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A form of drama that emphasizes the absurdity of human existence by employing disjointed, repetitious, and meaningless dialogue, purposeless and confusing situations, and plots that lack realistic or logical development.

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find themselves interacting with the 'players'. They are uneasy about this.

The player says, "We're actors - we're the opposite of people!" R/G are trying to get away from the fact they are within a play. They contemplate their lives' meaning, as they see it has no meaning and no certainty (flipping of the coin). They want free will, not predetermined, 'certain' death.

^ Perhaps. Just a thought.

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Occurs when a character finds him/herself as part of a play within the play.

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Drama about drama

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when a play talks about itself in a way that shows it as an excellent piece of art

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Rosencrantz and Guildenstern is largely static with just the two men engaging in conversation. This plays into the Theater of the Absurd.

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Theatre of the absurd=Refers to works by a group of 20th century theatre practitioners who agreed with the existentialist philosopher Albert Camus who said that the human condition was itself absurd.

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Theatre of the absurd=Refers to works by a group of 20th century theatre practitioners who agreed with the existentialist philosopher Albert Camus who said that the human condition was itself absurd.

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he Theatre of the Absurd (French: théâtre de l'absurde [teɑtʁ(ə) də lapsyʁd]) is a post–World War II designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s, as well as one for the style of theatre which has evolved from their work

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The Theatre of the Absurd, pioneered by Beckett, is famous for having no purpose. In Rozencratz and Guildensomething are Dead, nothing much happens. It has no purpose.

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'Metadrama' refers to instances of self-reflexivity in a play, where a play draws attention to itself as a work of dramatic art

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Metadrama=When a play draws attention to itself as a work of dramatic art

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Metadrama=When a play draws attention to itself as a work of dramatic art