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In order to illustrate Samsa's monstrous appearance and ineptitude at moving around in his new body, Kafaka uses diction to illustrate the magni

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To a hardworking, dedicated employee, like the protagonist of Franz Kafka's novella "The Metamorphosis": Gregor Samsa,  inconveniences are just hurdles of everyday shifting accordingly to the employee's occupation. When Gregor wakes up one morning expecting another day of routine as a traveling salesman he is rudely awakened by his spontaneous transformation into an unidentified insect that, to Gregor's dismay, instinctively flails its disproportionately small appendages to the ceiling as Gregor laments upside-down on his bed. Throughout this entire ordeal Kafka selectively churns out diction natural for a human to be seen doing while the protagonist is now clearly a bug, as Gregor mentions his body parts he still talks of them in human anatomy terms or articles of garb such as the "dome" on his back which is in scientific terms is known as the elytra, the hard outer wings that cover the thin hind winds of common beetles, which is also the cover image of entire story. Now Kefka didn't bother to research beetle physiology since this kind of vocab isn't synonymous to the everyday traveling salesman which in turn make mr. Samsa rather relatable, for he doesn't know what is happening, he can't even tell what bug he is, so making Gregor less knowledgeable and verbose during the hour this story is allotted helps deliver a feeling of lacking understanding and fear. Fight or flight mode is presented via the short and simple words Kafka makes Gregor rabble since no one would feel like they have the time to think calmly and thoroughly as newly trans-species human-beetle.

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Samsa's "pitifully thin" legs waving "helplessly" address how difficult he finds each morning to be after waking up to little progress, and hastily rushing to be on time for the early train.

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Samsa's "pitifully thin" legs waving "helplessly" address how difficult he finds each morning to be after waking up to little progress, and hastily rushing to be on time for the early train.

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In Franz Kafka's The Metamorphosis, the utilization of syntax provide a detailed outline of Gregor Samsa's changing reaction toward his realization of becoming an insect. 

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capture the absurdity of Gregor Samsa's physical transformation, but also exemplifies how his actions in his new form as a hard shelled insect 

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Gregor Sampson's complex situation, within Franz Kafka's The Metamorphosis is captured using explicit diction to describe how adversity can lead individuals to h

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"Despite his complete physical transformation into an insect at the beginning of the story, Gregor changes very little as a character over the course of The Metamorphosis. Most notably, both as a man and as an insect Gregor patiently accepts the hardships he faces without complaint."

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According to the text, The Metamorphosis by Franz Kafka, Gregor Samsa is a man that has woken up to find himself in the body of an enormous bug. In order to illustrate Samsa's monstrous appearance and ineptitude at moving around in his new body, Kafaka uses diction to illustrate the magnitude of these two traits. Kafka first uses the words, "monstrous vermin," in order to set aside any notions that Samsa's appearance could be accepted or tolerated. This is proven by later events when his family looks on in horror and when his manager gawks and slowly backs away. Samsa's appearance is undoubtedly disgusting and intolerable. Kafka then describes Samsa's poor motor skills through the use of words like feeble and repeatedly uses the phrase, "little legs," in order to drive home Samsa's ineptitude. This is illustrated by Samsa's constant scrabbling, bumping, and immense effort in moving about the room. Through the use of these vivid and descriptive instances of diction, Kafka relates that no one is used to Samsa's new body, not even himself.

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To a hardworking, dedicated employee, like the protagonist of Franz Kafka's novella "The Metamorphosis": Gregor Samsa,  inconveniences are just hurdles of everyday shifting accordingly to the employee's occupation. When Gregor wakes up one morning expecting another day of routine as a traveling salesman he is rudely awakened by his spontaneous transformation into an unidentified insect that, to Gregor's dismay, instinctively flails its disproportionately small appendages to the ceiling as Gregor laments upside-down on his bed. Throughout this entire ordeal Kafka selectively churns out diction natural for a human to be seen doing while the protagonist is now clearly a bug, as Gregor mentions his body parts he still talks of them in human anatomy terms or articles of garb such as the "dome" on his back which is in scientific terms is known as the elytra, the hard outer wings that cover the thin hind winds of common beetles, which is also the cover image of entire story. Now Kefka didn't bother to research beetle physiology since this kind of vocab isn't synonymous to the everyday traveling salesman which in turn make mr. Samsa rather relatable, for he doesn't know what is happening, he can't even tell what bug he is, so making Gregor less knowledgeable and verbose during the hour this story is allotted helps deliver a feeling of lacking understanding and fear. Fight or flight mode is presented via the short and simple words Kafka makes Gregor rabble since no one would feel like they have the time to think calmly and thoroughly as newly trans-species human-beetle.

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Normalized diction is utilized by Franz Kafka to capture the absurdity of Gregor Samsa's physical transformation, but also exemplifies how his actions in his new form as a hard shelled insect are relatable to the complex feelings he had felt prior to his exchange of body. As he describes the physical pains he experiences in his new body, Gregor juxtaposes these emotions with what he experiences while working his "grueling job" as a textile salesman. He expresses dissatisfaction with his mundane condition. In a career that he despises, Gregor "helplessly" struggles to find sound fulfillment in his daily life, but his efforts are expressed to be "pitifully" futile as he strains such as a bug on their back unable to progress.

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Through the experience of major misfortune in the novella, The metamorphosis, Franz Kafka utilizes vivid diction, in efforts to convey an image in the readers mind, capturing the complex events the main character, Gregor samsa encountered.

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In metamorphosis, Kafka uses diction to depict the peculiar situation Gregor Samsa finds himself in after awakening in body that r

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Gregor Samsa, an estranged man of the text "The Metamorphosis", establishes that time analyzing his everyday events is capable of deterring his day-to-day lifestyle. Franz Kafka utilizes elevated and descriptive diction to illustrate how feeling possessed in the world of a small bug has all the power to turn a miniscule world upside down. Beginning in the morning, Samsa wakes continuing the mindset of being a "monstrous" bug that is not literal in size but more so in appearance. His dream was a depiction of how  he views his life and the fear he feels about working too abrasively to keep financial secrets from his parents. Samsa's "pitifully thin" legs waving "helplessly" address how difficult he finds each morning to be after waking up to little progress, and hastily rushing to be on time for the early train. As a traveling salesman, Gregor solely has a goal to keep disappointment from his family's eyes which he is reminded of by the "glossy" magazine of his work hung on the bedroom wall, which drives him to continue his work and relieve a work debt.

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Analyze how Kafka uses diction to capture Gregor's complex situation. (Write as a prose paragraph; must use the text!)