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Aural imagery is used through the choir as it immerses the audience int other scene and shows the strength of the women as the enter Belalau. Imagery is also used through "Bodies knocking against the boat" - this creates a confronting image.

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" Every prisoner of war- man, woman and child- was to die by October 1945" - The horrors of the camp are highlighted by the treatment of prisoners as "The cruel ones became even crueller". This lead to frustration and anger from the prisoners as chants were introduced against the Japanese.

"One day I killed a Jap, Killed a Jap./ I hit him on the head/ With a bloody lump of lead./ Blast his soul./ Damn his eyes./ Bloody hell."

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The two final slides show Prime Minister John Curtin, juxtaposed with the following image of malnourished male prisoners, whilst the ironic song of "When your Smiling" plays. This highlights the distance between the prisoners and the government, with the advice to "keep smiling".

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Bridie and Sheila are on opposite sides of the stage, representing metaphorical distance between them. The distance also highlights the tension between them after Sheila revealed her secret to Bridie. Bridie also exits the scene halfway through, emphasising Sheila's isolation after revealing her secret

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played at the end of the scene over images of emaciated men (Irony)

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Judy Garland: When You're Smiling (1965)

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Image is projected for majority of the scene and takes up nearly all of the backdrop. It links the audience back to the opening of the play as Bridie bows. It also reminds the audience of the historical accuracy of the play and strictness of the camps.

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https://www.youtube.com/watch?v=Lo7kMAI4f1A - played at the end of the scene over images of emaciated men (Irony)

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Played as the scene opens, we see Bridie sing this piece from one side of the stage, accompanied by an "unseen women's choir".