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Unsympathetic, because he had laws that ultimately caused the incident with both Antigone and Haimon to take place.

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I am unsympatetic towards Creon because he does not change through out the play even though multiple charaters tell him that is he doesn't change, bad things would come.

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I am Unsympathetic towards Creon because most things that have happened to him, he has done to himself. Although he felt he had to keep his fist ruling because it was his first law as king, and he wanted people to respect him, but if family was what he was sacrificing I think the people would have understood.

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I am unsympathetic to Creon because at every turn, he made one choice, entirely sure of himself. Once he realized the consequences of those choices, he was quick to back out, but by then it was too late.

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I am unsympathetic to Creon. He put all of this trouble on himself, by making unfair laws. He knew what was going on between Antigone and Haimon also and he should know that Haimon will not be happy with Creon's decisions.

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I am 150% unsympathetic towards Creon from the beginning of the play to the end because he is very independent and does not let others try and help him with a decision, causing the decision usually to be considered irrational by wise people like Teiresias.

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I am unsympathetic to Creon because he put this on himself by killing his son's love. He had to have known that by doing that it would result in some sort of negative consequences for himself.

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I am a little sympathetic towards Creon because he was only sentencing Antigone because she broke the laws. He could not show any mercy towards anyone because he is the king now and can't show any weakness even to his niece. I'm also a little sympathetic because at the end he finds both his son,Haimon, Antigone and his wife all dead. He blames this all on himself and I sympathize with him because there was nothing he could have really done to prevent it except not sentence her.

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In the end are you sympathetic or unsympathetic, or a little of both, towards  Creon? 

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In the end are you sympathetic or unsympathetic, or a little of both, towards  Creon? 

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In the beginning of the play Antigone see's herself as more honorable, rebellious, and invincible. In the end she see's herself as pitiful and does not want to die.

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In the beginning of the play, Antigone is more rebellious and defiant towards Creon. Towards the end when she is imprisoned, Antigone finds herself timid and scared.

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Antigone in the beginning of the play was very brave and willing to accept her consequences. Now she is more timid in the things she says, and scared of what is going to happen to her. 

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Antigone in the beginning of the play was very brave and willing to accept her consequences. Now she is more timid in the things she says, and scared of what is going to happen to her. 

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Antigone's Change

Antigone has changed from the the beginning of the play because she knows now that she is going to die for her actions and is scared. At first she was stubborn and headstrong but now she is not.

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In the beginning of the play, Antigone is more rebellio

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Antigone is now not as opinionated as she previously was in the beginning of the play. She fears the repercussions of her actions much more now. In the beginning of the play, she thought that her opinion was 100% right, no matter what Creon thought. Now, she doesn't know if burying her brother was worth all this trouble.

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Antigone is more calm now and sees herself in a dangerous situation and knows that her life is now in danger.

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Antigone has changed from a bold, courageous, and passionate character to a timid and stressed out character because of the consequences she realizes that she has to go through due to her "fatal" decision.

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Antigone realizes the consequences of her actions, and realizing death is imminent, asks for pity. We see her sense of invincibility disappear, and both her and Creon's headstrong traits reduced

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I think that Antigone used to be more brave and ready to fight for her case and towards the end of the book she is scared and pleads for pity to Creon.

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Scene IV: Antigone--how doe she see herself and plight now? how is she different from earlier in the play?  

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Scene IV: Antigone--how doe she see herself and plight now? how is she different from earlier in the play?  