# data[].attributes.body
https://forms.gle/o3qANTbLaKnyJM1o8

# data[].attributes.attachment_link.title
F.BERC 4_Exemption Form NURUL UMI SALSABILLA

# data[].attributes.attachment_link.title
Academic Writing Chapter 2 (Maryam Iqlima)

# data[].attributes.attachment_link.title
Academic  Writing Chapter 1 Maryam Iqlima

# data[].attributes.body
Submit your completed chapter 1 today (9 Nov 2021). Late submission will not be given any marks.

Kindly run your turnitin report before submit. Register the turnitin and enter the provided credentials

# data[].attributes.body
15 November 2021 - Draft for Literature Review (10pages)

22 November 2021 - Literature Review Writing Process (5 pages)

29 November - Final submission for Literature Review Writing (Late submission will not be given any marks)

# data[].attributes.body
6 December 2021 - Research Methodology writing.

13 December 2021 - Draft for Reseach Methodology (10 pages)

20 December 2021 - Final submission for Research Methodology

# data[].attributes.headline
Schedule for December 2021 & January 2022

# data[].attributes.subject
Schedule for December 2021 & January 2022

# data[].attributes.body
27 December 2021 - Data Collection & Analysis Draft

3 January 2022 - Data Collection & Analysis Writing Progress

10 January 2022 - Data Collection & Analysis Submission

# data[].attributes.body
Submit your completed chapter 1 today (9 Nov 2021). Late submission will not be given any marks.

Kindly run your turnitin report before submit. Register the turnitin and enter the provided credentials

# data[].attributes.body
15 November 2021 - Draft for Literature Review (10pages)

22 November 2021 - Literature Review Writing Process (5 pages)

29 November - Final submission for Literature Review Writing (Late submission will not be given any marks)

# data[].attributes.attachment_link.title
UNIVERSITI TEKNOLOGI MARA thesis chapter 1-3

# data[].attributes.body
KIndly run the turnitin and upload chapter 1-4 by today 17 June 2021

# data[].attributes.body
An Integration of cucumar longa elements into applied textile products.

# data[].attributes.body
6 December 2021 - Research Methodology writing.

13 December 2021 - Draft for Reseach Methodology (10 pages)

20 December 2021 - Final submission for Research Methodology

# data[].attributes.headline
An Assimilation of Caterpillars and it’s potential design elements into applied textile products

# data[].attributes.subject
An Assimilation of Caterpillars and it’s potential design elements into applied textile products

# data[].attributes.body
https://docs.google.com/forms/d/e/1FAIpQLSdiWL8vcephRKrDFfoGmA_0TNM5Y93yG45b9ww1zqNCMCD1pQ/viewform

# data[].attributes.body
LR should be completed within 2 weeks time

# data[].attributes.headline
Chapter 3 Research Methodology Structure

# data[].attributes.subject
Chapter 3 Research Methodology Structure

# data[].attributes.body
reference

# data[].attributes.body
RESEARCH FINDINGS AND CONCLUSION

# data[].attributes.body
kindly do some correction as stated in the commen

# data[].attributes.body
An adaption of aliceara visual element intro applied  textile product

# data[].attributes.body
An Adaption of Gloxinia flowers into textile design products and its potential elements into textile design products

# data[].attributes.body
chapter 1 checked

# data[].attributes.body
CORRECTED

# data[].attributes.body
Corrected

# data[].attributes.body
turnitin

# data[].attributes.attachment_link.title
an adaption of aliceara visual element into applied textile product (2)

# data[].attributes.headline
An application of tropical leaf grains and it's elements into natural based textile pieces

# data[].attributes.subject
An application of tropical leaf grains and it's elements into natural based textile pieces

# data[].attributes.body
An application of tropical leaf grains and its elements into natural based textile pieces.

Recently natural and made-man polymer fibres are used for preparation of functionalised textiles to achieve smart and intelligent properties. There are numerous application possibilities of these modified materials. Main pathways for functionalizaton of fibres are: inclusion of functional additives (inorganic particles, polymers, organic compounds); chemical grafting of additives on the surface of fibres and coating of fibres with layers of functional coatings. A new approach to produce new materials is by nanotechnology, which offers a wide variety of possibilities for development of materials with improved properties. Composites of cellulose fibres with nano-particles combine numerous advantageous properties of cellulose with functionality of inorganic particles, hence yielding new, intelligent materials. For preparing cellulose composite materials profound knowledge about fibres properties is needed. Besides, new fibre qualities are demanded to guaranty the modification efficiency. Therefore non-standard methods are involved to determine physical properties of fibres.

In addition to, manufacture, use and removal of traditional textile materials are now considered more critically because of increasing environmental consciousness and the demands of legislative authorities. Natural cellulose fibres have successfully proven their qualities when also taking into account an ecological view of fibre materials. Different cellulose fibres can be used for textile and technical applications, e.g. bast or stem fibres, which form fibrous bundles in the inner bark (phloem or bast) of stems of dicotyledenous plants, leaf fibres which run lengthwise through the leaves of monocotyledenous plants and fibres of seeds and fruits. Flax, hemp, jute, ramie, sisal and coir are mainly used for technical purposes. Recently, the interest for renewable resources for fibres particularly of plant origin is increasing. Therefore several non-traditional plants are being studied with the aim to isolate fibres from plant leaves or stems.  Line leaf and an application of tropical leaf grains and its elements into natural based textile pieces colour indigo. I study the colour indigo, is a species of plant from the bean family that was one of the original sources of indigo dye. It has been naturalized to tropical and temperate Asia, as well as parts of Africa, but its native habitat is unknown since it has been in cultivation worldwide for many centuries. Today most dye is synthetic, but natural dye from I. tinctoria is still available, marketed as natural coloring where it is known as tarum in Indonesia and nila in Malaysia. In Iran and areas of the former Soviet Union it is known as basma. The plant is also widely grown as a

soil-improving groundcover.

True indigo is a shrub one to two meters high. It may be an annual, biennial, or perennial, depending on the climate in which it is grown. It has light green pinnate leaves and sheafs of pink or violet flowers. The plant is a legume, so it is rotated into fields to improve the soil in the same way that other legume crops such as alfalfa and beans are.

Dye is obtained from the processing of the plant's leaves. They are soaked in water and fermented in order to convert the glycoside indican naturally present in the plant to the blue dye indigotin. The precipitate from the fermented leaf solution is mixed with a strong base such as lye.

Synonyms

·         Anila tinctoria var. normalis Kuntze

·         Indigofera anil var. orthocarpa DC.

·         Indigofera bergii Vatke

·         Indigofera cinerascens DC.

·         Indigofera houer Forssk.

·         Indigofera indica Lam.

·         Indigofera oligophylla Baker

·         Indigofera orthocarpa

·         Indigofera sumatrana Gaertn.

·         Indigofera tinctoria Blanco

·         Indigofera tulearensis Drake

an assimilation of leaf indigo and it potential design elements into applied textile products.we are all familiar with the distinct blue colour of jean and I like colour indigo but very nice the colour indigo. This unique shade of blue is called infigo, and irs come from an organic dye derived from indigofera plants.considered the king of blues, indigo is extensively used in fabric dyeing for its rich and colour. Indigo dyeing has a long history, and the method is still as popular as it was centuries ago.

# data[].attributes.body
There are four or five standard issues that can arise with the indigo vat. These are normally easily fixed. The most frequent troubleshooting tactics involve the pH, or the vat temperature.
Natural dyeing with indigo is both a simple, and a complicated process. The procedure is simple, but what happens on the molecular level is complicated, and a single missing part can ruin the vat. Or at least, it can ruin the vat until you know how to fix it.
If you are new to dyeing with indigo, you can check out this article for the basic reduction vat method based off of a woad extraction. For an easy reduction vat with powdered indigo, or woad indigo, check out “Creating a Natural Indigo Reduction Vat.” You can also do a natural fermentation vat, or create a Saxon Blue vat. The Saxon Blue method is detailed in Indigo, Madder, and Marigold by Trudy Van Stralen, this method should not be used anywhere near children.

This situation is most likely to occur with a woad indigo extraction turned dye vat, than from a standard indigo reduction vat. However, if you leave your indigo reduction vat for a few days you could have color issues, or if you are doing a natural fermentation vat.

If the fabric remains green when it oxidizes, a typical happenstance with woad, the remedy is simple. After you are finished with the dye process, let the fiber or fabric oxidize overnight. Then, rinse in vinegar. The pH change will turn the color of the fabric to blue. If you do not change the pH, the green remains permanent, as long as it never encounters anything acidic.

If the fabric is grey or purple when it oxidizes, your pH is too low and the indigo is not properly reduced. Indigotin reduces at a pH of ten, if your pH is lower than the indigo will not adhere to your fabric. Check your vat’s pH, and add washing soda to bring it back to a pH of ten. You can then re-vat your miscoloured fabric and it will pick up the indigo and be fine. Alternatively, you could keep it in as is, as those non-blue indigo colors are also colourfast.

# data[].attributes.body
PROBLEM STATEMENT

a)What are the possible elements and texture extracted from indigo ?

b) How to adaption design elements into creative textile design composition?

c) How to apply and develop design elements colour indigo?

# data[].attributes.body
bos, upload microsoft word format

# data[].attributes.body
Introduction

# data[].attributes.headline
An Abstraction of Heliconia Rostrata elements into applied textile products

# data[].attributes.subject
An Abstraction of Heliconia Rostrata elements into applied textile products

# data[].attributes.headline
An aesthetic elements of Nephropidae and it's application into textile design products

# data[].attributes.subject
An aesthetic elements of Nephropidae and it's application into textile design products

# data[].attributes.headline
Research Objectives & Research Questions

# data[].attributes.subject
Research Objectives & Research Questions

# data[].attributes.headline
Research Objectives & Research Questions

# data[].attributes.subject
Research Objectives & Research Questions

# data[].attributes.headline
An abstraction of Klang Royal Town Mosque focusing on structure building and Islamic geometrical motif for textile design product. 

# data[].attributes.subject
An abstraction of Klang Royal Town Mosque focusing on structure building and Islamic geometrical motif for textile design product. 

# data[].attributes.headline
Schedule for December 2021 & January 2022

# data[].attributes.subject
Schedule for December 2021 & January 2022

# data[].attributes.body
27 December 2021 - Data Collection & Analysis Draft

3 January 2022 - Data Collection & Analysis Writing Progress

10 January 2022 - Data Collection & Analysis Submission

# data[].attributes.headline
Symbiosis Adaptation Of Mandi Bunga Ritual Practice And It’s Elements As an Inspiration In Textile Design Products

# data[].attributes.subject
Symbiosis Adaptation Of Mandi Bunga Ritual Practice And It’s Elements As an Inspiration In Textile Design Products

# data[].attributes.attachment_link.title
Symbiosis Adaptation Of Mandi Bunga Ritual Practice And It

# data[].attributes.attachment_link.title
UNIVERSITI TEKNOLOGI MARA thesis chapter 1-3