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This image is a example of the form of gradation that goes from light to dark. The image on the right is a very light color, but then proceeds to gradually turn into a dark shade of blue.

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This design is the logo for Pepsi Co. and is one of the most recognizable logos globally. It is comprised of just two colors (and white, which is technically a hue of both blue and red) and is just a simple circle with a natural shape of white in it. It's yet another example of a simple logo design utilizing the golden ratio to be instantly recognizable, and considering the designer of this logo was paid a million dollars, you can understand the amount of resources and effort that went into making this simplicity work as well as it does.

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This image is an excellent example of many principles and elements of design working well together. Color is implemented through complimentary colors (the green and red), and value of colors (the different shades and tints of green present in the clouds and background). Space is implemented in both a positive and negative form. The castle itself is the positive space while the monochromatic background forms the negative space. Shapes are evident in the image, mostly geometric in the structure of the castle but some natural shapes are present in the clouds and tops of some towers. Lines are present throughout the entire image, but the most notable use would be the dashed lines below the clouds, presumably representing rain.

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This design by artist and graphic designer Sebastion Onufszak contains a wide variety of elements and principles of graphic design. Firstly, it contains shape. This is the most obvious, with the letters warping into all sorts of natural and geometric shapes, as well as the drawings in the center. Second would be lines. The letters themselves follow some oval shaped patterns as if drawn along a line around the center, and within the letters horizontal and diagonal lines can be seen with varying thickness. Thirdly, the image has color, and a lot of it. The colors come from all parts of the color wheel, and mix together smoothly. Some spots are especially smooth, such as the top left corner, where complimentary colors yellow and purple are placed alongside each other. Fourth, you can see value in the image. The purple word "DIE" on the left is a great example, with a lighter hue of purple at the top of the letter D than the bottom of it, but maintaining purple as the sole color in the letter.

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This is a great example of rhythm in three different cases. The common shape of the rectangles repeated over each other repeatedly in a collage is a repetition of said rectangles. The shape that looks like a splat of fluid is also repeated in a similar manner, creating rhythm without necessarily mirroring itself by rotating. The tear drops do appear to be identical as well, repeating in a rhythm while also rotating themselves just like their larger counterparts.

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This image is a perfect depiction of movement, because of the way it triggers basic instinct. Due to the way the "wings" on the "birds" are angled, our minds naturally work out the direction they are heading comparable to a bird or plane in real life. This causes the human eye to drift from left to right across the image, following the path the designer presumably intended our eyes to take.

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This promotional image for the USA Network TV Drama "Suits" is a perfect example of Emphasis. The very first thing the eye is drawn to is the face of the man, and this was clearly the designer's intention. The majority of the image is null and void, full of empty space. However in the image there is a centered piece of sudden bright colors on top of the image of the man. Due to it being centered and contrasting heavily with the background, the eye cannot help but be drawn to it.

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This album cover for Ghost is a great example of symmetrical balance. The city is mirrored along the center pathway leading to Papa Emeritus (the figure dressed as the pope) who is also mirrored along the path himself in his arm gestures.

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This entire image uses only one color: blue. Blue is present in many different hues, effectively demonstrating how value makes a monochromatic image possible without it just being a solid color.

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This image is a perfect depiction of color, or to be more precise, complimentary colors. The only colors used in this pallet are yellow and purple, two colors that compliment each other on the color wheel.

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This is a good example of space, because it utilizes both variations of perspective, and proportion of objects. The perspective effects how you see the buildings, with the signs on farther buildings become distorted. The buildings also become smaller in the distance through proportion of objects, creating an effective feeling of physical space.

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This design for the Wardian London Brochure contains just a usual image on the right, but on the left a texture that is all too familiar. Just by looking at it, you can tell it will have the feel of a hardcover dictionary, because the visual aspect of it is nearly identical. In this case it is a real texture, not implied.

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This poster for a dubstep blog is a perfect example of form, because everything from the lettering to the wolf contain height, width, and depth. The letters in particular are shaded and lined to show depth and dimension in a 3D space.

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This image from the London Olympics depicts shapes, almost purely geometric with the exception of the lettering. The shapes appear to pop out despite clearly being two dimensional by having similar white shapes create an inverse shading against the dark background.

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This design contains lines, in multiple forms. The image depicts mostly diagonal lines, with many different levels of thickness. There are lines making a zig-zag pattern, as well as lines expanding in width as they get longer.