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how everyone

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oh ok also do u watch death note? its my favorite movie its so good  

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oh ok also do u watch death note? its my favorite movie its so good  

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nope i have a sketch book they hate it and i wright  in different languages 

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nope i have a sketch book they hate it and i wright  in different languages 

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yea but i am not liked by the staff there XD

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yea but i am not liked by the staff there XD

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i go to cajon valley middle school in 8th

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i go to Jacksonville commons middle school in 7th

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i wanna draw but i dont know how to draw :(

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i wanna draw but i dont know how to draw :(

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hai im new here im 13 years old im in school right now i will be home at 3:05

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hai im new here im 13 years old im in school right now i will be home at 3:05

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damn

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wow the fact that emo rose is gone and everyone is still here

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ow

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hello

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Hi

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Grub hub world domination map (padlet.com)

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ya´ĺl can talk i am at lunch

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15 min till lunch

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SHUT UP PLEASE

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CLASS

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I AM IN MATH CLAS

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nice

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i’m at home with my katana

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same

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I AM IN SCHOOL

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• Progressives –Tended to extend the boundaries of traditional sound and scope in their compositions.  They utilized new instrumental techniques and color.  They used increasingly more chromaticism.  –Composer Examples:  Wagner, Liszt, Berlioz and Verdi
Hector Berlioz (1803-1869) • French composer of programmatic works. • Most of his works call for huge instrumental and vocal forces • Very influential in his techniques and writing about orchestration • Symphonie fantastique, 1830 • Program symphony in five movements • Uses idée fixe –thematic transformation • Fourth Movement:  March to the Scaffold
• Nationalists –Following the many wars and conflicts of the 19th century country boundaries in Europe became more defined.  Nationalistic music (music that highlighted folksongs, dances, folklore) abounded.  Most nationalistic music followed a more traditional pattern of composition and sound.  Many composers utilized nationalistic melodies, dances and stories. –Composer Examples:  Smetana, Mussorgsky, Rimsky-Korsakov, Wagner, Chopin, Verdi, Puccini, Liszt
Modest Mussorgsky (1839-1881) • Russian composer • One of the Russian Five:  Mily Balakirev, Cesar Cui, Alexander Borodin, Nikolai Rimsky-Karsaov Modest Mussorgsky • Utilized Russian folksongs –often based on church modes, irregular in meter • Pictures at an Exhibition, 1874 • Originally a cycle of piano pieces inspired by pictures in a memorial exhibition honoring Mussorgsky’s recently deceased friend, the Russian architect and artist Victor Hartmann. • 10 pieces with descriptive titles • This work is best known in its orchestrated version byMaurice Ravel (1922) • Great Gate of Kiev
Bedřich Smetana (1824-1884) • Bohemian (Czech Republic) composer of opera and symphonic poems, pianist and conductor • Founder of the Czech national music • Music steeped in folk songs dances and legends of Bohemia • The Moldau, 1874 • Part of Ma Vlast, a cycle of symphonic poems
.

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• Progressives –Tended to extend the boundaries of traditional sound and scope in their compositions.  They utilized new instrumental techniques and color.  They used increasingly more chromaticism.  –Composer Examples:  Wagner, Liszt, Berlioz and Verdi
Hector Berlioz (1803-1869) • French composer of programmatic works. • Most of his works call for huge instrumental and vocal forces • Very influential in his techniques and writing about orchestration • Symphonie fantastique, 1830 • Program symphony in five movements • Uses idée fixe –thematic transformation • Fourth Movement:  March to the Scaffold
• Nationalists –Following the many wars and conflicts of the 19th century country boundaries in Europe became more defined.  Nationalistic music (music that highlighted folksongs, dances, folklore) abounded.  Most nationalistic music followed a more traditional pattern of composition and sound.  Many composers utilized nationalistic melodies, dances and stories. –Composer Examples:  Smetana, Mussorgsky, Rimsky-Korsakov, Wagner, Chopin, Verdi, Puccini, Liszt
Modest Mussorgsky (1839-1881) • Russian composer • One of the Russian Five:  Mily Balakirev, Cesar Cui, Alexander Borodin, Nikolai Rimsky-Karsaov Modest Mussorgsky • Utilized Russian folksongs –often based on church modes, irregular in meter • Pictures at an Exhibition, 1874 • Originally a cycle of piano pieces inspired by pictures in a memorial exhibition honoring Mussorgsky’s recently deceased friend, the Russian architect and artist Victor Hartmann. • 10 pieces with descriptive titles • This work is best known in its orchestrated version byMaurice Ravel (1922) • Great Gate of Kiev
Bedřich Smetana (1824-1884) • Bohemian (Czech Republic) composer of opera and symphonic poems, pianist and conductor • Founder of the Czech national music • Music steeped in folk songs dances and legends of Bohemia • The Moldau, 1874 • Part of Ma Vlast, a cycle of symphonic poems
.

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• Progressives –Tended to extend the boundaries of traditional sound and scope in their compositions.  They utilized new instrumental techniques and color.  They used increasingly more chromaticism.  –Composer Examples:  Wagner, Liszt, Berlioz and Verdi
Hector Berlioz (1803-1869) • French composer of programmatic works. • Most of his works call for huge instrumental and vocal forces • Very influential in his techniques and writing about orchestration • Symphonie fantastique, 1830 • Program symphony in five movements • Uses idée fixe –thematic transformation • Fourth Movement:  March to the Scaffold
• Nationalists –Following the many wars and conflicts of the 19th century country boundaries in Europe became more defined.  Nationalistic music (music that highlighted folksongs, dances, folklore) abounded.  Most nationalistic music followed a more traditional pattern of composition and sound.  Many composers utilized nationalistic melodies, dances and stories. –Composer Examples:  Smetana, Mussorgsky, Rimsky-Korsakov, Wagner, Chopin, Verdi, Puccini, Liszt
Modest Mussorgsky (1839-1881) • Russian composer • One of the Russian Five:  Mily Balakirev, Cesar Cui, Alexander Borodin, Nikolai Rimsky-Karsaov Modest Mussorgsky • Utilized Russian folksongs –often based on church modes, irregular in meter • Pictures at an Exhibition, 1874 • Originally a cycle of piano pieces inspired by pictures in a memorial exhibition honoring Mussorgsky’s recently deceased friend, the Russian architect and artist Victor Hartmann. • 10 pieces with descriptive titles • This work is best known in its orchestrated version byMaurice Ravel (1922) • Great Gate of Kiev
Bedřich Smetana (1824-1884) • Bohemian (Czech Republic) composer of opera and symphonic poems, pianist and conductor • Founder of the Czech national music • Music steeped in folk songs dances and legends of Bohemia • The Moldau, 1874 • Part of Ma Vlast, a cycle of symphonic poems
.

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• Progressives –Tended to extend the boundaries of traditional sound and scope in their compositions.  They utilized new instrumental techniques and color.  They used increasingly more chromaticism.  –Composer Examples:  Wagner, Liszt, Berlioz and Verdi
Hector Berlioz (1803-1869) • French composer of programmatic works. • Most of his works call for huge instrumental and vocal forces • Very influential in his techniques and writing about orchestration • Symphonie fantastique, 1830 • Program symphony in five movements • Uses idée fixe –thematic transformation • Fourth Movement:  March to the Scaffold
• Nationalists –Following the many wars and conflicts of the 19th century country boundaries in Europe became more defined.  Nationalistic music (music that highlighted folksongs, dances, folklore) abounded.  Most nationalistic music followed a more traditional pattern of composition and sound.  Many composers utilized nationalistic melodies, dances and stories. –Composer Examples:  Smetana, Mussorgsky, Rimsky-Korsakov, Wagner, Chopin, Verdi, Puccini, Liszt
Modest Mussorgsky (1839-1881) • Russian composer • One of the Russian Five:  Mily Balakirev, Cesar Cui, Alexander Borodin, Nikolai Rimsky-Karsaov Modest Mussorgsky • Utilized Russian folksongs –often based on church modes, irregular in meter • Pictures at an Exhibition, 1874 • Originally a cycle of piano pieces inspired by pictures in a memorial exhibition honoring Mussorgsky’s recently deceased friend, the Russian architect and artist Victor Hartmann. • 10 pieces with descriptive titles • This work is best known in its orchestrated version byMaurice Ravel (1922) • Great Gate of Kiev
Bedřich Smetana (1824-1884) • Bohemian (Czech Republic) composer of opera and symphonic poems, pianist and conductor • Founder of the Czech national music • Music steeped in folk songs dances and legends of Bohemia • The Moldau, 1874 • Part of Ma Vlast, a cycle of symphonic poems
.

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• Progressives –Tended to extend the boundaries of traditional sound and scope in their compositions.  They utilized new instrumental techniques and color.  They used increasingly more chromaticism.  –Composer Examples:  Wagner, Liszt, Berlioz and Verdi
Hector Berlioz (1803-1869) • French composer of programmatic works. • Most of his works call for huge instrumental and vocal forces • Very influential in his techniques and writing about orchestration • Symphonie fantastique, 1830 • Program symphony in five movements • Uses idée fixe –thematic transformation • Fourth Movement:  March to the Scaffold
• Nationalists –Following the many wars and conflicts of the 19th century country boundaries in Europe became more defined.  Nationalistic music (music that highlighted folksongs, dances, folklore) abounded.  Most nationalistic music followed a more traditional pattern of composition and sound.  Many composers utilized nationalistic melodies, dances and stories. –Composer Examples:  Smetana, Mussorgsky, Rimsky-Korsakov, Wagner, Chopin, Verdi, Puccini, Liszt
Modest Mussorgsky (1839-1881) • Russian composer • One of the Russian Five:  Mily Balakirev, Cesar Cui, Alexander Borodin, Nikolai Rimsky-Karsaov Modest Mussorgsky • Utilized Russian folksongs –often based on church modes, irregular in meter • Pictures at an Exhibition, 1874 • Originally a cycle of piano pieces inspired by pictures in a memorial exhibition honoring Mussorgsky’s recently deceased friend, the Russian architect and artist Victor Hartmann. • 10 pieces with descriptive titles • This work is best known in its orchestrated version byMaurice Ravel (1922) • Great Gate of Kiev
Bedřich Smetana (1824-1884) • Bohemian (Czech Republic) composer of opera and symphonic poems, pianist and conductor • Founder of the Czech national music • Music steeped in folk songs dances and legends of Bohemia • The Moldau, 1874 • Part of Ma Vlast, a cycle of symphonic poems
.

# data[].attributes.body
• Progressives –Tended to extend the boundaries of traditional sound and scope in their compositions.  They utilized new instrumental techniques and color.  They used increasingly more chromaticism.  –Composer Examples:  Wagner, Liszt, Berlioz and Verdi
Hector Berlioz (1803-1869) • French composer of programmatic works. • Most of his works call for huge instrumental and vocal forces • Very influential in his techniques and writing about orchestration • Symphonie fantastique, 1830 • Program symphony in five movements • Uses idée fixe –thematic transformation • Fourth Movement:  March to the Scaffold
• Nationalists –Following the many wars and conflicts of the 19th century country boundaries in Europe became more defined.  Nationalistic music (music that highlighted folksongs, dances, folklore) abounded.  Most nationalistic music followed a more traditional pattern of composition and sound.  Many composers utilized nationalistic melodies, dances and stories. –Composer Examples:  Smetana, Mussorgsky, Rimsky-Korsakov, Wagner, Chopin, Verdi, Puccini, Liszt
Modest Mussorgsky (1839-1881) • Russian composer • One of the Russian Five:  Mily Balakirev, Cesar Cui, Alexander Borodin, Nikolai Rimsky-Karsaov Modest Mussorgsky • Utilized Russian folksongs –often based on church modes, irregular in meter • Pictures at an Exhibition, 1874 • Originally a cycle of piano pieces inspired by pictures in a memorial exhibition honoring Mussorgsky’s recently deceased friend, the Russian architect and artist Victor Hartmann. • 10 pieces with descriptive titles • This work is best known in its orchestrated version byMaurice Ravel (1922) • Great Gate of Kiev
Bedřich Smetana (1824-1884) • Bohemian (Czech Republic) composer of opera and symphonic poems, pianist and conductor • Founder of the Czech national music • Music steeped in folk songs dances and legends of Bohemia • The Moldau, 1874 • Part of Ma Vlast, a cycle of symphonic poems
.

# data[].attributes.body
• Progressives –Tended to extend the boundaries of traditional sound and scope in their compositions.  They utilized new instrumental techniques and color.  They used increasingly more chromaticism.  –Composer Examples:  Wagner, Liszt, Berlioz and Verdi
Hector Berlioz (1803-1869) • French composer of programmatic works. • Most of his works call for huge instrumental and vocal forces • Very influential in his techniques and writing about orchestration • Symphonie fantastique, 1830 • Program symphony in five movements • Uses idée fixe –thematic transformation • Fourth Movement:  March to the Scaffold
• Nationalists –Following the many wars and conflicts of the 19th century country boundaries in Europe became more defined.  Nationalistic music (music that highlighted folksongs, dances, folklore) abounded.  Most nationalistic music followed a more traditional pattern of composition and sound.  Many composers utilized nationalistic melodies, dances and stories. –Composer Examples:  Smetana, Mussorgsky, Rimsky-Korsakov, Wagner, Chopin, Verdi, Puccini, Liszt
Modest Mussorgsky (1839-1881) • Russian composer • One of the Russian Five:  Mily Balakirev, Cesar Cui, Alexander Borodin, Nikolai Rimsky-Karsaov Modest Mussorgsky • Utilized Russian folksongs –often based on church modes, irregular in meter • Pictures at an Exhibition, 1874 • Originally a cycle of piano pieces inspired by pictures in a memorial exhibition honoring Mussorgsky’s recently deceased friend, the Russian architect and artist Victor Hartmann. • 10 pieces with descriptive titles • This work is best known in its orchestrated version byMaurice Ravel (1922) • Great Gate of Kiev
Bedřich Smetana (1824-1884) • Bohemian (Czech Republic) composer of opera and symphonic poems, pianist and conductor • Founder of the Czech national music • Music steeped in folk songs dances and legends of Bohemia • The Moldau, 1874 • Part of Ma Vlast, a cycle of symphonic poems
.

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so i am here :/

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i need a buddy

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yes

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hi

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hello

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same

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sam

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hello

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a human

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hello who are you

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hi

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egg

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op

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hallo

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sad

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how are y'all today

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hello humans

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heyy

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E

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it been a year since

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emo is gone

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Emo rose get on

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MUSICJACK WANNA RP OR ARE YOU AT WORK