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Round Table Live Replay

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Federica

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Begin at a small distance and diagonal facing from your technological device’s screen.

With a soft gaze, begin walking to your left, slowly but steadily, arriving back at your starting state.

Take an even slower 2 steps backwards

Pause

Now, with soft knees, walking/skimming the ground in a faster, circle, starting to the right, allowing for greater volume of its radius.

Repeat, a bit faster, with gaze shifting either up/down, or playing with both.

Pause

Turn 90 degrees

Pause

Walk near towards the exit of the room, finding a place to lean the whole of your body.

Pause, morph into the lean. Allow your body to breath into the imprint.

Slowly ease away, and with a gliding walk, move toward the light in your room.

Pause, allow eyes to close, sense the light and perhaps the heat.

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Please use this link:
https://rca-ac.zoom.us/j/3024450330?pwd=cCtzT0N2WEVJQk42V2Z6MEh2NkhQZz09

Meeting ID: 302 445 0330
Passcode: 231630

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Join from PC, Mac, Linux, iOS or Android: Click Here to Join

Meeting ID: 916 5939 3582
Passcode: 924187

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The gift I received was the Radical Tenderness Manifesto, which I read out to my family (husband and 13 y.o. son) during a car-ride across south London. My son spoke about the language of the manifesto as foreign and (hahaha) pretentious, so we tried to re-word the statements in more accessible language (English, that is). Then we decided to look for different meanings of 'radical tenderness' using Google translate, by translating it and then re-translating it back into English. Many went straight back to 'radical tenderness', but I saved screenshots whenever there was a change. It's quite revealing!

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Radical tenderness in translation for Whisper Game

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that was fantastic - big thank you to dorothee, ronald and everybody participating and sharing!!!

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Be barefoot and walk through your current space for 60 seconds. Stand still and be grounded for an additional 30 seconds.

by Kimberley Cunningham, Sevgi Aka, Jasmin Kolkwitz

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Holdin Hands

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by by Lauren O'Neal, Federica Cologna

Try to hold hands with the person next to you (even in Zoom).

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by Lauren O'Neal, Federica Cologna

Directions for doing the Window Score

1. Get up from your computer.
2. Take a photo of a window where you are (if you have one), or take a photo of a place in your room where you would like to have a window.
3. Come back to your computer.
4. Hold up the screen of your mobile device toward the camera and share it with others.
5. Take a minute to look at each person’s window.
6. Look at the mosaic of views we have created.

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From susan sentler, be van Vark, verena kuni, 3 scores

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From susan sentler, be van Vark, verena kuni, 3 scores

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Take a break!

A score of a fold

1. Allow your gaze to drift finding ‘folds’, in your space/place/site.

2. Find one fold, close enough to touch.

3. Draw the fold via sight, no more than 2 minutes.

4. Draw the same fold via touch, eyes closed, no more than 2 minutes.

5. Notice the 2 drawings.

6. What are the differences?

A gift score for 2

1. One person asks for a gift, what they would like to receive from the other.

2. The other person gives the gift.

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Judah, London. 26 6 2021

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take a break for exactly 40 minutes.

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take a break.

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Collage by Sylvia Plath. Courtesy Mortimer Rare Book Collection, Smith College, Northampton, Massachusetts, © Estate of Sylvia Plath

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A poignant new video experiment breaking down barriers between recently-arrived refugees and Europeans will be launched globally by Amnesty International tomorrow, 25 May 2016.

The video, Look Beyond Borders, is based on a theory that four minutes of uninterrupted eye contact increases intimacy. Amnesty International Poland and Polish ad agency DDB&Tribal applied the theory, developed by psychologist Arthur Aron in 1997, to the refugee crisis, sitting refugees from Syria and Somalia opposite people from Belgium, Italy, Germany, Poland and the UK, with overwhelmingly positive results. It was filmed by Amnesty International Poland in Berlin in April 2016.

"We decided to conduct a simple experiment during which refugees and Europeans sat across from each other and looked each other in the eyes. We recorded these very human encounters and the short film speaks for itself. People from different continents who have literally never set eyes on each other before come away feeling an amazing connection," says Draginja Nadażdin, Director of Amnesty International Poland.

We decided to conduct a simple experiment during which refugees and Europeans sat across from each other and looked each other in the eyes. We recorded these very human encounters and the short film speaks for itself.

Draginja Nadażdin, Director of Amnesty International Poland.

"It takes a heart of stone to watch this video without shedding a tear. Today, when the world appears rife with division and conflict, it is always worthwhile to look at everything from another person's perspective. Too often, what gets lost in the numbers and headlines is the suffering of actual people, who, like us, have families, friends, their own stories, dreams and goals. What if we stopped for just a moment and looked at who they really are?"

"Borders exist between countries, not people. And it is imperative that our governments start putting people before borders and their own short-term political gain."

The film shows natural, spontaneous reactions between people meeting for the first time in a warehouse near Berlin's old Cold War-era crossing, Checkpoint Charlie. The refugees came from Syria and Somalia and had lived in Europe for less than a year.

"We conducted the experiment in Berlin because the city symbolizes the overcoming of divisions. In that sense, the most important thing is to give people time to understand each other better and get to know one another," said Hanna Waśko, one of the campaign organizers from ad agency Big Picture.

Borders exist between countries, not people.

Draginja Nadażdin

Watch the Look Beyond Borders video on YouTube.

On 19 May, Amnesty International's Refugees Welcome Index showed that the vast majority of people around the world are taking the refugee crisis personally, with 80% of those surveyed across 27 countries saying they would let a refugee live in their country, 10% in their own home.

In Germany, where the video was filmed, 96% said they would let refugees live in their country.

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four minutes of uninterrupted eye contact

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Look refugees in the eye: Powerful video experiment breaks down barriers

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A poignant new video experiment breaking down barriers between recently-arrived refugees and Europeans will be launched globally by Amnesty International tomorrow, 25 May 2016. The video, Look Beyond Borders, is based on a theory that four minutes of uninterrupted eye contact increases intimacy.

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This is a performative guided thinking/experiencing exercise that goes through ideas of space, connection, accountability, bodies, materiality and ways of spatializing and thinking. This can be listened to and/or read alone or in groups. It was designed as a way of entering collective or group conversations and practices.

Accompanying the audio file of the recorded version is the annotated transcript, which points to some references that this exercise draws in, on, from and with.

You can choose to listen or read or both. I invite you to make yourself comfortable, in whatever way that means for you - sitting with eyes closed, taking a walk, or whatever feels alright. Feel free to pause, stop, return.

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Training for the Not-Yet - Training for the Not-Yet

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This is a performative guided thinking/experiencing exercise that goes through ideas of space, connection, accountability, bodies, materiality and ways of spatializing and thinking. This can be listened to and/or read alone or in groups. It was designed as a way of entering collective or group conversations and practices.

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Aimee Carrillo Rowe - Be Longing towards a feminist politics of relation

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The possibility to participate and leave or come back like an expanded ‘long table’. http://www.split-britches.com/long-table. Just wanted to know the source of the quote you read in relation to objects, to belonging
by Susan Sentler

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The AHRC, The Regional Lottery Program and the Arts Council of England funded development of this project.

Long Tables have been held on topics such as: Performance and Human Rights, Democracy and Technology, Arts and Aging, Performance and Medicine, Feminism, Labour, Gender and Citizenship, Representations of Violence in Political Performance and Queer Autobiography and in venues such as: Casa de Lapa, Rio de Janeiro (2003); Tanzquartier Wein, Vienna (2006); National Review of Live Art, Glasgow (2007); University of Indiana, Illinois (2008); London LIFT Festival, South Bank in London (2008); Performance Studies international, Zagreb, Croatia (2009); Hemispheric Institute's Encuentro in Buenos Aires, Argentina (2007) and Bogota, Columbia (2009); PS122 in New York (2011) and Queensland University of Technology in Brisbane, Australia (2012). Since 2003, the Long Table has been installed in over 100 locations and is now used as standard discussion format by other individuals and organizations such as the Tate Modern, London; University of Wisconsin; Culturebot, NYC; Hemispheric Institute, NYU; British Council, NYC and the Carnegie Museum of Art, Pittsburgh.

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The AHRC, The Regional Lottery Program and the Arts Council of England funded development of this project.

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Training for the Not-Yet - Training for the Not-Yet

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'Training for the Not-Yet' is a collective online publishing platform that brings together a multitude of practitioners from a wide range of disciplines to share their knowledge and methodologies on social engagement, radical collectivity and active empowerment.

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12:00 – 12:40pm CEST /
6:00 – 6:40pm HKT
Once Upon a Place
Panel discussion with Lucy Steeds (Afterall, UAL) with John Tain (Head of Research, Asia Art Archive)

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Decolonial Propositions
www-on-curating.org

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Speaking about economics behind ecosystems...

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How cultural practice is transferred into art and back into cultural practice, in what way everyday objects resemble works of art...

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Discussing markets for lonely people

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ah, i do not dare to move. wherever i set my foot, i feel like a dinosaur in a porcelain workshop. but then even without moving, i end up crawling up these hairy stems, always trying to reach the sweet flower, but the path is to steep and then there is this shadow approaching and both the stem and me are going down, down into darkness...

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response to 'you can find me in the garden if you want to'

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response to 'you can find me in the garden if you want to'

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one portal, voices emerging, a chirp into a word into a muffled microphone. a meshwork of softness, of play, of a rhythmic breath.

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listening to this piece made me think of someone in her*his flat simulating different noisy actions and/or environments, so in the end i was imagining a foley artist at work. now guess on which of the postcards i am commenting here... (yes, i know: there is a direct comment option below each contribution... so this is an invitation to everybody to join the next listening-imagination tour)

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The aesthetics of my house. The relief wallpaper. The cultural meaning of each object. What I should be thinking about. My arm hurts. The shape of the objects. The colours. The colours next to each other. The colours next to shapes. The objects in relation to each other. The ticking clock I cannot see.

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slowly turning_ all senses in equal use_enjoying_

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Calm Garden - kids mumbling - Youth feelings and warms of the sun in your face - coming home

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sitting in the garden_surrounded by the houses_at least 99 flats_ vulnerable with closed eyes_ the children's voices_feeling closer to the wind and the birds_they are always here_

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You can find me in the garden, if you want to

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You can find me in the garden, if you want to

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von be

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non-hierarchical learning, Duchamps Ready-made as an option for design descision-making

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non-hierarchical learning, Duchamps Ready-made as an option for design descision-making

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https://us02web.zoom.us/j/81759657867

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Gesya: Spice girl
Maya : ABBA, Somewhere over the Rainbow
Christopher: Creep by Radiohead
Samuel: Elton John - Sorry
Chunxi Liu:
Monika:
AD: Katy Perry - firework
Angga: September by Earth Wind and Fire

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Vienna, crime scene, KF

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This workshop is related to an exhibition at the Hong Kong Museum of Art. Please take a look of this PDF Pamphlet for more information.

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This workshop is related to an exhibition at the Hong Kong Museum of Art. Please take a look of this PDF Pamphlet for more information.

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Thickest Choi / HKBU AVA

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The discussion will take place in Hong Kong and will be broadcast on YouTube Live 360. 

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The discussion will take place in Hong Kong and will be broadcast on YouTube Live 360. 

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Please join us at:
https://www.youtube.com/watch?v=SmAOEF-U4Lo

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https://fomo4free.tumblr.com/

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1. Click on the + sign, to create a post.

2. Please write your thoughts, upload images or draw something.

3. If you use a quote, please provide a citation with the author's name,  title, year of publication …

4. Sign your post with your name, or create a padlet account.

5. If comfortable, please write your location from where you wrote the post.

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11:20 – 12:30 am CEST /
5:20 – 6:30 pm HKT
Against Political Naturalism
Talk with Yuk Hui

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12:00 – 12:40pm CEST /
6:00 – 6:40pm HKT
Situating the São Paulo Biennial 2020-21
Round table discussion with Jacopo Crivelli Visconti, Paulo Miyada moderated by Michael Asbury

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10:00 – 11:10am CEST /
4:00 –5:10pm HKT
Situating the Gap
Talk with Angela Dimitrakaki

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Highlighting the Hong Kong art history (1980s-1990s) in the realm of the contemporary era.

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Highlighting the Hong Kong art history (1980s-1990s) in the realm of the contemporary era.

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10:00am –12:00pm CEST /
4:00 – 6:00pm HKT
Talk with Jeanne van Heeswijk

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Sonic Greetings from Vienna! KF