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Mohamed Bourouissa first learned about the existence of community stables on Fletcher Street in Philadelphia, PA, from images by the American photographer Martha Camarillo collected in her book Fletcher Street. This discovery led to his artistic residency in the United States in 2014. Founded by African American horsemen, the Fletcher Street Urban Riding Club is located in the working-class Strawberry Mansion neighborhood in North Philadelphia. It runs a training program welcoming local youth, who come to learn the ropes of horseback riding, and at the same time serves as a horse rescue.

Horse Day is a reflection on the representation of the figure of cowboy in American cinema and on the practice of whitewashing. In the popular imagination, the cowboy is a somewhat gruff white male who looks a lot like John Wayne. In the United States, Hollywood is much to blame for the official, biased vision of American history. In reality, the history of the conquest of the American West teems with people from all walks of life, including Blacks, Mexicans, and even Native Americans. Horse Day borrows the classic codes of the western only to better deconstruct them and reveal the great diversity of American equestrian culture, deliberately reduced to its white participants through the invention of the myth of the conquest of the West.

Mohamed Bourouissa settled in the Strawberry Mansion neighborhood with the intention of documenting of the presence of these Black riders erased from the collective American memory. Over the course of eight months, he forged a relationship of exchange and trust with the local community. He proposed that they organize a day of celebration, a Horse Day, a kind of street fair featuring an equestrian competition as the event's highlight. The champion of these jousts, selected by a local jury, won a few dollars and the respect of all.
The event was the starting point for a narrative constructed in collaboration with the protagonists, combining the history of the community stables with the mythical image of the cowboy and the conquest of the West, a unifying moment in American history. The film Horse Day retraces the preparations to this day of events, in which every member of the community was invited to take part. During the equestrian competition, the riders led their horses dressed up, or rather "customized," by local artists, just as decorations are used to personalize a car. This art of "horse tuning" was extended to sculptures and installations composed of photographs silkscreened directly onto parts of the car body. The artist plays with the mirror effect of the hood, creating the impression of a distorted image of reality.

Horse Day also features several dozen preparatory drawings by Mohamed Bourouissa, precious witnesses to his working method, as well as a set of photographs, intimate portraits of the community of horsemen, bridging the double social and cultural distance that would have been impassable from an outsider's perspective.

Guillame Lasserre

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Official website of Mohamed Bourouissa. (c) 2021, all rights reserved.

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Mandy El-Sayegh works across diverse media to examine how social, cultural and political orders are formed and deconstructed in the contemporary world. In large-scale paintings, table vitrines, immersive installations, performances and videos, she collages disparate fragments of information together, interrogating the ways that meaning might emerge from the relationship between these different source materials.

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exhibition interview https://www.youtube.com/watch?v=Lqj9qLHYpsY

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Francis Upritchard Exhibitions: Francis Upritchard, Wetwang Slack, November 18 - December 18, 2021; Tales of Manhattan, A 25th Anniversary Exhibition, July 8 - August 20, 2021; The Shoo Sho, curated by Julie Curtiss, WINDOW, 91 Walker Street New York, NY (corner of Walker and Lafayette Street), June 30 - August...

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“I start with a form, I change that form, I change it again, I change it again. It either looks more like something or less like something. If it goes too close to looking like one thing, I move it away to look like something else. The idea being that it never quite settles into any one way of being read. That it can be all those things.”

look also at his mixed media collages

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Vincent Fecteau is best known for his modestly sized abstract sculptures, which he makes by hand using papier-mâché, plaster, and clay, as well as such commonplace items as rubber bands, seashells, and string. Their incongruous forms, unnerving color schemes, and often unsettling details are the result of numerous formal decisions made during the sculpting process: "I start with a form, I change that form, I change it again, I change it again. It either looks more like something or less like something. If it goes too close to looking like one thing, I move it away to look like something else. The idea being that it never quite settles into any one way of being read. That it can be all those things."

Collage has also played a central role in Fecteau's art since the beginning of his career. His collages typically combine images (clippings from architecture magazines, photographs by the artist) with materials such as cardboard and found pieces of wood or rope to create shallow reliefs. The effect is often an ambiguous sense of depth and an oscillation between abstract and domestic space.

Vincent Fecteau (b. 1969) lives and works in San Francisco. His work was featured in the 2002 and 2012 Whitney Biennials and the 2013 Carnegie International in Pittsburgh. His one-person museum exhibitions include the Art Institute of Chicago, the Kunsthalle Basel, the Berkeley Art Museum, the Fridericianum in Kassel, Germany, and the Vienna Secession, among others. He received a MacArthur Fellowship in 2016.

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Vincent Fecteau is best known for his modestly sized abstract sculptures, which he makes by hand using papier-mâché, plaster, and clay, as well as such commonplace items as rubber bands, seashells, and string.

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architectural disaster, both threatening and fragile

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German artist Felix Schramm creates the illusion of architecture gone awry. Made from drywall, paint, steel frames, and wood, his site-specific installations resemble the aftermath of disaster inside the gallery, where the delineations between the work and the institution's architecture are difficult to discern. His twisted, splintered fragments of structural forms - walls, ceilings, floors - burst from the building's framework at dramatic angles, producing large-scale works that seem at once threatening and fragile. For his installment in SFMOMA's ongoing New Work series, Schramm presents a new piece that continues his pursuit of achieving balance between chaos and order, the particular and the universal, and offers visitors an experience of physical tension in the Museum's gallery.

View the brochure or download a printable PDF.

Learn more about the series.

This exhibition is organized by the San Francisco Museum of Modern Art and is generously supported by Collectors Forum, the founding patron of the series. Major funding is also provided by the Mimi and Peter Haas Fund, Nancy and Steven H. Oliver and Robin Wright.

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German artist Felix Schramm creates the illusion of architecture gone awry. Made from drywall, paint, steel frames, and wood, his site-specific installations resemble the aftermath of disaster inside the gallery, where the delineations between the work and the institution's architecture are difficult to discern. His twisted, splintered fragments of structural forms - walls, ceilings, floors [...]

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surreal, absurd, playful, uncanny

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Gordon Robichaux is a gallery and curatorial agency that nurtures and promotes under-recognized and emerging artists and offers new perspectives on established artists. Founded by artists Sam Gordon and Jacob Robichaux, the program is informed by their shared interest in collaboration and interdisciplinary practices. Gordon Robichaux develops and presents exhibitions, performances, readings, publications and multiples; supports artists with special projects; works closely with non-profit organizations; and participates in art fairs to cultivate new audiences.

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transforming excess and offscourings into an infinitely detailed and beautiful abstraction.

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Jedediah Caesar | VIELMETTER LOS ANGELES

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Jedediah Caesar Butyl benzyl phthalate + 4,4' Methylene bis (phenylisocyanate)- "California" chili curcuma longa (terra merita)-nickel silver/ Butyl benzyl phthalate + 4,4' Methylene bis (phenylisocyanate) -curcuma longa (terra merita)-nickel silver, 2013 39" H x 88" W x 7" D Photo credit: Robert Wedemeyer

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built environment and audience engaged through peering into it through hole in door

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Has Duchamp’s Final Work Harbored a Secret for Five Decades? | artnet News

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Turkish artist Serkan Özkaya suggests in a new work that Marcel Duchamp’s final work, Étant donnés, secretly functions as a camera obscura.

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post apocalyptic, immersive built rooms

exhibition walkthrough https://www.youtube.com/watch?v=Z5hOAUZIRuE

interview:

https://open.spotify.com/episode/3fIFoSetKzmkS1pi1daRmy?si=2VukPs5rRii5-bWD-dAzyw

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Installation view of Mike Nelson, Triple Bluff Canyon (the woodshed), 2004. Various materials. M25, 2023.

Found tyres. Photo: Matt Greenwood. Courtesy the artist and the Hayward Gallery.

Installation view: Mike Nelson, The House of the Farmer, Palazzo Dell'Agricoltore, Parma, 2021

Installation view of The Asset Strippers at Tate Britain, 2019. © Tate (Matt Greenwood)

Mike Nelson, PROJEKTÖR (Gürün Han), 2019, commissioned and presented by Protocinema, Istanbul with support Henry Moore Foundation; Alserkal Arts Foundation; Galleria Franco Noero.

Mike Nelson

Eighty Circles through Canada (The Last Possessions of an Orcadian Mountain Man), 2013

35 mm slide projection (80 slides), 50mm lens, found wood, drywall, metal chains and a selection of Erlend Williamson's personal effects

Installation view: Indicators: Artists on Climate Change featuring works by more than a dozen artists that expore the changing climate, Storm King Art Center, 2018

Mike Nelson, Lionheart, Installation view, The New Art Gallery Walsall, 2018.

Photo: Jonathan Shaw.

Mike Nelson
Untitled (public sculpture for a redundant space)
2016

Nylon sleeping bag, concrete, brick and other mixed media

12 x 94 x 31 inches (30.5 x 238.8 x 78.7 cm)

Photo by Timothy Schenck.

Courtesy of Friends of the High Line.

Mike Nelson, Imperfect geometry for a concrete quarry, 2016.
Kalkbrottet, Limhamn, Malmö, Sweden.

Photo: Malmö Konsthall.

Installation view: Sensory Spaces 8 - Mike Nelson
Museum Boijmans Van Beuningen, 2016
Photo: Studio Hans Wilschut

Installation view: Sensory Spaces 8 - Mike Nelson
Museum Boijmans Van Beuningen, 2016
Photo: Studio Hans Wilschut

Mike Nelson
A7 (Route du Soleil), 2015
Installation view: 13th Biennale de Lyon
September 10, 2015 - January 3, 2016

Mike Nelson
Towards a lexicon of phenomena and information association, an intermediate home apparatus - moon high, bone black
2011

Mixed Media

35 1/4 x 25 1/2 x 53 3/4 inches

(89.5 x 64.8 x 136.5 cm)

MN 73

Mike Nelson
Installation view: A Psychic Vacuum
Commissioned by Creative Time
Old Essex Street Market, New York
September 8 - October 28, 2007

Mike Nelson
Installation view: A Psychic Vacuum
Commissioned by Creative Time
Old Essex Street Market, New York
September 8 - October 28, 2007

Mike Nelson
Installation view: A Psychic Vacuum
Commissioned by Creative Time
Old Essex Street Market, New York
September 8 - October 28, 2007

Mike Nelson
To the Memory of H.P. Lovecraft, 1999/2008
Installation view from Psycho Buildings: Artists Take on Architecture at The Hayward
The Hayward, London
May 28 - August 25, 2008
Photo: Stephen White

Mike Nelson
To the Memory of H.P. Lovecraft, 1999/2008
Installation view from Psycho Buildings: Artists Take on Architecture at The Hayward
The Hayward, London
May 28 - August 25, 2008
Photo: Stephen White

Mike Nelson
To the Memory of H.P. Lovecraft, 1999/2008
Installation view from Psycho Buildings: Artists Take on Architecture at The Hayward
The Hayward, London
May 28 - August 25, 2008
Photo: Stephen White

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Mike Nelson came to prominence in the late 1990s, creating psychological environments by sifting through the debris of modern life. His installations are expansive dominions for assemblages of cultural detritus, often referencing specific works of literature and countercultural or failed political movements.

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raw physical temporary materials , often everyday consumer items

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Karla Black uses a distinctive palette of pastel and metallic colours and selects materials for their physical properties, from cotton wool, Vaseline, bath bombs and make-up to polythene, cellophane, powder paint and paper. She makes no distinction between commercial or fine art shops as repositories for material she wants to work with.

Black worked independently in the gallery spaces over a two-week period, transforming raw material and pre-prepared forms from her studio into works that hang, hover, rise, assemble, scatter, curve and spread. The sculptures were planned with the Gallery's specific spaces in mind but their exact form and appearance remained uncertain to the end. As the artist puts it, what remains from her time in Walsall are "big strong sculptures that require lots of endurance and large masses of material that challenge the space itself or take it on, in a physical way." This freedom-to be unleashed in the galleries with material, to scrabble about on the floor with it like a curious child-is vital to the artist's process. For Black, it is also a way of maintaining a meaningful connection to the world.

For the first time, the artist presents a large group of paint-filled jewellery boxes in grid formation, bringing to mind the desirable and carefully organised displays of sweet shops and make-up counters. Gallery-filling sculptures and robe-like objects absorb into them Black's longstanding interest in Greek philosophy and ancient history, in particular the closed-off environment and politics of Plato's Academy, the first institution of higher learning in history to the virtual exclusion of women. Experienced together, these works inform, affect, and contrast each other, involving the viewer in a bodily way.

All works courtesy of Karla Black, Galerie Gisela Capitain, Cologne, Germany; Modern Art, London, UK; and Galleria Raffaella Cortese, Milan, Italy.

Vulnerable works
Please do not touch the work and please supervise any young children in your care. Touch Boxes, containing examples of raw materials used by the artist, are available. Please ask a member of staff.

Window Box

Never Known To Figure, 2023

15 April - 23 October 2023

acrylic paint, cellophane, cotton wool, jewellery boxes, plaster powder, polythene, powder paint, thread, UV lipstick, Vaseline

Never Known To Figure is a new sculpture by Scottish sculptor, Karla Black, made onsite over four days specially for the Gallery's street-facing Window Box.

Beginning with material in its loose, raw or folded state, Black worked rapidly to suspend, crease, smear and scatter material, producing a painterly sculpture that is at once suggestive of a sweet shop, make-up counter, and an exuberant Baroque living room.

Like the Baroque era, the artist embraces painting, and its relationship to sculpture; something that is evident in her arrangement of material.

The work is about the importance, for Black, of abstract art, particularly materially abstract sculpture, as both a " form of resistance and a freedom - particularly a feminist one - in maintaining an uninterrupted human connection to the physical world."

About Karla Black

Black studied at Glasgow School of Art, graduating with a BA in 1999 and an MA in 2004. She has presented recent solo exhibitions at Modern Art, London (2022); Fruitmarket Gallery, Edinburgh (2021); Des Moines Art Centre, Des Moines, Iowa, USA (2020); Schirn Kunsthalle Frankfurt, Frankfurt (2019); The Power Plant, Toronto (2018); Museum Dhondt-Dhaenens, Deurle, Belgium (2017) and the Irish Museum of Modern Art, Dublin (2015). In 2011, Karla Black was nominated for the Turner Prize. In the same year, she represented Scotland at the 54 th Venice Biennale.

Karla Black is represented by Galerie Gisela Capitain, Cologne, Germany; Modern Art, London, UK; and Galleria Raffaella Cortese, Milan, Italy.

Events

Preview: Thursday 11 May 2023, 6-8pm. All welcome.

Curator tour
Saturday 10 June, 2pm. Free.
Join Curator of the exhibition Zoë Lippett for a walk around tour of the exhibition.

BSL led tour
Thursday 29 June, 2pm. Free.
Join Deaf artist Olivier Jamin for a BSL led tour of the exhibition.

Artist talk
Thursday 19 October, 5.30-8pm. £7.50 (£5 concs).
Karla Black and Fiona Bradley, Director of The Fruitmarket Gallery, Edinburgh will be in
conversation for a seated talk.

Events can also be booked by calling the Gallery on 01922 654400.

Tuesday - Saturday 10am-5pm

Sundays 12noon-4pm

Closed Mondays and Bank Holidays

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Karla Black uses a distinctive palette of pastel and metallic colours and selects materials for their physical properties, from cotton wool, Vaseline, bath bombs and make-up to polythene, cellophane, powder paint and paper. She makes no distinction between commercial or fine art shops as repositories for material she wants to work with.

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assemblages of mismatched materials

disparate objects and networks of possible meanings

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Skip to content

The detritus, wool, reedy trunks and rags that find their way into Birckenâ€™s grids are reminiscent of the temporary architectures and all-incorporating make-do of alternative communities on the margins of mainstream society. The weaving and crafting involved in her method additionally brings to mind 1960s and â€™70s feminist art politics.

When shown together, her works can appear as a radical lifestyle Gesamtkunstwerk. â€˜I am interested in dismantling prevailing hierarchies of value regarding these objects and materials by way of connecting them, thus putting them in a new context to each other. It's an alternative system or cycle.â€™ Embedded and held aloft as if on a weaverâ€™s loom, lowly materials such as found tree trunks, slices of Styrofoam, building offcuts and thin cloth swatches (seen in Unit 1, Unit 3 and Unit 4, all 2008) are reincarnated as a new kind of artwork, twisting traditional painting and sculpture into icons of vernacular art and craft. Alexandra Birckenâ€™s unmonumental stretcher frame sculptures are informed by her background in fashion design and interest in the radical aspects of handmade culture. A fragmentary array of irregular objects and organic shapes, often coloured by the artist, is hung and displayed on strings and aluminium rods.

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Skip to content The detritus, wool, reedy trunks and rags that find their way into Birckenâ€™s grids are reminiscent of the temporary architectures and all-incorporating make-do of alternative communities on the margins of mainstream society. The weaving and crafting involved in her method additionally brings to mind 1960s and â€™70s feminist art politics.

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hybridized forms, from ancient and modern cultural sources , pathos and humor, horror, sci-fi

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For over 25 years, Huma Bhabha (b. 1962, Karachi, Pakistan) has been making objects, drawings, and other works that depict the strangeness and vulnerability of the contemporary figure. Her hybridized forms, which borrow from ancient and modern cultural sources alike, exude pathos and humor, going straight to the heart of the most pressing issues of our time. Posing questions about the alien qualities of unfamiliar beings, and the criteria by which lifeforms are considered monsters, Bhabha locates the point where science fiction, horror, modernist form, and archaic expression intersect. The timelessness of her objects is enhanced by her technical mastery and her creative approach to her materials, by which she draws attention to the similarities and differences between natural and manmade substances. In monumental outdoor projects for public spaces, meanwhile, she uses bronze to stage large-scale meditations on nature, war, and civilization's ancient past and distant future.

Huma Bhabha has been the subject of solo exhibitions at institutions including the Casa Wabi Foundation, Puerto Escondido, Mexico (2022); BALTIC Centre for Contemporary Art, Gateshead, England (2020); Institute of Contemporary Art, Boston (2019); The Contemporary Austin, Texas (2018); David Roberts Art Foundation (2017); MoMA PS1, Long Island City, New York (2012); Collezione Maramotti, Reggio Emilia, Italy (2012); and Aspen Art Museum, Colorado (2011). In 2018, Bhabha was commissioned by The Metropolitan Museum of Art, New York, to create a site-specific installation for its Iris and B. Gerald Cantor Roof Garden. Notable group exhibitions include NIRIN, the 22nd Biennale of Sydney (2020); Yorkshire Sculpture International, Leeds and Wakefield, England (2019); Carnegie International, 57th Edition, Carnegie Museum of Art, Pittsburgh (2018); and All the World's Futures, 56th Venice Biennale, Italy (2015). Bhabha's work is in the permanent collections of the Centre Pompidou, Paris; Los Angeles County Museum of Art; Museum of Modern Art, New York; Whitney Museum of American Art, New York; Museum of Contemporary Art, Chicago; and Hirshhorn Museum and Sculpture Garden, Washington, D.C., where her monumental work We Come in Peace (2018) is on view in the museum's sculpture garden. Bhabha lives and works in Poughkeepsie, New York.

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David Kordansky Gallery is a contemporary art gallery with locations in Los Angeles and New York, representing more than fifty artists and artist estates.

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https://www.frankbenson.info/sculpture

hyper-real, 'arrested movement' surreal, uncomfortable

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Frank Benson (b. 1976, Norfolk, VA) is a contemporary artist based in New York, working in sculpture and photography.

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Small Room with Three Dead Birds and Falling Dictionary

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futuristic, post-human , animal hybrids

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newspaper collages

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The Modern Institute, 3 Aird's Lane, Glasgow

Tony Swain's paintings primarily occur on the surface of sheets of newspaper. Using this material support as a space in which to reconfigure and overpaint the original content, Swain replaces, blends, and obscures printed images with painted ones. His paintings weave together fantastical scenes and representations through a method that encompasses image repetition, multiple layers of paint over the printed page, and a stitching together of newspaper pieces to create extraordinary, fragmented compositions. Some of the imagery encountered in Swain's paintings includes landscapes, cityscapes, seascapes and interiors, alongside more abstract configurations, generated from the expectation of narrative. In each, an equilibrium between the painted scene and the newspaper's original content is reached - allowing the registration marks, colour bars and the printed text from the verso of the page to be left partially visible within the painting. Swain simultaneously uses the newspaper's photographs as key points for embellishment and painted images - 'a synthesis of document and imagination, external fact and internal thought'.

For The Shorter Alphabet Swain has produced several new paintings on pieced newspaper, following on from two recent solo presentations at the Baltic Centre for Contemporary Art, Gateshead and Kunstverein Freiburg.

Tony Swain (born.1967, Lisburn, Northern Ireland) lives and works in Glasgow. Swain graduated from The Glasgow School of Art in 1990. Selected solo presentations include: Undetailed Progress, BALTIC Centre for Contemporary Art, Gateshead (2015); Other Planets are Available, Kunstverein Freiburg (2015); Drowned Dust, Sudden Word, The Fruitmarket Gallery, Edinburgh (2012); Afterwards in Pictures, The Modern Institute, Glasgow (2011); Recollection Has Not Been Mentioned, Herald St, London (2010); Temperature is here too, Art Now, Tate Britain, London (2009); and Impure Passports, Inverleith House, Edinburgh (2008). Swain was one of the artists representing Scotland in Venice as part of the 52nd Venice Biennale in 2007. Recent group exhibitions include: Continue Without Losing Consciousness, DCA, Dundee (2014); A Picture Show, GOMA, Glasgow (2013); Transmitter/Receiver, Hayward Gallery, London (2011-2013, touring to mima Soundspace, Middlesbrough, The Lightbox, Woking, and Tullie House, Carlisle); and Le Drapeau Noir, Glasgow (2010).

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The Shorter Alphabet, 2015, The Modern Institute, 3 Aird's Lane, Glasgow - Tony Swain - The Modern Institute

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Tony Swain's paintings primarily occur on the surface of sheets of newspaper. Using this material support as a space in which to reconfigure and overpain...

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robert gober's slides of a changing painting

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robert gober's slides of a changing painting

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the transformation of images through the openness of paint

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drawing elements within painting

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JORGE QUEIROZ (Lisbon, 1966) lives and works in Lisbon.

The post-symbolic universe of Jorge Queiroz crosses drawing and painting into a diachronic dialogue in which both artistic practices contaminate and influence each other.

In Jorge Queiroz's work, drawing seems to happen at every moment. Throughout his paintings, evanescence - of line, form, figure and matter - moves immemorial and timeless images. Sometimes seemingly fleeting, sometimes languid and slow, the artist's painting appears and flows as if diluting itself in a vision where the depth of field and the saturation of perception change unpredictably, giving the works a kind of enigmatic strangeness in a perpetual pictorial and elemental intrigue.

He has studied in Ar.CO, Royal College of Arts in London and, in 1997, the artist enrolled at the School of Visual Arts, New York, living there for the next six years. In 2004, Queiroz moved to Berlin.

One should highlight his presence in Venice Biennale in 2003 and São Paulo Biennale in 2004 (by invitation of Francesco Bonami and Alfons Hug, respectively). In 2006, he participated in the 4 th Berlin Biennial for Contemporary Art and in Rennes Biennial (France) in 2016.

He has exhibited in institutions such as Centre Georges Pompidou (Paris, France), MUDAM (Musée d'Art Moderne-Duc Jean, Luxembourg), Palais de Tokyo (Paris, France), Fundação Calouste Gulbenkian (Lisbon), Serralves Museum (Oporto), FRAC Île-de-France Le Plateau (Paris, France), Walhof Museum (Bielefeld, Germany), FRAC Nouvelle-Aquitaine La MÉCA (Bordeaux, France), Carmona e Costa Foundation (Lisbon), Boijmans Van Beuningen Museum (Rotterdam, The Netherlands), FRAC Haute-Normandie (Sotteville-lès-Rouen, France), Lisbon Museum and Zé dos Bois Gallery (Lisbon).

Queiroz is represented in several particular and institutional art collections like MoMA; Centre Georges Pompidou; MAAT/EDP Foundation Collection; SFMOMA (Museum of Modern Art, San Francisco); Serralves Foundation; Calouste Gulbenkian Collection; FRAC (Fonds National D'Art Contemporain); FLAD; Caixa-Geral de Depósitos Collection; Deutsche Bank; PLMJ Foundation; Carmona e Costa Foundation; Portuguese State Contemporary Art Collection - CACE; Carré d'Art Musée d'Art Contemporain; CaixaFórum; Banco Privado Português; Portugal Telecom; La Banque Postale; Ilídio Pinho Foundation; o FRAC Haute-Normandie; Helga de Alvear Foundation; Oberrauch-Zitt; Per Amor a l'Art; Daniel et Florence Guerlain Collection; Fundación Mario Losantos del Campo, among others.

Exhibitions

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JORGE QUEIROZ (Lisbon, 1966) lives and works in Lisbon. The post-symbolic universe of Jorge Queiroz crosses drawing and painting into a diachronic dialogue in which both artistic practices contaminate and influence each other. In Jorge Queiroz's work, drawing seems to happen at every moment.

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and here https://www.moma.org/artists/28546

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Selected Group Exhibitions

Some Where Between the Odd and Ordinary, 21st Century Museum of Contemporary Art, Kanazawa (with Zon Ito)
SOUTH SOUTH TOKYO, Take Ninagawa, Tokyo

Masterpieces of the National Museum of Art, Osaka: Clues for Art Appreciation, Toyohashi City Art Museum, Aichi; Fukuoka Prefectural Museum of Art, Fukuoka- 2019
Treasure Box of Contemporary Art: OPAM Toshioka Collection, Oita Prefectural Art Museum, Japan
Public Art Research Center 8 [PARC8], Sapporo Ekimae-dori Underground Walkway (Chi-Ka-Ho), Japan (with Zon Ito)
helen at the mountain, Tetsuo's Garage, Tochigi, Japan
181 pieces of Memories - Footsteps of the Takamatsu Art Museum's Special Exhibition -, Takamatsu Art Museum, Japan
10th Anniversary, Take Ninagawa, Tokyo

In Focus: Contemporary Japan, Minneapolis Institute of Art, Minnesota
Post-Formalist Painting, Komagome Soko, Tokyo
Reborn-Art Festival in Tokyo, WATARI-UM, Watarium Museum of Contemporary Art, Tokyo (with Zon Ito)
Reborn-Art Festival 2017, Ishinomaki, Miyagi, Japan (with Zon Ito)
Collection - Contemporary Landscapes, The National Museum of Art, Osaka
Tsubaki-kai 2017 - Shoshin (beginner's mind), Shiseido Gallery, Tokyo

Contemporary tales from the province IV -Susaki artist in residence-, Susaki Machikado Gallery, Kochi, Japan
Location, Location, Location, Marc Foxx Galley, Los Angeles, California
Troedsson Villa Mountain School 2016, statements, Tokyo
Tsubaki-kai 2016 - Shoshin (beginner's mind), Shiseido Gallery, Tokyo
Imprisoned, Jailbreak, Imprisoned, Jailbreak, statements, Tokyo

Takamatsu Contemporary Art Annual vol.01 - Another Carnival, Takamatsu City Museum of Art, Japan
The More I Draw - Drawing as a Concept for the World, Museum fur Gegenwartskunst, Siegen, Germany
Garden of Painting - Japanese Art of the 00s, The National Museum of Art, Osaka

documenta 12, documenta halle, Kassel, Germany
The Door into Summer: The Age of Micropop, Contemporary Art Gallery, Art Tower Mito, Japan

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Selected Group Exhibitions Some Where Between the Odd and Ordinary, 21st Century Museum of Contemporary Art, Kanazawa (with Zon Ito) SOUTH SOUTH TOKYO, Take Ninagawa, Tokyo Masterpieces of the National Museum of Art, Osaka: Clues for Art Appreciation, Toyohashi City Art Museum, Aichi; Fukuoka Prefectural Museum of Art, Fukuoka- 2019

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Where the Bodies Are Buried - Lindsey Mendick

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artwork gober untitled gober sculptures tick tock museum artsy jerry saltz colored pencil art

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hurvin anderson barber shop - Google Search

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hepworth wakefield artworks paintings studio museum artist anderson art series back anderson paintings contemporary art auction

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and here http://thisistomorrow.info/articles/francesco-clemente-palimpsest

and here https://gagosian.com/exhibitions/2002/francesco-clemente-the-book-of-the-sea/

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francesco clemente watercolors - Google Search

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20th C dutch painter

scale, body, landscape

probing the inner life and underlying strangeness of ordinary things.

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painting drawing book r museum artworks westerik's drawings michel basquiat artist westerik artwork visual artist

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British painter Faye Wei Wei’s bold, poetic works quiver with a lively, lyrical motion, combining classical poise with vibrant immediacy. Working on a large scale, Wei Wei conceives of the painting process as an intimate choreography between actual and pictorial space. Often revolving around spiritu…

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see the video of her set up to paint in a loose quick and instinctive way

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Sophie von Hellermann at Vilma Gold – Art Viewer

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childhood memory , psyche, isolation

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Works by Andrzej Jackowski: Dawn Wedding, 2022 , Dawn Wedding 2, 2022 , Dawn Wedding 3, 2022 , Light-Years, 2021 , Bird and Brambles, 2022 , Brambles, 2022 , Dwelling, 2022 , Dwelling 2, 2022 , Night Dwelling 1 , 2021 , Night Dwelling 2 , 2021 , Vigilant ,...

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freestanding canvases, also see works on found bits of magazines/ newspapers

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francesca mollet installation of painting on floor

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francesca mollet installation of painting on floor

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found objects

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Merlin James approaches the history and legacy of painting with a highly considered and unconventional viewpoint. As commented by Artforum's Sherman Sam, his work "has sought to rigorously problematise the experience of painting while simultaneously deepening its formal language". Generally small in scale, his works depict diverse subject matter including vernacular architecture, riverside views, post-industrial landscapes, empty interiors, mysterious figures and scenes of sexual intimacy. His 'frame paintings' on gauzy, sheer material treat the structure of the picture frame and stretcher bar as an integral part of the work, while works on canvas might be collaged with tufts of hair or sawdust, distressed, pierced, cropped or heavily overpainted. Also an erudite and thoughtful critic, James has a deep engagement with the history of art and this knowledge shapes and informs his practice. His works refine and renew many of painting's most time-honoured concerns - genre and narrative, pictorial space and expressive gesture, the emotive resonance of colour and texture.

Merlin James lives and works in Glasgow, Scotland.

We are delighted to announce a landmark publication from Merlin James offering the most comprehensive overview of his career to date. Compiling 40 years of the artist's painting practice, with full-colour reproductions of almost 300 artworks, organised non-chronologically and guided instead by the various threads and motifs that have woven throughout his career over the past four decades.
PURCHASE NOW

Merlin James has had numerous solo exhibitions, including at Kettle's Yard, Cambridge; Venice Biennale, Wales Pavilion; Sikkema Jenkins, New York; KW Institute, Berlin; Kunstsaele, Berlin; CCA, Glasgow; Kunstverein, Freiberg; Douglas Hyde Gallery, Dublin; OCT, Shunde & Shenzhen; Anton Kern, New York; Philadelphia Art Alliance. Selected international collections include Tate, London; Musée d'Art Moderne de la Ville de Paris; Dallas Museum of Art, Dallas; Sifang Art Museum, Nanjing, China and National Museum of Wales, Cardiff. In 2023, James had a two-person exhibition, Double Shuffle, with Victoria Morton at Kerlin Gallery, Dublin. The exhibition coincided with the launch of a landmark new publication gathering 40 years of the artist's work.

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Merlin James approaches the history and legacy of painting with a highly considered and unconventional viewpoint. As commented by Artforum's Sherman Sam, his work "has sought to rigorously problematise the experience of painting while simultaneously deepening its formal language".

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marc camille chaimowicz wallpaper - Google Search

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light and dark

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artwork painting self portrait b52 captain ricoh imaging book columbus ne linkedin obituary

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tom fedro tom petty upside down artists sasha bom saatchi art romantic landscape werner painting prize dowdeswell

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surrealism

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war drawing summer solstice vernal equinox artist photography moon megaliths iden wwi

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drawing self portrait painting still life prints auctions peter freeman murphy art hyperallergic

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https://salon94.com/artists/lisa-brice/artworks/between-this-and-that/

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artist drawing trinidad self portrait works tracing paper mirror print door bar

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flight drawings, maps, borders , networks

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Born in Venezuela to Grenadian and Haitian migrant workers, Alvaro Barrington was raised between the Caribbean and Brooklyn, New York, by a network of relatives ...

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simple spaces, ambiguity between interior and exterior, recurrent motifs and symbols

https://www.google.com/search?sca_esv=574427856&hl=en-GB&sxsrf=AM9HkKl9CHEPaBUZ92UkbDQD0kWDc87Mfg:1697629916048&q=hiroshi+sugito&tbm=isch&source=lnms&sa=X&ved=2ahUKEwj9m-ygxP-BAxXIQ0EAHZGPDe0Q0pQJegQIDRAB&biw=1438&bih=706&dpr=1

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intimate everyday scenes on aluminium

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Info. b. 1993, based in Wakefield, West Yorkshire, UK. BA Hons Fine Art (International), University of Leeds, 2017.

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cartoonish, bright, made flat pooling colour

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Katherine Bernhardt - Biography, Shows, Articles & More | Artsy

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Discover and purchase Katherine Bernhardt's artworks, available for sale. Browse our selection of paintings, prints, and sculptures by the artist, and find art you love.

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collage paper on board, see also sculpture works

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collage paper on board paintings that become sculptural

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body, earth, archaeology, mythology

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Perhaps the most influential artist of the 20th century, Pablo Picasso may be best known for pioneering Cubism and fracturing the two-dimensional picture plane in order to convey three-dimensional space. Inspired by African and Iberian art, he also contributed to the rise of Surrealism and Expressionism. Picasso's sizable oeuvre grew to include over 20,000 paintings, prints, drawings, sculptures,ceramics, theater sets, and costume designs. He painted his most famous work, Guernica (1937), in response to the Spanish Civil War; the totemic grisaille canvas remains a definitive work of anti-war art. At auction, a number of Picasso's paintings have sold for more than $100 million. The indefatigable artist has been the subject of exhibitions at the world's most prestigious institutions, from the Museum of Modern Art and Centre Pompidou to the Stedelijk Museum and Tate Modern.

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Danny Leyland | The Old City Ruins (2019) | Available for Sale | Artsy

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Available for sale from Arusha Gallery, Danny Leyland, The Old City Ruins (2019), Oil on canvas, 78.5 × 51.5 cm

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abstract portrait early studio painter artwork line neo expressionism hauser and wirth moma

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made with a mechanical loom type system

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Pia Fries was born in Beromünster, Switzerland. She first studied painting at the Lucerne University of Applied Science and Arts under Anton Egloff. Later, Fries studied under Gerhard Richter at the Academy of the Arts, Düsseldorf as a master scholar. She has taught in various capacities at the Lucerne University of Applied Science and Arts, at the Academy of Arts, Karlsruhe, and at the Berlin University of the Arts. Since 2014, she has held a professorship at the Academy of Fine Arts, Munich.

Fries's gestural abstractions incorporate visceral globs of paint, precise washes, and magnified sections of old master etchings in the form of screen prints. Fries allows these elements to float in space, leaving much of her canvas unworked. This allows the eye to explore the various textures and materials, tracing the contours of her gestures. The pristine white ground, and the precise delineation of Fries's abstract marks give them a sense of palpable volume, as if they were filling a three-dimensional space. Thus, Fries turns modernist abstraction inside out: rather than drawing attention to the surface of the support, or the flatness of an abstract composition, her carefully loaded brushstrokes create the impression of volumetric space, molded and compressed by viscous paint, thin washes, and screen-printed fragments of old-master etchings.

Fries has shown in solo exhibitions at the Museum Kunstpalast Dusseldorf; the Lindenau Museum Altenburg; the Kunstmuseum Winterthur; and the Lucerne Art Musuem. Her work is housed in institutions in the United States and Europe, including the Josef Albers Museum, Bottrop; the Detroit Institute of Art; Museum Folkwang, Essen; Niedersächsische Sparkassenstiftung Collection, Hanover; Los Angeles County Museum of Art; Art Museum Lucerne; Musée d`Art Moderne de la Ville de Paris; and the Museum of Contemporary Art, San Diego. She has received numerous accolades and fellowships throughout her career including the Art and Culture Prize of the City of Lucerne in 2014 and the Gernard Altenbourg Prize from the Lindenau Museum Altenburg in 2017.

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Pia Fries was born in Beromünster, Switzerland. She first studied painting at the Lucerne University of Applied Science and Arts under Anton Egloff. Later, Fries studied under Gerhard Richter at the Academy of the Arts, Düsseldorf as a master scholar.

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large and loose paintings of animals. Not got much about them other than a nice slippery handling of paint

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Selected Paintings 2022 - - DAVID SURMAN

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David Surman is an artist based in London.

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https://www.google.com/search?q=chicago+imagists+roger+brown&tbm=isch&ved=2ahUKEwjvnJegvv-BAxVaWKQEHQqQBM8Q2-cCegQIABAA&oq=chicago+imagists+roger+brown&gs_lcp=CgNpbWcQAzIECCMQJ1CfBVifBWCXB2gAcAB4AIABPYgBdZIBATKYAQCgAQGqAQtnd3Mtd2l6LWltZ8ABAQ&sclient=img&ei=kMAvZe-UAtqwkdUPiqCS-Aw&bih=719&biw=1438

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limited colour palette, haziness, flatness

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taking canvas to a place

https://petermatthews.org/

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The online gallery of paintings created by the artist Conor Rogers.

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distilled desolate landscapes

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"The A13 is a lucky road; in this early light, splintered, engorged by redness, blood-mess, Turner-melt. An undeviating sun franchise. Liquid gold. Like a drench. A transfusion. The veins stood out in Norton's shoulder. You could see the nest of them pulsing beneath his cheap jacket. Out here, the missing slabs of the map didn't matter: everything was missing. Everything was transitional, a series of flats, slatted hoardings that transformed luxury vehicles into obtrusively-breasted young women. Real buildings, ex-industrial, were less convincing than the replicas: deserts, oceans, gas stations in New Mexico. A post-nuclear clarity. Fault lines radiating out from monster boards onto the camber of the road."

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"The A13 is a lucky road; in this early light, splintered, engorged by redness, blood-mess, Turner-melt. An undeviating sun franchise. Liquid gold. Like a drench. A transfusion. The veins stood out in Norton's shoulder. You could see the nest of them pulsing beneath his cheap jacket.

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paintings adorned with objects, figurative and lots of use of pattern

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Christopher Ofili, (born 10 October 1968) is a British painter who is best known for his paintings incorporating elephant dung. He was Turner Prize-winner and one of the Young British Artists. Since 2005, Ofili has been living and working in Trinidad and Tobago, where he currently resides in the city of Port of Spain. He also has lived and worked in London and Brooklyn.

Ofili has utilized resin, beads, oil paint, glitter, lumps of elephant dung and cut-outs from pornographic magazines as painting elements. His work has been classified as "punk art."

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body, sexuality, landscape, symbolism, watercolour

http://www.hooliganartdealer.com/hooliganartdealer/David_Gardner.html

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art drawing landscape malarstwo portrait polin tate modern untitled anton kern forest

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drawing max mara art prize dundee contemporary painting talbot art royal college

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stegela facebook santa angela sor angela turner prize larger than life artists auction painting saint angela

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The body as landscape (perspective)

Venezuelan painter b.1920 only recently come to be well known . 'Hurtado continued to explore themes of language and nature with her work, focusing on the planet, natural elements, and the environment in recognition of the urgency of the ecological crisis.' non -anthropocentric view of the world brings interesting viewpoints to the paintings

https://www.youtube.com/watch?v=suSBjtLwX-0&list=PLSESB7CRBfNkekj0oQ1mBiCSczIRHW61X&index=20

https://www.hauserwirth.com/artists/23262-luchita-hurtado/#

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https://www.google.com/search?q=agnes+pelton+artist&tbm=isch&ved=2ahUKEwjXx8280uiBAxU_nCcCHa2EBn0Q2-cCegQIABAA&oq=agnes+pelton+artist&gs_lcp=CgNpbWcQAzIFCAAQgAQ6BwgAEBgQgAQ6BggAEAgQHlDRB1jsDWC5DmgAcAB4AIABR4gBsAOSAQE3mAEAoAEBqgELZ3dzLXdpei1pbWfAAQE&sclient=img&ei=wsYjZdfeFr-4nsEPrYma6Ac&bih=719&biw=1438&hl=en-GB
mystical american landscapes

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landscape and time. sense of uncertainty of scale and subject matter

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https://prints.okeeffemuseum.org/search/subject/landscapes+and+scenery

https://prints.okeeffemuseum.org/search/subject/landscapes+and+scenery/pg/2

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also search 'sidney nolan polyvinyl acetate' works done mixing dry pigments with PVA and lots of scraping and semi transparent layers

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https://www.google.com/search?q=sidney+nolan+spray+painting&tbm=isch&ved=2ahUKEwjGj638z-iBAxVuoScCHWAODhIQ2-cCegQIABAA&oq=sidney+nolan+spra&gs_lcp=CgNpbWcQARgAMgQIIxAnOgcIABCKBRBDOgUIABCABDoGCAAQCBAeOgcIABAYEIAEUJgCWMwNYK8TaAFwAHgAgAHZAYgBgwWSAQU2LjAuMZgBAKABAaoBC2d3cy13aXotaW1nwAEB&sclient=img&ei=IsQjZcb2Le7CnsEP4Jy4kAE&bih=719&biw=1438#imgrc=1DU9fDUy7P8xhM&imgdii=RqbhvDR9UQvDbM

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https://www.tate.org.uk/art/artists/markus-lupertz-8594

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paintings of imagined catastrophe/ disasters

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reconfigures own name over and over

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https://www.google.com/search?sca_esv=571840155&hl=en-GB&sxsrf=AM9HkKmyLhDckrv-APmXMTv7jNWttJb9tg:1696841961736&q=silke+otto+knapp+paintings&tbm=isch&source=lnms&sa=X&ved=2ahUKEwiw1fnyzOiBAxXWVEEAHSQyDdUQ0pQJegQIDBAB&biw=1438&bih=719&dpr=1#imgrc=m15gss-MJx0SfM

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https://www.youtube.com/watch?v=aOWE2520ib4&t=1029s

great insight into wide ranges of contexts that informed her thinking towards building an exhibition

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interesting viewpoints, drone like

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socialist realism × romanian artist serban contemporary art romanian artsy biography romania gallery savu artists canvas romanian painter

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large scale figurative paintings, high contrast between light and dark

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Mohammed Sami on his exhibition 'The Point 0', at Camden Art Centre, 2023

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Danica Lundy - crazy viewpoints/ perspectives

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Danica Lundy - crazy viewpoints/ perspectives

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author who's work (and this interview) talks about objects having spirits

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Listen to this episode from The Great Women Artists on Spotify. THIS WEEK on the GWA Podcast, I interview one of the most important, pioneering and impactful writers and novelists working today, Ruth Ozeki. In this episode, we deep dive into looking, writing, observation and perception in a fascinating discussion that traverses objects, the written form, imagination and memoir.

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figures with ambiguous identities/ forms/ relatonships

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look closely at his works, often adorned with objects such as conkers - videos on youtube

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ben edmunds - paintings made from adventure sports equipment

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ben edmunds - paintings made from adventure sports equipment

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2016 - 2018 Royal College of Art, MA Painting

2013 - 2016 Wimbledon College of Art, BA Painting
SOLO EXHIBITIONS
2023

Second Mountain. Tatjana Pieters, Belgium (BE)

2022

Happiness. The Shophouse, Hong Kong (HK)

Closer to the wind. L21 Barcelona, Barcelona (ES)

2021

Universal Tomorrow, Manchester (UK)

Almost Somewhere, Choi&Lager Gallery, Seoul (KR)

It won't last forever (or maybe it will), Tatjana Pieters Gallery, Gent (BE)

2020

Happiness TM, The Shophouse, Hong Kong (HK)

2019

Where should I go from here?, Kaikai Kiki Gallery, Tokyo (JP)

2017

Lost Horizons, Noble Studios, London (UK)

Kick Off, Carousel, London (UK)
GROUP EXHIBITIONS
2023

Entre Cajas. L21 Home, Palma (ES)

L21 Broadcasting from Paris. JPS Paris, Paris (FR)

Search Party. Tatjana Pieters, Belgium (BE)

2022

Portraits and monochromes. ARTUAL, Beirut (LBN)

2021

From Head To Toe. L21 Gallery, Palma de Mallorca (ES)

Not Painting. Copperfield, London (UK)

2020

Something unknown is doing we don't know what, County Street, London (UK)

2019

Adieu to Old England, the Kids are Alright, Choi&Lager Gallery, Cologne (DE)

Summer Exhibition, Kaikai Kiki Gallery, Tokyo (JP)

Le Main Qui Dessinait Toute Seule, Danysz Gallery, Shanghai (CN)

There's Something About Painting, Tatjana Pieters Gallery, Gent (BE)

Deeply, Galleria Patricia Armocida, Milan (IT)

FBA Futures, Mall Galleries, London (UK)

2018

Les Mains dans les Poches, Pierre Poulet, Bordeaux (FR)
ART FAIRS
2023

CAN ART IBIZA 2023. L21 Gallery, Ibiza (ES)

2022

ARCOmadrid. L21 Gallery, Madrid (ES)

2021

UNTITLED ART MIAMI. L21 Gallery, Miami (US)

ARCOmadrid. L21 Gallery, Madrid (ES)
AWARDS
2018

Hine Painting Prize
2018

Red Mansion Art Prize (shortlisted)
2016

Aidan Threlfall Scholarship
2015

Prunella Clough Scholarship (shortlisted)

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Contemporary art gallery in Mallorca, Spain.

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olafur eliasson the weather project - Google Search

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often installs paintings around corners like pages of a book

strong element of drawing and economy of line to the paintings

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Rose Wylie: interview (part one), Kent, 7 July 2014

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https://www.piano-nobile.com/artists/87-craigie-aitchison/

beautiful series of crucifix paintings, vibration of colour in light and dark

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objects and material history

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incredibly personal, honest and revealing exhibition on her (and society's) problematic relationship with alcohol and binge drinking

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Lindsey Mendick's work is one of confession, where taboo topics and uncomfortable truths are revealed with candour and humour. Her work is characterised by an intense attention to detail and verisimilitude, whereby everyday scenes - a nightclub, a kitchen, a bedroom - are expertly crafted in ceramic and staged in larger-than-life tableaux. Mendick is transforming Jupiter's Ballroom Gallery and Steadings Gallery into a diptych of nightlife; one that draws inspiration from the gothic novella The Strange Case of Dr Jekyll and Mr Hyde with all its troubling contentions of virtue, appearance, public shaming and masking. Like an anxiety dream come to life, there is a sobering mirroring of contemporary binge drinking culture and gender-based shaming presented in the work, although the anticipated judgemental tone is noticeably absent. By subverting the genre of morality tale, Mendick's work opens a space where our public and private faces can be encountered without prejudice.

Lindsey Mendick graduated from Royal College of Art in 2017 and is currently based in Margate. Her work has been shown in solo exhibitions at Carl Freedman Gallery, Margate. Her work was also included in the major exhibition, Strange Clay: Ceramics in Contemporary Art at the Hayward Gallery, London. With her partner, the artist Guy Oliver, Mendick initiated Quench Gallery in Margate to provide vital support for early career artists through exhibitions and mentoring.

Mendick also presents Where The Bodies Are Buried, at Yorkshire Sculpture Park until 3 September 2023.

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Lindsey Mendick: SH*TFACED - Jupiter Artland

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Lindsey Mendick's work is one of confession, where taboo topics and uncomfortable truths are revealed with candour and humour. Her work is characterised by an intense attention to detail and verisimilitude, whereby everyday scenes - a nightclub, a kitchen, a bedroom - are expertly crafted in ceramic and staged in larger-than-life tableaux.

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amazing painter, very atmospheric and alive. Contexts of war-torn Baghdad and offering non-stereotypical images of conflict- "to reduce the conflict to the ordinary"

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Mohammed Sami on his exhibition 'The Point 0', at Camden Art Centre, 2023

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Keith Coventry Kebab Paintings including Achilles Kebab, Agamemnon Kebab and Kebabs Odysseus Epeius Tantalus.

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also a sense of dark humour, observations of human behaviour , voyeuristic

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Tala Madani: I Really Laugh When I Paint

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Louisiana Channel

TateShots

Art21

South London Gallery

Nottingham Contemporary

Caustic Coastal

William Kentridge: https://www.youtube.com/watch?v=cdKkmSqYTE8&list=PLtxVM47qfVNCiZGjrzGk68GpwXVCtUVHo

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William Kentridge | Drawing Lesson One: In Praise of Shadows

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A Brush With...

TalkArt

Great Women Artists

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interesting perspective of the world from view point of AI

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Read 34.3k reviews from the world's largest community for readers. From her place in the store, Klara, an Artificial Friend with outstanding observational ...

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beautiful layering of soft pastels built up

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paintings on silk fabric, light, colour, shadow, movement