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Images in which characteristics of objects are likened to one another and represented as that other. They are closely related to concepts about symbolism

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a direction or line

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the use of symbols (including visual symbols) to represent ideas or qualities

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The topic of a text. What the text is about. In visual texts, this is the central person (or object)

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Shot which shows a person from the waist up. Used in conversation and to show body language.

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something that stands out, is the most noticeable or important

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the area between the foreground and the background

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The camera films the subject from below. This usually has the effect of making the subject look larger than normal, and therefore strong, powerful or threatening.

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position of the body

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A shot that often shows a part of the body filling the frame—traditionally a face, but possibly a hand, eye, or mouth.

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A framing in which the scale of the object shown is small; a standing human figure would appear nearly the height of the screen.

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a camera angle that shows the subject from above; can make a person appear weak, small or vulnerable.

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the brightness, darkness, highlights, and shadows in an image or scene

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Motion of hands or body to communicate an idea or feeling

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Placement of two things closely together to emphasize comparisons or contrasts

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the direction that a person is looking

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If the subject is looking at someone else in the scene, the viewer will consider why.

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When a subject looks directly at the camera, their power and confidence is emphasized.
This establishes a direct and explicit connection between the viewer and the subject.

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can create mood and symbolise feelings

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the part of a work depicted as nearest to the viewer

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an arrangement of the facial muscles to communicate thoughts, emotions, and attitudes

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the ways in which people use their bodies to give messages to others

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area behind text or objects, furthest away from the viewer

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an idea or feeling that a word (or visual symbol) invokes in addition to its literal or primary meaning. Not literal.