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Radio Ballads @ Serpentine Galleries & Dominique Gonzalez-Foerster: Alienarium 5 & Black Chapel by Theaster Gates

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Radio Ballads @ Serpentine Galleries & Dominique Gonzalez-Foerster: Alienarium 5 & Black Chapel by Theaster Gates

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Radio Ballards has a lot of long film work so be aware of this - you might want to spend 40 mins - 3 hours in this exhibition!

https://www.serpentinegalleries.org/whats-on/serpentine-pavilion-2022-black-chapel-by-theaster-gates/

https://www.serpentinegalleries.org/whats-on/dominique-gonzalez-foerster-alienarium-5/

Serpentine South Gallery
Kensington Gardens,
London W2 3XA

Serpentine North Gallery
West Carriage Drive,
London W2 2AR

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Artists Sonia Boyce, Helen Cammock, Rory Pilgrim and Ilona Sagar present four bodies of work, exploring stories of labour, and who cares for who and in what way.

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https://www.ica.art/exhibitions/decriminalised-futures

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Full decriminalisation of sex work is the rallying cry that unites the sex worker rights movement across the world. Under this banner, sex workers and their allies have fought tirelessly for strong workers' rights, an end to exploitation, an end to criminalisation, and real measures to address poverty. Decriminalised Futures is a celebration of this movement. This exhibition is a testament to what can be created when we use this movement as our inspiration; when we take politicised sex worker organising as our starting point.

- Elio Sea and Yves Sanglante, co-curators

'An urgent and vital call to action.'

Decriminalised Futures is a group exhibition featuring thirteen international artists whose work speaks to the multiplicity of contemporary sex worker experiences.

The exhibition highlights the history of the sex worker rights movement and its inextricable links to issues of racial and social justice, migrant rights, labour rights, anti-austerity work, and queer and trans liberation.

Read more

The works in the exhibition - comprising ten distinct projects from the United Kingdom, France, Germany and the United States - include moving image, embroidery, linocut prints, bookmaking, writing, drawing, gaming and sculpture.

Through an interdisciplinary approach, themes of sacred space, mental health, gender, racial justice, joy, pain, disability, tenderness and desire become tools for solidarity and elicit conversations rooted in the imaginaries of a decriminalised future.

Decriminalised Futures features works from Tobi Adebajo, Khaleb Brooks, Chi Chi Castillo and May May Peltier, Cory Cocktail, Hanecdote, Liad Hussein Kantorowicz, Letizia Miro and Yarli Allison, Aisha Mirza, Annie Mok, pxr*mxt*r, and Danica Anna Uskert-Quinn.

Alongside the exhibition, the ICA will host a programme of events curated by Decriminalised Futures.

A chapbook containing documentation of the exhibited works alongside texts and quotes from the panel discussions at SWARM's 2019 festival will be published alongside the exhibition.

Artist Bios

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Full decriminalisation of sex work is the rallying cry that unites the sex worker rights movement across the world. Under this banner, sex workers and their allies have fought tirelessly for strong workers' rights, an end to exploitation, an end to criminalisation, and real measures to address poverty.

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https://www.thomasdanegallery.com/exhibitions/266/

3 Duke st
SW1Y 6BN

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Private view: 26 April, 4-8pm

Thomas Dane Gallery is delighted to announce an exhibition of Amie Siegel's new large-scale moving image work, Bloodlines, and an associated series of prints, Cloude, Clot and Cloot (all 2022), at the London gallery beginning 27 April, 2022. Siegel's layered, meticulously constructed works embrace moving image, installation, photography, painting, and performance to trace and perform the undercurrents of systems of value, cultural ownership and image-making.

Filmed in numerous private estates throughout England and Scotland, as well as in public institutions, Bloodlines follows the movement of paintings by English artist George Stubbs (1724-1806) from aristocratic homes and private country houses to an exhibition in a public art gallery, then back again. First depicted within the lavish decor and stillness of the stately home interiors, the paintings take on a new presence when installed by museum workers on gallery walls and seen by a viewing public.

Bloodlines exemplifies Siegel's understated formal precision, revealing systems of class and inherited wealth and subtly suggesting colonialism's role in establishing and perpetuating their structures. Offering an intimate look into the world of cultural property and the ownership of heritage, the film explores distinctions between private and public realms, and the labour (and leisure) that maintains each. Through the iterative and conceptual quality of Siegel's work, Bloodlines conveys a rich constellation of images and ideas and sets up a narrative that unfolds associatively in the viewer's consciousness. Motifs such as flowers, fireplaces, wallpaper, dogs, horses, and other creatures and patterns of action build and echo throughout the film, accruing meaning. Time, too, becomes both subject and material in the uncannily immutable settings of each home. Distinctions between their interior and exterior worlds, the absence and presence of people; stillness and movement; animate beings and inanimate objects; images of past and present; reality and artifice, all are brought to the fore. A sense of empathy is conveyed, as viewers encounter a cast of both human and animal protagonists.

As the film unfolds, Siegel draws out subtle and poetic connections between her subjects and those of the paintings. People, property, animals, and objects move between the domains of the real and the represented, creating a mirror of human, equine and artistic bloodlines. Without voice-over or narration, Siegel's intimate camerawork, her signature carefully composed tracking shots, and her deft analogical editing, all expose the dual processes of image-making and perceptions of power. Siegel's deployment of a seductive cinematic language within the cool restraint of her conceptual rigour sets up a critical parallel to both the expressive surfaces of Stubbs' paintings and the sumptuous interiors and grounds of the homes that helped provide him with his very subjects. In this way, Siegel directs our gaze and opens a window onto visions of cultural identity held tightly within the frameworks that fix its imagery.

In the print series Cloude, Clot and Cloot (2022), Siegel combines details of the sky as portrayed in several of the Stubbs oil paintings featured within Bloodlines. The puffs and veils of cloud, atmosphere, and greenery in the prints are reproduced at one-to-one scale to the original works, suggesting a gathering of imagery that is instantaneous-like the weather-and, just as artworks that come together for exhibition only to drift apart again, combine to produce new meanings from their unexpected juxtapositions and proximity.

On Friday 29 April, Amie Siegel will be in conversation at the National Gallery London with Priyesh Mistry, Associate Curator of Modern and Contemporary Projects, to discuss Siegel's new work, Bloodlines (2022). The talk is part of the National Gallery's series 'Unexpected Views', featuring some of the most important cultural practitioners today.

6.30 - 7.15pm, Friday, 29 April

Room 34

The National Gallery
Trafalgar Square
London WC2N 5DN

Bloodlines is a commission of the National Galleries of Scotland with support from Art Fund and the Contemporary Art Society, and with additional production support from Princess Grace Foundation, New York, and PALOMAR. Bloodlines is also currently on display at the Scottish National Gallery of Modern Art (Modern One), Edinburgh, until 4 September, 2022.

Amie Siegel (b. 1974, Chicago, USA) lives and works in Brooklyn, New York. Recent solo exhibitions include Medium Cool, Blaffer Art Museum, Houston; Winter, Guggenheim Museum Bilbao; Strata, South London Gallery; Ricochet, Kunstmuseum Stuttgart; Double Negative, Museum Villa Stuck, Munich and Provenance, The Metropolitan Museum of Art, New York. Group exhibitions include the 34th São Paulo Bienal, Gwangju Biennial; Dhaka Art Summit; CAPC Bordeaux; Witte de With, Rotterdam; Vancouver Art Gallery; MuMA, Melbourne; Whitney Museum of American Art, New York; MAXXI Museum, Rome; Hayward Gallery, London; CCA Wattis, San Francisco; Walker Art Center, Minneapolis; and Haus der Kulturen der Welt, Berlin, among many others. Her work is in public collections including The Museum of Modern Art, New York; Whitney Museum of American Art, New York; The Metropolitan Museum of Art, New York; Tate Modern, London; Carnegie Museum of Art, Pittsburgh; and the Solomon R. Guggenheim Museum, New York.

For exhibition and sales enquiries please contact Clare Morris
For press enquiries please contact Rachel Adams

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Private view: 26 April, 4-8pm Thomas Dane Gallery is delighted to announce an exhibition of Amie Siegel's new large-scale moving image work, Bloodlines, and an associated series of prints, Cloude, Clot and Cloot (all 2022), at the London gallery beginning 27 April, 2022.

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Soojin Chang, Michael. Jerwood FVU awards 

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Soojin Chang, Michael. Jerwood FVU awards 

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https://jerwoodarts.org/exhibitionsandevents/projects/jerwood-fvu-awards-2022/

Jerwood Space, 171 Union Street, London, SE1 0LN book

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The Jerwood/FVU Awards 2022 are a collaboration between Jerwood Arts and Film and Video Umbrella, in a new partnership with Leeds Art Gallery. They were established in 2012 in response to a need for significant major commissions for early-career moving-image artists at an unproven stage in their pra…

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https://www.maureenpaley.com/exhibitions/the-toxic-camera

2 locations
60 Three Colts Lane
London E2 6GQ

Rochelle School
Friars Mount House
7 Playground Gardens
London E2 7FA

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Maureen Paley - Jane and Louise Wilson: The Toxic Camera

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Maureen Paley is pleased to announce a new exhibition The Toxic Camera by Jane and Louise Wilson presented across our two London spaces. The Wilson twins have been working together for over 30 years. From early on their work often examined liminal zones of exclusion, abandoned military sites and buildings.

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https://www.katemacgarry.com/exhibitions/122-francis-upritchard-surf-n-turf-12-may-11/press_release_text/

27 Old Nichol Street

London E2 7HR

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Kate MacGarry is pleased to announce Francis Upritchard's fifth solo exhibition at the gallery. This new installation features a series of sea and land creatures occupying an unspecified landscape. The sculptures are made from balata or cast in bronze. Balata is a natural wild rubber, manipulated into shape while submerged in water.

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Charlotte Johannesson @ hollybush gardens

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Charlotte Johannesson @ hollybush gardens

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https://hollybushgardens.co.uk/exhibitions/charlotte-johannesson-2022/

1–2 Warner Yard
London EC1R 5EY

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Sincerely How Am I Talking?

Curated by FormContent
With works by Adam Avikainen, Julia Calver, Harald Thys and Jos de Gruyter, Julius Koller, Oliver Laric, Amanda Ross-Ho, Chosil Kil
Readings by Gil Leung, Chris Sharp and Paul Becker
14 - 18 March 2012

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Charlotte Johannesson, 2022 - Hollybush Gardens

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Sincerely How Am I Talking? Curated by FormContent With works by Adam Avikainen, Julia Calver, Harald Thys and Jos de Gruyter, Julius Koller, Oliver Laric, Amanda Ross-Ho, Chosil Kil Readings by Gil Leung, Chris Sharp and Paul Becker 14 - 18 March 2012

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https://chisenhale.org.uk/exhibition/rachel-jones/#2266c51ec24c3c22df4e6b9105f12158

64 Chisenhale Road
London E3 5QZ

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https://www.tate.org.uk/whats-on?date_a=2022-05-12&date_range=custom&gallery_group=tate-modern

Lubaina Himid, £
Surrealism Beyond Borders £
Free Collection displays

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Join us for an introduction to sketching in Tate Britain's galleries with artist and art historian Frank Wasser

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https://www.southbankcentre.co.uk/whats-on/art-exhibitions/louise-bourgeois-woven-child

Hayward Gallery, Southbank Centre, Belvedere Rd, London SE1 8XX

£

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The first major retrospective of this legendary artist to focus exclusively on her work using fabrics and textiles.

Standard entry: £15*

Member: free

Concessions: £12**

* Excludes £3 booking fee.

** Limited availability. Read about concessions.

Tickets can only be sold through the Southbank Centre and our authorised agents, and can't be resold. You can return your tickets to the Southbank Centre for a credit voucher up to 48 hours before the event. Tickets resold on any third-party platforms will become invalid.

Members get more

Members get free, unlimited entry to all Hayward Gallery exhibitions. Join ahead of your visit to jump the queue - just show proof of Membership on arrival. Members also enjoy a 10% discount on food and drink at the Hayward Gallery Cafe, and a 20% discount in the Hayward Gallery Shop.

Get presale tickets

Members get the first chance to book our entire programme of events, including go-down-in-history gigs, concerts with world-class orchestras, and talks from cultural icons and political giants.

Hayward Gallery

Our address is: Hayward Gallery, Belvedere Road, London SE1 8XX.

The nearest tube and train stations within 5-7 minutes walk are Waterloo (Northern, Bakerloo, Jubilee and Waterloo & City lines) and Embankment (District & Circle lines).

There are also lots of bus routes with stops 2-5 minutes from our venues. For more information on getting here by road, rail or river.

Visit our Getting here page

Some free events, including our HENI Project Space exhibitions, don't require a pre-booked ticket - you can simply turn up on the day. These events are labelled FREE on our website with no way to book.

If you don't receive your e-ticket

Members

Advance booking for schools

We are happy to welcome primary, secondary and SEND schools during Hayward Gallery opening hours at the following rates:

Primary schools: Free, booking required.
Secondary schools in Lambeth and Southwark: Free, booking required.
All other secondary schools: £8 per pupil. Accompanying teachers go free.

Please email us with your preferred visit date and any other relevant school and pupil information at[email protected]

If you have any further questions or need anything else to support your visit, please contact the schools team.

For step-free access to the Hayward Gallery from the Queen Elizabeth Hall Slip Road, please use the Hayward Gallery car park lift.

There may be short queues to enter the building and the exhibition. If you are not able to queue or need further assistance, our hosts are here to help you.

Parking
Blue Badge parking at National Theatre
Alternative parking for Blue Badge holders visiting the Southbank Centre can be found at the National Theatre car park (330 metres). If you are visiting the Hayward Gallery, just take your badge and car park ticket to the Ticket Desk in the gallery foyer for validation before you leave.

Please note: on Sunday when the National Theatre building is closed there is no step-free access from the car park.
Blue Badge parking APCOA Cornwall Road

Eating & drinking on-site

The Hayward Gallery Cafe is the ideal spot for some pre-exhibition sustenance or a post-visit drink.

Drop in for a speciality coffee, artisan sandwiches, seasonal fresh salads and an array of homemade cakes and pastries from our in-house baker. Soak up the views with a crisp glass of wine, locally sourced craft ale or one of our signature cocktails.
Find out more

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The first major retrospective of this legendary artist to focus exclusively on her work using fabrics and textiles. Standard entry: £15* Member: free Concessions: £12** * Excludes £3 booking fee. ** Limited availability. Read about concessions. Tickets can only be sold through the Southbank Centre and our authorised agents, and can't be resold.

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https://www.tate.org.uk/whats-on/tate-britain/hew-locke

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Hew Locke: The Procession | Tate Britain

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A procession is part and parcel of the cycle of life; people gather and move together to celebrate, worship, protest, mourn, escape or even to better themselves. This is the heart of Hew Locke’s ambitious new project, The Procession.

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Lindsay Seers and Keith SargentCold Light @ Matts Gallery Nine Elms

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Lindsay Seers and Keith SargentCold Light @ Matts Gallery Nine Elms

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https://www.mattsgallery.org/exhibitions/cold-light

Matt’s Gallery, Nine Elms
6 Charles Clowes Walk
London, SW11 7AN

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The inaugural exhibition in Matt's Gallery's new Nine Elms space will be Cold Light - a new video installation and virtual reality work by Lindsay Seers & Keith Sargent.

Slippages and repetitions weave between real and virtual elements - sculptural and architectural elements recur, rendered and recombined physically and digitally, calling into question distinctions between materiality and representation.

The exhibition has been shaped by the artists' research into the life and work of Nikola Tesla, the title drawing on historic references to the first electric lights. No longer reliant on fire for illumination, the new electric light bulbs were referred to as ' Cold Light.'

Tesla was an inventor, engineer and futurist who performed scientific experiments theatrically, as a showman. He is best known for his contributions to the design of the Alternating Current electrical system. The work takes inspiration from Tesla's visionary revelations in science, his extraordinary consciousness and his non-normative brain. He considered himself to be an automaton reacting to internal and external stimuli.

Cold Light takes a complex stand on how time exists in the brain and the significance of electromagnetism in all things. The works display a desire to edit in the way the brain functions as described in neuroscience. There is an intensity in the unfolding of the work that relates to a neurodivergent state of consciousness - in this case autism and attention deficit hyperactivity disorder.

Research on these subjects has been sustained over many years and developed through dialogues with scientists including Chris Frith, FRS FBA, professor emeritus at the Wellcome Trust Centre for Neuroimaging at University College London; Anil Seth, professor of Cognitive and Computational Neuroscience at the University of Sussex; Paul Fletcher, Bernard Wolfe Professor of Health Neuroscience, University of Cambridge; and science writer Philip Ball.

Seers & Sargent began working together in 2012 when Sargent was commissioned to develop digital animations and publications for Seers. Over the intervening years this continued and developed into a collaborative practice. The artists have developed a language of blending objects, environments, light, sound, VR and CGI to contemplate quantum theory in a search for truths. Their work references human, animal and plant life with an ultimate desire for a new philosophy of metaphysical thought that can chime with the science it evokes.

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The inaugural exhibition in Matt's Gallery's new Nine Elms space will be Cold Light - a new video installation and virtual reality work by Lindsay Seers & Keith Sargent. Slippages and repetitions weave between real and virtual elements - sculptural and architectural elements recur, rendered and recombined physically and digitally, calling into question distinctions between materiality and representation.

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https://whitecube.com/exhibitions/exhibition/andreas_gursky_white_cube_bermondsey_2022

144-152, Bermondsey St, London SE1 3TQ

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White Cube Bermondsey is pleased to present an exhibition by Andreas Gursky featuring new and recent photographs. Produced over the past four years, these works reflect Gursky’s focus on the ‘essential commonality’ of contemporary life, and the forms and structures of global capitalism.
Gursky’s

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https://whitecube.com/exhibitions/exhibition/Jeff_Wall_White_Cube_Masons_Yard_2022

25-26 Masons Yard, St. James's,
SW1Y 6BU

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27 April - 25 June 2022
White Cube Mason's Yard

White Cube is pleased to present an exhibition of works by Jeff Wall at Mason's Yard. Comprising both new and earlier photographs spanning a twenty-year period, the selection foregrounds Wall's attention to the forms and methods of picture making and his prolonged observation of everyday life.

Since the 1980s, Wall has made documentary photographs alongside what he terms 'cinematographic' pictures, all of which emerge from similar processes of study and reflection. Trap Set (2021) was taken during mink season on a cold February day in the suburbs of Wall's native Vancouver. Animal traps, one of mankind's oldest devices, remind us of our original cunning intelligence. The equally cleverly designed Playground Structure (2008) depicts another contraption waiting for its users, in this case, children at play, possibly those living in the suburban houses in the background.

Like Trap Set, Pawnshop (2009) reflects the 'near-documentary' approach that has been a central aspect of Wall's work for forty years. The cubicles of the pawn shop's interior, which resemble confession booths or changing rooms, not only provide isolation and privacy but also perhaps reflect the almost ritualistic function of this emporium where people can borrow against the value of even small items of personal property, often as a last resort.

The exhibition includes several black and white prints, including Cold Storage (2007) and Burrow (2004). A new picture, A woman with a necklace (2021) shows a woman reclining languidly in a shadowy interior examining a sparkling glass necklace. Derived from Wall's own memories of his childhood home, this study in light and shadow, like all of Wall's black and white pictures, draws attention to the possibilities of picture making without colour, and to the intense luminosity that the monochrome offers.

Wall has said that his photographs encourage the viewer to write a text that he has erased in the process of making the image, that the viewer creates whatever narrative dimension the pictures have. Band & crowd (2011) involved 'open-ended orchestration' whereby Wall hired a band to play a concert in front of a sparse audience and recorded the results. The image is one of Wall's largest, taking in almost the entirety of the old and worn meeting hall. In Event (2020) two men in evening dress, seemingly attendees at a formal evening affair, are engaged in a confrontation. The subject originated with an incident witnessed by the artist, which he relocated to what is likely the ballroom or lobby of a hotel.

Several recent pictures in the exhibition were made in Los Angeles, where Wall also lives and works. Man at a Mirror (2019) features a man in a hotel room looking into a mirror on which a message has been written in soap. The camera angle ensures that the message remains indecipherable, and it cannot be determined if the man is its writer. Sunseeker (2021), and Mask maker (2015), also depict witnessed scenes. Sunseeker is an image of a woman dressed in black, sitting cross-legged on the roof of her car under strong sunlight. Face turned skywards and in a pose of meditation, she looks eccentric yet self-assured. In Mask maker a man dressed in a colourful outfit, decorates the half-mask he's wearing with a coloured pen, using his reflection in a shop window. The picture's spontaneous realism contrasts with its carnivalesque tension; the record of an action that is private, purposeful but almost alarming.

The subject of the large diptych Actor in two roles (2020) is simple almost to the point of being invisible: the transformation of an actor's appearance from role to role. Yet this transformation is at the root of all possibilities of performance. Wall undertook to produce a moment from two existing plays and worked with companies and artists in the 'little theatre' community in Los Angeles to cast, rehearse and design the productions. The pair of still images has the unique capacity to provide a simultaneous vision of the two different appearances, or identities, of a performer. Actor in two roles continues Wall's interest in subjects that cannot be contained within the single image. His multi-part pieces derive, paradoxically, from his history of intense immersion in the capacities of the unique pictorial image.

Jeff Wall was born in 1946 in Vancouver where he lives and works. He has exhibited widely, including solo exhibitions at Glenstone, Maryland (2021); Economou Collection, Athens (2019); Kunsthalle Mannheim, Germany, touring to Mudam Luxembourg (2018); Pérez Art Museum, Miami (2015); Stedelijk Museum, Amsterdam, touring to Kunsthaus Bregenz, Austria and Louisiana Museum of Modern Art, Humlebaek, Denmark (2014-15); Art Gallery of Western Australia, touring to National Gallery of Victoria, Melbourne and Museum of Contemporary Art Australia, Sydney (2012-13); Pinakothek der Moderne, Munich, Germany (2013); Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain (2011); Museo Tamayo, Mexico City (2008); The Museum of Modern Art, New York touring to The Art Institute of Chicago and San Francisco Museum of Modern Art (2007); and Tate Modern, London touring to Schaulager, Basel, Switzerland (2005). Group exhibitions include 5th Shanghai Biennale (2004); Documenta 11, Kassel, Germany (2002); 12th Biennale of Sydney (2000); 24th Bienal de São Paulo (1998); and Documenta 10, Kassel, Germany (1997).

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White Cube is pleased to present an exhibition of works by Jeff Wall at Mason's Yard. Comprising both new and earlier photographs spanning a twenty-year period, the selection foregrounds Wall's attention to the forms and methods of picture making and his prolonged observation of everyday

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https://www.180thestrand.com/future-shock
180 Strand, Temple, London WC2R 1EA
(£)

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Mahesh Baliga & Suzan Frecon @ David Zwirner

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Mahesh Baliga & Suzan Frecon @ David Zwirner

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https://www.davidzwirner.com/exhibitions/2022/mahesh-baliga-drawn-to-remember

https://www.davidzwirner.com/exhibitions/2022/suzan-frecon-recent-paintings-oil-and-water

24 Grafton St, London W1S 4EZ

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http://arcadiamissa.com/as-above-so-below/

35 DUKE STREET
LONDON W1U1LH

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20 Grosvenor Hill
London W1K 3QD
https://gagosian.com/exhibitions/2022/titus-kaphar/

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Titus Kaphar: New Alte̲rs: Reworking Devotion, Grosvenor Hill, London, March 17–May 15, 2022 | Gagosian

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Find out more about the current exhibition Titus Kaphar: New Alte̲rs: Reworking Devotion at Gagosian Grosvenor Hill, London. Works, editorial content, and more.

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Cynthia Daignault: Xanadu @ Sunday painter

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Cynthia Daignault: Xanadu @ Sunday painter

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https://thesundaypainter.co.uk/exhibitions/52-cynthia-daignault-xanadu/overview/

117-119 South Lambeth Road

London

SW8 1XA

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Opening reception: May 3 6.30-9.00 PM

The Sunday Painter is pleased to present Xanadu, the third solo show by Cynthia Daignault at the gallery.

In Xanadu, Daignault shows oil paintings on paper, hung salon-style, and affixed flush to the wall. These are her first works painted on paper, and Daignault creates flat paintings, a step closer to their virtual references. The gallery itself becomes a metaphor for a digital image array, akin to Instagram or Google. Each wall in the gallery represents one work, and after this presentation, the works will then be packed into unique solander boxes that allows the viewer to experience the paintings in narrative time, as when flipping the pages of a book, or scrolling through the stories on a feed.

Daignault is best known for her serial works. She uses seriality to explore the way media has defined the forms of our memory, history and culture. Unlike the nihilism inherent in a digital image search, Daignault strives to build meaningful image streams, portraying how people today experience complex concepts and ideas. Swirling around big topics like whiteness, or suburbia, or punk, or social media, or war, or the environmental crisis, Daignault portrays our fractious contemporary consciousness and this turbulent moment in time.

The works are intuitive rather than didactic, with the spinning logic of a dream, yet each is centered around a strong emotional core. Daignault has said that the first step in making any work is to imagine how it will feel when it's finished. Here, there is a buzzing anxiety in the work, which speaks to this contemporary moment. The title Xanadu invokes the idea of utopia and focuses the work on our central human contradiction-that we are defined both by the idealism toward which we bend and by the violence which tears us apart.

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Cynthia Daignault: Xanadu | 4 May - 4 June 2022 - Overview

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Opening reception: May 3 6.30-9.00 PM The Sunday Painter is pleased to present Xanadu , the third solo show by Cynthia Daignault at the gallery. In Xanadu, Daignault shows oil paintings on paper, hung salon-style, and affixed flush to the wall. These are her first works painted on paper, and...

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https://www.sadiecoles.com/exhibitions/886-seth-price-art-is-not-human/installation_shots/

62 Kingly Street W1

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Seth Price: Art Is Not Human - Installation Views

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South London Gallery, Alice Theobald & Céline Condorelli, with Ben Rivers and Jay Bernard: 

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South London Gallery, Alice Theobald & Céline Condorelli, with Ben Rivers and Jay Bernard: 

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https://www.southlondongallery.org/exhibitions/alice-theobald-il-y-aura-there-will-be/

https://www.southlondongallery.org/whats-on/exhibitions/

65 Peckham Rd, London SE5 8UH
2 galleries across road from one another

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Alice Theobald, 'IL Y AURA (There will be)', Andy Stagg, 2022

IL Y AURA (There will be), 2022 , is a new film installation by French-British artist Alice Theobald (b. 1985). The film is inspired by Eugène Ionesco's play 1951 . In a Parisian apartment, a young woman arrives in an older man's home for an ambiguous ritualised language lesson. She is invited to read her 'exercises' and begins to nervously recite a series of phrases describing various scenes that 'will be' in the future. As the phrases become more surreal, the professor's behaviour becomes more animated, erratic and sinister.

The film stars French actor Thibault de Montalembert ( Call my Agent, 2015-present; My Sex Life... or How I Got Into an Argument, 1996 ) and the artist herself.This work has emerged from the artist's personal experience as a bilingual Franco-British person brought up in the UK. Conflating fiction, personal experience and memory with a refusal to offer clear narrative resolutions, this film draws on intimate elements of Theobald's French heritage and the experience of gradually losing her mother tongue.

Shot on Super 16mm and using handheld camera, the film has the aesthetic of a home movie, characteristic of Theobald's previous recorded performance works. At its most delirious, A (There will be), 2022, comments on social customs, clichés, learnt modes of behaviour and the cyclical nature of producing fiction whilst simultaneously being produced by it.

is written, directed and edited by the artist and is her first French language film. The film's score is written with musician Tom Hirst (American Sound/ Design a Wave).
The exhibition is curated by Anne-Sophie Dinant.
ACCESS

The room is dark

Seating is available

Running time 18 min 15 sec loop

BIOGRAPHIES

Alice Theobald was born in Leicester, UK in 1985. She lives and works in Birmingham, UK. Theobald works across a wide range of media including live performance, video, installation, sound, music, text and sculpture. Her work fluctuates between script and improvisation and highlights the unstable relationship between art, communication and representation. She composes the music and soundtracks for her works. In 2013 she also co-founded the music group and artist-collective Ravioli Me Away with Sian Dorrer and Rosie Ridgway. In 2019 they created the alt-opera View from Behind the Futuristic Rose Trellis which toured nationally to Wysing Arts Centre, Cambridge, UK; BALTIC Centre for Contemporary Art, Gateshead; The Box Plymouth and The Albany, Depford.

Recent solo exhibitions include, We May Believe Or We May Never Know The White House, CREATE, Dagenham, 2018 ; Weddings And Babies , Pilar Corrias, 2017; The Next Step, Two Queens, Leicester, 2016 ; It's Not Who You Are, it's How You Are , collaboration with Atomik Architecture, BALTIC Centre for Contemporary Art, Gateshead, 2015. Performance presentations include Ballad of Simple Women, Abu Dhabi Art Fair, AE ; What Not To Wear Our My Soul, Art Night, Walthamstow, 2019; You've got my back and I'm on your side , FRAC Champagne-Ardenne, Reims, FR 2017 and Focal Point Gallery, Southend-on Sea, 2016; I've said yes now that's it, Chisenhale Gallery (Interim), London, UK, 2014 ; AFTER/HOURS/DROP/BOX , Spike Island, Bristol, UK, 2014.

Anne-Sophie Dinant is an independent curator based in France. She was Curator at Large at CAPCmusée d'art contemporain de Bordeaux from 2014 to 2018 where she curated L'Ecran, a series of exhibitions of film and video. Other recent exhibitions and film programmes she organised include Clement Cogitore, Base sous-marine, Bordeaux; For as Long as You Like, Gaudel de Stampa, Paris ; Reflections without Sun, M-Museum, Louvain; Acting for the Camera. Acting with the Camera, Arnolfini, Bristol. Anne-Sophie was previously associate curator at the South London Gallery (2012-2017) where she curated and co-curated exhibitions by Manon de Boer, Charles Atlas and Mika Tajima and screenings and performances by artists such as Eleanor Antin, Gisèle Vienne, Claire Fontaine, Babette Mangolte and Jessica Warboys. She has also organised film and video screenings at Tate Modern, The British Film Institute (BFI) and the ICA, London. She has written for artist books and for art magazines such as Artpress and Mousse.

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Alice Theobald: IL Y AURA (There will be) - South London Gallery

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IL Y AURA (There will be), 2022, is a new film installation by French-British artist Alice Theobald (b. 1985). The film is inspired by Eugène Ionesco's play La Leçon, 1951. In a Parisian apartment, a young woman arrives in an older man's home for an ambiguous ritualised language lesson.

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Barbican, Our Time on Earth & New art 1945-65

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Barbican, Our Time on Earth & New art 1945-65

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https://www.barbican.org.uk/whats-on/2022/event/our-time-on-earth
https://www.barbican.org.uk/whats-on/2022/series/postwar-modern-public-programme

£

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To the right are lists of exhibitions sorted by area

Below are some suggested routes/ clusters of galleries...

Suggest using See Saw app to help plan. & citymapper app/ google maps will get you between places. Sometimes it'll be quicker to walk.

KEEP AN EYE ON TIME  - give yourself time to get back to Tate B for the bus @ 5.45 PM

(£) = exhibitions aren't free

1) West/S.W loop
Serpentine, Matts Gallery, Sunday painter, Gasworks if time, Tate B

2) Central/West London commercial galleries
Sadie Coles, Parafin, Gagosian, White Cube, David Zwirner, Arcadia Missa, Thomas Dane (Serpentine if time) Tate B  - *or Serpentine then to commercial galleries above and back to Tate B* Pick your commercial galleries  as you might not fit all in

3) East LDN
Hollybush Gardens, Barbican (£), Maureen Paley (2 galleries), Kate Mcgarry, Autograph, (Whitechapel if time (£)), check See Saw for smaller galleries close by.

4) By the river
Jerwood,  White Cube Bermondsey, Tate M / 180 strand (£), Hayward / Check See Saw for smaller galleries close by. back to Tate B

5) Design It Yourself
Find a couple of exhibitions you want to prioritise. Use See Saw to find nearby exhibitions. You could spend all day at the serpentine gallery and Tate B as there is a lot to see there.

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See Saw is a really good app to see what's currently on in London (& LA, NYC, Paris, Berlin, Venice Biennial) Recommend to download 

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See Saw is a really good app to see what's currently on in London (& LA, NYC, Paris, Berlin, Venice Biennial) Recommend to download 

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https://apps.apple.com/gb/app/see-saw-gallery-guide/id791643418

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iPhone Screenshots

Visiting the Venice Biennale? We've got you covered! Our new Venice section features all of the exhibitions you won't want to miss in the Arsenale, Giardini, and beyond.

Plan your visits to New York, Los Angeles, Berlin, London, and Paris contemporary art galleries with a custom map.

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* View exhibition images and press releases.

* Check out the Editor's Picks for popular exhibitions, under-the-radar recommendations, and critically acclaimed shows.

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The developer, Patrick Swieskowski, indicated that the app's privacy practices may include handling of data as described below. For more information, see the developer's privacy policy.

Privacy practices may vary based on, for example, the features you use or your age. Learn More

Information

Compatibility

iPhone

Requires iOS 13.0 or later.

iPod touch

Requires iOS 13.0 or later.

Mac

Requires macOS 11.0 or later and a Mac with the Apple M1 chip.

Age Rating

12+ Infrequent/Mild Mature/Suggestive Themes Infrequent/Mild Profanity or Crude Humour Infrequent/Mild Alcohol, Tobacco, or Drug Use or References Infrequent/Mild Cartoon or Fantasy Violence Infrequent/Mild Realistic Violence Infrequent/Mild Sexual Content and Nudity

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‎Plan your visits to New York, Los Angeles, Berlin, London, and Paris contemporary art galleries with a custom map. Find the best shows, map your route, and go! FEATURES * Navigate galleries with a map of all current shows, or create a custom map of just your picks.

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https://gasworks.org.uk/exhibitions/juha-pekka-matias-laakkonen/
155 Vauxhall St, London SE11 5RH

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Lily van der Stokker – Thank You Darling @ Camden Arts

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Lily van der Stokker – Thank You Darling @ Camden Arts

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https://camdenartcentre.org/lily-van-der-stokker-thank-you-darling/

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Lily van der Stokker – Thank You Darling – Camden Art Centre

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https://www.whitechapelgallery.org/exhibitions/a-century-of-the-artists-studio-1920-2020/

£

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Kerry James Marshall, Untitled (Painter), 2008, Acrylic on PVC panel in artist's frame, 73 x 62.9 cm. Collection of Charlotte and Herbert S. Wagner III. © Kerry James Marshall. Courtesy of the artist, David Zwirner London and Jack Shainman Gallery, New York. Photo: Steve Briggs.

Past Exhibition

This exhibition was on 24 February 2022 - 5 June 2022

Exhibition
A Century of the Artist's Studio: 1920 - 2020

24 February 2022 - 5 June 2022

★★★★★ - ' A riveting experience...' - The Observer
★★★★★ - ' A magical trip into the creative mind.' - The Times
★★★★ - ' ...a joyful hive of creative activity.' - The Telegraph
' A spellbinding adventure.' - Financial Times

Whitechapel Gallery presents a 100-year survey of the studio through the work of artists and image-makers from around the world.

Whether it be an abandoned factory, an attic or a kitchen table, it is the artist's studio where the great art of our time is conceived and created. In this multi-media exhibition, the wide-ranging possibilities and significance of these crucibles of creativity take centre stage and new art histories around the modern studio emerge through striking juxtapositions of under-recognised artists with celebrated figures in Western art history.

The exhibition brings together more than 100 works by over 80 artists and collectives from Africa, Australasia, South Asia, China, Europe, Japan, the Middle East, North and South America. They range from modern icons such as Francis Bacon, Louise Bourgeois, Pablo Picasso, Egon Schiele and Andy Warhol, to contemporary figures such as Walead Beshty, Lisa Brice and Kerry James Marshall.

The exhibition includes paintings, sculptures, installations and films depicting the studio as work of art and presents documentation of artists' studios by world-renowned photographers and film-makers. A series of 'studio corners' also recreate the actual environments where great art has been produced.
Felicia Abban, Mequitta Ahuja, Ai Weiwei, Darren Almond, Holly Antrum, Arpilleras workshops, Arte Madí, Frank Auerbach, Francis Bacon, Mirosław Bałka, Phyllida Barlow, Wilhelmina Barns- Graham, Manisha Gera Baswani, Vanessa Bell and Duncan Grant, Guy Ben-Ner, Bruce Bernard, Walead Beshty, Leonardo Bezzola, Louise Bourgeois, Constantin Brancusi, Geta Brătescu, Lisa Brice, Henri Cartier-Bresson, Roberto Chabet, Nikhil Chopra, Denise Colomb, David Dawson, Robert Doisneau, Marcel Duchamp, Inji Efflatoun, Tracey Emin, Rotimi Fani-Kayode, Peter Fischli & David Weiss, Helen Frankenthaler, Lucian Freud, Gisèle Freund, Shadi Ghadirian, Alberto Giacometti, Antony Gormley, Rodney Graham, Andrew Grassie, Ha Bik Chuen, Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian, Florence Henri, Barbara Hepworth, Lucien Hervé, Harry Holtzman, Tehching Hsieh, Franz Hubmann, Mathias Johansson, Jasper Johns, William Kentridge, Edward Krasinński, Laboratoire Agit'Art, Maria Lassnig, Maud Lewis, Li Yuan- chia, Kim Lim, Maria Loizidou, Mateo López, Kerry James Marshall, Henri Matisse, John Mawurndjul, Paul McCarthy, Lisa Milroy, Henry Moore, Reinhard Mucha, Hans Namuth and Paul Falkenberg, Bruce Nauman, Perry Ogden, Gordon Parks, Pablo Picasso, Annie Ratti, Robert Rauschenberg, Wilhelm Redemann, Armando Reverón, Martha Rosler, Dieter Roth / Björn Roth, Egon Schiele, Carolee Schneemann, Gregor Schneider, Kurt Schwitters, Paul Mpagi Sepuya, Hassan Sharif, Anwar Jalal Shemza, Cindy Sherman, Stephen Shore, Frances Stark, Varvara Stepanova, Josef Sudek, Vivan Sundaram, El Hadji Sy, Alina Szapocznikow, Wolfgang Tillmans, Jean Tinguely, Clifford Possum Tjapaltjarri, Suha Traboulsi, Cy Twombly, Raoul Ubac, Ian Wallace, Andy Warhol, Sabine Weiss, Paul Winstanley, Francesca Woodman.
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A Century of the Artist's Studio: 1920 - 2020 - Whitechapel Gallery

# data[].attributes.attachment_link.description
Kerry James Marshall, Untitled (Painter), 2008, Acrylic on PVC panel in artist's frame, 73 x 62.9 cm. Collection of Charlotte and Herbert S. Wagner III. © Kerry James Marshall. Courtesy of the artist, David Zwirner London and Jack Shainman Gallery, New York. Photo: Steve Briggs.

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https://wellcomecollection.org/exhibitions/YZeNOxEAACQAXM-0

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https://www.galleriesnow.net/shows/cecilia-fiona/

472 Hackney Road, Unit 9, E2 9EQ

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pictures and details of cecilia fiona: weightless are the hearts of the trees at annka kultys gallery

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2022 – contemporary art with installation views

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Cecilia Fiona: Weightless are the Hearts of the Trees at Annka Kultys Gallery, London

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Pictures and details of Cecilia Fiona: Weightless are the Hearts of the Trees at Annka Kultys Gallery, London, April 22 - May 21, 2022 - Contemporary art with installation views

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https://autograph.org.uk/exhibitions/sutapa-biswas-lumen

Rivington Place, London
EC2A 3BA, UK

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http://www.parafin.co.uk/exhibitions--2022--melanie-manchot.html

8 Woodstock Street

London W1C 2AL

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WEIRD SENSATION FEELS GOOD: The World of ASMR @ Design Museum

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WEIRD SENSATION FEELS GOOD: The World of ASMR @ Design Museum

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https://designmuseum.org/exhibitions/weird-sensation-feels-good-the-world-of-asmr

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Step out from behind your screen and experience the world of ASMR in a shared space.

# data[].attributes.attachment_link.title
WEIRD SENSATION FEELS GOOD: The World of ASMR

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Step out from behind your screen and experience the world of ASMR in a shared space.

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https://www.nationalgallery.org.uk/exhibitions