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# data[].attributes.headline
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Jainay, Anthony, Alexander

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Personally, I think the cinemascope aspect ratio was chosen so the audience can truly feel how little and lonely Chiron feels in the world. Also, it lets the viewer in on other things that are influencing his emotional state and what's happening in his life, but still with the primary focus being on him. - Azra

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The two aspect ratios used in "Miller and Son" were 4:3 and 1:85. The 4:3 ratio makes Ryan feel boxed in from the world and the transition to the widescreen at night displays Ryan's feeling of freedom.
-Jacob

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The Matrix is an example of a film that explores slow motion. The purpose of using slow motion is to demonstrate that the character has finally uncovered his superhuman abilities. Throughout the course of the film, the main character attempts to understand his abilities and towards the end, the filmmaker utilizes slow motion to represent that he has finally figured it out.

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K so it works well with the shots that include more than 1 or 2 characters (for example, the boys rough-housing with each other in the field), it enhances the use of panning shots, alternatively it also works with single character takes with MCU's and CU's. Helps to zero in on facial expressions and dialogue. - Devin

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The fast pace towards the end in a way the lifestyle in a big city everyone is in a rush to do something and be somewhere

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In the excerpt, there were two different cluttered views of people one was omnipresent and showed the bustle of the city.  The other was a mid to lower angle and was slowed and left the viewer with a sense of ease and the people looked relaxed as they walked in the crowded city. Kinda feels like everyone is connected as we are in each other's space, but everyone is doing their own individual thing.
karl

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The colors, use of lens flares, and wide aspect ratio (2.55:1) give the film a dream-like feeling.
The cinematographer is Linus Sandgren who also was the cinematographer for James Bond - no time to die, Don't look up, and first man. He shot most scenes at golden hour to create warm and soft lighting which required lots of rehearsal since they had only 30-60 minutes to film during that time.
Sandgren won the academy award for best cinematography with La la Land.

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Adding on to what Jacob said, this shift in aspect ratios almost may reflect the emotions Ryan is feeling. When the aspect ratio is larger she feels free to be herself, accepted, and confident (ie when she is at the club with her friend) Whereas when the aspect ratio is smaller she feels more vulnerable and detached from who she truly is (ie when she’s being questioned by Grant the following day). -Tamara

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The wide aspect ratio was used to give us, the viewers a sense that we're present in the film with the characters, since that aspect ratio is sort of the natural eyesight length of a human being. Wide aspect ratios are commonly used to focus on the setting/ background as well.
- Faysal

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Dario Argento's Deep Red has high aspect ratio of 2.35 : 1
Which allows for more visual information to be revealed on the screen. A lot of shots are framed in a way to show several bits of information to the audience. Either it be characters expressions in the scene or things that are going on in the setting.
The films colour palette consists of mostly warm vibrant colours. Which allows the colour of blood to stand out.

There are also various scenes in this film that have extreme close ups. Pours and wrinkles can be seen. Making the audience feel uncomfortable