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Need a quote for your project? Have a question about our work or services? Just let us know. Whether you're a small business or a large corporation, we look forward to working with you on your next creative endeavor.

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Dao Linh / illustration + animation - books and editorial illustrations, 2D animation

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My name is Linh. I am an illustrator and animator. I specialize in book and editorial illustration, additionaly I aslo make humorous animated gifs.

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Michael Hyneman | Graphics, Motion, Art Direction | Welcome!

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Graphic Design. Motion Design. Art Direction.

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Branding, packaging design, logo design, lettering, icon design, and illustration. Albany, Troy, Schenectady, Saratoga.

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Hi my name is Ricardo Mompremier, and I'm all about Passion, Creation, Uniqueness, Boldness, and everything that Expresses your visual intent. I love brand creation because its your identity, your personality, the very essence of YOU; and I stand firm in the belief that "The Best Way To Brand Yourself Is To Be Yourself".

Everything has an id, a stamp, a distinct print; and the GOAL is to Create Yours.

Brand Expressions & Creations by 786Designs.

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Hi my name is Ricardo Mompremier, and I'm all about Passion, Creation, Uniqueness, Boldness, and everything that Expresses your visual intent. I love brand creation because its your identity, your personality, the very essence of YOU; and I stand firm in the belief that "The Best Way To Brand Yourself Is To Be Yourself".

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Sustainability Starts with you Learn More

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Talented creative lead with 15+ years experience in print & web design and marketing who is highly motivated, resourceful, and versatile. especially skilled in creating and directing corporate and new business design. Adept at innovating user experience for the web, multimedia and social media applications. exceptional interpersonal skills with team members.

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This is the collection of selected logotypes for the year 2016. They were created for various clients that were approved andunapproved. ________________________0 logo design0 logo vector0/log out1 logo 1 brand1 logo design1 logo png1 logo quiz1...

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Freelance digital designer + art director based in Austin, Texas

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I have an extreme passion in to work with everything is visual from Cinematographer and Video Editing. Also related to Visual Art , Graphic Design, Icons, Illustration, Layout, Logo.

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Hello I'm a Motion Artist and Animator , illustrator also . Available for Hire : cuongnguyenmotion.vn@gmail.com

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Working as a designer for the past few years has taught me that no matter what you work on, each project is different and unique in its own way. The clients, the audience and the design combine to create a relationship between the user and the brand.

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Super cool Art Director , Illustrator and Motion designer

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Daniel Owen is a graphic designer & Illustrator based in the United Kingdom. Operating under the moniker "NEMESIS" in late 2009 he began creating visuals for a range of projects and never really stopped.

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Red Cat Motion is a video agency that uses visual storytelling and animation to humanizes your brands and connects love with your audiences.

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Fitz Carlile is a Hollywood, CA based photographer specializing in Fashion, Commercial and Lifestyle.

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Graphic Design | Branding | Washington D.C. - LopezArts

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My name is Tony Lopez and I'm a graphic design artist based out of Washington, D.C. specializing in brand strategy, branding, identity design programs and trademarks.

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Graphic Designer specialising in Branding, Hand Lettering And Logo Design

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Hen Papirman - motion graphic designer, loves moving pixels.

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Christine Sullivan Houlihan Design & Art Direction

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Time and money are two precious resources any successful organisation cannot afford to waste.

Working with an independent brand identity designer as opposed to a brand agency means you get the expertise without having to cover the costs of expensive overheads and unnecessary staff salaries. By hiring Daniel, chances are that your are going to save a lot of money.

Good communication is important, Daniel's process is designed to optimise communication and minimise the amount of time you need to spend in meetings, answering emails or talking on the telephone. During the 1-2 hour Discovery Consultation, you will be asked purposeful questions that get straight to the point so that the design process can get underway as soon as possible.

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Time and money are two precious resources any successful organisation cannot afford to waste. Working with an independent brand identity designer as opposed to a brand agency means you get the expertise without having to cover the costs of expensive overheads and unnecessary staff salaries.

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freelance graphic design services including logo and branding, digital illustration, print media, brochures, business cards, fliers, invitations, album cover and book cover design and illustration

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Designed by the Draplin Design Co. Coding muscle courtesy of Cameron Barrett.

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DKNG is the design studio alias of graphic artists Dan Khuken and Nathan Goldman. Since 2005 they've been putting their unique spin on promotional content for the entertainment industry - whether that's a design for movies like Star Wars: Rogue One and Tron, or a gig poster for bands like The Black Keys and Phish. They even create promotional content for major music festivals across the world like Bonnaroo and OutsideLands.

While there are a ton of players in the design world, DKNG never allows themselves to get lost in the fray. With their vibrant illustration style and dedication to creating a distinct visual aesthetic, DKNG's carved out an unmistakable niche for themselves as top tier entertainment designers.

Luckily they've decided to bring the rest of us along for the ride with their wildly popular Skillshare design classes. The most recent of which is a class on creating cohesive icon sets that are, for lack of a better word, iconic. Even though these classes are crazy popular, the biggest testament to the clarity of DKNG's teaching style is perhaps all the awesome projects produced by their students. These student projects display some of the finest design and illustration work on Skillshare, and in order to celebrate the release of DKNG's landmark fifth class, we'd like to give these varied artists a chance in the spotlight.

Who knows, maybe one of these designers will be sketching out a poster for your new favorite movie, band, or music festival one day soon!

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15 Jaw-Dropping Illustration Projects Inspired by DKNG

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DKNG is the design studio alias of graphic artists Dan Khuken and Nathan Goldman. Since 2005 they've been putting their unique spin on promotional content for the entertainment industry - whether that's a design for movies like Star Wars: Rogue One and Tron, or a gig poster for bands like The Black Keys and Phish.

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wandering the meadow with a paintbrush in hand

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This has been a something of a cathartic New Year for me. There are always things that haven't gone as you wished; often there are things out of your control. Other times, it is within your control, and you're forced to make a difficult decision.

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The portfolio and random thoughts of a crazy cat lady.

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The Design and Illustration of Bryan Patrick Todd.

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Molly Jacques Modern Calligraphy & Hand Lettering

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An online portfolio of top notch modern calligraphy, hand lettering, and hand drawn fonts. Want to learn modern calligraphy? Molly can help!

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Multidisciplinary designer, covering 3D illustration, typography and animation

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Whether you're designing an invitation for your own wedding, for that of a friend's or for a newly engaged client, the wedding invitations below will help with any search for inspiration you may be on. Some are fun and vibrant, some quirky, some classy. All are beautiful. And most of them have been recognized in either a HOW or PRINT competition-sometimes both.

1. Wegustine Wedding Invitation Series

Whiskey Design, Kansas City, MO; www.whiskeydesign.com: Matt Wegerer (creative director/art director/designer), Micah Barta (illustrator), Austin Walsh Studio (photography), Drunk Copywriter (writing); Wegustine Wedding (client)
Wegustine Wedding was selected as a winner in both the PRINT Regional Design Awards and the HOW International Design Awards.
2. Bollywood Bash

KLP Designs, Apex, NC; www.klpdesigns.com: Karen Manganillo (creative director/art director/designer); Ritu + Greg (client)
Bollywood Bash was a PRINT Regional Design Awards-winning entry in the South region. Enter your own work into this year's Awards by May 1, 2017 for your chance to be featured online and in the magazine.
3. Kibota-Meshkinpour Wedding & Family Identity

PS Design, Irvine, CA; www.psdesign.com: Petre Spassov (art director/designer/illustrator/photographer/copywriter), Rebecca Spassov (production), Czar Press (printer); Kibota-Meshkinpour family (client)
Kibota-Meshkinpour Wedding & Family Identity was selected as a winner in the HOW International Design Awards.
4. Nick Franchi's Wedding Invites

Nick Franchi, Salt Lake City; www.franchipixel.com

5. Goldsmith Invites

Sussner Design Company, Minneapolis: sussner.com
This invitation design by Sussner was selected as a winner in the personal promotions category of a past HOW Promotion & Marketing Design Awards. Enter your own promotional design by March 13, 2017 to get the Early-Bird savings!
Jacqueline Johnson, Larsen, Wisconsin; jacqueline-johnson.com
This invitation design by Jacqueline Johnson was selected as a winner in the HOW Promotion & Marketing Design Awards.
7. Paola Wedding Invitations

Ryan Hunter, San Francisco; dribbble.com/ryanhunter

8. Brandon & Michelle Wedding Invitation

Simon Lam, St. Louis; www.simonlamdesign.com: Simon Lam (art director/designer), Brandon Chuang (copywriter); Brandon Chuang, Michelle E. Parsons (clients)
This invitation design by Jacqueline Johnson was selected as a winner in the HOW Promotion & Marketing Design Awards.
9. Murante Wedding Invitations

Sussner Design Co., Minneapolis; www.sussner.com: Derek Sussner (art director), Tanya Naylor (designer); Lindsey Murante (client)
This invitation by Sussner Design was selected as a winner in the HOW Promotion & Marketing Design Awards.
10. Rock 'n' Roll Pirate Wedding Invitation

Heather Cranston, Thunder Bay, Ontario: Vincent Perez, Everlovin' Press (printers), Julian Berry, Ironclad Graphics; Jen Lai, Mike Thompson (clients)
This invitation by Heather Cranston was selected as a winner in the HOW Promotion & Marketing Design Awards.
11. Spassov & Spassov Wedding Invite
This invitation by Petre Spassov Design was selected as a winner in the HOW Promotion & Marketing Design Awards.
Petre Spassov Design, Fullerton, CA; www.petresdesigns.com

That logo-clad beer stein. That client-commissioned mural series. That invite for your best friend's wedding. All are welcome in the HOW Promotion & Marketing Design Awards. All winners will be published in the Fall 2017 issue of HOW magazine (PRINT's sister publication), and the Best of Show winner is awarded a Big Ticket to HOW Design Live 2018, where they'll receive a gorgeous trophy on stage.

Hear from a past winner:

"Winning the competition gives us a platform for exposure, a place to share excellence, contribute to high industry standards and promote our work amongst our peers and clients."
- Boriana Strzok, founder/creative director, 5IVE

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Love is in the Paper: 11 Beautiful Wedding Invitations

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Whether you're designing an invitation for your own wedding, for that of a friend's or for a newly engaged client, the wedding invitations below will help with any search for inspiration you may be on. Some are fun and vibrant, some quirky, some classy. All are beautiful.

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Andrew Powell Portfolio Eugene Oregon Graphic Designer Freelance

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Inter-cultural identity and product design.

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Studio DBD is the independent design studio of Dave Sedgwick, a graphic designer based in Manchester, UK. The studio specialises in visual identity, print design, web design and typography.

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The Alias of Connor MacDonald, Scottish Designer, Dj & Producer

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HanleyCreative specializes in logo design, website design, print collateral & package design, Illustration & photography.

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Jarod Octon is a multidisciplinary designer and illustrator based in San Diego. In addition, he produces limited edition products under the moniker Octon Originals.

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Maybe I'm superficial, but I do judge a book by its cover. And I suspect I'm not the only one.

Book cover design is a crucial part of your marketing effort. You can string together the most insightful, lyrical, delicious words ever connected in the human lexicon, but if your book cover looks like Photoshop amateur hour, no one will ever pick it up.

It's already established that I'm superficial, so it's no surprise that I get embarrassed when I accidentally pick up an ugly book. One reason is the social stigma of holding an ugly book in the bookstore, as I'm silently judged by fellow bookstore browsers for holding such a monstrosity.

But I'm also embarrassed for the author who chose a sad representation for what's probably an awesome book.

Another concern is the notoriously ruthless online browser. A third of all book sales are eBooks. While there's no shame in clicking on an ugly book cover online, there's no reason why anyone would. With so much information competing for our attention, us browsers use visual clues to weed out inferior products. If you don't package your book in an appealing way, you risk drowning in the sea of competition.

Design matters for two important reasons: It's what gets people to pick up your book in the bookstore or click on the thumbnail when browsing online.

Design also helps you tell your story.

A successfully designed book cover will convey the tone of your book, will whisper hints without giving it all away, and will excite readers into actually opening up the book and reading.

Let's look and learn from 50 fascinating book covers.

01. Use white space to create focus

A classic and stunning cover designed by Emily Mahon with illustrations from Ray Morimura. Notice how white space has been used to draw attention to the title, The Wealth of Nations.

In this cover by Helen Yentus, the designer has placed white boxes to mimic the sterile look of hospital lights. It also strategically anonymizes the doctor on the cover to make the book more universal.

The takeaway: White space doesn't mean that the whole cover must be completely minimal. It can used as a device to focus the reader.

02. Use photography for a professional touch

A nice take on a traditional still life composition. Featuring a sweet, ripened pomegranate, designer Jason Ramirez uses figurative imagery to create a compelling book cover for a story about the early years of famed Colombian author Gabriel Garcia Marquez.

Using two images of trees at different stages of life, Vibeke Illevold tells a story of change indicative of the poetic theme of the book.

03. Set the tone before you start designing

Tokyo on Foot uses a colorful, cartoonish tone to express rich whimsy. Browsers know to expect hand-drawn illustrations in this graphic memoir.

Crown + blood equals intrigue of the highest sorts. This cover doesn't go into details, but it does give away the idea that you're in for power plays, suspense, and royalty.

It's clear from the cover that this book is about obsessive compulsive disorder. There's something so pleasant about the careful use of color and the almost perfectly lined up rows.

The Takeaway: The tone of the cover should match the tone of your book. Don't betray your audience by showing a humorous cover design with grim content. It makes the reader distrust you as an author.

04. Stand out from the crowd with a 3D book cover

This Portuguese reboot cover image by Carlo Giovani for Jules Verne's Journey to the Center of the Earth smartly plays up the various layers of earth's crust.

Italian illustration studio Bomboland revamped the Treasure Island book cover with a fantastic use of layering to create movement.

The Flame Alphabet also uses the paper cutout aesthetic to add depth and interest.

The cover of this book is simply a photograph of hand-drawn images on loose leaf paper. The perspective and the positioning of the images and text make this cover pop off the screen.

The takeaway: There's no need to stay flat with your cover. Adding dimension can make it a refreshing change.

05. Weave your narrative into your cover design

Looking at the cover of this book, the reader is immediately engaged in this vibrant, colorful world of Vietnamese immigrant Ha. The cover makes you wonder about the world she lives in.

The cover image of this book shows the antagonist slowly drowning, which indicates her struggle to find life.

In this cover brilliantly re-imagined by designer Tom Lenartowicz, there's a sense of foreboding. The tip of the letter A becomes a shark fin, and the use of blue to gray gradient perfectly symbolizes the depth of water.

The Takeaway: Your story begins as soon as the reader picks up the book and looks at the cover. Studies show you only have eight seconds to persuade the reader to take a chance on your book. Make it count.

06. Design should make sense even as a thumbnail

The simplicity of this cover makes it the perfect candidate for a thumbnail. It is crisp and easily understood even at half of its size.

Even though the typography is too small to read at smaller sizes, Dept. of Speculation makes a great thumbnail because the puzzle engages our human need to solve. It makes a reader want to click to see what the puzzle says.

Even if you're not familiar with the story of Dracula, there's something entrancing about this image of a woman's neck. It reads well as a thumbnail, and the text is perfectly positioned.

This cover works especially well as a thumbnail because it stands out with the clever use of books that represent teeth.

The Takeaway: With a growing number of eBooks on the marketplace, it's more important than ever to create a cover that looks great in tiny thumbnail form. Test your design in various sizes to see if your cover makes sense when browsers are searching online.

07. Speak to your audience's emotions

On this cover is a disjointed sheep and an open-mouthed wolf with sharp teeth, seemingly ready to attack. The wolf elicits fear, yet the sheep is not panicked which heightens the reader's panic.

The idea of an empty food container is terrifying (at least for me). The End of Food cover design grabs the reader by presenting an unexpected image of a styrofoam package without food.

Aptly using light behind typography, the designer for How the Light Gets In captures the mood of inspiration and spiritual enlightenment.

Conjuring ideas of the Rorschach Inkblot test, the cover alludes to the murder and mind games to follow in this iconic book. The splattered blood is both eerie and gripping.

The Takeaway: There's nothing quite like emotion to drive readers into buying your book. Use visceral emotional responses to create connection with the character or topic of your book.

08. Express the colors of your story

If Euphoria had a color, it would probably look like this book cover. Sometimes the most colorful cover wins because it demands the browser's attention.

Another cover that uses colors without sacrificing maturity is The Sky Is Everywhere. Here, the raindrops come in various colors, and there's a sense of movement, yet the color does not obscure the title.

The Takeaway: Colors convey tone. There's no need to use attention grabbing colors if it doesn't match the tone of your book. Use a color story that resembles the one you've told with words.

09. But keep colors simple

The green tint of this book cover makes reference to the story's fictional Emerald City. As an aside, the cowardly lion's eyes are spellbinding.

Using only pink and brown colors, the designer created a clever cohesive color story to mimic George Washington Carver's 105 ways to prepare peanuts for human consumption.

Designer Jennifer Merritt keeps color simple yet uniform in this H.G. Wells series with a complimentary color scheme.

The Takeaway: I love lots of colors, but not every book needs a rainbow. In fact, only a few books should tackle more than two or three colors. If your book works with less colors, definitely go with less.

10. Make typography the star

This cover is a beautiful reimagining of a spellbinding classic by Paulo Coelho. The carefully random placement of the text simulates the scattered sheep in the field.

Using see-through text, the cover for An Object of Beauty literally gives readers a glimpse into the New York art scene.

The skinny type with interesting perspective toward the cover's focal point makes this cover promising and different. Notice that the designer is not afraid to take up the entire cover space with text.

Beautiful in its restraint, Breathing Room shows underlined and evenly spaced out text.

In a collaboration between Rodrigo Corral and Tyler Comrie, this is a rare case where both the front and the back covers are exceptionally designed. The juxtaposition of the strict against the mystical also match the creepy tone of the book.

Designer Chris Welch cleverly capitalizes off of the titular idea by draining the type of its color.

Sometimes the simplest type makes the biggest impact. On this cover, the O's serve double duty as functional type in the author's name and book title and design elements that reference bubbles from a beverage (and maybe hiccups, too).

Using the loop and tail of the R, designer Sara Comer creators the hood and cloak of Little Red Riding Hood.

A fun twist on text, this type is stylized to mimic a twisted rope. The cover shows characters and props from the novel intertwined with each other, and some playing with the rope. The text also carries over to the back cover.

The Takeaway: Typography is often overlooked but, by using the right fonts, you can add clarity and depth to your cover. Scroll through sites like DaFont or Font Squirrel to find fonts that sing.

11. Use imagery to spark the imagination

The cover design for Tampa alludes to tawdry sex, and that's exactly what you'll get from the first sentence. It's disturbing and psychopathic, and the cover is definitely your first clue. Who would've thought a buttonhole could look so vulgar?

Another buttonhole, this one decidedly less sleazy, graces the cover of Isaac's Style Book. You can tell from this cover that the book is about fashion.

The Takeaway: Commit to keeping it as simple as possible. If you can convey your mood and story without an additional element, get rid of it.

12. Create a focal point

Climbing Kilimanjaro is the subject of Making the Climb, and this book features a muddy shoeprint. The focal point of the book is hiking this mountain, and the cover conveys that idea clearly.

The Takeaway: Always find one component in your story to focus on visually with your book cover.

13. You don't always need to be literal

1984 is a classic, and this subtle cover reboot indicates suspicion and secrecy. It also references the idea that big brother's always watching.

Using words to create the one half of the image, this book cover suggests that the character is part real and part imagination.

Designer Sebastian Andreas creates a fine focal point with this shackled fist, raised in indignation. You can see from the cover the promise of anger and injustice in the contents of this book.

The Takeaway: Use hints to add interest.

14. Create an interesting atmosphere

Creepy imagery fascinates the reader. With this cover image, Brief History of the Dead successfully grips the reader into at least reading what the book is about.

Not all foreboding has to be about death and gloom. Sometimes, a report card can conjure up all the feelings of fear, anxiety, and uneasiness. This cover by Evan Munday and Jon Paul Fiorentino and indicates raw honesty and sympathy.

The takeaway: What does your audience fear? Use this idea to craft your book cover.

15. Work awards and reviews into the design

This book cover prominently features a review to encourage you, dear reader, to read on. It uses social proof to validate the worthiness of a book. This feature is great for printed books, when you don't have a chorus of reviews readily available.

Here is another example of social proof, this time featuring both the New York Times and USA Today. Who wouldn't be interested to see what's so "elegant" about this book?

The Takeaway: Social proof will make even the harshest critic take a second look at your book.

16. Use custom photography

#GIRLBOSS shows Sophia Amoruso as strong, in control, and edgy, which is the tone of the book.

The Autobiography of Elizabeth Shaner shows a rather sweet photograph of Shaner with actual excerpts from her handwritten diary in the background. Readers will expect to read an intimate account.

Designer Jessie-Jisun Lee presents famous film director David Lynch as straightforward on this cover. The blocked out text is revealed like a puzzle, which hints that the book will uncover defining details of the titular character.

The Takeaway: Sometimes, you should use your own image to grace the cover of your book. If you have face recognition in your field, or if you're writing an autobiography, placing your face on the cover gives the reader another connection point to you.

17. Final Thoughts

A successful book cover is never an afterthought. It will lead readers to your pages and because of its role as an ambassador, your book cover deserves thoughtful planning. Use these tips to help you craft a winning book cover that you can be proud of. And, when you're done, come back and share it with us. We'd love to see it!

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These 50 Awesome Book Covers Will Inspire You - And Teach You How to Design Your Own - Design School

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Maybe I'm superficial, but I do judge a book by its cover. And I suspect I'm not the only one. Book cover design is a crucial part of your marketing effort. You can string together the most insightful, lyrical, delicious words ever connected in the human lexicon, but if your book cover looks like Photoshop amateur hour, no one will ever pick it up.

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Branding and Design agency. Providing clarity and adding interest to brands that embrace creativity.

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Olga Protasova is Kyiv-based freelance illustrator and graphic designer, at the moment happily focused on things she loves best: lettering, illustration, Behance community in Ukraine and her family. olyaprotasova[at]gmail.com

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A different vision of what a portfolio can be. Not only showing the projects realized as the type of projects that I hope to realize one day.A portfolio that identifies me as a person and as a designer.

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Forefathers - Website Design, Development, and Branding Company

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Forefathers Group is a global design conglomerate that builds responsive branding systems, web design, and web development for brands and businesses.

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Orange County Advertising & Branding Agency | Geared

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Orange County Advertising & Branding Agency | Geared

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Entrepreneurial-minded advertising company that offers marketing for start-ups, new product launches, companies that want new marketing ideas or established companies that understand what it takes to be entrepreneurs. We specialize in Brand Refresh, Brand Personality Development, Brand Creation and Brand Support.

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Farm Design is a multi-disciplinary design agency in Los Angeles, CA that unites insight and logic with ingenuity & artistry to cultivate brands. We design

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We don't design logos,we develop BRANDS

We take obsessive interest in understanding our client's products and services to create strong visual identities that act as a foundational element of successful sales and marketing efforts.

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OATH Artistic - Client Branding - OATH Artistic

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We don't design logos,we develop BRANDS We take obsessive interest in understanding our client's products and services to create strong visual identities that act as a foundational element of successful sales and marketing efforts.

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Versatile freelance designer/illustrator. Enquiries: roysmithdesign1@gmail.com © 2020 Roy Smith Design. Clients include: Just Eat, Wikborg Rein, Acteon.