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Although I think that the future of image can be defined in different ways. One shift that I noticed was how images in the modern age need to involve some sort of spectacle or eye-catching element to garner people’s eyes. As our attention spans are reducing more and more, and as many of us have a constant desire to share our lives online, I think images that are most successful in museums or galleries are those that foster the most photographing. Images either very aesthetically pleasing in their composition or instead very jarring, loud, bright or colourful - something attention grabbing.

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Finally, the main takeaway of this visit was that I realized how much the moving image and film had taken space in the art world and how the future is often linked to technology and movement. I wondered if we hadn't lost the appreciation for still images and mainly classic painting, regarding them as outdated or elitist. I Thought to myself, what if the future of the image was actually looking back and appreciating what we already created ?

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Finally, the main takeaway of this visit was that I realized how much the moving image and film had taken space in the art world and how the future is often linked to technology and movement. I wondered if we hadn't lost the appreciation for still images and mainly classic painting, regarding them as outdated or elitist. I Thought to myself, what if the future of the image was actually looking back and appreciating what we already created ?

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Then this particular installation made me reflect on the non-human photographs we talked about in the first lesson. with this projector playing the same film constantly.

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Then this particular installation made me reflect on the non-human photographs we talked about in the first lesson. with this projector playing the same film constantly.

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Another part that really struck me. was how the relationship between art and reality had changed. A lot of artworks in the museum were moving images. What I found really interesting was how the medium (camera, projector) was put in the middle of the artist and reality, like a filter. The artists use the camera to tamper reality. like this genius artwork showing two almost identical scene with  different actors : 

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Another part that really struck me. was how the relationship between art and reality had changed. A lot of artworks in the museum were moving images. What I found really interesting was how the medium (camera, projector) was put in the middle of the artist and reality, like a filter. The artists use the camera to tamper reality. like this genius artwork showing two almost identical scene with  different actors : 

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Continuing on the ways we consume images. In recent years our society has become very concerned with inclusivity. In the wake of social movements like ‘Black lives matter' ' very interesting discussions have been going on about representation and how images can leave out some people and marginalize them even more. Artists like photographer Liz Johnson Artur are changing the norm. by photographing her own community and culture she makes them exist. she even goes a step further by integrating braille in some of her pictures, for example this one showing young black protesters : 

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Continuing on the ways we consume images. In recent years our society has become very concerned with inclusivity. In the wake of social movements like ‘Black lives matter' ' very interesting discussions have been going on about representation and how images can leave out some people and marginalize them even more. Artists like photographer Liz Johnson Artur are changing the norm. by photographing her own community and culture she makes them exist. she even goes a step further by integrating braille in some of her pictures, for example this one showing young black protesters : 

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This is a great example of imagining other ways to consume images in a more inclusive way.

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What is the future of the image ? We are constantly surrounded by images. We can even go as far to say that we are besieged by manufactured images in our daily life. Whether its social networks , the news or advertising. Our relationship to the image has evolved over time with the arrival of cinema, television … But we must not forget that our first experience with images was art, more precisely painting. So what better place than a museum to have perspectives on the future of the image ! Thinking about this problem more questions have come to mind, Like how did the way we consume images changed with the rise of social media. Funnily enough, I didn't even have the time to step in the gallery that an answer was brought to me : 

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What is the future of the image ? We are constantly surrounded by images. We can even go as far to say that we are besieged by manufactured images in our daily life. Whether its social networks , the news or advertising. Our relationship to the image has evolved over time with the arrival of cinema, television … But we must not forget that our first experience with images was art, more precisely painting. So what better place than a museum to have perspectives on the future of the image ! Thinking about this problem more questions have come to mind, Like how did the way we consume images changed with the rise of social media. Funnily enough, I didn't even have the time to step in the gallery that an answer was brought to me : 

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For me this picture is a metaphor of how overly stimulated we are by constant information coming from our phone, some people don't even have the time to appreciate art. Furthermore, if we dig a little more in this example, the television is showing images from a third world country, implying a form of cultural boundary in how the image is processed and how detached we are from certain images.

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What is the future of the image ?  Elliot Michel

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Use of audio to catch attention and promote engagement. Plain walls ,which are unconventional in art, allow by passers to think about the media they are being exposed to in a different way.

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Use of audio to catch attention and promote engagement. Plain walls ,which are unconventional in art, allow by passers to think about the media they are being exposed to in a different way.

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fruit on the tree

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Sol LeWitt Upside Down - Structure with Three Towers, Expanded 23 Times, Split in Three
By Hague Yang
Presents the concept of questioning originality through the re-creation of Sol LeWitt’s sculpture with slight alterations

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The use of four projectors in order to present the event - the events of November 26th 2004 in Australia - provides the audience with different perspectives of the one incident. The switching of the clips on the individual screens provides viewers with a greater amount of information than usually producers by one alone.

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Something Going On Above My Head
By Oswaldo Maciá

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Barbara Kruger is questioning consumer culture with the use of design techniques most commonly seen in advertising

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Red🎈🍷

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Blue🧢

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The combination of machine components, oil on canvas and fabric. The work embodies modernist artistic thinking. Re-establishing order in the midst of chaos.

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In the city, everything obeys the rules that has been set. no freedom.

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See picture

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We explore a tree of radio and there’s a lot of sound. The sound was mixed by the melody is always great to hear.