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It’s three o’clock in the morning,
We’ve danced the whole night thru,
And daylight soon will be dawning,
Just one more waltz with you,
That melody so entrancing,
Seems to be made for us two,
I could just keep right on dancing
forever dear with you.

There goes the three o’clock chime,
chiming rhyming
My heart keeps beating in time,
Sounds like an old sweet love tune,
Say that there soon will be a honeymoon.

It’s three o’clock in the morning,
We’ve danced the whole night thru,
And daylight soon will be dawning,
Just one more waltz with you,
That melody so entrancing,
Seems to be made for us two,
I could just keep right on dancing
forever dear with you.

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"Three O'Clock in the morning is used in the book as a song played at Gatsby's party. Nick called it a quaint sad waltz although it is about spending the night dancing with a lover. The song is sad because it is implied that soon the couple will have to separate because although the singer could keep on dancing it seems that the constant reference to the time shows that they will need to stop eventually. This parallels the way that Daisy and Gatsby were happy before but now they can no longer be together.

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I've seen the lights of gay Broadway,
Old Market Street down by the Frisco Bay,
I've strolled the Prado, I've gambled on the Bourse;
The seven wonders of the world I've seen,
And many are the places I have been,
Take my advice, folks, and see Beale Street first!
You'll see pretty browns in beautiful gowns,
You'll see tailor-mades and hand-me-downs,
You'll meet honest men, and pick-pockets skilled,
You'll find that business never ceases 'til somebody gets killed!

If Beale Street could talk, if Beale Street could talk,
Married men would have to take their beds and walk,
Except one or two who never drink booze,
And the blind man on the corner singing "Beale Street Blues!"

I'd rather be there than any place I know,
I'd rather be there than any place I know,
It's gonna take a sergeant for to make me go!

I'm goin' to the river, maybe by and by,
Yes, I'm goin' to the river, maybe by and by,
Because the river's wet, and Beale Street's done gone dry!

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"Beale Street Blues" is about a someone who has traveled all around the world but still wants to be on Beale street. They admits to all of its flaws and still want to go there but they can't because as it states "Beale Street's gone dry!". This relates to how Daisy wanted to be with Gatsby but she couldn't because he was out at war and she was being pressured to marry so she ended up marrying with Tom instead.

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"I'm the Sheik of Araby
Your love belongs to me
At night when you're asleep
Into your tent I'll creep
The stars that shine above
Will light our way to love
You'll rule this land with me;

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"The Sheik of Araby" is about the singer obsessing over a woman to the point where he claims that her love belongs to him as he creeps into her tent. This is brought up in the book when it is explained that Gatsby bought his house in order to be across the bay from Daisy. The song is used to help draw the connection to Gatsby's obsession over Daisy.

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The music in "The Great Gatsby" is meant to draw attention to the character interactions that take place often being either the exact same feelings the characters are going through. Not only does this set the mood for each scene but it also helps the reader understand the feelings of the character in any given scene.

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あの子が昨日 なんかすごく優しくて
(君じゃなきゃダメみたい)
こちらとしては そんなつもりないけど
(君じゃなきゃダメみたい)
いや バレてんじゃん ってか聞こえてんじゃん それ
(君じゃなきゃダメみたい)

頭の中 お花畑だとか少女漫画だとか
もう なんだってどうだっていい

そう 今すぐ君に会いたい
君に会って確かめてみたい
世界のことわり 愛の定義 幸せのカテゴリー
まだまだ君を知りたい
こんなセリフ 柄でもないけど
どんなに格好つけてたって始まりゃしない
君じゃなきゃダメみたい

今ごろになって気づいたところでさ
(君じゃなきゃ意味がない)
明日も家の前 通るわけだけど
(君じゃなきゃ意味がない)
いや 分かってんじゃん ってか期待してんじゃん それ
(君じゃなきゃ意味がない)

この際 噂話だとかご近所付き合いだとか
もう なりふり構ってらんない

そう 確かに君しかいない
君だけにはありのままいたい
笑い転げたり 愚痴たれたり 泣きべそ強がったり
この世でただ一人みたい
自分でも笑っちゃうんですけど
他の誰かじゃもう満たされやしない
君じゃなきゃ意味がない

散々迷って 壁に当たって
まるで心は君への迷路
考えすぎて 道が分かれて
右だ左だ 全部洒落くさい
もう なんだってどうだっていい

そう 今すぐ君に会いたい
君に会って確かめてみたい
世界のことわり 愛の定義 幸せのカテゴリー
まだまだ君を知りたい
こんなセリフ 柄でもないけど
どんなに格好つけてたって始まりゃしない
君じゃなきゃダメみたい

君じゃなきゃダメみたい

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That girl from yesterday seemed especially nice somehow
(I think it’s gotta be you)
Though from here it looks like she doesn’t have those intentions
(I think it’s gotta be you)
No, it’s comin’ out, er, uh, you can hear it… that…
(I think it’s gotta be you)

The inside of my head is like a field of flowers, like a shoujo manga
Oh, it doesn’t matter now

That’s right, I want to see you right away
I want to see you so that I can understand
The truth of this world, the definition of love,
The categories of happiness
I want to know more and more about you
That kind of line isn’t like me, but
No matter how much I play it cool, nothing will start
I think it’s gotta be you

She’s gonna notice any time now
(It’s meaningless if it’s not you)
‘Cause I’m gonna pass by her house again tomorrow
(It’s meaningless if it’s not you)
No, I know, I’m just gettin’ my hopes up
(It’s meaningless if it’s not you)

At this point, I don’t care about the gossip
Or how I must look to the neighbors

That’s right, you’re definitely the only one for me
And I want to be myself with you
Rolling around laughing, complaining, trying hard not to cry
There’s only one person in my world
That’s enough to make even me laugh, but
No one else can satisfy me
It’s meaningless if it’s not you

Utterly lost, facing a wall
My heart is like a labyrinth leading to you
I think too much, go down a different path
Left or right, it’s all a bad joke
Oh, it doesn’t matter now

That’s right, I want to see you right away
I want to see you so that I can understand
The truth of this world, the definition of love,
The categories of happiness
I want to know more and more about you
That kind of line isn’t like me, but
No matter how much I play it cool, nothing will start
I think it’s gotta be you

I think it’s gotta be you

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"The Sheik of Araby" works because it is all about wanting to be with someone no matter what. "Kimi ja nakya Dame Mitai" also shows the singer longing for the person they love, saying that they are actively trying to get closer. It matches the original songs intentions while also adding more meaning if you relate his doing anything with the context in the book of Gatsby buying the house for daisy. The song also matches the upbeat feel of "The Sheik of Araby" but in a completely different style.

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Gekkan Shoujo Nozaki-kun OP English Lyrics

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John McCormack Three O'clock in the Morning

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"Three O'Clock in the Morning" Waltz Song with Chimes Words by Dorothy Terriss [pseud. for Dolly Morse, 1890-1953] Music by Julian Robledo, 1887-1940 Revised by Frank E.

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Louis Armstrong and the All Stars 1954 Beale Street Blues

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If you leave, don't leave now
Please don't take my heart away
Promise me, just one more night
Then we'll go our separate ways
We've always had time on our side
Now it's fading fast
Every second, every moment
We've gotta make it last

I touch you once, I touch you twice
I won't let go at any price
I need you now like I need you then
You always said we'd still be friends someday

If you leave I won't cry
I won't waste one single day
But if you leave don't look back
I'll be running the other way
Seven years went under the
Like time was standing still
Heaven knows what happens now
You've gotta say you will

I'll touch you once, I'll touch you twice
I won't let go at any price
I need you now like I need you then
You always said we'd meet again

I touch you once, I touch you twice
I won't let go at any price
I need you now like I need you then
You always said we'd still be friends

I touch you once, I touch you twice
I won't let go at any price
I need you now like I need you then
You always said we'd meet again someday

If you leave
If you leave
If you leave
Don't look back
Don't look back

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You can look at the menu, but you just can't eat
You can feel the cushion, but you can't have a seat
You can dip your foot in the pool, but you can't have a swim
You can feel the punishment, but you can't commit the sin

And you want her, and she wants you
We want everyone
And you want her and she wants you
No one, no one, no one ever is to blame
You can build a mansion, but you just can't live in it
You're the fastest runner but you're not allowed to win
Some break the rules, and let you cut the cost
The insecurity is the thing that won't get lost

And you want her, and she wants you
We want everyone
And you want her and she wants you
No one, no one, no one ever is to blame

You can see the summit but you can't reach it
It's the last piece of the puzzle but you just can't make it fit
Doctor says you're cured but you still feel the pain
Aspirations in the clouds but your hopes go down the drain

And you want her, and she wants you
We want everyone
And you want her and she wants you
No one, no one, no one ever is to blame

No one ever is to blame
No one ever is to blame

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“Three O’Clock in Morning” shows  how the lovers want to spend more time together which reflects the way that Gatsby wants to spend more time with Daisy as she is about to leave the party. “If You Leave” is a bit more straitforward in saying that their time together will end but it shows a big emphasis on wanting to stay together. This means that it will carry all of he same symbolism that is shown in “Three O’Clock in the Morning” as a modern equivalent to its meaning.

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While “Beale Street Blues” speaks its message through Beale Street and wanting to be there “No One is to Blame” would be more direct in its symbolism by directly related to wanting to be with another person. The song states that they want to be together but as implied by all of the metaphors society won’t let them. This rates back to how even though Daisy wants to be with Gatsby she can’t be because of society’s pressure, in this case Daisy’s family pressuring her to make a decision.

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Orchestral Manoeuvres In The Dark - If You Leave (Official Music Video)