

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Nathan
Mufasa is the Mentor figure in the Lion King.  He sets Simba on a path to become king, and rule his people.  Mufasa guides Simba and teaches him important lessons before Simba sets off and meets Timon and Pumbaa

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In Cinderella the fairy godmother is Mentor who serves as a mother figure to the hero(Cinderella) and gives her gifts like the glass shoe And carriage ride.

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Like a child archetype, Rapunzel was naïve and was convinced that everyone was going to hurt her outside of the tower.
Her step-mother is the devil figure  for she trades Rapunzel's parents a baby for a rampion plant.

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Embodies the archetypes of the trickster. At the beginning of the story he appears to be a friend, helping out a woman in need. However, as the story progresses, it's clear to see that his actions are for his own benefits.

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- Rapunzel can be seen as a damsel in distress. She has been locked in a tower for years until a prince hears her beautiful singing, falls in love with her and plans an escape so they can live happily together.
- The tower an archetype because it acted like a safe place for rapunzel and she was the teasure the Witch has.
- Ranpuzel Bright blonde hair symbolizes enlightenment and wisdom

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Many character archetypes are seen in Rapunzel. The princess plays the Damsel in distress and the child because of her one view on the world around her , while the prince plays the hero and the enchantress plays the devil figure.

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Devil Figure
Scar in Lion King shows archetypes of the Devil. Scar is the antagonist

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The Miller’s daughter can be seen as a Damsel in Distress- she was in danger due to the fact that, she couldn’t actually spin straw into gold, like her father had told the king. Rumpelstiltzkin “saved” her, from death.
-Taijah

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The archetypal character(s)
include Little Red Riding Hood, she symbolizes the victim, due to her young age she is easily manipulated by the wolf, she is  seen as innocent, this results in her death.

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In the Little Red Riding Hood the Big Bad Wolf plays the character archetype of the "devil-figure" As he scares and attempts to be the grandmother just to eat her.

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The 7 dwarfs are named after the moods/mentalities they portray. (Happy, Grumpy, etc.) They symbolize the balance between morality and spirituality in the story, and different aspects of ourselves. They can also represent the idea of the 7 planes of consciousness that philosophers believe to exist in the universe and in each person.

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Cinderella - Damsel in distress
After her mother passed away, she had an evil stepmother and two step-sisters who would let her do the chores and restrict her from going to the ball. - Mari Ann Rigor

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Hansel and Gretel shows character archetypes by including the witch, who is the "devil-figure" . It also shows a situation archetype because the story involves the journey of hansel and gretel as they get lost in the woods, as well as the battle between good and evil that takes place when they try to escape from the witch.

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Darth Vader in Star Wars epitomizes these archetypes. Luke struggles against him throughout the trilogy. He tempts the hero, practices dark magic (Force), and is evil incarnate in the series.

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Archetypes

he contents of the collective unconscious are called Archetypes . Jung also called them dominants, imagos, mythological or primordial images, and a few other names, but archetypes seems to have won out over these. An archetype is an unlearned tendency to experience things in a certain way.

The Archetype has no form of its own, but it acts as an "organizing principle" on the things we see or do. It works the way that instincts work in Freud's theory: At first, the baby just wants something to eat, without knowing what it wants. It has a rather indefinite yearning which, nevertheless, can be satisfied by some things and not by others. Later, with experience, the child begins to yearn for something more specific when it is hungry -- a bottle, a cookie, a broiled lobster, a slice of New York style pizza.

The Archetype is like a black hole in space: You only know its there by how it draws matter and light to itself.

The Self

T he most important archetype of all is the Self. The Self is the ultimate unity of the personality and is symbolized by the circle, the cross, and the mandala figures that Jung was fond of painting. A mandala is a drawing that is used in meditation because it tends to draw your focus back to the center, and it can be as simple as a geometric figure or as complicated as a stained glass window. The personifications that best represent self are Christ and Buddha, two people who many believe achieved perfection. But Jung felt that perfection of the personality is only truly achieved in death.

T he goal of life is to realize the Self. The Self is an archetype
that represents the transcendence of all opposites, so that
every aspect of your personality is expressed equally. You
are then neither and both male and female, neither and both
ego and shadow, neither and both good and bad, neither and
both conscious and unconscious, neither and both an
individual and the whole of creation. And yet, with no
oppositions, there is no energy, and you cease to act. Of

course, you no longer need to act.

To keep it from getting too mystical, think of it as a new center, a more balanced position, for your psyche. When you are young, you focus on the ego and worry about the trivialities of the persona. When you are older (assuming you have been developing as you should), you focus a little deeper, on the Self, and become closer to all people, all life, even the universe itself. The self-realized person is actually less selfish.

The Mother Archetype

AThe Mother rchetype is a particularly good example. All of our ancestors had mothers. We have evolved in an environment that included a mother or mother-substitute. We would never have survived without our connection with a nurturing-one during our times as helpless infants. It stands to reason that we are "built" in a way that reflects that evolutionary environment: We come into this world ready to want mother, to seek her, to recognize her, to deal with her.

So the Mother Archetype is our built-in ability to recognize a certain relationship, that of "mothering." Jung says that this is rather abstract, and we are likely to project the archetype out into the world and onto a particular person, usually our own mothers. Even when an archetype doesn't have a particular real person available, we tend to personify the archetype, that is, turn it into a mythological "story-book" character. This character symbolizes the archetype.

The Mother Archetype is symbolized by the primordial mother or "earth mother" of mythology, by Eve and Mary in western traditions, and by less personal symbols such as the church, the nation, a forest, or the ocean. According to Jung, someone whose own mother failed to satisfy the demands of the archetype may well be one that spends his or her life seeking comfort in the church, or in identification with "the motherland," or in meditating upon the figure of Mary, or in a life at sea.

The Shadow

Sex and the life instincts in general are, of course, represented somewhere in Jung's system. They are a part of an archetype called the Shadow. It derives from our prehuman, animal past, when our concerns were limited to survival and reproduction, and when we weren't self-conscious.

It is the "dark side" of the ego, and the evil that we are capable of is often stored there. Actually, the Shadow is amoral -- neither good nor bad, just like animals. An animal is capable of tender care for its young and vicious killing for food, but it doesn't choose to do either. It just does what it does. It is "innocent." But from our human perspective, the animal world looks rather brutal, inhuman, sothe Shadow becomes something of a garbage can for the parts of ourselves that we can't quite admit to.

Symbols of the Shadow include the snake (as in the garden of Eden), the dragon, monsters, and demons. It often guards the entrance to a cave or a pool of water, which is the collective unconscious. Next time you dream about wrestling with the devil, it may only be yourself you are wrestling with!

The Persona

represents your public image. The word is, obviously, related to the word person and personality, and comes from a Latin word for mask. So tThe Persona he Persona is the mask you put on before you show yourself to the outside world. Although it begins as an archetype, by the time we are finished realizing it, it is the part of us most distant fromthe Collective Unconscious.

At its best, it is just the "good impression" we all wish to present as we fill the roles society requires of us. But, of course, it can also be the "false impression" we use to manipulate people's opinions and behaviors. And, at its worst, it can be mistaken, even by ourselves, for our true nature: Sometimes we believe we really are what we pretend to be!

Anima and Animus

A part of our persona is the role of male or female we must play. For most people that role is determined by their physical gender. But Jung, like Freud and Adler and others, felt that we are all really bisexual in nature. When we begin our lives as fetuses, we have undifferentiated sex organs that only gradually, under the influence of hormones, become male or female. Likewise, when we begin our social lives as infants, we are neither male nor female in the social sense. Almost immediately -- as soon as those pink or blue booties go on -- we come under the influence of society, which gradually molds us into men and women.

In all societies, the expectations placed on men and women differ, usually based on our different roles in reproduction, but often involving many details that are purely traditional. In our society today, we still have many remnants of these traditional expectations. But Jung felt these expectations meant that we had developed only half of our potential.

Men are still expected to be strong and to ignore the emotional side of life. The Anima is the female aspect present inthe Collective Unconscious of men, andThe Anima may be personified as a young girl, very spontaneous and intuitive, or as a witch, or as the earth mother. It is likely to be associated with deep emotionality and the force of life itself.

Women are still expected to be more nurturant and less aggressive. The Animus is the male aspect present in the Collective Unconscious of women. The Animus may be personified as a wise old man, a sorcerer, or often a number of males, and tends to be logical, often rationalistic, even argumentative.

Together, they are refered to as syzygy. The Anima or Animus is the archetype through which you communicate withthe Collective Unconscious generally, and it is important to get into touch with it. It is also the archetype that is responsible for much of our love life: We are, as an ancient Greek myth suggests, always looking for our other half, the half that the Gods took from us, in members of the opposite sex. When we fall in love at first sight, then we have found someone that "fills" our Anima or Animus archetype particularly well!

Other Archetypes

Jung said that there is no fixed number of Archetypes which we could simply list and memorize. They overlap and easily melt into each other as needed, and their logic is not the usual kind. But here are some he mentions:

Besides Mother, their are other family Archetypes. Obviously, there isFather, who is often symbolized by a guide or an authority figure.

There is also the archetype Family, which represents the idea of blood relationship and ties that run deeper than those based on conscious reasons.

The Child

There is also the Child, represented in mythology and art by children, infants most especially, as well as other small creatures. The Christ child celebrated at Christmas is a manifestation of theChild archetype, and represents the future, becoming, rebirth, and salvation. Curiously, Christmas falls during the winter solstice, which in northern primitive cultures also represents the future and rebirth. People used to light bonfires and perform ceremonies to encourage the sun's return to them.The Child archetype often blends with other archetypes to form the Child-God, or the Child-Hero.

Many archetypes are story characters. The Hero is one of the main ones. He is the mana personality and the defeater of evil dragons. Basically, he representsthe ego -- we do tend to identify withthe Hero of the story -- and is often engaged in fighting the shadow, in the form of dragons and other monsters.The Hero is, however, often dumb as a post. He is, after all, ignorant of the ways ofthe Collective Unconscious. Luke Skywalker, in the Star Wars films, is the perfect example of a Hero.

The Maiden

The Hero is often out to rescue the Maiden. She represents purity, innocence, and, in all likelihood, naivete. In the beginning of the Star Wars story, Princess Leia isthe Maiden. But, as the story progresses, she becomes the Anima, discovering the Powers of the Force --the Collective Unconscious -- and becoming an equal partner with Luke, who turns out to be her brother.

The Hero is guided by the Wise Old Man. He is a form of the Animus, and reveals to the Hero the nature ofthe Collective Unconscious. In Star Wars, he is played by Obi Wan Kenobi and, later, Yoda. Notice that they teach Luke about the Force and, as Luke matures, they die and become a part of him.

You might be curious as to the archetype represented by Darth Vader, the "Dark Father." He is the Shadow and the master of the dark side of the Force. He also turns out to be Luke and Leia's father. When he dies, he becomes one of the Wise Old Men.

There is also an Animal archetype, representing humanity's relationships with the animal world. The Hero's faithful horse would be an example. Snakes are often symbolic ofthe Animal archetype, and are thought to be particularly wise. Animals, after all, are more in touch with their natures than we are. Perhaps loyal little robots and reliable old spaceships -- the Falcon-- are also symbols ofAnimal.

The Trickster

And there is the Trickster, often represented by a clown or a magician.The Trickster's role is to hamper the Hero's progress and to generally make trouble. In Norse mythology, many of the gods' adventures originate in some trick or another played on their majesties by the half-god Loki.

Adam

There are other Archetypes that are a little more difficult to talk about. One is the Original Man, represented in western religion by Adam.

Another is the God archetype, representing our need to comprehend the universe, to give a meaning to all that happens, to see it all as having some purpose and direction.

The Hermaphrodite, both male and female, represents the union of opposites, an important idea in Jung's theory. In some religious art, Jesus is presented as a rather feminine man. Likewise, in China, the character Kuan Yin began as a male saint (the bodhisattva Avalokiteshwara), but was portrayed in such a feminine manner that he is more often thought of as the female goddess of compassion!

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Archetypes he contents of the collective unconscious are called Archetypes . Jung also called them dominants, imagos, mythological or primordial images, and a few other names, but archetypes seems to have won out over these. An archetype is an unlearned tendency to experience things in a certain way.