# data[].attributes.body
Sandy Koufax
1) was known for being the best baseball pitcher in the 1960s.
2) very tall person he was 6 ft. and 2 inches.
3) He started playing on June 24 1955.

# data[].attributes.attachment_link.readable_text
How old is Sandy Koufax?

Sandy Koufax is 87 years old.

When was Sandy Koufax born?

Sandy Koufax was born on December 30, 1935.

Where was Sandy Koufax born?

Sandy Koufax was born in Brooklyn, NY.

How tall is Sandy Koufax?

Sandy Koufax is 6-2 (188 cm) tall.

How much did Sandy Koufax weigh when playing?

Sandy Koufax weighed 210 lbs (95 kg) when playing.

How many seasons did Sandy Koufax play?

Sandy Koufax played 12 seasons.

Is Sandy Koufax in the Hall of Fame?

Sandy Koufax was elected into the Hall of Fame in 1972.

What position did Sandy Koufax play?

Sandy Koufax was a Pitcher.

How many strikeouts did Sandy Koufax have?

Sandy Koufax had 2,396 strikeouts over his career.

How many teams has Sandy Koufax played for?

Sandy Koufax played for 2 teams; the Brooklyn Dodgers and Los Angeles Dodgers.

How many World Series has Sandy Koufax won?

Sandy Koufax has won 4 World Series.

When did Sandy Koufax retire?

Sandy Koufax last played in 1966.

What are Sandy Koufax's nicknames?

The Left Arm of God is a nickname for Sandy Koufax.

# data[].attributes.attachment_link.title
Sandy Koufax Stats, Height, Weight, Position, Rookie Status & More | Baseball-Reference.com

# data[].attributes.attachment_link.description
Sandy Koufax is 87 years old. Sandy Koufax was born on December 30, 1935. Sandy Koufax was born in Brooklyn, NY. Sandy Koufax is 6-2 (188 cm) tall. Sandy Koufax weighed 210 lbs (95 kg) when playing. Sandy Koufax played 12 seasons. Sandy Koufax was elected into the Hall of Fame in 1972.

# data[].attributes.body
The three sons 1960
1) Its the second longest running sitcom in history.
2) The theme song is my three sons theme song
3) The tv show the three sons was made by don Feder son

# data[].attributes.attachment_link.readable_text
I never thought that Fred MacMurray would ever get a biography written about him simply because of the subject. The man was apparently as normal as he seemed. No scandals of any kind, no movie or television star temperament, no salacious gossip of any kind. Still a good biography was written about him in the past couple of years.

When MacMurray was offered My Three Sons his film career had rejuvenated due to Walt Disney's, The Shaggy Dog. Quite frankly MacMurray wanted to have it all, but there are only 365 days a year. Producer Don Fedderson to get his participation in the show agreed to a system whereby all of his scenes in all of the show's episodes were shot first, taking about 2 months. Then everyone else's scenes were shot and the episodes edited together. It allowed Fred time for his outside work, mostly with Walt Disney.

This was a firm and fast rule, even guest stars who didn't get around to their commitments on a show, found themselves saying their dialog to furniture as the episodes were put together. If they could be called back, they were, otherwise it was playing to the scenery.

What I find amazing is that people actually put up with this, but there's no denying the success of the results. My Three Sons had a twelve year run on the show, all of the original sons got married and started families. One son, Tim Considine quite halfway through the run like Adam Cartwright, still the show kept going as MacMurray adopted Barry Livingston to keep the trio with Don Grady and Barry's older brother Stanley Livingston.

Females gradually entered the all male household with the marriages of Considine to Meredith MacRae, Grady to Tina Cole, and Livingston to Ronne Troup. And the big finish was in those final couple of seasons as widower MacMurray married Beverly Garland and became a stepfather of girls for the first time with Dawn Lyn.

Before the females invaded the household chores and the raising of the boys was assisted by William Frawley and later William Demarest. Both had done films with MacMurray back in the old days. Frawley's health so declined the producer's could not get him insured any longer. He was not a happy camper when he was let go.

When My Three Sons completed its run, gentle family comedies like this were going way out of style. Shows like All In The Family which had a more pessimistic view of the human condition were the vogue when the Seventies were ushered in. Still the show provides some fond memories for me and it had the weirdest shooting schedule allowing it's star to have it all.

# data[].attributes.attachment_link.title
My Three Sons (TV Series 1960-1972) - IMDb

# data[].attributes.attachment_link.description
My Three Sons: With Fred MacMurray, Stanley Livingston, Don Grady, Barry Livingston. Widower Steve Douglas raises three sons with the help of his father-in-law, and is later aided by the boys' great-uncle. An adopted son, a stepdaughter, wives, and another generation of sons join the loving family in later seasons.

# data[].attributes.body
Elizabeth taylor.
1) She started filming when she was a child.
2) Was a famous actress when she was a child.

3) Elizabeth taylor was one of the last major star to have come out in the old hollywood studio system.

# data[].attributes.attachment_link.description
Elizabeth Taylor. Actress: Who’s Afraid of Virginia Woolf?. Elizabeth Rosemond Taylor was considered one of the last, if not the last, major star to have come out of the old Hollywood studio system. She was known internationally for her beauty, especially for her violet eyes, with which she captured…

# data[].attributes.body
Chitty chitty bang bang  dec 18 1968
1) The chitty chitty bang bang was a story about a car for children's.
2) Some of the English countryside was French
3) Phil Collins was an extra.

# data[].attributes.body
The type writer.
1) These replaced the type bars with a special element added.
2) It was originally made for printing and making copies of numbers.

3) It is used to encourage  the spread of conversations.

# data[].attributes.attachment_link.title
Working Vintage Typewriters For Sale - 1960's Typewriters

# data[].attributes.attachment_link.description
Category archive for 1960's Typewriters.

# data[].attributes.body
Micheal jackson
.One of his famous songs was “don't stop til’ you get enough”
Donovan
.Donovan lit up the 1960s with his psychedelic folk rock.
Bob dylan
.He wrote like 500 songs and were recorded with over 2,000 artist

# data[].attributes.attachment_link.readable_text
These are the top 100 artists and 60s bands of the decade. This list of 60s music was compiled using several sources including chart rankings, music video rotation, radio airplay, genre influence, and cultural influence to name a few.

51. The Ronettes
52. Janis Joplin/Big Brother & Holding Company
53. The (Young) Rascals
54. The Animals
55. Mary Wells
56. Ike & Tina Turner
57. The Band
58. Lee Dorsey
59. The Velvnderground
60. Junior Walker & The All-Stars

61. The Dave Clark Five
62. The Jackson Five
63. The Righteous Brothers
64. Buffalo Springfield
65. Gary "U.S." Bonds
66. Donovan
67. The Crystals
68. The Delfonics
69. Frank Zappa & The Mothers Of Invention
70. Lesley Gore
More 60s Content

# data[].attributes.attachment_link.title
Top 100 Artists Of The 60s - Top40Weekly.com

# data[].attributes.attachment_link.description
These are the top 100 artists and 60s bands of the decade. This list of 60s music was compiled using several sources including chart rankings, music video rotation, radio airplay, genre influence, and cultural influence to name a few. 51. The Ronettes 52. Janis Joplin/Big Brother & Holding Company53.

# data[].attributes.body
Baby dolls
.Baby dolls were for little girls to play with
Barbie accessories
.Barbie accessories were cute clothes bags etc, to dress up your barbie doll
twister
.The twister toy was played when there were parties and events with family

# data[].attributes.attachment_link.title
Skooldays - Nostalgic & Vintage Memorabilia

# data[].attributes.body
Kennedy being elected in november 8, 1960
1) Kennedy defeated the vice president Richard Nixon
2) He was a member of the  Georgia State Senate
3) He was the 36th president in the United states.

# data[].attributes.attachment_link.readable_text
"We stand today on the edge of a New Frontier, the Frontier of the 1960's, a Frontier of unknown opportunities and perils, a frontier of unfilled hopes and threats." - John F. Kennedy, Democratic Acceptance Speech, 1960

After narrowly losing the vice presidential nomination in 1956, Senator John F. Kennedy sought the presidency in 1960. After hard-fought primary victories, JFK won his party's nomination and faced-off against sitting Vice President Richard Nixon. This exhibit invites the public to relive one of history's most exciting and energetic presidential campaigns by accompanying Senator John F. Kennedy as he crisscrosses the country bringing his message of a "New Frontier" directly to the voters during the 1960 run for the presidency.

The Museum recreates the sights and sounds of the 1960 Democratic National Convention and the main streets of America traveled by candidates Kennedy and Nixon. Listen as Senator John F. Kennedy accepts his party's nomination at the 1960 Democratic National Convention. Walk down Main Street USA and feel the energy of the Kennedy campaign as Frank Sinatra sings campaign songs "High Hopes" and "All the Way!" Step back into a reproduction of the Chicago television studio where and see the television coverage of the first debate between JFK and Nixon. Stay up late with Walter Cronkite, David Brinkley, and Chet Huntley as they report election-night returns and reveal how close a race it really was.

In the hard-fought primaries prior to the Democratic nominating convention and in the general election campaign against Vice President Richard Nixon that followed, candidate Kennedy was assisted by his large and enthusiastic family, by a relatively young but seasoned team of aides and political operatives, and by countless volunteers across the country. Together they brought the message of "The New Frontier" to the voting public, making it possible for Senator John F. Kennedy to eventually claim victory in one of the closest presidential contests in American History.

On display is a recreation of a Kennedy Campaign office filled with campaign paraphernalia and a display of buttons, posters, and handouts which were produced during the course of the campaign. Also on display is the& original TelePrompter text used by Senator John F. Kennedy while delivering his acceptance speech at the 1960 Democratic National Convention, the actual audio control and television camera used by CBS affiliate WBBM-TV for the first televised Presidential debate between Kennedy and Nixon in 1960, and a map of the election return results.

Kennedy for President, Leadership for the 60's Campaign poster

Through his oral history interview with the John F. Kennedy Presidential Library, the artist, Donald Wilson, shared his experience designing the Kennedy for President poster:

"President Kennedy was fascinated with pictures of himself and extremely critical of them and so the poster was of great interest to him. The big problem in the summer of 1960 was whether to have a serious, mature poster or a smiling poster. At that particular time one of the major arguments being made by the Republicans was that he was not experienced enough to become president, and therefore, this led a lot of people around him--and himself included--in the beginning to think that he should have a rather serious mature poster. I convinced him that he looked wonderful smiling, but it wasn't easy... The smiling one was produced in the millions and millions that appeared all over the United States."

John F. Kennedy Presidential Library and Museum, Boston, MA. Accession number MO 95.77

PT 109 Tie Clip

Perhaps most popular campaign item was the tie-clasp replicating the form of PT 109, the boat captained by JFK during the Second World War. In an effort to quell public concerns about what some called candidate Kennedy's "inexperience," the Kennedy campaign sought to publicize his heroic service in the Navy. In addition to the tie clasps, thousands of booklets retelling the events of the sinking of PT 109 and Kennedy's efforts to save his crew in the days that followed were mailed to hundreds of thousands of homes across the country.

This tie clip was left by John F. Kennedy Jr. on his father's grave on May 29th, 1964, the anniversary of President Kennedy's birth.

John F. Kennedy Presidential Library and Museum, Boston, MA. Accession number MO 67.235

# data[].attributes.attachment_link.description
"We stand today on the edge of a New Frontier, the Frontier of the 1960's, a Frontier of unknown opportunities and perils, a frontier of unfilled hopes and threats." - John F. Kennedy, Democratic Acceptance Speech, 1960 After narrowly losing the vice presidential nomination in 1956, Senator John F.

# data[].attributes.body
Ponchos
. Ponchos were made to be soft and comfy. And for the winter.
Frayed bell-bottom jeans
. They were jeans that were wider below the knee. They were also very popular.
Head bands
. Many glamorous young women in Britain and the US wore plastic headbands.

# data[].attributes.attachment_link.readable_text
Fashion in the 1960s became progressively more casual across all genders and ages. Womenswear followed three broad trends: a continuation of the previous decade's ladylike elegance, the youthful styles of Mary Quant and the Space Age influence, and the late 1960s "hippie" style. Menswear saw an increasing amount of color and pattern, military influence, and new fashion icons in the form of rock stars. Children's wear saw less change, but also became more casual and bright in color and pattern.

Broadly categorized, there were three main trends in 1960s womenswear: 1) the lady-like elegance inherited from the previous decade seen on the likes of First Lady Jacqueline Kennedy, 2) the fun, youthful designs popularized by Swinging London, and 3) the Eastern-influenced hippie styles of the late 1960s. Along with these diverse styles, there came a shift in the way that women shopped and for whom the styles were created.

In the early years of the decade, fashion continued along the lines of the 1950s. Skirt suits and coordinating accessories were emphasized as one decade transitioned into the next. First Lady Jacqueline Kennedy epitomized this look during her husband's presidential campaign and short presidency. She was admired around the world for her put-together, lady-like look consisting of boxy skirt-suits like the Givenchy suit in figure 1 and navy suit in figure 2, sheath and A-line dresses (Fig. 3), and luxurious coats-all accessorized with white gloves, pearls, and a matching hat. This look was being produced by the likes of Hubert de Givenchy and Cristóbal Balenciaga (Fig. 4), but as the decade progressed, it became clear that the momentum was towards a new kind of designer in the 1960s.

The cultural phenomenon termed Swinging London began in 1955 but reached its zenith in the early- to mid-1960s. It was a phenomenon that focused on youth, spotlighting music and fashion. It brought us The Beatles and the miniskirt, Twiggy (Fig. 9) and The Who. The designer who led the way in the "youthquake" was Mary Quant who opened her first shop, Bazaar, on the King's Road in Chelsea, London in 1955. Quant's simple, colorful designs appealed to teenagers and young people who had more disposable income than any generation before. It differed from the stuffy looks of the older generation and appealed to young women who embraced the child-like styles Quant produced (Fig. 7). Fashion historian James Laver writes of Quant in Costume and Fashion: A Concise History,

"Rejecting the constraints of seasonal shows, she produced as many as twenty-eight collections during her early years, creating simple, practical, often mix n'match designs which had an element of classlessness perfectly suited to the mood of the sixties" (261-262).

Bazaar was in the new boutique style, a revolutionary new way to shop that differed from the traditional designer atelier and the department store. Besides the accessibility of the clothes in the shop, boutiques also created a frenetic atmosphere, as seen in figure 5. In her book The Lost Art of Dress, Linda Przybyszewski writes, "Boutiques were groovy places where modern music played and young owners and customers collaborated on new looks that came only in small sizes" (202).

One of the most revolutionary designs attributed to Quant was the miniskirt and minidress (Fig. 6). Eschewing the prim below-the-knee skirts of the late 1950s and early 1960s, by the mid-sixties, young women were wearing skirts that fell at the upper thigh. Like the short skirts of the 1920s, the miniskirt shocked but was also a highly popular look for young women. Miniskirts and minidresses were adopted by Parisian designers as Quant and her contemporaries continued to gain popularity.

Along with the miniskirt came a craze for the playful, innovative use of new materials and a focus on scientific progress. Newly developed materials such as acrylics, polyesters, and shiny PVC were used in women's clothing while designers were inspired by pop art and space, like the miniskirt in figure 10 and the dress in figure 11. Pierre Cardin and André Courrèges debuted space-inspired designs in shades of white and silver. Laver writes, "Courrèges' Spring/Summer 1964 'Space Age' collection featured 'astronaut' hats and goggles, white and silver PVC 'moon girl' loon trousers, catsuits and white patent or kid leather, mid-calf-length boots" (264, Fig. 8). Sheath and A-line minidresses, both without defined waists, were popular silhouettes. These modern designs dominated the mid-sixties as fashion moved toward a more playful and freeing look.

While the miniskirt reached its height mid-decade, by the late 1960s, a new style and culture was emerging. Skirts dipped back to mid-calf and by 1969, the full-length maxi-skirt had emerged (Fig. 12). This came with the move towards the "hippie" aesthetic. Elizabeth Wilson writes in Gerta Buxbaum's Icons of Fashion: The Twentieth Century, "Between 1965 and 1967, the uncluttered, futuristic design of André Courrèges and Mary Quant - featuring short skirts, childish pinafores, and boxy shapes - were superseded by a return to the styles of Art Nouveau, Hollywood, and William Morris" (98). Suede, headbands, kaftans, Afghan coats, beads and other non-Western elements of adornment were embraced as were flowing skirts and secondhand clothing (Laver 267-268). Janis Joplin, seen in figure 13, embraced this style in the late 1960s.

Both the "Mod" movement, to which Quant contributed, and the hippie movement were part of a new model of "street style" in which fashion is disseminated from the streets up to the designers rather than vice versa. Jane Mulvagh writes in Icons of Fashion, "1962 to 1968 were crucial years in which the allure and originality of street style challenged, and finally broke, the hegemony of high fashion" (86). The trajectory of fashion in the 1960s saw three very diverse overarching styles but also a shift from a designer-centric fashion ecosystem to one where the consumer was at the center of creation.

An enduring icon of the 1950s and '60s, movie star Audrey Hepburn embraced the progression of sixties fashion up to the hippie aesthetic of the last part of the decade. Having firmly established herself as a leading lady in 1950s films like Roman Holiday, Sabrina, and Funny Face, Hepburn's influence continued into the sixties.

In 1961, she starred as Holly Golightly in one of her most iconic films, Breakfast at Tiffany's (Fig. 14). In this film, like so many others, Hubert de Givenchy designed the costumes, including the iconic black dress from the opening scene (Fig. 17). Hepburn and Givenchy worked together both on- and off-screen to create a simple, but stylish wardrobe that was easily copied by women of all means.

In the early 1960s, Hepburn wore feminine, Jackie Kennedy-esque skirt suits. Like the First Lady, she paired these suits with the requisite accessories: gloves and hat, like the green Givenchy suit worn in Paris When It Sizzles in 1962 (Fig. 18). The clothes she wore in 1963's Charade would not have looked out of place on Kennedy but also cut a stylish figure as she gallivanted through Paris (Fig. 15). As the decade progressed, so did her fashion. In the mid-sixties, Hepburn began to wear more "Mod" styles with bright colors and minidresses working their way into her wardrobe. In the 1966 film How to Steal a Million, she sported white-rimmed sunglasses à la Space Age styles and a stylish bob hairstyle accented by dark eyeliner to give her the popular doe-eyed look of the period (Fig. 16).

Though she would remain admired for her fashion for the rest of her life, by 1969, when the fashion world had started to turn to Eastern influences and longer skirts, Hepburn married Andrea Dotti in a pink minidress (Fig. 19). Looking happy, she represented the part of the population, including couture designers like Givenchy, who had not yet embraced the new style.

Just as womenswear became more casual and colorful throughout the 1960s, so too did menswear. While menswear began moving towards a more casual style in the 1950s, the frenetic energy of Swinging London found its way with bright prints and colors for men. As there had not been very much movement in men's fashion for over a hundred years, the change was striking. The V&A writes,

"Perhaps the most remarkable development in 1960s dress was the dramatic change in menswear. For the past 150 years, clothing for men had been tailor-made, and plain and sombre in appearance. Now, colourful new elements were introduced, such as the collarless jacket, worn with slim-fitting trousers and boots" (History of Fashion 1900-1970).

Where the mid- to late-1950s saw a rise in the popularity of Italian style suits with narrow striped ties, menswear gradually incorporated brighter colors and patterns, and ties began to widen again as the decade progressed. The difference between the conventional suit seen in 1963 (Fig. 20) and those designed by Cardin (Figs. 22-24) and worn by George Harrison (Fig. 21) is striking.

By the mid-1960s, even the suit itself was seeing changes. Brightly striped or patterned suits were worn by bold young men, while even the trousers and jacket did not escape from new styling. The V&A writes,

"As the 1960s gathered pace, the standard template for a man's suit began to accommodate subtly daring new elements: the collarless jacket (a look popularised by The Beatles in 1963, the year they launched their first album) and slim-fitting trousers, matched with heeled boots rather than shoes" (The Peacock Revolution: 1960s Menswear).

As mentioned, even who was inspiring men's style was changing: where movie stars had been the primary style icons since the 1930s, rock stars such as The Beatles, Jimi Hendrix, and Mick Jagger, among others, became a primary influence on men's fashion.

From the mid-1960s, men's fashion was influenced by military elements, with many of the rock influences contributing to its popularity. Mick Jagger (Fig. 26) and Jimi Hendrix (Fig. 25) both sported military jackets during performances, while The Beatles' 1967 album Sgt. Pepper's Lonely Hearts Club Band showed the band wearing neon versions of the styles (Buxbaum 100). Partly thanks to this style, army-and-navy surplus clothing stores and secondhand stores became popular in the late 1960s. Like womenswear, menswear also saw an influence from space as Pierre Cardin designed futuristic clothing for men, too. In Swinging Sixties, Jenny Lister writes,

"His 'Cosmos' collection of 1966/7 was too extreme to enter the mainstream, but elements of the look such as turtle-neck sweaters, and zipped tunics in bonded jersey, were taken up and worn with more accessible styles" (34).

You can see some of these elements in the green suit from 1960 (Fig. 22) and the space-inspired suit from 1965 (Fig. 24). By 1968, Cardin's suits had returned to a more conventional look, though the jacket still had a bold pattern (Fig. 24).

Like women's fashion, menswear turned to Eastern influences and secondhand shopping in the late 1960s. Rejecting the consumerism and synthetic materials of the earlier part of the decade, men began to wear vintage clothes, especially those from the 1930s and 1940s. This meant that men's suits began to widen again, as they had in the thirties and forties. George Harrison was an early adopter of the style and the boldly patterned suit jacket from boutique shop Granny Takes a Trip he wore in the mid-sixties foreshadows the style to come (Fig. 21). Tie-dye, loose-fitting shirts, and velvet vests were all a part of the men's hippie aesthetic in the later part of the 1960s while color continued to remain front and center. As the 1960s moved into the 1970s, flared trousers, jeans, and long hair were all widespread men's styles.

Children's clothing in the 1960s saw less change than their adult counterparts. While women's and men's fashion were changing quickly and radically, children's fashion changed at a much slower, subtler pace. Both boys' and girls' fashion continued along the same lines in the early sixties, but they did wear clothes made from the new synthetic materials which were easier to care for.

Girls continued to wear dresses with defined waists and full skirts at the beginning of the decade, like those seen in the 1962 Good Housekeeping feature (Fig. 28). Mary-janes, white ankle socks, and peter pan collars all continued to be popular aspects of young girl's clothing, and girls were sometimes even still required to wear white gloves for special occasions. As the decade progressed, however, girls' fashion slowly started to become more casual. Bright colors, bold patterns such as plaids and bright florals, and oversized bows became popular, like the fun styles featured in the McCall's patterns (Fig. 27). New silhouettes such as the A-line, dropped waist, and babydoll began to replace the nipped-in waist of earlier in the decade (Fig. 29). As styles became more casual, it became more acceptable for young girls to wear pedal pushers, shorts, and trousers while playing.

One of the areas where girls did follow the trends of adults was in accessories. Young girls could be seen wearing the same brightly colored and patterned tights that young women wore with their miniskirts. Others might wear the shiny white go-go boots that went along with the Space Age fashions. In some ways, many of the adult styles actually took after young girl's fashion rather than the other way around.

Boy's fashion saw the popularity of denim and plaid throughout the decade. In the early 1960s, cuffed jeans and corduroy pants were favorites paired with tucked in polo shirts and athletic jackets or blazers. As the decade progressed, the color and pattern that was seen in men's clothing began to slowly creep into young boy's fashion (Fig. 30). Striped and plaid blazers were popular formal options, while turtlenecks, a popular style among men, and brighter colors such as red, yellow, and orange were worn in the mid-sixties. Neither girl's nor boy's fashion saw a strong influence from hippie fashion, although some boys began to wear bell-bottom jeans in the later part of the decade.

References:

Breward, Christopher, David Gilbert and Jenny Lister. Swinging Sixties: Fashion in London and Beyond 1955-1970. London: V&A Publications, 2006. http://www.worldcat.org/oclc/552142953.

Brown Jones, Bonny. "Fashion for Children in the 1960s." Our Everyday Life, January 10, 2019. Accessed June 27, 2019. https://oureverydaylife.com/fashion-for-children-in-the-1960s-12487774.html.

Buxbaum, Gerda. Icons of Fashion: The 20thCentury. Munich: Prestel Verlag, 2005. http://www.worldcat.org/oclc/773599428.

Ewing, Elizabeth. History of 20th-Century Fashion. 4th ed. London: B.T. Batsford Ltd, 2001. http://www.worldcat.org/oclc/456545252.

Moseley, Rachel. "Audrey Hepburn - Everybody's Dream Girl." The Observer, March 7, 2004. Accessed June 27, 2019. https://www.theguardian.com/film/2004/mar/07/highereducation.gender.

Olivier, Lucy. "Jackie Kennedy - A True Fashion Icon." The Telegraph, January 6, 2017. Accessed June 24, 2019. https://www.telegraph.co.uk/films/jackie/true-fashion-icon-jackie-kennedy/.

The People History. "Vintage 1960s Children's Fashion Clothes." Accessed June 27, 2019. http://www.thepeoplehistory.com/1960skidsfashion.html.

Przybyszewski, Linda. The Lost Art of Dress: The Women Who Once Made America Stylish. New York: Basic Books, 2014. http://www.worldcat.org/oclc/1023179396.

Stratford, SJ. "1960s Clothes for Girls." Love to Know. Accessed June 27, 2019. https://childrens-clothing.lovetoknow.com/1960s-clothing-girls.

Victoria and Albert Museum. "An Introduction to 1960s Fashion." Accessed June 24, 2019. https://www.vam.ac.uk/articles/an-introduction-to-1960s-fashion.

Victoria and Albert Museum. "History of Fashion 1900 - 1970." Accessed June 24, 2019. http://www.vam.ac.uk/content/articles/h/history-of-fashion-1900-1970/.

Victoria and Albert Museum. "Introduction to 20th-Century Fashion." Accessed June 24, 2019. http://www.vam.ac.uk/content/articles/i/introduction-to-20th-century-fashion/.

Victoria and Albert Museum. "The Peacock Revolution: 1960s Menswear." Accessed June 24, 2019. https://www.vam.ac.uk/articles/the-peacock-revolution-1960s-menswear.

Events:

1961 - John F. Kennedy becomes president. His wife, first lady Jacqueline Kennedy, soon becomes a fashion icon. Fur coats are much sought after because they are seen as a status symbol. Movements in the following decades protest vigorously against the wearing of fur.

1962 - The Sidney Janis Gallery in New York exhibits works by contemporary American pop artists and the "Nouveau Realisme" movement in a groundbreaking show called the "International Exhibition of the New Realists."

1963 - The Beatles make their first national TV appearance. Their identical haircuts became a popular look among young men on both sides of the Atlantic.

1964 - Young designers, including Mary Quant and Andre Courreges, introduce the miniskirt and minidress.
Maija Isola designs the iconic Unikko (poppy) print for Finnish fashion firm Marimekko.
The first Biba store, the inspiration of designer Barbara Hulanicki, opens in London, selling young, creative styles at budget prices.

1965 - Yves Saint Laurent's Mondrian- inspired color blocks sweeps through the international fashion world.
Young fashion designers, including Foale and Tuffin and Mary Quant, go on the British "Youthquake" tours to the US arranged by the Puritan Fashion Corporation and J.C.Penney in New York.

1966 - By early 1966 the waistline disappears, and designers like Norman Norell showcase loose-fitting dresses with loose sleeves. Twiggy, the "Face of 66" and one of the world's first supermodels, shoots to fame. Jewelry designer Paco Rabanne causes a sensation when he launches his linked chain and plastic paillettes and minidresses in Paris.

1967 - American fashion designer Geoffrey Beene presents his sequined football jersey evening gowns, following his ball gowns in gray flannel and wool jersey shown the previous year.

1968 - The rock musical Hair opens on Broadway and in London's West End, making Marsha Hunt a star and proclaiming "black is beautiful."The first Ossie Clark for Radley collection is shown at Chelsea Town Hall.

1969 - The Woodstock festival takes place in New York state, and is seen as a defining moment of the "hippie era" and the counterculture of the 1960s. The US lands the first men on the Moon, after space exploration earlier in the decade, which inspires space-age fashion looks.

Resources for Fashion History Research

To discover primary/period sources, explore the categories below.
Have a primary source to suggest? Or a newly digitized periodical/book to announce? Contact us!

# data[].attributes.attachment_link.description
Fashion in the 1960s became progressively more casual across all genders and ages. Womenswear followed three broad trends: a continuation of the previous decade's ladylike elegance, the youthful styles of Mary Quant and the Space Age influence, and the late 1960s "hippie" style.

# data[].attributes.body
John F. Kennedy
1) He took roll as president in 1963
2) He took roll as president in the east of portico of the united states capitol
3) John F. Kennedy was the only president to win a purple heart

# data[].attributes.attachment_link.readable_text
John F. Kennedy was the 35th President of the United States (1961-1963), the youngest man elected to the office. On November 22, 1963, when he was hardly past his first thousand days in office, JFK was assassinated in Dallas, Texas, becoming also the youngest President to die.

On November 22, 1963, when he was hardly past his first thousand days in office, John Fitzgerald Kennedy was killed by an assassin's bullets as his motorcade wound through Dallas, Texas. Kennedy was the youngest man elected President; he was the youngest to die.

Of Irish descent, he was born in Brookline, Massachusetts, on May 29, 1917. Graduating from Harvard in 1940, he entered the Navy. In 1943, when his PT boat was rammed and sunk by a Japanese destroyer, Kennedy, despite grave injuries, led the survivors through perilous waters to safety.

Back from the war, he became a Democratic Congressman from the Boston area, advancing in 1953 to the Senate. He married Jacqueline Bouvier on September 12, 1953. In 1955, while recuperating from a back operation, he wrote Profiles in Courage, which won the Pulitzer Prize in history.

In 1956 Kennedy almost gained the Democratic nomination for Vice President, and four years later was a first-ballot nominee for President. Millions watched his television debates with the Republican candidate, Richard M. Nixon. Winning by a narrow margin in the popular vote, Kennedy became the first Roman Catholic President.

His Inaugural Address offered the memorable injunction: "Ask not what your country can do for you-ask what you can do for your country." As President, he set out to redeem his campaign pledge to get America moving again. His economic programs launched the country on its longest sustained expansion since World War II; before his death, he laid plans for a massive assault on persisting pockets of privation and poverty.

Responding to ever more urgent demands, he took vigorous action in the cause of equal rights, calling for new civil rights legislation. His vision of America extended to the quality of the national culture and the central role of the arts in a vital society.

He wished America to resume its old mission as the first nation dedicated to the revolution of human rights. With the Alliance for Progress and the Peace Corps, he brought American idealism to the aid of developing nations. But the hard reality of the Communist challenge remained.

Shortly after his inauguration, Kennedy permitted a band of Cuban exiles, already armed and trained, to invade their homeland. The attempt to overthrow the regime of Fidel Castro was a failure. Soon thereafter, the Soviet Union renewed its campaign against West Berlin. Kennedy replied by reinforcing the Berlin garrison and increasing the Nation's military strength, including new efforts in outer space. Confronted by this reaction, Moscow, after the erection of the Berlin Wall, relaxed its pressure in central Europe.

Instead, the Russians now sought to install nuclear missiles in Cuba. When this was discovered by air reconnaissance in October 1962, Kennedy imposed a quarantine on all offensive weapons bound for Cuba. While the world trembled on the brink of nuclear war, the Russians backed down and agreed to take the missiles away. The American response to the Cuban crisis evidently persuaded Moscow of the futility of nuclear blackmail.

Kennedy now contended that both sides had a vital interest in stopping the spread of nuclear weapons and slowing the arms race-a contention which led to the test ban treaty of 1963. The months after the Cuban crisis showed significant progress toward his goal of "a world of law and free choice, banishing the world of war and coercion." His administration thus saw the beginning of new hope for both the equal rights of Americans and the peace of the world.

For more information about President Kennedy, please visit the John F. Kennedy Library and Museum.

Learn more about John F. Kennedy's spouse, Jacqueline Lee Bouvier Kennedy.

# data[].attributes.attachment_link.description
John F. Kennedy was the 35th President of the United States (1961-1963), the youngest man elected to the office. On November 22, 1963, when he was hardly past his first thousand days in office, JFK was assassinated in Dallas, Texas, becoming also the youngest President to die.

# data[].attributes.body
Shinkansen or bullet train
1)  fastest train in the 1960s
2)  travel up to 320 km and hour
3) built safety features for earthquakes.

# data[].attributes.attachment_link.title
Seven facts about Japan’s bullet trains as country reopens to tourism

# data[].attributes.attachment_link.description
The Bullet Train has been receiving attention recently as it is featured heavily in the Brad Pitt and Aaron Taylor-Johnson gangster comedy of the same name.