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she                                                                  goes over to the window

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Installed. A scale model of the scaled studio version of Bedroom 2, complete with a smaller small toy cow.

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Bedroom 2 will be being taken over by Justine McDonnell ... https://www.mcdonnelljustine.com/ I'll be back on the 27th ...

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Brian McAvera reads aloud two of his monologues in verse.

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Uploaded by The Dollhouse on 2018-10-15.

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Paul Veronica kettlebell snatching.

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Uploaded by The Dollhouse on 2018-10-15.

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Alistair Wilson makes a crepe, upon invitation of Peter Richards.

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Peter Richards invites Alistair Wilson to make a crèpe in his studio as part of Richards' occupancy of Bedroom 2, The Dollhouse.

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Live performance tomorrow 9th October 2018 at 8.00 pm (gmt) 

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Live performance tomorrow 9th October 2018 at 8.00 pm (gmt) 

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Finally got a chance to finish painting the floor...

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Finally got a chance to finish painting the floor...

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Throughout September 2018

Create a 20:1 scaled up version of ‘Bedroom 2’ in my studio or at least the view through the camera of ‘bedroom’ 2.

Build a maquette of the scaled up room in the studio at 1:22 scale to ship and install in ‘Bedroom 2’.

Work up the conceptual framework.

Test works to camera.

Build up a portfolio of references

Devise a call for participation.

Outline parameters:

Activities to camera

Duration – time it takes to boil a kettle

The exchange offer the participant/s a cup of tea / a cup of soup?

Create a 5 x 4 pinhole exposure of the duration, along the lines of an earlier work ‘ ‘21 Variations’. A series of textual and pinhole photographic documentation recording the responses of invited individuals to a previously undisclosed question. 21, 16 x 12inch framed Silver Gelatin Prints.. 1970’, 2014 http://richardspeter.co.uk/works/#intuitive-actions-common-attributes-and-isolated-incidents image 19 of 31 … replacing the response within an activity.

Create a programme of activities – scheduled future activities/ events. This may then need to be updated and back dated to accommodate unforeseen opportunities/encounters

Throughout October 2018

Share / promote the schedule

Host activities by others

Create works to camera

Further development the framework – contextual writings?

Throughout November 2018

Similar to October or a continuation of the approach

Host an artist/s take over for a week

Visit the actual Dollhouse -

Send off 4 x 5 negatives for processing/scanning printing – create a photo book ? pdf ? both?

Paint out the scaled up version – have the maquette painted out to mimic the scaled up version …

Conclude the project with a closing event

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03.09.2018

Today has been one where life has taken over... I’m imagining this will be more the norm than not. I haven’t physically made it to either the residency space or the mocked up (still-in-progress) parallel space in my studio. Today the residency resides in my: head space; it’s sister space www.thedollhouse.space; and the social media sites I’m linking to the activities. (Still testing).

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From front to back

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Is the new background image working for you, Peter?

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Easing into inhabiting two spaces at one moment in time

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so my mock up isn't perfect - it's only an initial mock up

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trying to overlay the image of the room with the 1:20 scaled up mock up in the studio

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trying to work out how to frame the view

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cropped to back wall?

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Such as this, Peter?

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The background image is it fixed? I was just wondering if there was a front on view?

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Set the lamp to my height - it’s got me thinking that I should overscale the back wall - otherwise I’d be to big if I come forward... perspective...

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Peter, you mentioned that the first Pinhole camera work you created was in the bathroom of Mike's 'The Bedroom' gallery in Belfast in the late 1990s. Was this performance in reference to Stuart Brisley's "And for today...nothing" (1972) - or do I misremember the reference?http://www.stuartbrisley.com/pages/27/70s/Works/And_for_today____nothing/page:7

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Back wall measurements

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Have such great memories of meeting /working with Jean Dupuy and Jan Swidinski who co-curated  Interakcje 2000, in Piotrkow Trybunalski

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Soup & Tart was a marathon performance soiree organized by multimedia artist Jean Dupuy in which he invited over 30 downtown artists, musicians, and filmmakers to each give a two-minute performance. The audience was first served a homemade dinner of soup, bread, and wine, which was followed by the performance "menu" and then special apple tarts prepared on the spot by Dupuy himself.

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Formal Permutations of the Point-of-View Shot - 24 Hours access

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Formal Permutations of the Point-of-View Shot | Screen | Oxford Academic

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Edward Branigan; Formal Permutations of the Point-of-View Shot, Screen, Volume 16, Issue 3, 1 October 1975, Pages 54-64, https://doi.org/10.1093/screen/16.3.54