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The Rose - Link To Article from Brittanica Academic. Includes Article, Images & Videos, Related, and Article History. Playhouse built in London, by Philip Henslowe. Actively Used from 1587 til roughly 1605, when it was torn down. Competitor to Shakespeare's Globe. Foundations, which were all that were left of the theatre, were discovered in about 1989.

Fortune - Link To Article from Brittanica Academic. Includes Article, Images & Videos, Related, and Article History. Built to compete with Shakespeare's Globe by Peter Street, the same contractor who built The Globe. Comissioned by Phillip Henslowe, when his previous theatre, The Rose, had fallen into disrepair. Burned down in 1621, and was rebuilt with brick. Torn down in 1661.

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The Coliseo- Link To Article from Brittanica Academic. Section on Developments in France and Spain. Permanent theatre, built by Cosimo Lotti, in Madrid. Likely the first proscenium style theatre in Spain.

Corral del Principe- Link To Article from Brittanica Academic. Section on Spain's Golden Age. One of the first permanent theatres in Spain, the Corral del Principe was established in 1582. Like most corrales, audience stood in patio or sat in galleries, and women likely had to sit in a separate gallery.

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Teatro Farnese - Link to article from Brittanica Academic. Includes Article, Images & Videos, Related, and Article History. Italian Baroque, located in Parma, Italy. Oldest surviving theatre with a permanent proscenium, for which it is called "the prototype of the modern playhouse." Renovated in early 18th century, destroyed in WWII, and rebuilt after.

Teatro Olimpico - Link to article from Brittanica Academic. Section on Revival of Theatre Building in Italy. Commissioned and designed by Andrea Palladio, who died before the work was done. Finished by Vincenzo Scamozzi in 1585. Permanent indoor theatre, first of its kind. Survived intact.

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Anne Boleyn- Link To Article from Brittanica Academic. Includes Article, Images & Videos, Related, and Article History. Henry VIII's second wife, of six. Queen Elizabeth I's mother. Born sometime around 1507, and beheaded in 1536. Famously, Henry VIII's desire to divorce Catherine of Aragon in order to be with her is what caused him to split from the Roman catholic Church and form The Church Of England.

Masques- Link To Article from Brittanica Academic. Includes Article, Images & Videos, Related, and Article History. A form of entertainment in which participants disguised themselves and joined together in dance. varied from a simple procession of those disguised to an elaborate stage show/pageant. Reached its cultural height under court poet to the Stuarts, Ben Jonson.

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Zarzuelas- Link To Article from Brittanica Academic. Includes Article, Images & Videos, Related, and Article History. Spanish or Spanish-derived musical theatre.

Festival of Corpus Christi- Link to Britannica.com. Festival from the Roman Catholic Church in honor of the Eucharist. Also called Solemnity of the Most Holy Body and Blood of Christ. Originated in 1246.

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The Humanism Movement- Link To Article from Brittanica Academic. Includes Article, Images & Videos, Related, Article History, and a vast Table of Contents. Movement that originated in Norther Italy during the 13th and 14th centuries, before later spreading through Europe and England. Huge influence on the renaissance as a whole. Basic principles include Classicism, Realism, Critical Scrutiny, Emergence of the individual/ the idea of human dignity, and active virtue.

Origins of Opera- Link To Article from Brittanica Academic. Includes Article, Images & Videos, Related, Article History, and a vast Table of Contents. Though poetic and biblical dramas included music for centuries, earliest direct ancestors appeared in 16th century. Florence was called the birthplace of opera.

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Philip Henslowe- Link To Article from Brittanica Academic. Includes Article, Images & Videos, Related, and Article History. Article calls him the "most important English theatre proprietor and manager of the Elizabethan Age." Lived from 1550-1616. Built both The Rose theatre and Fortune Theatre. His company, the Admiral's Men, were the competition for Shakespeare's Lord Chamberlain's Men. His Diary became an incredible and important source for theatre history in England.

Thomas Middleton- Link To Article from Brittanica Academic. Includes Article, Images & Videos, Related, and Article History. Dramatist from the late Elizabethan period. Wrote Women Beware Women. Lived from 1850-1627. Most successful work was titled A Game at Chess, which is interesting because Women Beware Women features a very pivotal chess game as well.

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Fernando de Rojas- Link To Article from Brittanica Academic. Includes Article, Images & Videos, Related, and Article History. Spanish author of prose fiction/drama, who lived from 1465-1541. Wrote one work, La Celestina, also called Comedia de Calisto y Melibea (1499) and Tragicomedia de Calisto y Melibea (1502)

Lope de Rueda- Link To Article from Brittanica Academic. Includes Article, Images & Videos, Related, and Article History. Spanish Dramatist who lived from 1510-1565. Said to have paved the way for Lope de Vega. Autor of a traveling theatre company. Wrote several pasos, as well as longer comedias, including Medora, Armelina, Eufemia, and Los engañados. Also wrote dialogues, including Camila, Tymbira, and Prendas de amor. His work is said to derive from Italian Comedy.

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Sebastino Serlio- Link To Article from Brittanica Academic. Includes Article, Images & Videos, Related, and Article History. Italian architect, painter, and theorist. Lived from 1475-1554. His buildings weren't necessarily important or influential, but the treatise he wrote, utte l’opere d’architettura, et prospetiva (1537–75; “Complete Works on Architecture and Perspective”) represented the first practicle handbook to architecture, and was the first to catalog the five orders.

Giacomo Torelli- Link To Article from Brittanica Academic. Includes Article, Images & Videos, Related, and Article History. Italian engineer, architect, and stage designer. Lived from 1608 to 1678. Built the Teatro Novissimo in Venice, and installed a chariot-and-pole system for changing scenery, as well as a revolving stage. Also created the first successful machinery for rapid set change. His successor, Gaspare Vigarani, destroyed his sets and machinery in an apparent fit of jealousy, but the designs were later republished by philosopher Denis Diderot.