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A clear example of this is the murder of Lizaveta. He had only planned to murder Alyona (and even justified it by thinking of how poorly she treated Lizaveta), but when Lizaveta came and saw him at the crime scene, he killed her as well.

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The Theorize/Materialize binary is represented by Raskolnikov. Almost everything he does his thought out beforehand, but his ideas always materialize differently than he theorizes they will.

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"To what a pitch of stupidity a man can be brought by frenzy!"- Svidrigailov (Pg. 668)

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"To what a pitch of stupidity a man can be brought by frenzy!"- Svidrigailov (Pg. 668)

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Svidrigailov (another foil to Raskolnikov)

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Svidrigailov (another foil to Raskolnikov)

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- realistic
- romantic
- reckless

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Fun Fact: The name Raskolnikov is derived from the Russian word "Raskolnik" meaning "split" or "divided"

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Fun Fact: The name Raskolnikov is derived from the Russian word "Raskolnik" meaning "split" or "divided"

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Internal conflict is abundant in Raskolnikov. At the beginning of the novel, he views himself as someone "exceptional" who will not succumb to the "guilty madness" that most people do after committing a crime because he believes himself to be supremely rational. However, after he murders Alyona and Lizaveta, he finds it more difficult to support this moral rationale.

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"It is as if he had two separate personalities, each dominating him alternately" - Description of Raskolnikov

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"What do you think, would not one tiny crime be wiped out by thousands of good deeds?" - A student (Pg. 100)

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"What do you think, would not one tiny crime be wiped out by thousands of good deeds?" - A student (Pg. 100)

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Use of clever but unsound reasoning, especially in relation to moral questions.

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Much of the novel takes place inside Raskolnikov's mind, playing through scenarios he imagines as he lays on the couch of his small, confined room

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An intuitive feeling about the future, especially one of foreboding.

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This description of Sonia helps portray her as the innocent and fragile girl Raskolnikov sees her as. 

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This description of Sonia helps portray her as the innocent and fragile girl Raskolnikov sees her as. 

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The clearest example of External conflict is both Raskolnikov vs Alyona and Raskolnikov vs Society. The first coming from Raskolnikov murdering Alyona, and the second coming from one of his main reasons for doing so is that he and his family live in poverty.

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I did not bow down to you, I bowed down to all the suffering of humanity- Raskolnikov (Pg. 456)

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I did not bow down to you, I bowed down to all the suffering of humanity- Raskolnikov (Pg. 456)

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"Sonia was agitated again and even angry, as though some canary or some other little bird were to be angry."

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The drops of blood on Raskolnikov's socks increase his paranoia about being found out, but  are never noticed by anyone else. 

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The drops of blood on Raskolnikov's socks increase his paranoia about being found out, but  are never noticed by anyone else. 

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Fyodor Dostoyevsky

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- forced into prostitution to earn money for her family
- Yet Raskolnikov sees her as completely pure
- Religious (Gives Raskolnikov the cross)

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These are both important symbols which can show the torment/freedom (or guilt/relief) binary.

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Predicts Raskolnikov's change in morality.
In this nightmare (it is one of many), he is a child who becomes upset with adults for viciously murdering a horse (in the same fashion he murdered Alyona). This foreshadows his eventual regrets and confession.

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- generous
- optimistic
- faithful

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- prideful
- recluse
- cynical

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Overall Setting: St. Petersburg, Russia