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"SHALL I COMPARE THEE TO A SUMMER'S DAY?"

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IT MEANS "POET", GENERALLY SPEAKING.

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CURIOSITIES FOR STUDENTS

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TED TALK. WATCH THE VIDEO FROM 0:05 TO 5'13''

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TED TALK. WATCH THE VIDEO FROM 0:05 TO 5'13''

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https://youtu.be/LsESSyMnwmU?t=5

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Romeo and Juliet, Hamlet and A Midsummer Night's dream

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-listen to many speak to a few
-What's done cannot be undone

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In the line “8” which is considered the turning point of the sonnet, Shakespeare signals that something is changing by using the word “but” and in the following lines the author says that the beloved person’s beauty will not change/fade or die.

Moreover, in the sonnet there are some figures of speech, such as:

Metaphor: a word or a phrase is applied to an object or action to which it is not literally applicable. (“Shall I compare thee to a summer’s day?” line 1) (“Sometime too hot the eye of heaven shines, and often is his gold complexion dimmed” lines: 5 and 6)

Assonance: the repetition of vowel sounds (“So long lives in this and this gives life to thee” line 14)

Metaphor: a word or a phrase is applied to an object or action to which it is not literally applicable. (“Sometime too hot the eye of heaven shines, and often is his gold complexion dimmed” lines: 5 and 6)

Alliteration: using several words that begin with the same letter (“And summer’s lease hath all too short a date” line 4)

Personification: the attribution of human qualities to objects (“His gold complexion dimmed” line 6)

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Romeo and Juliet, Hamlet and Othello. (just heard about)

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• Love all, trust a few, do wrong to none.
•There is nothing either good or bad, but thinking makes it so.

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Shakespear uses this sonnet to compare the a summer's day and the beloved person.
In the line 8 we can define the word "but" like a turning point, because after this word the author starts to tell how the beloved differs from the summer: the bolved's beauty
will never fade or die as a summer's day  does.

In this sonnet we can find some figures of speech like:
- Metaphor:

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( Lines 3-6 )                                   Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date.
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimmed.
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"Rough " and " hot" appeal to the sense of touch, "shines" and "gold" appeal to the sense of sight and "buds of May" can be an appeal to the sense of smell

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Romeo and Juliet, Hamlet, Othello and Merchant of Venice

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He jests at scars that never felt a wound.

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Shakespeare also uses in this sonnet the senses to underline and explain better the emotions.
- in the line 3 "Rough winds do shake the darling buds of may, he involved the sense of sight.
-in the line  5 " sometimes too hot the eye of heaven shines"  he involved the sense of touch, he feels the heat of the sun.

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Shakespeare loves his woman not because she is a goddess or because she is an unattainable beauty, but because she is his, and because she is real. He loves her for what the reality is, and not because he can compare her to beautiful things.

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The lady is described in a very negative way. Her eyes aren’t as bright as sun, her lips aren’t as red as the coral, her breasts are dun, her hair is described as black wires, she has not red cheeks and her breath smells, she has a terrible voice and a bad way of walking.

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In the final couplet there is a turning point that is signaled by "and yet". Shakespeare explains that he loves his woman in a much truer way than who makes false comparisons and exaggerations between the nature and his lady

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Romeo and juliet, Hamlet, Othello and julius Ceasar

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what's done is done

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We can define the turning point in the final rhyming couplet, I think it is also the most important part of the sonnet. Whit the word "yet" he makes understand that all he says before is not so important, he loves her just the way she is, it doesn't matter if she's not perfect, nobody's perfect. He doesn't want to idealize her woman. he loves her despite evrything and that's the  point.

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Shakespear doesn't want to idealize his woman, he knows that she is not perfect and not a goddness. Despite this she is real, she isn't just immagination or an ideal of woman. He loves her for this reasons, he thinks she is beautiful just the way she is.

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Even though the poet  doesn't make nice compliments to his woman, he just tries to write what's the reality.
He writes that: her eyes are nothing like the sun, her lips aren't red like a coral, she doesn't have red cheeks, her hair are like black wires, her breath isn't so good and her voice is not so pleasing.

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The poet love his woman in spite of the negative comparisons, because he settles for his wife, and he loves her as she is, without appearing like a goddess. And he prefers to face reality rather than mislead her with false compare.

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The lady is described in a negative way, with words that are both realistic and contemptuous, which are not normally dedicated to a woman , and make the beloved look bad. In fact he writes that "her eyes are nothing like sun, coral is far more red than her lips' red, her breasts are dun, black wires grow on her head, her perfume and voice are not pleasant, and also her walk is not pleasant. But his love is rare and real.

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The turning point is situated in the final rhyming couplet and is signaled by "and yet". After that, the poet conveys more interest in what will be said after, because he will talks of his real and rare love; which is different from the false love of others.

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With this sonnet Shakespeare compares a summer's day with 'the fair youth'. The sonnet starts with a comparison. The turning point is 'but' in the line 9. Shakespeare say that even if the sunlight sooner or later degrades, the light of his friend will never be extinguished, because it.  will always be alive in those verses. In the line 5 there's a personification of the sun 'eye of heaven'.

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In the line 2: sight
In the line 3 : touch and smell
In the line 5: touch

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Shakespeare loves bis woman because she's a real kind of beauty. She's not an imaginary or distant thing, she ' treads on the ground'. He used negative comparison to be ironic about the famous image of the perfect, heavenly and probable woman. He want to say that there isn't only one kind of beauty.

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The turning point is in the line 13 'and yet'. In this point, after negative comparisons,  Shakespeare want to communicate that the image of perfect woman doesn't fit with the real beauty.