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I would say no as it is time consuming and takes a lot of time to develop and not very practical nowadays.

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I had i light leak so it kinda failed so yeah, but id probably do it again

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I might try pinhole photography again because you have an limited amount of chances with pinhole photography and I could improve as well as learn a little bit more about it which could lead me to not only improve my pinhole photography I might learn even more skills in the process.

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yeah maybe because it was definitely something i liked making the camera thanks, zn2

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If i had the chance to try pinhole photography again i would say no. My reasoning for saying no is i love doing more practical things with my actual camera, like going out and taking photos of the scenery or taking pictures of people rather than stuck inside working in a darkroom. Pinhole photography can be good to try, just personally for me not what i would like to do again.

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I might try it again, but I probably won't. I don't like the fact that you only get one chance with pinhole photography, and that you can't check your composition. However, I do like the effect created by pinhole photography and the way that the finished photos look.

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I would try pin-hole photography again because using the darkroom and creating the camera itself is a fun process and i would like to continue learning more about it.

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I would try pinhole photography again because it is a different way of creating photographs that gives an outcome different from you would get with digital photography. I find that is also gives a different freedom due to the unpredictability of it, unsure on how the photo is going to turn out until the very end. It is extremely anxiety inducing but it is a good anxiety I think.

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I like Steve Pipins work as it transforms everyday items and makes ghostly images!

I would try pinhole again but I would consider the subject matter to make it more interesting.

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Steven Pippin is an English artist and photographer who works with converted or improvised photographic equipment and kinetic sculptures.
Pippin’s work shows a strong interest in the mechanical, which he has said stems from an early childhood memory of seeing his father surrounded by the wires an

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Steven Pippin