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The long and dissonant portamento from climax create unease and a chaotic character
abrupt and sudden attack on the high notes and glisandi have a echoing decay

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Starting with low sustained drone without a pulse in lower register of the voice.
The sudden change to a steady pulse is unexpected.
The sustained bass drone sets up a sinister undertone, and creates a sense of unease and anticipation.
Voices abruptly attack in high register which is a huge contrast to the low sustained drone heard before.
Random interjections of voices which was unpredictable.
Heavy low drone figure comes back a few times in different strengths of tension.
Use of extremes in dynamics throughout, starting with the sinister entry.
Many crescendos and decrescendos create tension and release.
Sudden sforzandos followed by a soft character then crescendo create a sense of tension and drama.

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Light and building articulation from the vocals at the beginning .
Legato top voice line creates a warm and ringing tone colour.
Use of bends/slides creates a tranquil character.
suspenseful drone/long notes.
Sudden decay portamento in the choir

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Use of dissonance, ascending slides and bends
Sung in the high register with fade at the end of the phrases
very legato with long held notes which creates warm tone colour
building sense of feeling created by the voices that are ascending from a tranquil, foreboding character with tension, and as it ascends, it chages to a chaotic character which is created by the piercing high register and multiple parts overlapping.
Use of short articulation descending parallely with the other parts which is chaotic character.
Suspense feeling
restraint
emerging attack

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soft dynamic and gradual attack of the voices at the beginning creates the foreboding character.
The sudden attack contributes to the somewhat mysterious and energetic character.
The dissonant second pitch which emerges subtly, adds to the uneasy character
Use of portamento creates an eerie character.
Some entries are abrupt, creating a jolting feel.
The drone and the long notes create the suspenseful feeling
restraint
sudden decay  by solo voice creates the desolate character which creates a sense of tension.
Juxtaposition
Contrast

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Gradual attack with very little growth in sound to begin . Sudden growth in dynamics makes for an uneasy surprised feeling after the beginning drone like section . The decay is sometimes sudden and abrupt. The soloist has a more sharp articulate way of starting the notes . The decay of the solo voice is also very sudden and not expected in some places . The glissandi are over a few tones and carry a creepy scary distraught feeling .

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Articulation:

- The gradual attack at the beginning creates a foreboding, somewhat mysterious atmosphere. The vocals swell softly before dying off. The abrupt decay of these notes doesn't dissipate this energy like we expect - instead it creates more anticipation as we are suddenly met with silence.

The abrupt cascading entry of the full vocal ensemble creates a lot of energy, and the dynamic is much louder than we have heard previously. The large interval in the piercing soprano line heightens this.  The phrase swells to a climax before returning to a subdued drone.

The abrupt vocal portamentos create a lot of unrest. Using vocals in this way also contributes to character as the contorted, unnatural sound has an eerie connotation.

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At the beginning, it starts with very soft and warm character and gradually building dynamics
gradual  articulation of voices.
sudden dynamic changes create tension
use of dissonance
large range of the interval creates sharp and attacking character.
Use of portamento
suspenseful created by the drone and the long notes
The glissando creates a uncomfortable character

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Emerging vocals- anticipation, restraint
Use of portamento
Glissando portrays a feeling of uneasiness
Very legato melodic line- tranquil, lyrical
Gradual attack of vocal line - suspense
Fading decay of the choir
Sudden attack at the louder dynamic, abrupt, sudden, jolting, enhanced by dissonance
This articulation contrasts and impacts the character. Juxtaposition
Eerie character, tension built
The short, sharp bursts of voice contribute a sort of percussive element
The resonance and legato feel includes almost a sense of warmth
Use of consonance in the voice in the beginning- desolate, empty, sparse

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The gradual attack of the voices at the beginning of the piece creates a foreboding character. The sharper attack leading into the second section juxtaposes the beginning, thus creating a sense of tension. The quickly decaying portamento in the whole choir creates an uneasy feel which is contrary to the more sedated character on the start.

The singers experiment with different onsets such as "glottal" or "breathy." This, on a whole, adds to an unpredictable and angry mood.

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The use of slides and bends creates a very uncomfortable character in conjunction with the complex harmony. The subtle use of consonants in the voice at the beginning contribute to a very desolate character which created a large amount of tension when combined with the legato phrases. The contrast between the introduction and the 2nd half is created by a quick emerging phrase created through layered voicing. The unexpected dynamic changes fuel the threatening and aggressive character. The slow decay in the beginning creates a foreboding atmosphere. The thin texture at the beginning juxtaposes the thick texture which is quite unexpected as you would think that the piece would continue to be subtle and eventually build but instead the composer adds explosive articulations, large dynamic changes and elaborate harmonies which adds an element of surprise to the character.

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Smooth, soft articulation in the voices, emerging and continuous, dying off fairly quickly at the end.
Upward gliss.
Lazy enunciation of the first syllables of each word or sound.
The smoothness and warmth of the voice creates a tranquil, calm mood, although the minor tonality adds a mysterious, arguably foreboding and ominous feel. It's possible to interpret this as calm or foreboding or perhaps both.
Some entries are abrupt, creating a sudden, jolting feel, which is enhanced by dissonant intervals up in the high register.
Short bursts of voice from the lower section, adding a percussive element under the melody.
This percussive aspect contrasts greatly to the previous smooth, consonant tone colour, but it creates a building sense of climax and energy.
Swells and use of semitone adds mysterious and foreboding character.

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Emerging articulation in the vocals in the beginning
Gradual build
Seamless entry of the vocals a semitone above which dips in and out of the other note with wave-like glissandi.
This all develops a very eerie character for the introduction.

Subtle but quick entry of the lyrics in the tutti vocals
Very quick decay, if any.
sudden entry of the bass singers
very quick sudden tutti portameni with no destination note/just falls off.
Very slow wave-like portamenti landing on a note and coming off and back on in a sudden shortly articulated drone.
Abrupt fast portamenti descending into nothing

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The articulation in the beginning is quite legato because of the long, held notes in the voices. This note is very suspenseful because of the restraint in the voices - intentionally holding back, creating anticipation.
The dissonant second pitch, which emerges subtly, adds to the uneasy and brooding character.
There is then a sudden attack as the voices suddenly get louder. The articulation is very clear when the voices start singing actual words which creates a threatening and aggressive character.
The glissandos are extremely effective in creating a sharp attack which fades away quickly onto another, lower note, creating an eerie character.
The quick but effective glissandos in higher vocal parts while the rest of the parts sing one note adds contrast highly .

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The start has a subtle, layered attack and decay in the vocals.
There is a juxtaposition between the long drone and the melody as the melody has an explosive attack. Once there start to be lyrics involved there are more abrupt decays of the notes on words such as "look". The upwards gliss creates tension as it decays with a crescendo as well as with rising pitch despite having a prolonged decay.

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Soft, gradual and very slowly emerging articulation of vocals at the beginning creates a temperate, serene character. As the vocals became slightly louder, a sense of restraint is implied, making a suspenseful mood.
Fading decay from the choir at first after introduction, which is directly followed by abrupt, accented articulation from all voices, which creates an energetic character.
This is followed by sequences of jolting attack and interrupted decay from the choir.
Crisp, precise attack and clipped decay from the soprano soloist, whose bright tone colour creates a relaxed mood.
The upward and glissando from the choir, note bending and falls create a sense of uneasiness and unrest, leading to a morose mood.

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soft legato entrance by voices into long held notes.
Fading decay creates a calm atmosphere, although there is a foreboding character created by the lack of movement
Sudden crescendo and attack to climactic note contrasts to earlier section
The long and dissonant portamento down from climax creates unease and a chaotic character
abrupt and sudden attack on the high notes and ascending glisandi have a echoing decay

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How does articulation contribute to character in this work? (First 2 mins)