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Post the examples created, evaluate the strengths and drawbacks of each, and determine which illustration you will use for your edition.

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Please post your initial and developed sketches and answer the following:

Cr1 & Re7

What visuals do you get when you hear this idiom?

What do you think this means?

Cr2 & Cn10

How has research shifted your understanding of the idiom?

How has research enhanced your sketches?

How have you used technology to enhance your image?

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Please post an image of the patterns that you have made. How will you utilize this to enhance your current block in progress?

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1. Reflection on Process

How did your understanding of image texture and value evolve as you moved from digital photo editing to physical plate-making (laser etching, dry point, and PCB etching)?
Consider how each material and process changed the visual outcome and what that revealed about your control over texture, tone, and depth.

2. Critical Judgment

Which of the three printing methods (laser-etched, dry point, or PCB etch) most successfully conveyed your artistic intention?
Explain your reasoning by comparing the strengths and limitations of each medium in translating your chosen photograph’s mood, contrast, and surface quality.

3. Future Application

How might you apply or combine these hybrid digital-to-analog processes in future creative work or design contexts?
Think about how this workflow could extend into areas like experimental printmaking, mixed-media installation, or product design.

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Post: Provide an example your print and plate side by side. Reflect on the process of engraving, inking, wiping and printing.

Engraving: What techniques did you use to create different types of lines or textures with your engraving tool, and how did these affect your final image?
Inking: How did you control the amount of ink applied to your plate, and what challenges did you face in achieving an even coating?
Wiping: What did you notice about how wiping changes the tones and details of your print? How did you decide when the plate was wiped “just right”?
Printing: How did your print compare to your engraved plate, and what did you learn from seeing the reversed image on paper?

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Upload your Street Photo examples:

Provide a brief description

Give a hint as to where the photo was taken

How is this an example of street?

Was there any post editing done to the photo

(ie. Masking in RAW, adding extra light features, luminostiy mask, other...?)

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Reflect on the addition you made to the processes and extensions you made on your raster cuts through the press.

What was successful?

Why was it successful?

What didn't work?

What could be done to make this enhancement work?

What is the biggest take away from this play experience?

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Please provide an image of the plate and print. Considering the raster We used a matboard as a substrate.

What other materials could we use this process on?

How could you expand on this tool that went beyond pressing a button? (hint, think of value).

Also please post the settings of the raster for future reference

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For street photography, would it be acceptable to edit the photos in this manner?. Explain a justification as to why it is acceptable and discuss the fluidity of street photography and how this could potentially help move it forward. Is it okay to break rules….explain

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Where are some potential locations where Street photography would be appropriate within the city?

Spend some time with each photoform the lighting lab and consider how this experience and this set up will help you with your outing to capture street photography.

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After Listening to the Podcast:

How do the proposed minimal rules and definitions shape the evolving practice of street photography?

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When this is complete, please post to the padlet and reflect on how your initial plan and final product align. Also, explain the meaning of the scene and the elements that give clues to the context of your character.

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Post examples of your locations, explain your take away from today's lab and how it affects your plan from the previous lesson. Are there any changes? why or why not

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Post an example of your plan for the situated portrait and answer the points below. Provide a rationale

Choose a subject or subject

Create diagrams of light set up and object positioning

What are you trying to communicate (realism/fantasy)?

Where is the location?

Are there costumes?

Will you use make up?

What intentional props will you use to provide hints to your audience?

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Post your image and compare and contrast the two techniques of overlay and collage.

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Please post

1 masking result (out of 3) and answer these questions:

Masking

Key Takeaway
What is the most powerful technique or insight about masking (especially AI masking in Camera Raw) that you discovered in the video? How might this change the way you approach photo editing?

Critical Reflection
Were there any limitations or challenges mentioned (or that you can foresee) in using masking in Photoshop Camera Raw—such as with complex subjects, edges, lighting, or workflow time? How might you overcome them or adapt?

1 Pattern Overlay

Evaluation
Was the technique, argument, or artistic approach effective? Why or why not? Support your response with evidence from the video.

Next Steps
After watching, what’s something you feel motivated to try or learn more about? Is there a follow-up video, tool, or exercise you want to explore?

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For today's lab,

Post an example of your image. Dicuss the differences between the warm lighting (last class) and the cool lighting (this class.

What were the different modds created?

Which do you prefer?

Do you have a better understanding of how light affects the subject? Explain.

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From the photos that you took today, post the photo that demonstrates your best example.

Explain what qualities you like about you're photo and how do they align with what we know of 3 point lighting.

Also, discuss the technical set up of your lights. Key light (position/temperature)...Fill light (position/temperature).....Back light (position/temperature)

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For this prompt, share the link to your the tutorial / tutorials you found:

Discuss:

Why you chose this/these set up(s)?

What do you need in terms of prep to make it happen?

What mood are you trying to create?

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Take a photo of the prep image:

Discuss how you chose your negatives and why you felt that these were appropriate.

Is there any meaning to your selection of subjects or was this a formalist exercise?

If this was formalist what principles of design did you focus on?

Overall, do you have a better understanding of this process? why or why not and what other applications could you potentially use this for?

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Post an image of either your test print on paper or alphabet print on fabric.

Compare and contrast the materials used today.

What are the pros and cons of each material?

What other surfaces do you think you could apply this solution to?

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Get access to our 34 photography products for a one-time payment of $199

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Post your negative and comment on the process.

Discuss

Your comfort level with PS before we began and your comfort level with PS now

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I chose my negatives based on how I was feeling until I discovered a theme which was somewhere between media consumption and the exploitation from companies? I mostly focused on filling the blank space and creating leading lines between each element.

I honestly didn't have a better understanding of the process because I mostly knew about it already, although the practice was fun since I got to try how opposite negatives make inverted versions. Perhaps I could learn how to make more collages with this since I like designing them.

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I chose this because I thought it'd be pretty funny if i tried to catch a natural look on something that isn't conventionally associated with this lighting, like a plushie. I want it to look like one of those videos where a show is recreated in another media, so maybe, this plushie is enjoying the warm sun or is alone at night. I'll just need an adjustable modifier for the light and a suitable surface, I'm not sure so I'll probably experiment then. Depending on the final item I choose, I'll create a corresponding mood.

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How to create sunlight with your artificial lights. Product & Food Videography tutorial. #shorts

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I like this specific photo because it's balanced and looks quite dreamy (said by another peer). For this, I had two light sources: the main light from underneath, and a fill light from a 45 degree angle to light the plushie's face up, and also create a shadow on the wall.

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Today, we focused more on the technicalities and the method of the 3 way lighting, along with cool lighting. I think it's pretty cool (no pun intended), although I do prefer warm lighting. Cool lighting is crisper than warm lighting, and it creates a professional look. From this, I learned that shutter speed matters a lot, and that sometimes lowering them significantly greatly helps the picture (however, why, I'm still not sure).

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The most powerful thing is probably being able to add gradients and even brushes for added effects, since here especially, I can add some lighting on the leaves at the front which previously couldn't be seen with the details of each leaf (they were mostly black). With this, I can attract or detract attention to certain areas in the photo as needed.

For this, I had a few problems, such as the AI being unable to select what I wanted initially. I might have to overcome them by doing exactly what I did, which was tinkering around with the options so I can find how the AI detects things, or use the select objects tool, although it doesn't work 100% of the time.

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I'll be honest, it sucks here. Maybe it's because the photo is not that crisp and the colors do slightly blend together. This could also be dependent on whether the object stands out from the background (especially seen in the video with the white blanket) and already doesn't have existing patterns on it, which is why it didn't work for mine.

Perhaps I could try capturing a blank object to familiarize myself with Photoshop even more before I experiment with things such as how much shadows affect the final result.

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This is probably one of the collages I prefer, even if I can't quite see the "green" aspects. Nevertheless, the bottle's silhouette is clear, and I like it. For the overlay, it is a bit quicker, although it requires a completely blank space for it to work. For collage, it needs a simple picture without much detail, while also requiring additional collage pictures rather than the singular design for the overlay.